Woman With A Movie Camera

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Woman with a Movie Camera

Author : Marina Goldovskaya
Publisher : University of Texas Press
ISBN 13 : 0292778961
Total Pages : 289 pages
Book Rating : 4.2/5 (927 download)

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Book Synopsis Woman with a Movie Camera by : Marina Goldovskaya

Download or read book Woman with a Movie Camera written by Marina Goldovskaya and published by University of Texas Press. This book was released on 2010-01-01 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience.

Women and Film

Author : E. Ann Kaplan
Publisher : Psychology Press
ISBN 13 : 9780415027649
Total Pages : 276 pages
Book Rating : 4.0/5 (276 download)

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Book Synopsis Women and Film by : E. Ann Kaplan

Download or read book Women and Film written by E. Ann Kaplan and published by Psychology Press. This book was released on 1988 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzes the treatment of women in American movies and examines the themes of a variety of contemporary movies made by women.

Camera, Woman

Author : RM Vaughan
Publisher : Coach House Books
ISBN 13 : 177056022X
Total Pages : 73 pages
Book Rating : 4.7/5 (75 download)

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Book Synopsis Camera, Woman by : RM Vaughan

Download or read book Camera, Woman written by RM Vaughan and published by Coach House Books. This book was released on 1994-01-18 with total page 73 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'There are no lost women, only women who've forgotten their scripts.' RM Vaughan's play about Hollywood director Dorothy Arzner comes off the stage and onto the page in this handsome edition from Coach House Books. An insightful look at the gender politics behind the cameras and studios of the golden age of cinema.

What Can a Woman Do with a Camera?

Author : Joan Solomon
Publisher :
ISBN 13 :
Total Pages : 200 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis What Can a Woman Do with a Camera? by : Joan Solomon

Download or read book What Can a Woman Do with a Camera? written by Joan Solomon and published by . This book was released on 1995 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women are bombarded with images dictating how we must look, how we should act and even defining who we are. When women present images of themselves, the boundaries fall away giving fascinating leaps of the imagination. From abstract expression to straightforward snapshots, women can use the camera differently. We can go beyond conventional photographic preoccupations with surface and lighting and see the camera as a flexible tool to record, discover and invent."--Publisher's description.

Women and Film

Author : E Ann Kaplan
Publisher :
ISBN 13 :
Total Pages : 259 pages
Book Rating : 4.:/5 (748 download)

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Book Synopsis Women and Film by : E Ann Kaplan

Download or read book Women and Film written by E Ann Kaplan and published by . This book was released on 1993 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Book analyses how women are represented in the cinema.

Women Filmmakers

Author : Jacqueline Levitin
Publisher : UBC Press
ISBN 13 : 9780774809030
Total Pages : 514 pages
Book Rating : 4.8/5 (9 download)

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Book Synopsis Women Filmmakers by : Jacqueline Levitin

Download or read book Women Filmmakers written by Jacqueline Levitin and published by UBC Press. This book was released on 2003 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: What difference does it make when a woman wields the camera? Women Filmmakers: Refocusing casts a critical eye on the often-overlooked work of women filmmakers. It provides a rich sampling of the wealth of thought and experience of women in the film industry and brings together in a unique way the views of creators and critics from around the world.

Women's Experimental Cinema

Author : Robin Blaetz
Publisher : Duke University Press
ISBN 13 : 0822392089
Total Pages : 433 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Women's Experimental Cinema by : Robin Blaetz

Download or read book Women's Experimental Cinema written by Robin Blaetz and published by Duke University Press. This book was released on 2007-10-16 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde. The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use. Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

Soviet Women – Everyday Lives

Author : Melanie Ilic
Publisher : Routledge
ISBN 13 : 1000033902
Total Pages : 349 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis Soviet Women – Everyday Lives by : Melanie Ilic

Download or read book Soviet Women – Everyday Lives written by Melanie Ilic and published by Routledge. This book was released on 2020-02-18 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on an extensive reading of a broad range of women’s accounts of their lives in the Soviet Union, this book focuses on many hidden aspects of Soviet women’s everyday lives, thereby revealing a great deal about how the Soviet Union operated on a day-to-day basis and about the place of the individual within it. Including testimony from both celebrated literary and cultural figures and from many ordinary people, and from both enthusiastic supporters of the regime and dissidents, the book considers women’s daily routines, attitudes and behaviours. It highlights some of the hidden inequalities of an ostensibly egalitarian society, and considers many wider questions, including how extensive was the ‘reach’ of the Soviet regime; how ‘modern’ was it; how far were there continuities after 1917 between the new Bolshevik regime and Russia’s imperial past; and how homogenous and how mobile was Soviet society?

Kino and the Woman Question

Author : Judith Mayne
Publisher :
ISBN 13 :
Total Pages : 232 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Kino and the Woman Question by : Judith Mayne

Download or read book Kino and the Woman Question written by Judith Mayne and published by . This book was released on 1989 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kino and the Woman Question is a study of Soviet silent films in terms of their complex and often contradictory explorations of woman's position within socialist culture and narrative. Judith Mayne argues that representations of women shaped, subverted, or otherwise complicated the cinematic and ideological goals of Soviet film in the 1920s.

The Place of Poetics within Documentary Filmmaking

Author : Keith Marley
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527518736
Total Pages : 245 pages
Book Rating : 4.5/5 (275 download)

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Book Synopsis The Place of Poetics within Documentary Filmmaking by : Keith Marley

Download or read book The Place of Poetics within Documentary Filmmaking written by Keith Marley and published by Cambridge Scholars Publishing. This book was released on 2023-07-21 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection aims to give insight to the reader as to how poetic approaches to documentary filmmaking have helped to develop the documentary form into a rich and diverse way of representing the real world in film. As such, it is the aesthetics of documentary filmmaking that becomes the primary focus of discussion within this collection. The majority of the chapters are written by documentary filmmakers who give insight into how poetics have influenced their own approach to documentary filmmaking, while other chapters are written by film scholars who analyse the work of others, in order to uncover how poetics are manifested in existing documentary films. This book will be of interest to those who produce documentary films, as well as those who have an interest in the work of other documentary filmmakers.

Women Behind the Camera

Author : Alexis Krasilovsky
Publisher : Praeger
ISBN 13 :
Total Pages : 288 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Women Behind the Camera by : Alexis Krasilovsky

Download or read book Women Behind the Camera written by Alexis Krasilovsky and published by Praeger. This book was released on 1997-04-30 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood has seen the number of camerawomen quadruple in the past 15 years. Women Behind the Camera is the first book to offer an in-depth look at the lives of camerawomen and their struggles to succeed in a male-dominated field. Krasilovsky presents interviews with 23 camerawomen, most of whom are pioneers in Hollywood and whose experiences cover the full range of the Camera Department. The camerawomen interviewed include all four women Directors of Photography who have achieved membership in the prestigious American Society of Cinematographers, one of the first female camera assistants to work at the BBC, camerawomen who worked on Star Trek VI and Terminator 2, and a full range of documentary, experimental, and video camerawomen. These pioneering women, who have filmed in war zones, on mountain peaks, underwater, and on Hollywood sets, discuss their influences, goals, and experiences with directors and stars, and the art of cinematography.

Women and Turkish Cinema

Author : Eylem Atakav
Publisher : Routledge
ISBN 13 : 1136681590
Total Pages : 162 pages
Book Rating : 4.1/5 (366 download)

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Book Synopsis Women and Turkish Cinema by : Eylem Atakav

Download or read book Women and Turkish Cinema written by Eylem Atakav and published by Routledge. This book was released on 2012-11-27 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since 2000, there has been a considerable effort in Turkish cinema to come to terms with the military’s intervention in politics and subsequent national trauma. It has resulted in an outpouring of cinematic texts. This book focuses on women and Turkish cinema in the context of gender politics, cultural identity and representation. The central proposition of this book is that enforced depolticisation introduced after the coup is responsible for uniting feminism and film in 1980s Turkey. The feminist movement was able to flourish precisely because it was not perceived as political or politically significant. In a parallel move in the films of the 1980s there was an increased tendency to focus on the individual, on women’s issues and lives, in order to avoid the overtly political. Women and Turkish Cinema provides a comprehensive view of cinema’s approach to women in a country which straddles European and Middle Eastern cultural conceptions, identities and religious values and will be an invaluable resource for students and scholars of Film Studies, Gender Studies and Middle East Studies, amongst others.

The Essay Film

Author : Elizabeth Papazian
Publisher : Columbia University Press
ISBN 13 : 0231851030
Total Pages : 328 pages
Book Rating : 4.2/5 (318 download)

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Book Synopsis The Essay Film by : Elizabeth Papazian

Download or read book The Essay Film written by Elizabeth Papazian and published by Columbia University Press. This book was released on 2016-11-08 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specializing in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic, postcolonial, feminist, philosophical) explore the essay film and its consequences for the theory of cinema while building on and challenging existing theories. Taking as a guiding principle the essay form's dialogic, fluid nature, the volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema—fiction film, popular cinema, and documentary, video installation, and digital essay. A wide range of filmmakers are covered, from Dziga Vertov (Man with a Movie Camera, 1928), Chris Marker (Description of a Struggle, 1960), Nicolás Guillén Landrián (Coffea Arábiga, 1968), Pier Paolo Pasolini (Notes for an African Oresteia, 1969), Chantal Akerman (News from Home, 1976) and Jean-Luc Godard (Notre musique, 2004) to Nanni Moretti (Palombella Rossa, 1989), Mohammed Soueid (Civil War, 2002), Claire Denis (L'Intrus, 2004) and Terrence Malick (The Tree of Life, 2011), among others. The volume argues that the essayistic in film—as process, as experience, as experiment—opens the road to key issues faced by the individual in relation to the collective, but can also lead to its own subversion, as a form of dialectical thought that gravitates towards crisis.

Superfluous Women

Author : Jessica Zychowicz
Publisher : University of Toronto Press
ISBN 13 : 1487501684
Total Pages : 421 pages
Book Rating : 4.4/5 (875 download)

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Book Synopsis Superfluous Women by : Jessica Zychowicz

Download or read book Superfluous Women written by Jessica Zychowicz and published by University of Toronto Press. This book was released on 2020 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using firsthand interviews, archival documents, and visual analysis, Superfluous Women explores the intersections between art, protest, and feminism in today's Ukraine.

Shooting Women

Author : Harriet Elaine Margolis
Publisher : Intellect (UK)
ISBN 13 : 9781783205066
Total Pages : 0 pages
Book Rating : 4.2/5 (5 download)

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Book Synopsis Shooting Women by : Harriet Elaine Margolis

Download or read book Shooting Women written by Harriet Elaine Margolis and published by Intellect (UK). This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shooting Women takes readers around the world to explore the lives of camerawomen working in features, TV news, and documentaries. From first-world pioneers like African American camerawoman Jessie Maple Patton--who got her job only after suing the union--to China's first camerawomen who traveled with Mao, to rural India where poor women have learned camerawork as a means of empowerment, Shooting Women reveals a world of women working with courage and skill in what has long been seen as a male field.

The Oxford Handbook of Film Theory

Author : Kyle Stevens
Publisher : Oxford University Press
ISBN 13 : 0190873922
Total Pages : 713 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis The Oxford Handbook of Film Theory by : Kyle Stevens

Download or read book The Oxford Handbook of Film Theory written by Kyle Stevens and published by Oxford University Press. This book was released on 2022 with total page 713 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, this collection narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.

The Face on Film

Author : Noa Steimatsky
Publisher : Oxford University Press
ISBN 13 : 0199863156
Total Pages : 208 pages
Book Rating : 4.1/5 (998 download)

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Book Synopsis The Face on Film by : Noa Steimatsky

Download or read book The Face on Film written by Noa Steimatsky and published by Oxford University Press. This book was released on 2017-01-03 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The human face was said to be rediscovered with the advent of motion pictures, in which it is often viewed as expressive locus, as figure, and even as essence of the cinema. But how has the modern, technological, mass-circulating art revealed the face in ways that are also distinct from any other medium? How has it altered our perception of this quintessential incarnation of the person? The archaic powers of masks and icons, the fashioning of the individual in the humanist portrait, the modernist anxieties of fragmentation and de-figuration--these are among the cultural precedents informing our experience in the movie theatre. Yet the moving image also offers radical new confrontations with the face: Dreyer's Passion of Joan of Arc, Donen's Funny Face, Hitchcock's The Wrong Man, Bresson's enigmatic Au hasard Balthazar, Antonioni's Screen Test, Warhol's filmic portraits of celebrity and anonymity are among the key works explored in this book. In different ways these intense encounters manifest a desire for transparency and plenitude, but--especially in post-classical cinema--they also betray a profound ambiguity that haunts the human countenance as it wavers between image and language, between what we see and what we know. The spectacular impact of the cinematic face is uncannily bound up with an opacity, a reticence. But is it not for this very reason that, like faces in the world, it still enthralls us?