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Renaissance Metapainting Ed By Peter Bokody
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Book Synopsis RENAISSANCE METAPAINTING; ED. BY PETER BOKODY. by : Péter Bokody
Download or read book RENAISSANCE METAPAINTING; ED. BY PETER BOKODY. written by Péter Bokody and published by Harvey Miller. This book was released on 2020 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volume offers an overview of meta-pictorial tendencies in book illumination, mural and panel painting during the Italian and Northern Renaissance. It examines visual forms of self-awareness in the changing context of Latin Christianity and claims the central role of the Renaissance in the establishment of the modern condition of art. Meta-painting refers to the ways in which artworks playfully reveal or critically expose their own fictiveness, and is considered a constitutive aspect of Western art. Its rise was connected to changes in the consumption of religious imagery in the sixteenth century and to the advent of the portable framed canvas, the single most important medium of modernity. While the key initial contributions of some Renaissance painters from Jan van Eyck to Andrea Mantegna have always been acknowledged, in the principal narrative the Renaissance has largely remained the naïve moment of realistic experimentation to be ultimately superseded by the complex reflexive developments in Early Modern art, following the Reformation.
Book Synopsis The Imagery and Politics of Sexual Violence in Early Renaissance Italy by : Péter Bokody
Download or read book The Imagery and Politics of Sexual Violence in Early Renaissance Italy written by Péter Bokody and published by . This book was released on 2022-12 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book is the first comprehensive study of images of rape in Italian painting at the dawn of the Renaissance. Drawing on a wide range of primary sources, Péter Bokody examines depictions of sexual violence in religion, law, medicine, literature, politics, and history writing produced in kingdoms (Sicily and Naples) and city-republics (Florence, Siena, Lucca, Bologna, and Padua). While misogynistic endorsement characterized many of these visual discourses, some urban communities condemned rape in their propaganda against tyranny. Such representations of rape often link gender and aggression to war, abduction, sodomy, prostitution, pregnancy, and suicide. Bokody also traces how the new naturalism in painting, introduced by Giotto, increased verisimilitude, but also fostered imagery that coupled eroticism and violation. Exploring images and texts that have long been overlooked, Bokody's study provides new insights at the intersection of gender, policy, and visual culture, with evident relevance to our contemporary condition"--
Book Synopsis Images-within-Images in Italian Painting (1250-1350) by : P?r Bokody
Download or read book Images-within-Images in Italian Painting (1250-1350) written by P?r Bokody and published by Routledge. This book was released on 2017-07-05 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rebirth of realistic representation in Italy around 1300 led to the materialization of a pictorial language, which dominated Western art until 1900, and it dominates global visual culture even today. Paralleling the development of mimesis, self-reflexive pictorial tendencies emerged as well. Images-within-images, visual commentaries of representations by representations, were essential to this trend. They facilitated the development of a critical pictorial attitude towards representation. This book offers the first comprehensive study of Italian meta-painting in the age of Giotto and sheds new light on the early modern and modern history of the phenomenon. By combining visual hermeneutics and iconography, it traces reflexivity in Italian mural and panel painting at the dawn of the Renaissance, and presents novel interpretations of several key works of Giotto di Bondone and the Lorenzetti brothers. The potential influence of the contemporary religious and social context on the program design is also examined situating the visual innovations within a broader historical horizon. The analysis of pictorial illusionism and reality effect together with the liturgical, narrative and typological role of images-within-images makes this work a pioneering contribution to visual studies and premodern Italian culture.
Book Synopsis Images-Within-Images in Italian Painting (1250-1350) by : Péter Bokody
Download or read book Images-Within-Images in Italian Painting (1250-1350) written by Péter Bokody and published by Routledge. This book was released on 2017-06-14 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rebirth of realistic representation in Italy around 1300 led to the materialization of a pictorial language, which dominated Western art until 1900, and it dominates global visual culture even today. Paralleling the development of mimesis, self-reflexive pictorial tendencies emerged as well. Images-within-images, visual commentaries of representations by representations, were essential to this trend. They facilitated the development of a critical pictorial attitude towards representation. This book offers the first comprehensive study of Italian meta-painting in the age of Giotto and sheds new light on the early modern and modern history of the phenomenon. By combining visual hermeneutics and iconography, it traces reflexivity in Italian mural and panel painting at the dawn of the Renaissance, and presents novel interpretations of several key works of Giotto di Bondone and the Lorenzetti brothers. The potential influence of the contemporary religious and social context on the program design is also examined situating the visual innovations within a broader historical horizon. The analysis of pictorial illusionism and reality effect together with the liturgical, narrative and typological role of images-within-images makes this work a pioneering contribution to visual studies and premodern Italian culture.
Book Synopsis The Self-Aware Image by : Victor I. Stoichita
Download or read book The Self-Aware Image written by Victor I. Stoichita and published by Harvey Miller Pub. This book was released on 2015-04-30 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: The notion of the painting as an art object is a relatively recent invention. The Self-Aware Image offers an impressive and complex account of the origins and development of this invention from the late Renaissance through the end of the baroque age. In comparison to the old image characterized by its preeminently liturgical function and its display in a predetermined space, the painting as the new image is increasingly autonomous and movable. As a modern art object, the painting becomes the focus of an aesthetic contemplation through its insertion into a gallery or a collection. As a result of the Protestant iconoclasm and the advancement of scientific knowledge, the essence and role of the image is put into question and thematized not only by theologians and scholars, but especially by artists. The painting thus becomes a field of visual experimentation in which art reflects on itself, its potential, its limits, its truth, and its nothingness. The representation of windows, doors, niches, mirrors, and paintings enable artists to embed the image within the image, to frame the fictiveness of the image in order to deceive, puzzle, and challenge the beholder. The pictorial devices through which artists introduce their authorial self into the image and stage the making of the image itself form the foundation of a new poetics: the poetics of metapainting. First published in French in 1993, Victor Stoichita's Self-Aware Image has become a classic of the history of art. This new, updated, and improved English edition marks the twentieth anniversary of a work that radically changed the perception of seventeenth-century art and that constitutes an ever-valid reference for contemporary scholarship. An introduction by Lorenzo Pericolo illustrates the great importance of the book for our comprehension of baroque painting.
Book Synopsis Images-within-images in Italian Painting (1250-1350) by : Péter Bokody
Download or read book Images-within-images in Italian Painting (1250-1350) written by Péter Bokody and published by . This book was released on 2015 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The rebirth of realistic representation in Italy around 1300 led to the materialization of a pictorial language, which dominated Western art until 1900, and it dominates global visual culture even today. Paralleling the development of mimesis, self-reflexive pictorial tendencies emerged as well. Images-within-images, visual commentaries of representations by representations, were essential to this trend. They facilitated the development of a critical pictorial attitude towards representation. This book offers the first comprehensive study of Italian meta-painting in the age of Giotto and sheds new light on the early modern and modern history of the phenomenon. By combining visual hermeneutics and iconography, it traces reflexivity in Italian mural and panel painting at the dawn of the Renaissance, and presents novel interpretations of several key works of Giotto di Bondone and the Lorenzetti brothers. The potential influence of the contemporary religious and social context on the program design is also examined situating the visual innovations within a broader historical horizon. The analysis of pictorial illusionism and reality effect together with the liturgical, narrative and typological role of images-within-images makes this work a pioneering contribution to visual studies and premodern Italian culture."--Provided by publisher.
Book Synopsis Literature, Commerce, and the Spectacle of Modernity, 1750-1800 by : Paul Keen
Download or read book Literature, Commerce, and the Spectacle of Modernity, 1750-1800 written by Paul Keen and published by Cambridge University Press. This book was released on 2012-02-02 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the ways that authors responded to fundamental questions about literature during an age of accelerating change.
Author :Gwendoline de Mûelenaere Publisher :Brill's Studies on Art, Art Hi ISBN 13 :9789004444539 Total Pages :468 pages Book Rating :4.4/5 (445 download)
Book Synopsis Early Modern Thesis Prints in the Southern Netherlands by : Gwendoline de Mûelenaere
Download or read book Early Modern Thesis Prints in the Southern Netherlands written by Gwendoline de Mûelenaere and published by Brill's Studies on Art, Art Hi. This book was released on 2021 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In Early Modern Thesis Prints in the Southern Netherlands, Gwendoline de Mûelenaere offers an account of the practice of producing illustrated thesis prints in the seventeenth-century Southern Low Countries. She argues that the evolution of the thesis print genre gave rise to the creation of a specific visual language combining efficiently various figurative registers of a historical and symbolic nature. The book offers a reflection on the representation of knowledge and its public recognition in the context of academic defenses. Early Modern Thesis Prints makes a timely contribution to our understanding of early modern print culture and more specifically to the expanding field of study concerned with the role of visual materials in early modern thought"--
Book Synopsis Caravaggio and Pictorial Narrative by : Lorenzo Pericolo
Download or read book Caravaggio and Pictorial Narrative written by Lorenzo Pericolo and published by Harvey Miller. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: HMSBA is Harvey Miller Studies in Baroque Art.
Book Synopsis The Controversy of Renaissance Art by : Alexander Nagel
Download or read book The Controversy of Renaissance Art written by Alexander Nagel and published by University of Chicago Press. This book was released on 2011-09 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sansovino successively dismantled and reconstituted the categories of art-making. Hardly capable of sustaining a program of reform, the experimental art of this period was succeeded by a new era of cultural codification in the second half of the sixteenth century. --
Book Synopsis Eloquent Bodies by : Jacqueline E. Jung
Download or read book Eloquent Bodies written by Jacqueline E. Jung and published by Yale University Press. This book was released on 2020-07-14 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: A radical reassessment of the role of movement, emotion, and the viewing experience in Gothic sculpture Gothic cathedrals in northern Europe dazzle visitors with arrays of sculpted saints, angels, and noble patrons adorning their portals and interiors. In this highly original and erudite volume, Jacqueline E. Jung explores how medieval sculptors used a form of bodily poetics—involving facial expression, gesture, stance, and torsion—to create meanings beyond conventional iconography and to subtly manipulate spatial dynamics, forging connections between the sculptures and beholders. Filled with more than 500 images that capture the suppleness and dynamism of cathedral sculpture, often through multiple angles, Eloquent Bodies demonstrates how viewers confronted and, in turn, were addressed by sculptures at major cathedrals in France and Germany, from Chartres and Reims to Strasbourg, Bamberg, Magdeburg, and Naumburg. Shedding new light on the charismatic and kinetic qualities of Gothic sculpture, this book also illuminates the ways artistic ingenuity and technical skill converged to enliven sacred spaces.
Book Synopsis Giotto and His Publics by : Julian Gardner
Download or read book Giotto and His Publics written by Julian Gardner and published by Harvard University Press. This book was released on 2011-05-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty. Political strife and religious faction lacerated fourteenth-century Italy. Giotto’s commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto’s path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi. These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto’s frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood.
Book Synopsis Albrecht Dürer and the Epistolary Mode of Address by : Shira Brisman
Download or read book Albrecht Dürer and the Epistolary Mode of Address written by Shira Brisman and published by University of Chicago Press. This book was released on 2017-01-20 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication. In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer’s artistic practices. His success, she contends, was due in large part to his development of pictorial strategies—an epistolary mode of address—marked by a direct, intimate appeal to the viewer, an appeal that also acknowledged the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany’s chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address.
Book Synopsis Animating Empire by : Jessica Keating
Download or read book Animating Empire written by Jessica Keating and published by Penn State Press. This book was released on 2018-05-09 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the sixteenth and seventeenth centuries, German clockwork automata were collected, displayed, and given as gifts throughout the Holy Roman, Ottoman, and Mughal Empires. In Animating Empire, Jessica Keating recounts the lost history of six such objects and reveals the religious, social, and political meaning they held. The intricate gilt, silver, enameled, and bejeweled clockwork automata, almost exclusively crafted in the city of Augsburg, represented a variety of subjects in motion, from religious figures to animals. Their movements were driven by gears, wheels, and springs painstakingly assembled by clockmakers. Typically wound up and activated by someone in a position of power, these objects and the theological and political arguments they made were highly valued by German-speaking nobility. They were often given as gifts and as tribute payment, and they played remarkable roles in the Holy Roman Empire, particularly with regard to courtly notions about the important early modern issues of universal Christian monarchy, the Reformation, the Counter-Reformation, the encroachment of the Ottoman Empire, and global trade. Demonstrating how automata produced in the Holy Roman Empire spoke to a convergence of historical, religious, and political circumstances, Animating Empire is a fascinating analysis of the animation of inanimate matter in the early modern period. It will appeal especially to art historians and historians of early modern Europe. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.
Book Synopsis Nicola & Giovanni Pisano by : Anita Fiderer Moskowitz
Download or read book Nicola & Giovanni Pisano written by Anita Fiderer Moskowitz and published by Harvey Miller. This book was released on 2005 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the year 1260, Nicola Pisano, the sculptor who initiated the revival of classicizing ideals that would later form a major component of Italian Renaissance art, created a remarkable and unusual monument for the Baptistry of Pisa, a hexagonal pulpit supported by seven colorful columns and displaying on its parapet five visually compelling narrative reliefs; several years later he designed a second pulpit, this time for the cathedral of Siena. Toward the end of the century, his son Giovanni received a pulpit commission for the parish church of Sant'Andrea, Pistoia, to be followed a few years later (c. 1302) by another one for the cathedral of Pisa. These four extraordinary monuments, each building upon both older traditions and its own immediate predecessors, yet each a highly innovative and original solution, are the primary subject of this book. The pulpits by Nicola and Giovanni Pisano were produced during a period of enormous economic, intellectual, cultural and spiritual flux. The expanded body of knowledge that resulted from the rise of Scholasticism-a theological-intellectual current that, beginning in the French cathedral schools of the twelfth century, attempted to reconcile Christian faith with the newly valued ideals of observation and reason, in short, to synthesize Christian and classical learning--found expression in new themes and naturalistic motifs abounding in painting, book illumination and sculpture, and in religious and civic iconography. In contrast to the emphasis on transcendental experience of the earlier Middle Ages, the new urban-centered religious orders of the thirteenth-century, such as the Domincans and the Franciscans, fostered a more direct, empathetic relationship between ordinary mortals and God and his saints. The Pisano pulpits were profoundly informed by these new conditions and concerns, and in turn they contributed to changing perceptions about the natural world and the nature of religious experience. Indeed, these pulpits are among the earliest visual manifestations in Italy of the scholastic inclination to embrace a wide range of knowledge, for the narratives relating biblical history are augmented by representations of Virtues and Vices, Liberal Arts, and pagan prophetesses of antiquity. The sermons expounded from these and other urban pulpits were very much enhanced by the charisma of their preachers and the interplay between the verbal and the visual, both of which were expressed in the vernacular, that is, in the case of sermons no longer only in the remote Latin tongue, and in the case of visual imagery no longer employing the abstract forms and symbols of earlier periods. But preaching was by no means the sole function of these raised platforms; they were used for a variety of ceremonial occasions and, like the para-liturgical mystery and miracle plays that were becoming increasingly popular, they satisfied the needs for edification, diversion, and even entertainment, needs as compelling in the thirteenth and fourteenth centuries as they are today. In this book, we explore in word and image these and other issues related to the pulpits of Nicola and Giovanni Pisano, both as individual masterpieces and as monuments within the larger context of pulpit traditions. Nicola and Giovanni, different as were their sculptural styles, were both consummate story-tellers and it is nothing less than astonishing to observe the formal devices employed to make those stories as compelling as possible: We shall thus witness varying interpretations of the narratives, differing iconographic emphases and formal devices, changing conceptions of the human figure, and the development of spatial awareness in the work of both father and son. By offering close readings of the narrative and figural iconography, and the sculptural form conceived to give them expression, this book invites the modern viewer-reader to follow the itinerary of their original audience, the worshiper standing before and walking around each pulpit. In addition, however, numerous close-up views of passages difficult to see in situ offer privileged access to details readily visible primarily to the sculptor at work rather than the standing or circumambulating spectator.
Book Synopsis Anachronic Renaissance by : Alexander Nagel
Download or read book Anachronic Renaissance written by Alexander Nagel and published by Zone Books. This book was released on 2020-04-14 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists—a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.
Book Synopsis Treasure, Memory, Nature by : Philippe Cordez
Download or read book Treasure, Memory, Nature written by Philippe Cordez and published by Harvey Miller. This book was released on 2020-09-28 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the origins, economic development, and later history of church treasures, and explores the forms and function of these objects of memory and wonder.00Precious metalwork, relics, chess pieces, ostrich eggs, unicorn horns, and bones of giants were among the treasury objects accumulated in churches during the Middle Ages. The material manifestations of a Christian worldview, they would only later become naturalia and objets d?art, from the sixteenth and the nineteenth century onwards, respectively.00Philippe Cordez traces the rhetorical origination, economic development, and later history of church treasures, and explores the forms and functions of the memorial objects that constituted them. Such objects were a source of wonder for their contemporaries and remain so today, albeit for quite different reasons. Indeed, our fascination relates primarily to their epistemic and aesthetic qualities. Dealing also with these paradigm shifts, this study opens up new paths toward an archeology of current scholarly and museum practices.0Philippe Cordez is Deputy Director of the German Center for Art History in Paris.
