Author : Nathan Wolff
Publisher : Oxford University Press, USA
ISBN 13 : 0198831692
Total Pages : 227 pages
Book Rating : 4.1/5 (988 download)
Book Synopsis Not Quite Hope and Other Political Emotions in the Gilded Age by : Nathan Wolff
Download or read book Not Quite Hope and Other Political Emotions in the Gilded Age written by Nathan Wolff and published by Oxford University Press, USA. This book was released on 2019-02-13 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Not Quite Hope and Other Political Emotions in the Gilded Age argues that late nineteenth-century US fiction grapples with and helps to conceptualize the disagreeable feelings that are both a threat to citizens' agency and an inescapable part of the emotional life of democracy--then as now. In detailing the corruption and venality for which the period remains known, authors including Mark Twain, Harriet Beecher Stowe, Henry Adams, and Helen Hunt Jackson evoked the depressing inefficacy of reform, the lunatic passions of the mob, and the revolting appetites of lobbyists and office seekers. Readers and critics of these Washington novels, historical romances, and satiric romans a clef have denounced these books' fiercely negative tone, seeing it as a sign of elitism and apathy. The volume argues, in contrast, that their distrust of politics is coupled with an intense investment in it. Chapters examine both common and idiosyncratic forms of political emotion, including 'crazy love', disgust, cynicism, 'election fatigue', and the myriad feelings of hatred and suspicion provoked by the figure of the hypocrite. In so doing, the book corrects critics' too-narrow focus on 'sympathy' as the American novel's model political emotion. We think of reform novels as fostering feeling for fellow citizens or for specific causes. This volume argues that Gilded Age fiction refocuses attention on the unstable emotions that shape our relation to politics as such. It also positions this literature's fraught fascination with formal politics as a necessary counterpoint to histories of US literature that focus only on the nineteenth-century novel's anti-institutional imaginaries.
