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The French Revolution And The London Stage 1789 1805
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Book Synopsis The French Revolution and the London Stage, 1789-1805 by : George Taylor
Download or read book The French Revolution and the London Stage, 1789-1805 written by George Taylor and published by Cambridge University Press. This book was released on 2000 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 2001 book looks at how British drama and popular entertainment were affected by the French Revolution and Napoleonic Wars.
Book Synopsis The Sentimental Theater of the French Revolution by : Cecilia Feilla
Download or read book The Sentimental Theater of the French Revolution written by Cecilia Feilla and published by Routledge. This book was released on 2016-03-03 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.
Book Synopsis British Music and the French Revolution by : Paul F. Rice
Download or read book British Music and the French Revolution written by Paul F. Rice and published by Cambridge Scholars Publishing. This book was released on 2010-04-16 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Music and the French Revolution investigates the nature of British musical responses to the cataclysmic political events unfolding in France during the period of 1789–1795, a time when republican and royalist agendas were in conflict in both nations. While the parallel demands for social and political change resulted from different stimuli, and were resolved very differently, the 1790s proved to be a defining period for each country. In Britain, the combination of a protracted period of Tory conservatism, and the strong spirit of patriotism which swept the nation, had a profound influence on the arts. There was an outpouring of concert and theatrical music dealing with the French Revolution and the subsequent war with France. While patriotic songs might be expected when a country is at war, the number of recreations on the London stages of events taking place on the Continent may surprise. Initially, such topical subjects were restricted to the summer or “minor” theatres; however, government restrictions were relaxed after 1793, giving Londoners the opportunity to see topical theatre in the royal or “patent” theatres, as well. The resulting repertoire of plays and recreations (often propagandist in nature) made considerable use of music, and those performed in the “minor” theatres were all-sung. Consequently, there exists a large repertoire of music which has been little studied. British Music and the French Revolution investigates this repertoire within a social and political context. Initial chapters examine the historical relationship between France and Britain from a musical perspective, the powerful symbols of national identity in both countries, and the complex laws that governed commercial theatres in London. Thereafter, the materials are presented in a chronological fashion, starting with the fall of the Bastille in 1789, and the Fête de la Fédération in 1790. The period of the Captivity was one of growing tension and fear in both France and Britain as war became an ever-increasing threat between the two nations. Two subsequent chapters examine the war years of 1793 until first half of 1795. The choice of a five-year period allows the reader to follow British musical reactions to the fall of the Bastille and subsequent events up to the rise of Napoléon.
Book Synopsis The London Corresponding Society, 1792-1799 by : Michael T Davis
Download or read book The London Corresponding Society, 1792-1799 written by Michael T Davis and published by Routledge. This book was released on 2021-05-19 with total page 2328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This six volume set reproduces the complete writings of the London Corresponding Society (LCS) as well as other contemporary literature and parliamentary debates, and reports relating to the Society. The LCS was at the forefront of the call for political reform in the late 18th century.
Book Synopsis The London Corresponding Society, 1792-1799 Vol 1 by : Michael T Davis
Download or read book The London Corresponding Society, 1792-1799 Vol 1 written by Michael T Davis and published by Routledge. This book was released on 2021-04-14 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: This six-volume set reproduces the complete writings of the London Corresponding Society (LCS) as well as other contemporary literature and parliamentary debates, and reports relating to the Society. The LCS was at the forefront of the call for political reform in the late 18th century. Volume 1 spans 1792 to 1794.
Book Synopsis Prologues, Epilogues, Curtain-raisers, and Afterpieces by : Daniel James Ennis
Download or read book Prologues, Epilogues, Curtain-raisers, and Afterpieces written by Daniel James Ennis and published by University of Delaware Press. This book was released on 2007 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage presents a fresh analysis of the complete theater evening that was available to playhouse audiences from the Restoration to the early nineteenth century. The contributing scholars focus not on the mainpiece, the advertised play itself, but on what surrounded the mainpiece for the total theater experience of the day. Various critical essays address artistic disciplines such as dance and theatrical portraits, while others concentrate on peripheral performance texts, including prologues, epilogues, pantomimes, and afterpieces, that merged to define the overall theatrical event.
Book Synopsis The Cambridge Companion to British Literature of the French Revolution in the 1790s by : Pamela Clemit
Download or read book The Cambridge Companion to British Literature of the French Revolution in the 1790s written by Pamela Clemit and published by Cambridge University Press. This book was released on 2011-02-10 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The French Revolution ignited the biggest debate on politics and society in Britain since the Civil War 150 years earlier. The public controversy lasted from the initial, positive reaction to French events in 1789 to the outlawing of the radical societies in 1799. This Cambridge Companion highlights the energy, variety and inventiveness of the literature written in response to events in France and the political reaction at home. It contains thirteen specially commissioned essays by an international team of historians and literary scholars, a chronology of events and publications, and an extensive guide to further reading. Six essays concentrate on the principal writers of the Revolution controversy: Burke, Paine, Godwin and Wollstonecraft. Others deal with popular radical culture, counter-revolutionary culture, the distinctive contribution of women writers, novels of opinion, drama, and poetry. This volume will serve as a comprehensive yet accessible reference work for students, advanced researchers and scholars.
Book Synopsis The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815 by : Sarah Burdett
Download or read book The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815 written by Sarah Burdett and published by Springer Nature. This book was released on 2023-05-20 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
Book Synopsis Charles Dickens, A Tale of Two Cities and the French Revolution by : C. Jones
Download or read book Charles Dickens, A Tale of Two Cities and the French Revolution written by C. Jones and published by Springer. This book was released on 2009-05-26 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Tale of Two Cities has always been one of Dickens's most popular texts. Using a variety of disciplinary approaches, this new collection of essays examines the origins of Dickens vision of the French Revolution, the literary power of the text itself, and its enduring place in British culture through stage and screen adaptations.
Book Synopsis The Gothic Novel and the Stage by : Francesca Saggini
Download or read book The Gothic Novel and the Stage written by Francesca Saggini and published by Routledge. This book was released on 2015-08-12 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.
Book Synopsis Transnational England by : Monika Class
Download or read book Transnational England written by Monika Class and published by Cambridge Scholars Publishing. This book was released on 2009-03-26 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rise of the modern English nation coincided with England’s increased encounters with other peoples, both at home and abroad. Their cultures and ideas—artistic, religious, political, and philosophical—contributed, in turn, to the composition of England’s own domestic identity. Transnational England sheds light on this exchange through a close investigation of the literatures of the time, from dramas to novels, travel narratives to religious hymns, and poetry to prose, all of which reveal how connections between England and other world communities 1780-1860 simultaneously fostered and challenged the sovereignty of the English nation and the ideological boundaries that constituted it. Featuring essays from distinguished and emergent scholars that will enhance the literary, historical, and cultural knowledge of England's interaction with European, American, Eastern, and Asian nations during a time of increased travel and vast imperial expansion, this volume is valuable reading for academics and students alike.
Book Synopsis New Readings in Theatre History by : Jacqueline S. Bratton
Download or read book New Readings in Theatre History written by Jacqueline S. Bratton and published by Cambridge University Press. This book was released on 2003-11-27 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents
Book Synopsis Music for the Melodramatic Theatre in Nineteenth-Century London and New York by : Michael V. Pisani
Download or read book Music for the Melodramatic Theatre in Nineteenth-Century London and New York written by Michael V. Pisani and published by University of Iowa Press. This book was released on 2014-07-01 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
Book Synopsis The Censorship of Eighteenth-Century Theatre by : David O'Shaughnessy
Download or read book The Censorship of Eighteenth-Century Theatre written by David O'Shaughnessy and published by Cambridge University Press. This book was released on 2023-08-31 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: A far-reaching analysis of censorship's profound impact on Georgian theatrical culture and its development across the long eighteenth century, showcasing how the analysis of plays can be helpful for historical research.
Book Synopsis Tragedy Walks the Streets by : Matthew S. Buckley
Download or read book Tragedy Walks the Streets written by Matthew S. Buckley and published by JHU Press. This book was released on 2006-09-19 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tragedy Walks the Streets challenges the conventional understanding that the evolution of European drama effectively came to a halt during France's Revolutionary era. In this interdisciplinary history on the emergence of modern drama in European culture, Matthew S. Buckley contends that the political theatricality of the Revolution tested and forced the evolution of dramatic forms, supplanting the theater itself as the primary stage of formal development. Drawing on a wide range of texts and images, he demonstrates how the social and political enlistment of dramatic theatricality inflected rising social and political tensions in pre-Revolutionary France, shaped French Revolutionary political culture, conditioned British political and cultural responses to the Revolution, and served as the impetus for Büchner’s radical formal innovations of the 1830s. Setting aside traditional boundaries of literary scholarship, Buckley pursues instead a history of dramatic form that encompasses the full range of dramatic activity in the changing cultural life of the late eighteenth and early nineteenth century, including art, architecture, journalism, political performance, and social behavior. Surveying this expanded field of inquiry, Buckley weaves together a coherent formal genealogy of the drama during this period and offers a new, more continuous generic history of modern drama in its first and most turbulent phase of development.
Book Synopsis Women Warriors in Romantic Drama by : Wendy C. Nielsen
Download or read book Women Warriors in Romantic Drama written by Wendy C. Nielsen and published by Rowman & Littlefield. This book was released on 2013 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.
Book Synopsis Time and the French Revolution by : Matthew John Shaw
Download or read book Time and the French Revolution written by Matthew John Shaw and published by Boydell & Brewer Ltd. This book was released on 2011 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the innovation and effects of the French Republican Calendar. The French Republican Calendar was perhaps the boldest of all the reforms undertaken in Revolutionary France. Introduced in 1793 and used until 1806, the Calendar not only reformed the weeks and months of the year, but decimalisedthe hours of the day and dated the year from the beginning of the French Republic. This book not only provides a history of the calendar, but places it in the context of eighteenth-century time-consciousness, arguing that the French were adept at working within several systems of time-keeping, whether that of the Church, civil society, or the rhythms of the seasons. Developments in time-keeping technology and changes in working patterns challenged early-modern temporalities, and the new calendar can also be viewed as a step on the path toward a more modern conception of time. In this context, the creation of the calendar is viewed not just as an aspect of the broader republican programme of social, political and cultural reform, but as a reflection of a broader interest in time and the culmination of several generations' concern with how society should be policed. Matthew Shaw is a curatorat the British Library, London.
