Muzio Clementi And British Musical Culture

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Muzio Clementi and British Musical Culture

Author : Luca Lévi Sala
Publisher : Routledge
ISBN 13 : 1351800884
Total Pages : 258 pages
Book Rating : 4.3/5 (518 download)

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Book Synopsis Muzio Clementi and British Musical Culture by : Luca Lévi Sala

Download or read book Muzio Clementi and British Musical Culture written by Luca Lévi Sala and published by Routledge. This book was released on 2018-06-14 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.

British Music, Musicians and Institutions, C. 1630-1800

Author : Julian Rushton
Publisher : Boydell & Brewer
ISBN 13 : 1783276479
Total Pages : 317 pages
Book Rating : 4.7/5 (832 download)

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Book Synopsis British Music, Musicians and Institutions, C. 1630-1800 by : Julian Rushton

Download or read book British Music, Musicians and Institutions, C. 1630-1800 written by Julian Rushton and published by Boydell & Brewer. This book was released on 2021 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.

Aspects of Early English Keyboard Music before c.1630

Author : David J. Smith
Publisher : Routledge
ISBN 13 : 1351613871
Total Pages : 246 pages
Book Rating : 4.3/5 (516 download)

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Book Synopsis Aspects of Early English Keyboard Music before c.1630 by : David J. Smith

Download or read book Aspects of Early English Keyboard Music before c.1630 written by David J. Smith and published by Routledge. This book was released on 2019-04-24 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and early seventeenth centuries as organists such as William Byrd and his students took a genre associated with domestic, amateur performance and treated it as seriously as vocal music. This book draws together important research on the music, its sources and the instruments on which it was played. There are two chapters on instruments: John Koster on the use of harpsichord during the period, and Dominic Gwynn on the construction of Tudor-style organs based on the surviving evidence we have for them. This leads to a section devoted to organ performance practice in a liturgical context, in which John Harper discusses what the use of organs pitched in F may imply about their use in alternation with vocal polyphony, and Magnus Williamson explores improvisational practice in the Tudor period. The next section is on sources and repertoire, beginning with Frauke Jürgensen and Rachelle Taylor’s chapter on Clarifica me Pater settings, which grows naturally out of the consideration of improvisation in the previous chapter. The next two contributions focus on two of the most important individual manuscript sources: Tihomir Popović challenges assumptions about My Ladye Nevells Booke by reflecting on what the manuscript can tell us about aristocratic culture, and David J. Smith provides a detailed study of the famous Fitzwilliam Virginal Book. The discussion then broadens out into Pieter Dirksen’s consideration of a wider selection of sources relating to John Bull, which in turn connects closely to David Leadbetter’s work on Gibbons, lute sources and questions of style.

Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860

Author : Randi Margrete Selvik
Publisher : Routledge
ISBN 13 : 1000296571
Total Pages : 285 pages
Book Rating : 4.0/5 (2 download)

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Book Synopsis Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860 by : Randi Margrete Selvik

Download or read book Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860 written by Randi Margrete Selvik and published by Routledge. This book was released on 2020-12-30 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance, and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itinerant performers in the Nordic sphere; preconditions, dissemination, and popularity of equestrian drama; marginalisation and amateur staging of a Singspiel by the renowned Danish playwright Oehlenschläger, also with perspectives on the music and its composers; and the perceived relevance of Henrik Ibsen’s staged theatre repertory and early dramas. By questioning established notions about canon, marginalisation, and relevance within the performing arts in the period 1770–1860, this book asserts itself as an intriguing text both to the culturally interested public and to scholars and students of musicology, dance research, and theatre studies.

The Piano in Nineteenth-Century British Culture

Author : Susan Wollenberg
Publisher : Routledge
ISBN 13 : 1351541560
Total Pages : 276 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Piano in Nineteenth-Century British Culture by : Susan Wollenberg

Download or read book The Piano in Nineteenth-Century British Culture written by Susan Wollenberg and published by Routledge. This book was released on 2017-09-29 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the publication of The London Pianoforte School (ed. Nicholas Temperley) twenty years ago, research has proliferated in the area of music for the piano during the late eighteenth and nineteenth centuries and into developments in the musical life of London, for a time the centre of piano manufacturing, publishing and performance. But none has focused on the piano exclusively within Britain. The eleven chapters in this volume explore major issues surrounding the instrument, its performers and music within an expanded geographical context created by the spread of the instrument and the growth of concert touring. Topics covered include: the piano trade and how piano manufacturing affected a major provincial town; the reception of Bach's Well-Tempered Clavier and Clementi's Gradus ad Parnassum during the nineteenth century; the shift from composer-pianists to pianist-interpreters in the first half of the century that triggered crucial changes in piano performance and concert structure; the growth of musical life in the peripheries outside major musical centres; the pianist as advocate for contemporary composers as well as for historical repertory; the status of British pianists both in relation to foreigners on tour in Britain and as welcomed star performers in outposts of the Empire; marketing forces that had an impact on piano sales, concerts and piano careers; leading virtuosos, writers and critics; the important role played by women pianists and the development of the recording industry, bringing the volume into the early twentieth century.

The Piano in Nineteenth-Century British Culture

Author : Susan Wollenberg
Publisher : Routledge
ISBN 13 : 1351541579
Total Pages : 296 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Piano in Nineteenth-Century British Culture by : Susan Wollenberg

Download or read book The Piano in Nineteenth-Century British Culture written by Susan Wollenberg and published by Routledge. This book was released on 2017-09-29 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the publication of The London Pianoforte School (ed. Nicholas Temperley) twenty years ago, research has proliferated in the area of music for the piano during the late eighteenth and nineteenth centuries and into developments in the musical life of London, for a time the centre of piano manufacturing, publishing and performance. But none has focused on the piano exclusively within Britain. The eleven chapters in this volume explore major issues surrounding the instrument, its performers and music within an expanded geographical context created by the spread of the instrument and the growth of concert touring. Topics covered include: the piano trade and how piano manufacturing affected a major provincial town; the reception of Bach's Well-Tempered Clavier and Clementi's Gradus ad Parnassum during the nineteenth century; the shift from composer-pianists to pianist-interpreters in the first half of the century that triggered crucial changes in piano performance and concert structure; the growth of musical life in the peripheries outside major musical centres; the pianist as advocate for contemporary composers as well as for historical repertory; the status of British pianists both in relation to foreigners on tour in Britain and as welcomed star performers in outposts of the Empire; marketing forces that had an impact on piano sales, concerts and piano careers; leading virtuosos, writers and critics; the important role played by women pianists and the development of the recording industry, bringing the volume into the early twentieth century.

Music and Performance Culture in Nineteenth-Century Britain

Author : Bennett Zon
Publisher : Routledge
ISBN 13 : 1317092376
Total Pages : 387 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Music and Performance Culture in Nineteenth-Century Britain by : Bennett Zon

Download or read book Music and Performance Culture in Nineteenth-Century Britain written by Bennett Zon and published by Routledge. This book was released on 2016-04-29 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.

The SAGE International Encyclopedia of Music and Culture

Author : Janet Sturman
Publisher : SAGE Publications
ISBN 13 : 1483317749
Total Pages : 2730 pages
Book Rating : 4.4/5 (833 download)

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Book Synopsis The SAGE International Encyclopedia of Music and Culture by : Janet Sturman

Download or read book The SAGE International Encyclopedia of Music and Culture written by Janet Sturman and published by SAGE Publications. This book was released on 2019-02-26 with total page 2730 pages. Available in PDF, EPUB and Kindle. Book excerpt: The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition

Muzio Clementi and the Development of Pianoforte Music in Industrial England

Author : Jerald Curtis Graue
Publisher :
ISBN 13 :
Total Pages : 672 pages
Book Rating : 4.:/5 (17 download)

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Book Synopsis Muzio Clementi and the Development of Pianoforte Music in Industrial England by : Jerald Curtis Graue

Download or read book Muzio Clementi and the Development of Pianoforte Music in Industrial England written by Jerald Curtis Graue and published by . This book was released on 1976 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Music Profession in Britain, 1780-1920

Author : Rosemary Golding
Publisher : Routledge
ISBN 13 : 1351965743
Total Pages : 230 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis The Music Profession in Britain, 1780-1920 by : Rosemary Golding

Download or read book The Music Profession in Britain, 1780-1920 written by Rosemary Golding and published by Routledge. This book was released on 2018-03-15 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.

Encyclopedia of the Romantic Era, 1760–1850

Author : Christopher John Murray
Publisher : Routledge
ISBN 13 : 1135455783
Total Pages : 1304 pages
Book Rating : 4.1/5 (354 download)

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Book Synopsis Encyclopedia of the Romantic Era, 1760–1850 by : Christopher John Murray

Download or read book Encyclopedia of the Romantic Era, 1760–1850 written by Christopher John Murray and published by Routledge. This book was released on 2013-05-13 with total page 1304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.

The Music Trade in Georgian England

Author : Michael Kassler
Publisher : Routledge
ISBN 13 : 1351542176
Total Pages : 584 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Music Trade in Georgian England by : Michael Kassler

Download or read book The Music Trade in Georgian England written by Michael Kassler and published by Routledge. This book was released on 2017-07-05 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm's two successors - Broderip & Wilkinson and Muzio Clementi's variously styled partnerships - who carried on after Longman & Broderip's assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler's endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.

William Walton and the Violin Concerto in England between the 1900 and 1940: from Elgar to Britten

Author : Paolo Petrocelli
Publisher : Universal-Publishers
ISBN 13 : 1599426544
Total Pages : 81 pages
Book Rating : 4.5/5 (994 download)

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Book Synopsis William Walton and the Violin Concerto in England between the 1900 and 1940: from Elgar to Britten by : Paolo Petrocelli

Download or read book William Walton and the Violin Concerto in England between the 1900 and 1940: from Elgar to Britten written by Paolo Petrocelli and published by Universal-Publishers. This book was released on 2008-02 with total page 81 pages. Available in PDF, EPUB and Kindle. Book excerpt: The aim of this dissertation is to present a study and an historical-musicological analysis of the Concerto for Violin and Orchestra of Sir William Walton, discussing more specifically the shape of the Concerto for Violin in England between 1900 and 1940, taking into consideration the works of Charles Villiers Stanford, Edward Elgar, Samuel Coleridge-Taylor, Frederick Delius, Ralph Vaughan Williams, Arthur Somervell, Arnold Bax and Benjamin Britten. The thesis is divided in three parts: - the first discusses the Concertos for Violin and Orchestra of the composers active in England between 1900 and 1920: Stanford*, Elgar, Coleridge-Taylor, Delius. - the second discusses the Concertos for Violin and Orchestra of the composers active in England between 1920 and 1940: Vaughan Williams, Somervell, Bax, Britten. - The third part discusses the Concerto for Violin and Orchestra of William Walton. At the beginning there is a brief digression on the shape of the Concerto for Violin and Orchestra between the XIX and XX century in Europe, aimed to provide base knowledge of the characteristics of this musical form and to initiate a comparison between the various national composing styles. Each part is introduced by means of a generic historical-musical description of England and presents, after a biographical exposition of the composers, a formal, structural, harmonic and aesthetic analysis more or less extensive of the single concerts, along with a study of the technical aspects of the performance and a reflection on the composer-performer relationship. At the end of each part a comparative compendium is presented. The first and second part are entirely developed in function of the third, that discusses exclusively and in a more detailed manner the Concerto for Violin and Orchestra of William Walton, the work that provoked the most interest in me. To conclude the introduction, in the appendix there are some unpublished quotes, gained during the research work for this dissertation, given by well-known composers, regarding some of the discussed concertos, particularly in relation to Walton's. I believe this to be a precious contribution, that enriches and completes a reflection started in the dissertation, on the purely technical aspect of music for violin of British composers in the first half of the XIX century. * Concerto in D major Op.74 (1899), last concerto for violin and orchestra of the XIX century in England.

Europe, Empire, and Spectacle in Nineteenth-Century British Music

Author : Julian Rushton
Publisher : Routledge
ISBN 13 : 1351567632
Total Pages : 433 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Europe, Empire, and Spectacle in Nineteenth-Century British Music by : Julian Rushton

Download or read book Europe, Empire, and Spectacle in Nineteenth-Century British Music written by Julian Rushton and published by Routledge. This book was released on 2017-07-05 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.

Samuel Wesley

Author : Philip Olleson
Publisher : Boydell Press
ISBN 13 : 9781843830313
Total Pages : 394 pages
Book Rating : 4.8/5 (33 download)

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Book Synopsis Samuel Wesley by : Philip Olleson

Download or read book Samuel Wesley written by Philip Olleson and published by Boydell Press. This book was released on 2003 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book draws on letters, family papers, and other contemporary documents to offer a full study of Wesley, his music, and his life and times."--Jacket.

Music and British Culture, 1785-1914

Author : Christina Bashford
Publisher :
ISBN 13 : 9780198167303
Total Pages : 430 pages
Book Rating : 4.1/5 (673 download)

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Book Synopsis Music and British Culture, 1785-1914 by : Christina Bashford

Download or read book Music and British Culture, 1785-1914 written by Christina Bashford and published by . This book was released on 2000 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of sixteen new essays, all commissioned from cultural and musical historians, was inspired by the themes and approaches of Professor Cyril Ehrlich's pathbreaking work on British social history in music. This volume discusses issues such as the music marketplace, piano culture, musicians' work patterns, music institutions, concert history, and national and urban identities - all with a clear focus on art music traditions. The cultural importance of serious music, from Belfast to Calcutta, has long been assumed for the period but rarely demonstrated. Here the issue is interwoven with the social and economic realities confronting music and musicians in Britain across the 19th century.

Music in London and the Myth of Decline

Author : Ian Taylor
Publisher : Cambridge University Press
ISBN 13 : 0521896096
Total Pages : 223 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis Music in London and the Myth of Decline by : Ian Taylor

Download or read book Music in London and the Myth of Decline written by Ian Taylor and published by Cambridge University Press. This book was released on 2010-05-20 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taylor questions the widely held belief that the turn of the nineteenth century marked a 'dark age' of musical performance.