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Author : Jamie Croy Kassler
Publisher : New York : Garland Pub.
ISBN 13 :
Total Pages : 744 pages
Book Rating : 4.3/5 (91 download)
Download or read book The Science of Music in Britain, 1714-1830 written by Jamie Croy Kassler and published by New York : Garland Pub.. This book was released on 1979 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Maria Semi
Publisher : Routledge
ISBN 13 : 1317092201
Total Pages : 196 pages
Book Rating : 4.3/5 (17 download)
Download or read book Music as a Science of Mankind in Eighteenth-Century Britain written by Maria Semi and published by Routledge. This book was released on 2016-04-29 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation - trying to describe how the human mind could develop ideas and emotions by its means - philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which - in David Hume's words - 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.
Author : Benjamin Wardhaugh
Publisher : Routledge
ISBN 13 : 1351557084
Total Pages : 222 pages
Book Rating : 4.3/5 (515 download)
Download or read book Music, Experiment and Mathematics in England, 1653-1705 written by Benjamin Wardhaugh and published by Routledge. This book was released on 2017-07-05 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: How, in 1705, was Thomas Salmon, a parson from Bedfordshire, able to persuade the Royal Society that a musical performance could constitute a scientific experiment? Or that the judgement of a musical audience could provide evidence for a mathematically precise theory of musical tuning? This book presents answers to these questions. It constitutes a general history of quantitative music theory in the late seventeenth century as well as a detailed study of one part of that history: namely the applications of mathematical and mechanical methods of understanding to music that were produced in England between 1653 and 1705, beginning with the responses to Descartes's 1650 Compendium musicand ending with the Philosophical Transactions' account of the appearance of Thomas Salmon at the Royal Society in 1705. The book is organized around four key questions. Do musical pitches form a small set or a continuous spectrum? Is there a single faculty of hearing which can account for musical sensation, or is more than one faculty at work? What is the role of harmony in the mechanical world, and where can its effects be found? And what is the relationship between musical theory and musical practice? These are questions which are raised and discussed in the sources themselves, and they have wide significance for early modern theories of knowledge and sensation more generally, as well as providing a fascinating side light onto the world of the scientific revolution.
Author : Jamie C. Kassler
Publisher : Taylor & Francis
ISBN 13 : 100094669X
Total Pages : 321 pages
Book Rating : 4.0/5 (9 download)
Download or read book Music, Science, Philosophy written by Jamie C. Kassler and published by Taylor & Francis. This book was released on 2023-05-31 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book stresses the interrelatedness of knowledge by extricating models that cut across traditional disciplinary boundaries. For example, science can find models from the technology and semantic field of music, music can find its models from the technology and semantic field of science, and each domain may be guided by a philosophical or metaphysical principle - thus, the title of the book. But the book itself is structured as a mirror image of its title. Chapters 1-6 provide instances of the role of music in such domains as epistemology and logic, as well as in the early modern sciences of developmental biology, continuum mechanics, anatomy and physiological psychology, whereas Chapters 7-10 provide instances of what some other domains of knowledge have given back to the philosophy and theory of music.
Author : Benjamin Wardhaugh
Publisher : Routledge
ISBN 13 : 1351557076
Total Pages : 214 pages
Book Rating : 4.3/5 (515 download)
Download or read book "Music, Experiment and Mathematics in England, 1653?705 " written by Benjamin Wardhaugh and published by Routledge. This book was released on 2017-07-05 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: How, in 1705, was Thomas Salmon, a parson from Bedfordshire, able to persuade the Royal Society that a musical performance could constitute a scientific experiment? Or that the judgement of a musical audience could provide evidence for a mathematically precise theory of musical tuning? This book presents answers to these questions. It constitutes a general history of quantitative music theory in the late seventeenth century as well as a detailed study of one part of that history: namely the applications of mathematical and mechanical methods of understanding to music that were produced in England between 1653 and 1705, beginning with the responses to Descartes's 1650 Compendium music?and ending with the Philosophical Transactions' account of the appearance of Thomas Salmon at the Royal Society in 1705. The book is organized around four key questions. Do musical pitches form a small set or a continuous spectrum? Is there a single faculty of hearing which can account for musical sensation, or is more than one faculty at work? What is the role of harmony in the mechanical world, and where can its effects be found? And what is the relationship between musical theory and musical practice? These are questions which are raised and discussed in the sources themselves, and they have wide significance for early modern theories of knowledge and sensation more generally, as well as providing a fascinating side light onto the world of the scientific revolution.
Author : David Golby
Publisher : Routledge
ISBN 13 : 1317220722
Total Pages : 366 pages
Book Rating : 4.3/5 (172 download)
Download or read book Instrumental Teaching in Nineteenth-Century Britain written by David Golby and published by Routledge. This book was released on 2016-06-17 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2004, this book demonstrates that while Britain produced many fewer instrumental virtuosi than its foreign neighbours, there developed a more serious and widespread interest in the cultivation of music throughout the nineteenth century. Taking a predominantly historical approach, the book moves from a discussion of general developments and issues to a detailed examination of violin pedagogy, method and content, which indicates society’s influence on cultural trends and informs the discussion of other instruments and institutional training that follows. In the first study of its kind, it examines in depth the inextricable links between trends in society, education and levels of achievement. It also extends beyond profession and ‘art’ music to amateur and ‘popular’ spheres. A useful chronology of developments in nineteenth-century British music education is also included. This book will be of interest to those studying the history of instrumental teaching and Victorian music.
Author : Roger North
Publisher : Cambridge University Press
ISBN 13 : 9780521024914
Total Pages : 328 pages
Book Rating : 4.0/5 (249 download)
Download or read book Roger North's The Musicall Grammarian 1728 written by Roger North and published by Cambridge University Press. This book was released on 2006-04-20 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: A treatise on musical eloquence in all its branches, first published in 1990.
Author : Arne Hessenbruch
Publisher : Routledge
ISBN 13 : 1134263015
Total Pages : 965 pages
Book Rating : 4.1/5 (342 download)
Download or read book Reader's Guide to the History of Science written by Arne Hessenbruch and published by Routledge. This book was released on 2013-12-16 with total page 965 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Reader's Guide to the History of Science looks at the literature of science in some 550 entries on individuals (Einstein), institutions and disciplines (Mathematics), general themes (Romantic Science) and central concepts (Paradigm and Fact). The history of science is construed widely to include the history of medicine and technology as is reflected in the range of disciplines from which the international team of 200 contributors are drawn.
Author : Rosemary Golding
Publisher : Taylor & Francis
ISBN 13 : 1000564304
Total Pages : 513 pages
Book Rating : 4.0/5 (5 download)
Download or read book Music in Nineteenth-Century Britain written by Rosemary Golding and published by Taylor & Francis. This book was released on 2022-08-15 with total page 513 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of primary source material examine the thoughts and ideas behind music in Britian during the ninteenth century. Sources explore music critics, listening to music, music education, and philosophy. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.
Author : Bennett Zon
Publisher : Routledge
ISBN 13 : 1351557653
Total Pages : 242 pages
Book Rating : 4.3/5 (515 download)
Download or read book Music and Metaphor in Nineteenth-Century British Musicology written by Bennett Zon and published by Routledge. This book was released on 2017-07-05 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a word, I shall endeavour to show how our music, having been originally a shell-fish, with its restrictive skeleton on the outside and no soul within, has been developed by the inevitable laws of evolution, through natural selection and the survival of the fittest, into something human, even divine, with the strong, logical skeleton of its science inside, the fair flesh of God-given beauty outside, and the whole, like man himself, animated by a celestial, eternal spirit.... W.J. Henderson, The Story of Music (1889) Critical writing about music and music history in nineteenth-century Britain was permeated with metaphor and analogy. Music and Metaphor examines how over-arching theories of music history were affected by reference to various figurative linguistic templates adopted from other disciplines such as art, religion, politics and science. Each section of the book discusses a wide range of musicological writings and their correspondence with the language used to convey contemporary ideas such as the sublime, the ancient and modern debate, and, in particular, the theory of evolution. Bennett Zon reveals that through their application of metaphorical frameworks taken from art, religion and science, these writers and their work shed light on nineteenth-century perceptions of music history and illuminate the ways in which these disciplines affected notions of musical development.
Author : Jamie C. Kassler
Publisher : Routledge
ISBN 13 : 1351894110
Total Pages : 258 pages
Book Rating : 4.3/5 (518 download)
Download or read book The Beginnings of the Modern Philosophy of Music in England written by Jamie C. Kassler and published by Routledge. This book was released on 2017-09-19 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1677 a slim quarto volume was published anonymously as A Philosophical Essay of Musick. Written by Francis North (1637-85), chief justice of the Common Pleas, the Essay is in the form of a legal case argued from an hypothesis. Utilising the pendulum as his hypothesis, North provided a rationale from mechanics for the emerging new musical practice we now call 'tonality'. He also made auditory resonance the connecting link between acoustical events in the external world and the musical meanings the mind makes on the basis of sensory perception. Thus began the modern philosophy of music that culminated with the work of Hermann von Helmholtz. As a step towards understanding this tradition, Jamie C. Kassler examines the 1677 Essay in its historical context. After assessing three seventeenth-century criticisms of it and outlining how one critic developed some implications in the Essay, she summarises the basic principles that have guided the modern philosophy of music from its beginnings in the 1677 Essay. The book includes an annotated edition of the Essay as well as the comments of the three critics.
Author : Rosemary Golding
Publisher : Routledge
ISBN 13 : 1317092619
Total Pages : 272 pages
Book Rating : 4.3/5 (17 download)
Download or read book Music and Academia in Victorian Britain written by Rosemary Golding and published by Routledge. This book was released on 2016-04-29 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Until the nineteenth century, music occupied a marginal place in British universities. Degrees were awarded by Oxford and Cambridge, but students (and often professors) were not resident, and there were few formal lectures. It was not until a benefaction initiated the creation of a professorship of music at the University of Edinburgh, in the early nineteenth century, that the idea of music as a university discipline commanded serious consideration. The debates that ensued considered not only music’s identity as art and science, but also the broader function of the university within education and society. Rosemary Golding traces the responses of some of the key players in musical and academic culture to the problems surrounding the establishment of music as an academic discipline. The focus is on four universities: Edinburgh, Oxford, Cambridge and London. The different institutional contexts, and the approaches taken to music in each university, showcase the various issues surrounding music’s academic identity, as well as wider problems of status and professionalism. In examining the way music challenged conceptions of education and professional identity in the nineteenth century, the book also sheds light on the way the academic study of music continues to challenge modern approaches to music and university education.
Author : Dr Maria Semi
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409495167
Total Pages : 208 pages
Book Rating : 4.4/5 (94 download)
Download or read book Music as a Science of Mankind in Eighteenth-Century Britain written by Dr Maria Semi and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation – trying to describe how the human mind could develop ideas and emotions by its means – philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which – in David Hume's words – 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.
Author : Tim Eggington
Publisher : Boydell & Brewer Ltd
ISBN 13 : 1843839067
Total Pages : 321 pages
Book Rating : 4.8/5 (438 download)
Download or read book The Advancement of Music in Enlightenment England written by Tim Eggington and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Casts new and valuable light on English musical history and on Enlightenment culture more generally.
Author : Leslie Ritchie
Publisher : Routledge
ISBN 13 : 1351536621
Total Pages : 280 pages
Book Rating : 4.3/5 (515 download)
Download or read book Women Writing Music in Late Eighteenth-Century England written by Leslie Ritchie and published by Routledge. This book was released on 2017-07-05 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barthmon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Author : Amit S. Yahav
Publisher : University of Pennsylvania Press
ISBN 13 : 0812250176
Total Pages : 208 pages
Book Rating : 4.8/5 (122 download)
Download or read book Feeling Time written by Amit S. Yahav and published by University of Pennsylvania Press. This book was released on 2018-05-08 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story goes, inevitably results in modernity's time-keeper societies and the characterization of modern experience as qualitatively diminished. In Feeling Time, Amit Yahav challenges this narrative of the triumph of chronometry and the consequent impoverishment of individual experience. She explores the fascination eighteenth-century writers had with the mental and affective processes through which human beings come not only to know that time has passed but also to feel the durations they inhabit. Yahav begins by elucidating discussions by Locke and Hume that examine how humans come to know time, noting how these philosophers often consider not only knowledge but also experience. She then turns to novels by Richardson, Sterne, and Radcliffe, attending to the material dimensions of literary language to show how novelists shape the temporal experience of readers through their formal choices. Along the way, she considers a wide range of eighteenth-century aesthetic and moral treatises, finding that these identify the subjective experience of duration as the crux of pleasure and judgment, described more as patterned durational activity than as static state. Feeling Time highlights the temporal underpinnings of the eighteenth century's culture of sensibility, arguing that novelists have often drawn on the logic of musical composition to make their writing an especially effective tool for exploring time and for shaping durational experience.
Author : V. Coelho
Publisher : Springer Science & Business Media
ISBN 13 : 9780792320289
Total Pages : 276 pages
Book Rating : 4.3/5 (22 download)
Download or read book Music and Science in the Age of Galileo written by V. Coelho and published by Springer Science & Business Media. This book was released on 1992-11-30 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays exploring the relations between music and the scientific culture of Galileo's time. It takes a broad historical approach towards understanding such topics as the role of music in Galileo's experiments and in the scientific revolution
