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The Advancement Of Music In Enlightenment England
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Book Synopsis The Advancement of Music in Enlightenment England by : Tim Eggington
Download or read book The Advancement of Music in Enlightenment England written by Tim Eggington and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Casts new and valuable light on English musical history and on Enlightenment culture more generally.
Book Synopsis Circulating Enlightenment by : Adam Budd
Download or read book Circulating Enlightenment written by Adam Budd and published by Oxford University Press. This book was released on 2020-12-24 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Historians of the intellectual and literary culture of the Enlightenment have recognised the importance of Andrew Millar (1705-68). His publisher's imprint adorned the title-pages of the most important works of the eighteenth century, in fiction, poetry, drama, medicine, and philosophy. This is the first extended study of Millar's commercial and social role in the commissioning, production, circulation, and consumption of Enlightenment literature in Britain. Providing a new intervention on the culture of Enlightenment this study shows how and why Millar provoked major controversies through his role as friend, patron, and publisher to great rivals in the republic of letters. An unprecedent analysis of publishing and authorship at the intersection of politics, business, visual arts, moral debate, and literary self-fashioning, this study of Andrew Millar also shows the degree to which Scottish identity shaped a professional career within London's rise as the cosmopolitan centre of learning and trade at the heart of the British empire. This volume presents hundreds of previously unpublished letters that passed between Millar and his literary network, and includes the 52 letters that passed between Millar and David Hume, the majority of which have been edited for the first time since 1931. This is a major contribution to the material and intellectual worlds that defined the culture of Enlightenment in Britain during the eighteenth century, casting new light in the history of publishing and authorship.
Book Synopsis Exhibitions, Music and the British Empire by : Sarah Kirby
Download or read book Exhibitions, Music and the British Empire written by Sarah Kirby and published by Boydell & Brewer. This book was released on 2022 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: "International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, trading these through the networks of communication that existed within the British Empire at the time. Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into broader debates about music's role in society"--Page 4 of cover.
Book Synopsis Music by Subscription by : Simon D.I. Fleming
Download or read book Music by Subscription written by Simon D.I. Fleming and published by Routledge. This book was released on 2021-12-30 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.
Book Synopsis British Music, Musicians and Institutions, C. 1630-1800 by : Julian Rushton
Download or read book British Music, Musicians and Institutions, C. 1630-1800 written by Julian Rushton and published by Boydell & Brewer. This book was released on 2021 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Book Synopsis Music in Edwardian London by : Simon McVeigh
Download or read book Music in Edwardian London written by Simon McVeigh and published by Boydell & Brewer. This book was released on 2024-05-21 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.
Book Synopsis Venanzio Rauzzini and the Birth of a New Style in English Singing by : Brianna E. Robertson-Kirkland
Download or read book Venanzio Rauzzini and the Birth of a New Style in English Singing written by Brianna E. Robertson-Kirkland and published by Routledge. This book was released on 2022-01-31 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: 'the father of a new style in English singing'. Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seated anxieties about the Italian invasion on England’s musical culture. This book places teaching at the centre of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England.
Book Synopsis Opera and Politics in Queen Anne's Britain, 1705-1714 by : Thomas McGeary
Download or read book Opera and Politics in Queen Anne's Britain, 1705-1714 written by Thomas McGeary and published by Boydell & Brewer. This book was released on 2022-07-26 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.
Download or read book John Gunn written by George Kennaway and published by Boydell & Brewer. This book was released on 2021 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the life and work of Scottish cellist and antiquarian John Gunn (1766-1824) through newly discovered sources.The Scottish cellist and antiquarian John Gunn (1766-1824) is unique among British writers on music in the late eighteenth and early nineteenth century. Learned and practical, at home in classical and modern languages, knowledgeable in a wide range of musical topics and with even wider-ranging interests, and committed to the ideal of progress through rational thought, he typified the Enlightenment. His published output was large and diverse: a cello treatise in two quite different editions; two books on the flute and one on the piano; a treatise on figured bass; a history of the harp in the Highlands; and a translation of a French work of music theory. The list of his unrealised publications is even longer, including a proof of the oriental origins of the Scots. He married Anne Young, a well-known Edinburgh piano teacher, and his letters cast new light on the circumstances and date of her death. Taking account of Gunn's diverse experiences as a musician-scholar in Cambridge, London and Edinburgh, studying his sundry occupations, and exploring his social connections through a recently unearthed cache of his letters, this study moves away from 'treatise archaeology' and offers a broader view than is usually possible with such figures. The book will be of interest to those studying historical performance practice, music education in Enlightenment Britain, and the dissemination of Enlightenment thought.h. Taking account of Gunn's diverse experiences as a musician-scholar in Cambridge, London and Edinburgh, studying his sundry occupations, and exploring his social connections through a recently unearthed cache of his letters, this study moves away from 'treatise archaeology' and offers a broader view than is usually possible with such figures. The book will be of interest to those studying historical performance practice, music education in Enlightenment Britain, and the dissemination of Enlightenment thought.h. Taking account of Gunn's diverse experiences as a musician-scholar in Cambridge, London and Edinburgh, studying his sundry occupations, and exploring his social connections through a recently unearthed cache of his letters, this study moves away from 'treatise archaeology' and offers a broader view than is usually possible with such figures. The book will be of interest to those studying historical performance practice, music education in Enlightenment Britain, and the dissemination of Enlightenment thought.h. Taking account of Gunn's diverse experiences as a musician-scholar in Cambridge, London and Edinburgh, studying his sundry occupations, and exploring his social connections through a recently unearthed cache of his letters, this study moves away from 'treatise archaeology' and offers a broader view than is usually possible with such figures. The book will be of interest to those studying historical performance practice, music education in Enlightenment Britain, and the dissemination of Enlightenment thought.thought.
Book Synopsis The Life and Music of Elizabeth Maconchy by : Erica Siegel
Download or read book The Life and Music of Elizabeth Maconchy written by Erica Siegel and published by Boydell & Brewer. This book was released on 2023-07-18 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length biographical study of Elizabeth Maconchy (1907-1994). The British-born Irish composer (Dame) Elizabeth Maconchy (1907-1994) is best known today for her cycle of thirteen string quartets, composed over five decades. And yet, her oeuvre ranges from large scale choral works, to ballets, operas, and symphonic scores. Having studied with Charles Wood and Ralph Vaughan Williams at the Royal College of Music, many of her compositions also garnered accolades from peers and established musical figures such as Gustav Holst, Donald Francis Tovey, and Henry Wood, among others. With access to a wealth of documentation previously unavailable, this book explores Maconchy's life and music within a greater consideration of the social and political context of the world in which she lived. While the influence of Bartók has been well documented, this book reveals the equally potent influence of Vaughan Williams on Maconchy's musical idiom. This book also discusses Maconchy's foray into administration and her advocacy of young composers through her work as the first woman to be elected Chairman of the Composers' Guild of Great Britain in 1959 and President of the Society for the Promotion of New Music following the death of Benjamin Britten in 1976. It will be required reading for those interested in the lives of women composers, twentieth-century British music, and musical modernism.
Book Synopsis The Symphonic Poem in Britain, 1850-1950 by : Michael Allis
Download or read book The Symphonic Poem in Britain, 1850-1950 written by Michael Allis and published by Boydell & Brewer. This book was released on 2020 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).
Book Synopsis Beyond Boundaries by : Linda Phyllis Austern
Download or read book Beyond Boundaries written by Linda Phyllis Austern and published by Indiana University Press. This book was released on 2017-02-13 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.
Book Synopsis Canonic Repertories and the French Musical Press by : William Weber
Download or read book Canonic Repertories and the French Musical Press written by William Weber and published by Boydell & Brewer. This book was released on 2021 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: A bold application of the concept of canonical works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.
Book Synopsis Music and the Sonorous Sublime in European Culture, 1680–1880 by : Sarah Hibberd
Download or read book Music and the Sonorous Sublime in European Culture, 1680–1880 written by Sarah Hibberd and published by Cambridge University Press. This book was released on 2020-05-28 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: The sublime - that elusive encounter with overwhelming height, power or limits - has been associated with music from the early-modern rise of interest in the Longinian sublime to its saturation of European culture in the later nineteenth century and beyond. This volume offers a historically situated study of the relationship between music, sound and the sublime. Together, the authors distinguish between the different aesthetics of production, representation and effect, while understanding these as often mutually reinforcing approaches. They demonstrate music's strength in playing out the sublime as transfer, transport and transmission of power, allied to the persistent theme of destruction, deaths and endings. The volume opens up two avenues for further research suggested by the adjective 'sonorous': a wider spectrum of sounds heard as sublime, and (especially for those outside musicology) a more multifaceted idea of music as a cultural practice that shares boundaries with other sounding phenomena.
Book Synopsis George Smart and Nineteenth-century London Concert Life by : John Carnelley
Download or read book George Smart and Nineteenth-century London Concert Life written by John Carnelley and published by Boydell & Brewer. This book was released on 2015 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of Beethoven
Book Synopsis Conductors in Britain, 1870-1914 by : Fiona M. Palmer
Download or read book Conductors in Britain, 1870-1914 written by Fiona M. Palmer and published by Boydell & Brewer. This book was released on 2017 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shows how the work of orchestral conductors was shaped by and enriched cultural life in Britain from the late Victorian era to World War I.
Book Synopsis The Lives of George Frideric Handel by : David Hunter
Download or read book The Lives of George Frideric Handel written by David Hunter and published by Boydell & Brewer. This book was released on 2015 with total page 537 pages. Available in PDF, EPUB and Kindle. Book excerpt: How have Handel's 'lives' in biographies and histories moulded our understanding of the musician, the man and the icon?
