Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
Roger Norths The Musicall Grammarian 1728
Download Roger Norths The Musicall Grammarian 1728 full books in PDF, epub, and Kindle. Read online Roger Norths The Musicall Grammarian 1728 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis Roger North's The Musicall Grammarian 1728 by : Roger North
Download or read book Roger North's The Musicall Grammarian 1728 written by Roger North and published by Cambridge University Press. This book was released on 2006-04-20 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: A treatise on musical eloquence in all its branches, first published in 1990.
Book Synopsis The Honourable Roger North, 1651–1734 by : Jamie C. Kassler
Download or read book The Honourable Roger North, 1651–1734 written by Jamie C. Kassler and published by Routledge. This book was released on 2017-05-15 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Roger North is known today as a biographer and writer on music, architecture and estate management. Yet his writings, including thousands of pages still in manuscript, also contain critical reflections about intellectual and social changes taking place in England. This feature is little recognised, because North's reputation as an author was formed between 1740 and 1890, when seven of his manuscripts were published in editions that drastically altered his original texts, and when the reception of these works was influenced by 'Whig' criticism. Although some of North's writings were later edited according to more rigorous standards, many critics still utilise the discredited editions and continue to repeat 'Whig' stereotypes of North. Eschewing such stereotypes, Jamie C. Kassler provides the first interpretation of North's philosophy by retrieving what is consistent in his pattern of thought and by analysing some of his practices and purposes as a writer. By these methods, she shows that North, a common lawyer by profession, combined the moral scepticism of Montaigne with the legal philosophy of Coke, Selden and Hale. The result was a sceptical philosophy that accounts for North's critical reflections on the dogmatism of natural-law doctrine, both in its medieval intellectualist version and in its voluntarist reformulation that began with Grotius and was developed by Hobbes, Pufendorf and Locke. Kassler bases her interpretation on a wide range of North's writings, even those in which one might least expect to find a philosophy. In addition, one of his manuscripts, which is edited here for the first time, includes an exposition of his jurisprudence, as well as his attempt to bring England's past into the legal tradition. These features form part of North's broader argument that language, including the language of law, is the invention of humans and a representation of their changing history and habits, an argument that he later extended to musical 'language' in his more finished essay, 'The Musicall Grammarian' (1728).
Book Synopsis Seeking Truth: Roger North's Notes on Newton and Correspondence with Samuel Clarke c.1704-1713 by : Jamie C. Kassler
Download or read book Seeking Truth: Roger North's Notes on Newton and Correspondence with Samuel Clarke c.1704-1713 written by Jamie C. Kassler and published by Routledge. This book was released on 2016-04-01 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early 1690s Roger North was preparing to remove from London to Rougham, Norfolk, where he planned to continue his search for truth, which for him meant knowledge of nature, including human nature. But this search was interrupted by three events. First, between c.1704 and the early part of 1706, he read Newton’s book on rational (quantitative) mechanics and, afterwards, his book on optics in Clarke’s Latin translation. Second, towards the latter part of 1706, he and Clarke, a Norfolk clergyman, corresponded about matters relating to Newton’s two books, after which Clarke removed to London and the correspondence ceased. Third, in 1712 North received a letter from Clarke, requesting him to read and respond to his new publication on the philosophy of the Godhead. As Kassler details, each of these events presented a number of challenges to North’s values, as well as the way of philosophising he had learned as a student and practitioner of the common law. Because he never made public his responses to the challenges, her book also includes editions of North's notes on reading Newton’s books, as well as what now remains of the 1706 and later correspondence with Clarke. In addition, she presents analyses of some of North’s ’second thoughts’ about the issues raised in the notes and 1706 correspondence and, from an examination of Clarke’s main writings, provides a context for understanding the correspondence relating to the 1712 book.
Book Synopsis Music Theory in Seventeenth-century England by : Rebecca Herissone
Download or read book Music Theory in Seventeenth-century England written by Rebecca Herissone and published by Oxford University Press, USA. This book was released on 2000 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thus, over the course of the seventeenth century, there occurred a complete transformation in almost every aspect of theory: by the 1720s, many of the principles being described bore close relation to those still used today. Nowhere was this metamorphosis clearer than in England where, because of a traditional emphasis on practicality, there was much more willingness to accept and encourage new theoretical ideas than on the continent.
Book Synopsis Source Readings in Music History by : William Oliver Strunk
Download or read book Source Readings in Music History written by William Oliver Strunk and published by W. W. Norton & Company. This book was released on 1998 with total page 1584 pages. Available in PDF, EPUB and Kindle. Book excerpt: The definitive collection of great writings on music from ancient Greece through the twentieth century.
Download or read book Notes of Me written by Roger North and published by University of Toronto Press. This book was released on 2000-01-01 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: North (1651-1734) makes lively forays into the worlds of natural philosophy, Christian stoicism, Cartesian science, architecture, music, education, and James II's treatment of the Protestant courtiers.
Book Synopsis Complete Sonatas, Part 2 by : Nicola Francesco Haym
Download or read book Complete Sonatas, Part 2 written by Nicola Francesco Haym and published by A-R Editions, Inc.. This book was released on 2002-01-01 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Thomas Salmon: An essay to the advancement of musick and the ensuing controversy, 1672-3 by : Benjamin Wardhaugh
Download or read book Thomas Salmon: An essay to the advancement of musick and the ensuing controversy, 1672-3 written by Benjamin Wardhaugh and published by Ashgate Publishing, Ltd.. This book was released on 2013 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Beneath the unedifying invective employed by Salmon, Locke and their supporters however, serious and novel statements were being made about what constituted musical knowledge and what was the proper way to acquire it. This volume is the first published scholarly edition of Salmon's writings on notation, previously available only in microfilm and online facsimiles.
Book Synopsis The Ashgate Research Companion to Henry Purcell by : Rebecca Herissone
Download or read book The Ashgate Research Companion to Henry Purcell written by Rebecca Herissone and published by Routledge. This book was released on 2016-04-01 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
Book Synopsis The Beginnings of the Modern Philosophy of Music in England by : Jamie C. Kassler
Download or read book The Beginnings of the Modern Philosophy of Music in England written by Jamie C. Kassler and published by Routledge. This book was released on 2017-09-19 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1677 a slim quarto volume was published anonymously as A Philosophical Essay of Musick. Written by Francis North (1637-85), chief justice of the Common Pleas, the Essay is in the form of a legal case argued from an hypothesis. Utilising the pendulum as his hypothesis, North provided a rationale from mechanics for the emerging new musical practice we now call 'tonality'. He also made auditory resonance the connecting link between acoustical events in the external world and the musical meanings the mind makes on the basis of sensory perception. Thus began the modern philosophy of music that culminated with the work of Hermann von Helmholtz. As a step towards understanding this tradition, Jamie C. Kassler examines the 1677 Essay in its historical context. After assessing three seventeenth-century criticisms of it and outlining how one critic developed some implications in the Essay, she summarises the basic principles that have guided the modern philosophy of music from its beginnings in the 1677 Essay. The book includes an annotated edition of the Essay as well as the comments of the three critics.
Book Synopsis 'To fill, forbear, or adorne' by : Rebecca Herissone
Download or read book 'To fill, forbear, or adorne' written by Rebecca Herissone and published by Routledge. This book was released on 2017-07-05 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first study to provide a systematic and thorough investigation of continuo realization styles appropriate to Restoration sacred music, an area of performance practice that has never previously been properly assessed. Rebecca Herissone undertakes detailed analysis of a group of organ books closely associated with the major Restoration composers Purcell, Blow and Humfrey, and the London institutions where they spent their professional lives. By investigating the relationship between the organ books' two-stave arrangements and full scores of the same pieces, Herissone demonstrates that the books are subtle sources of information to the accompanist, not just short or skeleton scores. Using this evidence, she formulates a model for continuo realization of this repertory based on the doubling of vocal parts, an approach that differs significantly from that adopted by most modern editors, and which throws into question much of the accepted continuo practice in modern performance of this repertory.
Book Synopsis English Dramatick Opera, 1661–1706 by : Andrew R. Walkling
Download or read book English Dramatick Opera, 1661–1706 written by Andrew R. Walkling and published by Routledge. This book was released on 2019-03-19 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
Book Synopsis Music, Experiment and Mathematics in England, 1653-1705 by : Benjamin Wardhaugh
Download or read book Music, Experiment and Mathematics in England, 1653-1705 written by Benjamin Wardhaugh and published by Routledge. This book was released on 2017-07-05 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: How, in 1705, was Thomas Salmon, a parson from Bedfordshire, able to persuade the Royal Society that a musical performance could constitute a scientific experiment? Or that the judgement of a musical audience could provide evidence for a mathematically precise theory of musical tuning? This book presents answers to these questions. It constitutes a general history of quantitative music theory in the late seventeenth century as well as a detailed study of one part of that history: namely the applications of mathematical and mechanical methods of understanding to music that were produced in England between 1653 and 1705, beginning with the responses to Descartes's 1650 Compendium musicand ending with the Philosophical Transactions' account of the appearance of Thomas Salmon at the Royal Society in 1705. The book is organized around four key questions. Do musical pitches form a small set or a continuous spectrum? Is there a single faculty of hearing which can account for musical sensation, or is more than one faculty at work? What is the role of harmony in the mechanical world, and where can its effects be found? And what is the relationship between musical theory and musical practice? These are questions which are raised and discussed in the sources themselves, and they have wide significance for early modern theories of knowledge and sensation more generally, as well as providing a fascinating side light onto the world of the scientific revolution.
Book Synopsis Reappraising the Seicento by : Andrew Cheetham
Download or read book Reappraising the Seicento written by Andrew Cheetham and published by Cambridge Scholars Publishing. This book was released on 2014-03-26 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reappraising the Seicento presents new perspectives on some relatively well-researched areas of music history and adumbrates some more arcane aspects of the period, offered by fledgling scholars and early career researchers in the field of musicology. The scope of the title has the potential to warrant a tome on the subject, but it is not the intention to provide a comprehensive survey of music in the seventeenth century. Instead, five essays are presented, divided into two sections, which represent the research activities of young scholars with an interest in the seicento. In the first part of this book, compositional procedure in seicento Italy is examined through two different analytical procedures. Musical styles and fashions changed considerably throughout Europe in the seventeenth century; at the forefront of these changes were Italian composers and performers, who found fame and influence in their native countries as well as abroad. In the second part of this book, the dissemination of Italian music in seventeenth-century England and the appropriation and assimilation of contemporary Italian compositional techniques by English composers are considered. The phenomenal interest shown in Italian music by English patrons and musicians of the seventeenth century is placed into context, and is revealed to be part of a larger historical trend.
Book Synopsis Masque and Opera in England, 1656-1688 by : Andrew R. Walkling
Download or read book Masque and Opera in England, 1656-1688 written by Andrew R. Walkling and published by Taylor & Francis. This book was released on 2016-08-25 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a limited amount of documentation survives, Walkling argues that our understanding of the distinctions between masque and opera must be premised upon a thorough knowledge of theatrical context and performance circumstances. Using extensive archival and literary evidence, detailed textual readings, rigorous tabular analysis, and meticulous collation of bibliographical and musical sources, this interdisciplinary study offers a host of new insights into a body of work that has long been of interest to musicologists, theatre historians, literary scholars and historians of Restoration court and political culture, but which has hitherto been imperfectly understood. A companion volume will explore the phenomenon of "dramatick opera" and its precursors on London’s public stages between the early 1660s and the first decade of the eighteenth century.
Download or read book Feeling Time written by Amit S. Yahav and published by University of Pennsylvania Press. This book was released on 2018-05-08 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story goes, inevitably results in modernity's time-keeper societies and the characterization of modern experience as qualitatively diminished. In Feeling Time, Amit Yahav challenges this narrative of the triumph of chronometry and the consequent impoverishment of individual experience. She explores the fascination eighteenth-century writers had with the mental and affective processes through which human beings come not only to know that time has passed but also to feel the durations they inhabit. Yahav begins by elucidating discussions by Locke and Hume that examine how humans come to know time, noting how these philosophers often consider not only knowledge but also experience. She then turns to novels by Richardson, Sterne, and Radcliffe, attending to the material dimensions of literary language to show how novelists shape the temporal experience of readers through their formal choices. Along the way, she considers a wide range of eighteenth-century aesthetic and moral treatises, finding that these identify the subjective experience of duration as the crux of pleasure and judgment, described more as patterned durational activity than as static state. Feeling Time highlights the temporal underpinnings of the eighteenth century's culture of sensibility, arguing that novelists have often drawn on the logic of musical composition to make their writing an especially effective tool for exploring time and for shaping durational experience.
Book Synopsis Music as a Science of Mankind in Eighteenth-Century Britain by : Maria Semi
Download or read book Music as a Science of Mankind in Eighteenth-Century Britain written by Maria Semi and published by Routledge. This book was released on 2016-04-29 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation - trying to describe how the human mind could develop ideas and emotions by its means - philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which - in David Hume's words - 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.
