The Oxford Handbook of Film Theory

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Publisher : Oxford University Press
ISBN 13 : 0190873922
Total Pages : 713 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis The Oxford Handbook of Film Theory by : Kyle Stevens

Download or read book The Oxford Handbook of Film Theory written by Kyle Stevens and published by Oxford University Press. This book was released on 2022 with total page 713 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, this collection narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.

The Oxford Handbook of Film and Media Studies

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Publisher :
ISBN 13 :
Total Pages : 648 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis The Oxford Handbook of Film and Media Studies by : Robert Kolker

Download or read book The Oxford Handbook of Film and Media Studies written by Robert Kolker and published by . This book was released on 2008-09-11 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook examines film and new media in the light of their convergence. It draws on leading scholars in the field to discuss traditional areas of history and theory of film and digital media. Its focus, however, is on the cycle of technologically driven arts. Film was born of a number of experiments in reproducing motion, all of which culminated in the nineteenth-century projection of short films. The creation of digital media resulted from experiments in alternative forms of representation in the early 1960s. John Whitney began creating avant-garde films from digital graphics around 1960 (and some of his ideas and methods were incorporated by Stanley Kubrick in 2001: A Space Odyssey). By the early 1990s, commercial filmmakers began to employ digital effects in their work. By the late nineties, digital arts had come fully into their own, both in the form of stand-alone or interactive artworks and films created with and for the computer. At the same time, digital effects had completely overtaken optical printing and matte painting in film. From special effects to creating "realistic" backgrounds and crowds, the digital is infiltrating all aspects of filmmaking. The infiltration is about to become a takeover, as celluloid is replaced by high definition digital recording and projection processes. Many aspects of film will change as this latest convergence takes place. Already, cultural response to film has changed as viewers begin to teach themselves about film through supplementary material on DVDs and to make their own films on home computers. But this handbook is not a technical history or manual. Quite the contrary, it is a scholarly work discussing the aesthetics, economics, and cultural results of these changes and convergences. The book balances traditional scholarship and analysis with essays addressing technological change and the concurrent changes in cultural responses to these changes, responses already acknowledged by the profession.

The Oxford Handbook of Film Music Studies

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Publisher : Oxford University Press
ISBN 13 : 0190250593
Total Pages : 696 pages
Book Rating : 4.1/5 (92 download)

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Book Synopsis The Oxford Handbook of Film Music Studies by : David Neumeyer

Download or read book The Oxford Handbook of Film Music Studies written by David Neumeyer and published by Oxford University Press. This book was released on 2014 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.

The Oxford Handbook of Japanese Cinema

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Publisher : Oxford University Press
ISBN 13 : 0199731667
Total Pages : 497 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis The Oxford Handbook of Japanese Cinema by : Daisuke Miyao

Download or read book The Oxford Handbook of Japanese Cinema written by Daisuke Miyao and published by Oxford University Press. This book was released on 2014 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.

The Oxford Handbook of Queer Cinema

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Publisher : Oxford University Press
ISBN 13 : 0190877995
Total Pages : 865 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis The Oxford Handbook of Queer Cinema by : Ronald Gregg

Download or read book The Oxford Handbook of Queer Cinema written by Ronald Gregg and published by Oxford University Press. This book was released on 2021 with total page 865 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. While many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement (dubbed by B. Ruby Rich, the "new queer cinema") in the United States, films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms. Cross-dressing, same-sex attraction, comedic drag performance: at some points, for example in 1950s television, these were not undercurrents but very prominent aspects of mainstream cultural production. Addressing "history" not as dots on a progressive spectrum but as a uneven story of struggle, writers on queer cinema in this volume stress how that queer cinema did not appear miraculously at one moment but describes currents throughout the century-long history of the medium. Likewise, while queer is an Anglophone term that has been widely circulated, it by no means names a unified or complete spectrum of sexuality and gender identity, just as the LGBTQ+ alphabet soup struggles to contain the distinctive histories, politics, and cultural productions of trans artists and genderqueer practices. Across the globe, media makers have interrogated identity and desire through the medium of cinema through rubrics that sometimes vigorously oppose the Western embrace of the pejorative term queer, instead foregrounding indigenous genders and sexualities, or those forged in the global South, or those seeking alternative epistemologies. Finally, while "cinema" is in our title, many scholars in this collection see that term as an encompassing one, referencing cinema and media in a convergent digital environment. The lively and dynamic conversations introduced here aspire to sustain further reflection as "queer cinema" shifts into new configurations"--

The Oxford Handbook of Film Music Studies

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Publisher : Oxford University Press
ISBN 13 : 0195328493
Total Pages : 697 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis The Oxford Handbook of Film Music Studies by : David Neumeyer

Download or read book The Oxford Handbook of Film Music Studies written by David Neumeyer and published by Oxford University Press. This book was released on 2014 with total page 697 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.

The Oxford Handbook of Political Theory

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Publisher : Oxford University Press
ISBN 13 : 0199548439
Total Pages : 898 pages
Book Rating : 4.1/5 (995 download)

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Book Synopsis The Oxford Handbook of Political Theory by : John S. Dryzek

Download or read book The Oxford Handbook of Political Theory written by John S. Dryzek and published by Oxford University Press. This book was released on 2008-06-12 with total page 898 pages. Available in PDF, EPUB and Kindle. Book excerpt: Oxford Handbooks of Political Science are the essential guide to the state of political science today. With engaging contributions from 51 major international scholars, the Oxford Handbook of Political Theory provides the key point of reference for anyone working in political theory and beyond.

The Oxford Handbook of Adaptation Studies

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Publisher : Oxford University Press
ISBN 13 : 0190657049
Total Pages : 785 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis The Oxford Handbook of Adaptation Studies by : Thomas Leitch

Download or read book The Oxford Handbook of Adaptation Studies written by Thomas Leitch and published by Oxford University Press. This book was released on 2017-03-17 with total page 785 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of adaptations around the world, from Latin American telenovelas to Czech cinema, from Hong Kong comics to Classics Illustrated, from Bollywood to zombies, and explores the ways media as different as radio, opera, popular song, and videogames have handled adaptation. Going still further, it examines the relations between adaptation and such intertextual practices as translation, illustration, prequels, sequels, remakes, intermediality, and transmediality. The volume's contributors consider the similarities and differences between adaptation and history, adaptation and performance, adaptation and revision, and textual and biological adaptation, casting an appreciative but critical eye on the theory and practice of adaptation scholars--and, occasionally, each other. The Oxford Handbook of Adaptation Studies offers specific suggestions for how to read, teach, create, and write about adaptations in order to prepare for a world in which adaptation, already ubiquitous, is likely to become ever more important.

The Oxford Handbook of Entertainment Theory

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Publisher : Oxford University Press
ISBN 13 : 0190072229
Total Pages : 800 pages
Book Rating : 4.1/5 (9 download)

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Book Synopsis The Oxford Handbook of Entertainment Theory by : Peter Vorderer

Download or read book The Oxford Handbook of Entertainment Theory written by Peter Vorderer and published by Oxford University Press. This book was released on 2021-02-12 with total page 800 pages. Available in PDF, EPUB and Kindle. Book excerpt: The proliferation of new digital technologies has given rise to an entirely changed media landscape and revolutionized how we seek entertainment. Older entertainment media like novels, radio, and film have been joined by a host of digital media that smartphones allow us to carry almost anywhere and at all times, from video games and social media to video on demand services. This unprecedented ubiquity of entertainment media calls for new and more sophisticated theories that help us understand the fascination that different entertainment media exert on us and how they change the human experience. The Oxford Handbook of Entertainment Theory surveys and furthers the most influential psychology-driven research on media entertainment to illuminate how people are drawn into media experiences. The 41 chapters in this Handbook not only offer fresh perspectives on established theories but also introduce emerging models and highlight the importance of considering the diverse backgrounds of media users when conducting research. They also cover the motivations and reactions of media users in relationship to different types of media, the trend towards interactive media such as video games and virtual reality, and particularly popular media contents like sexuality, violence, sports, and the news. As the most comprehensive overview of psychology-based research on media entertainment available, this Handbook is an invaluable resource for seasoned researchers and those beginning to learn about the field alike.

The Oxford Handbook of Ethical Theory

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Publisher : OUP USA
ISBN 13 : 0195147790
Total Pages : 680 pages
Book Rating : 4.1/5 (951 download)

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Book Synopsis The Oxford Handbook of Ethical Theory by : Professor of Philosophy David Copp

Download or read book The Oxford Handbook of Ethical Theory written by Professor of Philosophy David Copp and published by OUP USA. This book was released on 2006-01-26 with total page 680 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Handbook is a comprehensive reference work in ethical theory consisting of commissioned articles by leading scholars. The first part treats meta-ethics and the second part normative ethical theory. As with all the Oxford Handbooks, the collection is designed to achieve three goals: exposition of central ideas, criticism of other approaches, and defenses of distinct points of view.

Concepts In Film Theory

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Publisher :
ISBN 13 : 9780195699548
Total Pages : 239 pages
Book Rating : 4.6/5 (995 download)

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Book Synopsis Concepts In Film Theory by : D.Andrew

Download or read book Concepts In Film Theory written by D.Andrew and published by . This book was released on 2008-10-22 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Oxford Handbook of Chinese Cinemas

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Publisher : Oxford University Press
ISBN 13 : 0199988447
Total Pages : 792 pages
Book Rating : 4.1/5 (999 download)

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Book Synopsis The Oxford Handbook of Chinese Cinemas by : Carlos Rojas

Download or read book The Oxford Handbook of Chinese Cinemas written by Carlos Rojas and published by Oxford University Press. This book was released on 2013-03-13 with total page 792 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity -- all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.

The Major Film Theories

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Publisher : Oxford University Press
ISBN 13 : 0199878447
Total Pages : 288 pages
Book Rating : 4.1/5 (998 download)

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Book Synopsis The Major Film Theories by : J. Dudley Andrew

Download or read book The Major Film Theories written by J. Dudley Andrew and published by Oxford University Press. This book was released on 1976-04-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Both a history of film theory and an introduction to the work of the most important writers in the field, Andrew's volume reveals the bases of thought of such major theorists as Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz.

Concepts in Film Theory

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Publisher :
ISBN 13 : 9781601295781
Total Pages : 239 pages
Book Rating : 4.2/5 (957 download)

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Book Synopsis Concepts in Film Theory by :

Download or read book Concepts in Film Theory written by and published by . This book was released on 1984 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Concepts in Film Theory

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Author :
Publisher : Oxford University Press
ISBN 13 : 0198020511
Total Pages : 254 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis Concepts in Film Theory by : J. Dudley Andrew

Download or read book Concepts in Film Theory written by J. Dudley Andrew and published by Oxford University Press. This book was released on 1984-03-15 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.

The Oxford Handbook of Adaptation Studies

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Publisher : Oxford University Press
ISBN 13 : 0199331006
Total Pages : 785 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis The Oxford Handbook of Adaptation Studies by : Thomas M. Leitch

Download or read book The Oxford Handbook of Adaptation Studies written by Thomas M. Leitch and published by Oxford University Press. This book was released on 2017 with total page 785 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of adaptations around the world, from Latin American telenovelas to Czech cinema, from Hong Kong comics to Classics Illustrated, from Bollywood to zombies, and explores the ways media as different as radio, opera, popular song, and videogames have handled adaptation. Going still further, it examines the relations between adaptation and such intertextual practices as translation, illustration, prequels, sequels, remakes, intermediality, and transmediality. The volume's contributors consider the similarities and differences between adaptation and history, adaptation and performance, adaptation and revision, and textual and biological adaptation, casting an appreciative but critical eye on the theory and practice of adaptation scholars--and, occasionally, each other. The Oxford Handbook of Adaptation Studies offers specific suggestions for how to read, teach, create, and write about adaptations in order to prepare for a world in which adaptation, already ubiquitous, is likely to become ever more important.

Film Theory: Rational Reconstructions

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Author :
Publisher : Routledge
ISBN 13 : 1136501118
Total Pages : 241 pages
Book Rating : 4.1/5 (365 download)

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Book Synopsis Film Theory: Rational Reconstructions by : Warren Buckland

Download or read book Film Theory: Rational Reconstructions written by Warren Buckland and published by Routledge. This book was released on 2012-03-29 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Film Theory: Rational Reconstructions, Warren Buckland asks a series of questions about how film theory gets written in the first place: How does it select its objects of study and its methods of inquiry? How does it make discoveries and explain filmic phenomena? And, How does it formulate and solve theoretical problems? He asks these questions of film theory through a rational reconstruction and a classical commentary. Both frameworks clarify and reformulate vague and inexact expressions, redefine obscure concepts, and examine the underlying logic of film theory arguments. This not only subjects film theory to rigorous examination; it also teaches students how to write theory, by enabling them to question and critically interrogate the logic of previous film theory arguments. The book consists of nine chapters that closely examine a series of canonical film books and essays in great detail, by Peter Wollen, Laura Mulvey, Thomas Elsaesser, Stephen Heath, and Slavoj Žižek, among others.