The Theatre Of The French Revolution

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Molière, the French Revolution, and the Theatrical Afterlife

Author : Mechele Leon
Publisher : University of Iowa Press
ISBN 13 : 1587298910
Total Pages : 198 pages
Book Rating : 4.5/5 (872 download)

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Book Synopsis Molière, the French Revolution, and the Theatrical Afterlife by : Mechele Leon

Download or read book Molière, the French Revolution, and the Theatrical Afterlife written by Mechele Leon and published by University of Iowa Press. This book was released on 2009-10 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière’s works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of honor in the nation’s new cultural memory. Leon begins by analyzing the performance of Molière’s plays during the Revolution, showing how his privileged position as royal servant was disrupted by the practical conditions of the revolutionary theatre. Next she explores Molière’s relationship to Louis XIV, Tartuffe, and the social function of his comedy, using Rousseau’s famous critique of Molière as well as appropriations of George Dandin in revolutionary iconography to discuss how Moliérean laughter was retooled to serve republican interests. After examining the profusion of plays dealing with his life in the latter years of the Revolution, she looks at the exhumation of his remains and their reentombment as the tangible manifestation of his passage from Ancien Régime favorite to new national icon. The great Molière is appreciated by theatre artists and audiences worldwide, but for the French people it is no exaggeration to say that the Father of French Comedy is part of their national soul. By showing how he was represented, reborn, and reburied in the new France—how the revolutionaries asserted his relevance for their tumultuous time in ways that were audacious, irreverent, imaginative, and extreme—Leon clarifies the important role of theatrical figures in preserving and portraying a nation’s history.

The Sentimental Theater of the French Revolution

Author : Dr Cecilia Feilla
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1472404319
Total Pages : 355 pages
Book Rating : 4.4/5 (724 download)

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Book Synopsis The Sentimental Theater of the French Revolution by : Dr Cecilia Feilla

Download or read book The Sentimental Theater of the French Revolution written by Dr Cecilia Feilla and published by Ashgate Publishing, Ltd.. This book was released on 2013-04-28 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.

The Theatre of the French Revolution

Author : Marvin Carlson
Publisher : Ithaca, N.Y : Cornell University Press
ISBN 13 :
Total Pages : 366 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis The Theatre of the French Revolution by : Marvin Carlson

Download or read book The Theatre of the French Revolution written by Marvin Carlson and published by Ithaca, N.Y : Cornell University Press. This book was released on 1966 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Tragedy Walks the Streets

Author : Matthew S. Buckley
Publisher : JHU Press
ISBN 13 : 0801884349
Total Pages : 204 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Tragedy Walks the Streets by : Matthew S. Buckley

Download or read book Tragedy Walks the Streets written by Matthew S. Buckley and published by JHU Press. This book was released on 2006-09-19 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description

Dramatic Justice

Author : Yann Robert
Publisher : University of Pennsylvania Press
ISBN 13 : 0812250753
Total Pages : 344 pages
Book Rating : 4.8/5 (122 download)

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Book Synopsis Dramatic Justice by : Yann Robert

Download or read book Dramatic Justice written by Yann Robert and published by University of Pennsylvania Press. This book was released on 2018-11-02 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it challenges two widely accepted narratives: first, that French theater drifted toward entertainment and illusionism during this period and, second, that the French justice system abandoned any performative foundation it previously had in favor of a textual one. In Dramatic Justice, he demonstrates that the inverse of each was true. Robert traces the rise of a "judicial theater" in which plays denounced criminals by name, even forcing them, in some cases, to perform their transgressions anew before a jeering public. Likewise, he shows how legal reformers intentionally modeled trial proceedings on dramatic representations and went so far as to recommend that judges mimic the sentimental judgment of spectators and that lawyers seek private lessons from actors. This conflation of theatrical and legal performances provoked debates and anxieties in the eighteenth century that, according to Robert, continue to resonate with present concerns over lawsuit culture and judicial entertainment. Dramatic Justice offers an alternate history of French theater and judicial practice, one that advances new explanations for several pivotal moments in the French Revolution, including the trial of Louis XVI and the Terror, by showing the extent to which they were shaped by the period's conflicted relationship to theatrical justice.

The French Revolution and the London Stage, 1789-1805

Author : George Taylor
Publisher : Cambridge University Press
ISBN 13 : 0521630525
Total Pages : 275 pages
Book Rating : 4.5/5 (216 download)

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Book Synopsis The French Revolution and the London Stage, 1789-1805 by : George Taylor

Download or read book The French Revolution and the London Stage, 1789-1805 written by George Taylor and published by Cambridge University Press. This book was released on 2000 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 2001 book looks at how British drama and popular entertainment were affected by the French Revolution and Napoleonic Wars.

Revolutionary Acts

Author : Susan Maslan
Publisher : JHU Press
ISBN 13 : 9780801881251
Total Pages : 304 pages
Book Rating : 4.8/5 (812 download)

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Book Synopsis Revolutionary Acts by : Susan Maslan

Download or read book Revolutionary Acts written by Susan Maslan and published by JHU Press. This book was released on 2005-08-26 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description

The Theatre of the French Revolution

Author : Marvin Carlson
Publisher : Ithaca, N.Y : Cornell University Press
ISBN 13 :
Total Pages : 366 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis The Theatre of the French Revolution by : Marvin Carlson

Theatre and State in France, 1760-1905

Author : Frederick William John Hemmings
Publisher : Cambridge University Press
ISBN 13 : 0521450888
Total Pages : 303 pages
Book Rating : 4.5/5 (214 download)

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Book Synopsis Theatre and State in France, 1760-1905 by : Frederick William John Hemmings

Download or read book Theatre and State in France, 1760-1905 written by Frederick William John Hemmings and published by Cambridge University Press. This book was released on 1994-02-25 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Relations between theatre and state were seldom more fraught in France than in this period. F. W. J. Hemmings traces the vicissitudes of this perennial conflict.

The Sentimental Theater of the French Revolution

Author : Cecilia Feilla
Publisher : Routledge
ISBN 13 : 1317016300
Total Pages : 274 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis The Sentimental Theater of the French Revolution by : Cecilia Feilla

Download or read book The Sentimental Theater of the French Revolution written by Cecilia Feilla and published by Routledge. This book was released on 2016-03-03 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.

Staging the French Revolution

Author : Mark Darlow
Publisher : Oxford University Press
ISBN 13 : 0199773807
Total Pages : 416 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis Staging the French Revolution by : Mark Darlow

Download or read book Staging the French Revolution written by Mark Darlow and published by Oxford University Press. This book was released on 2012-05-03 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last decade, the theatre and opera of the French Revolution have been the subject of intense scholarly reassessment, both in terms of the relationship between theatrical works and politics or ideology in this period and on the question of longer-scale structures of continuity or rupture in aesthetics. Staging the French Revolution: Cultural Politics and the Paris Opera, 1789-1794 moves these discussions boldly forward, focusing on the Paris Opéra (Académie Royale de Musique) in the cultural and political context of the early French Revolution. Both institutional history and cultural study, this is the first ever full-scale study of the Revolution and lyric theatre. The book concentrates on three aspects of how a royally-protected theatre negotiates the transition to national theatre: the external dimension, such as questions of ownership and governance and the institution's relationship with State institutions and popular assemblies; the internal management, finances, selection and preparation of works; and the cultural and aesthetic study of the works themselves and of their reception. In Staging the French Revolution, author Mark Darlow offers an unprecedented view of the material context of opera production, combining in-depth archival research with a study of the works themselves. He argues that a mixture of popular and State interventions created a repressive system in which cultural institutions retained agency, compelling individuals to follow and contribute to a shifting culture. Theatre thereby emerged as a locus for competing discourses on patriotism, society, the role of the arts in the Republic, and the articulation of the Revolution's relation with the 'Old Regime', and is thus an essential key to the understanding of public opinion and publicity at this crucial historical moment. Combining recent approaches to institutions, sociability, and authors' rights with cultural studies of opera, Staging the French Revolution takes a historically grounded and methodologically innovative cross-disciplinary approach to opera and persuasively re-evaluates the long-standing, but rather sterile, concept of propaganda.

An Historical and Moral View of the Origin and Progress of the French Revolution

Author : Mary Wollstonecraft
Publisher :
ISBN 13 :
Total Pages : 550 pages
Book Rating : 4.3/5 (243 download)

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Book Synopsis An Historical and Moral View of the Origin and Progress of the French Revolution by : Mary Wollstonecraft

Download or read book An Historical and Moral View of the Origin and Progress of the French Revolution written by Mary Wollstonecraft and published by . This book was released on 1794 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Contested Parterre

Author : Jeffrey S. Ravel
Publisher : Cornell University Press
ISBN 13 : 1501724622
Total Pages : 272 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis The Contested Parterre by : Jeffrey S. Ravel

Download or read book The Contested Parterre written by Jeffrey S. Ravel and published by Cornell University Press. This book was released on 2018-09-05 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the playhouses of eighteenth-century France, clerks and students, soldiers and merchants, and the occasional aristocrat stood in the pit, while the majority of the elite sat in loges. These denizens of the parterre, who accounted for up to two-thirds of the audience, were given to disruptive behavior that culminated in full-scale riots in the last years before the Revolution. Offering a commoner's eye view of the drama offstage, this fascinating history of French theater audiences clearly demonstrates how problems in the parterre reflected tensions at the heart of the Old Regime.Jeffrey S. Ravel vividly depicts the scene in the parterre where the male spectators occupied themselves shoving one another, drinking, urinating, and confronting the actors with critiques of the performance. He traces the futile efforts of the Bourbon Court—and later its Enlightened opponents—to control parterre behavior by both persuasion and force. Ravel describes how the parterre came to represent a larger, more politicized notion of the public, one that exposed the inability of the government to accommodate the demands of French citizens. An important contribution to debates on the public sphere, Ravel's book is the first to explore the role of the parterre in the political culture of eighteenth-century France.

Satire, Prints and Theatricality in the French Revolution

Author : Claire Trévien
Publisher :
ISBN 13 : 9780729411875
Total Pages : 254 pages
Book Rating : 4.4/5 (118 download)

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Book Synopsis Satire, Prints and Theatricality in the French Revolution by : Claire Trévien

Download or read book Satire, Prints and Theatricality in the French Revolution written by Claire Trévien and published by . This book was released on 2016 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Revolutionary era was a period of radical change in France that dissolved traditional boundaries of privilege, and a time when creative experimentation flourished. As performance and theatrical language became an integral part of the French Revolution, its metaphors seeped into genres beyond the stage. Claire Trévien traces the ways in which theatrical activity influenced Revolutionary print culture, particularly its satirical prints, and considers how these became an arena for performance in their own right. Following an account of the historical and social contexts of Revolutionary printmaking, the author analyses over 50 works, incorporating scenes such as street singers and fairground performers, unsanctioned Revolutionary events, and the representation of Revolutionary characters in hell. Through analysing these depictions as an ensemble, focusing on style, vocabulary, and metaphor, Claire Trévien shows how prints were a potent vehicle for capturing and communicating partisan messages across the political spectrum. In spite of the intervening centuries, these prints still retain the power to evoke the Revolution like no other source material.

The Cambridge Companion to British Literature of the French Revolution in the 1790s

Author : Pamela Clemit
Publisher : Cambridge University Press
ISBN 13 : 0521516072
Total Pages : 261 pages
Book Rating : 4.5/5 (215 download)

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Book Synopsis The Cambridge Companion to British Literature of the French Revolution in the 1790s by : Pamela Clemit

Download or read book The Cambridge Companion to British Literature of the French Revolution in the 1790s written by Pamela Clemit and published by Cambridge University Press. This book was released on 2011-02-10 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first major collection of essays to provide a comprehensive examination of the British literature of the French Revolution.

Gender and Religious Life in French Revolutionary Drama

Author : Annelle Curulla
Publisher :
ISBN 13 : 9781786941404
Total Pages : 0 pages
Book Rating : 4.9/5 (414 download)

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Book Synopsis Gender and Religious Life in French Revolutionary Drama by : Annelle Curulla

Download or read book Gender and Religious Life in French Revolutionary Drama written by Annelle Curulla and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her study of French revolutionary theatre and performance, Annelle Curulla relates a little known corpus of plays to shifting notions of gender, family, religiosity and nation in an effort to account for the complex process of secularization as it played out in the literary and cultural practice of theatre.

Political Actors

Author : Paul Friedland
Publisher : Cornell University Press
ISBN 13 : 1501724231
Total Pages : 365 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis Political Actors by : Paul Friedland

Download or read book Political Actors written by Paul Friedland and published by Cornell University Press. This book was released on 2018-08-06 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the start of the French Revolution, contemporary observers were struck by the overwhelming theatricality of political events. Examples of convergence between theater and politics included the election of dramatic actors to powerful political and military positions and reports that deputies to the National Assembly were taking acting lessons and planting paid "claqueurs" in the audience to applaud their employers on demand. Meanwhile, in a mock national assembly that gathered in an enormous circus pavilion in the center of Paris, spectators paid for the privilege of acting the role of political representatives for a day.Paul Friedland argues that politics and theater became virtually indistinguishable during the Revolutionary period because of a parallel evolution in the theories of theatrical and political representation. Prior to the mid-eighteenth century, actors on political and theatrical stages saw their task as embodying a fictional entity—in one case a character in a play, in the other, the corpus mysticum of the French nation. Friedland details the significant ways in which after 1750 the work of both was redefined. Dramatic actors were coached to portray their parts abstractly, in a manner that seemed realistic to the audience. With the creation of the National Assembly, abstract representation also triumphed in the political arena. In a break from the past, this legislature did not claim to be the nation, but rather to speak on its behalf. According to Friedland, this new form of representation brought about a sharp demarcation between actors—on both stages—and their audience, one that relegated spectators to the role of passive observers of a performance that was given for their benefit but without their direct participation. Political Actors, a landmark contribution to eighteenth-century studies, furthers understanding not only of the French Revolution but also of the very nature of modern representative democracy.