Music And British Culture 1785 1914

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Music and British Culture, 1785-1914

Author : Christina Bashford
Publisher :
ISBN 13 : 9780198167303
Total Pages : 430 pages
Book Rating : 4.1/5 (673 download)

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Book Synopsis Music and British Culture, 1785-1914 by : Christina Bashford

Download or read book Music and British Culture, 1785-1914 written by Christina Bashford and published by . This book was released on 2000 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of sixteen new essays, all commissioned from cultural and musical historians, was inspired by the themes and approaches of Professor Cyril Ehrlich's pathbreaking work on British social history in music. This volume discusses issues such as the music marketplace, piano culture, musicians' work patterns, music institutions, concert history, and national and urban identities - all with a clear focus on art music traditions. The cultural importance of serious music, from Belfast to Calcutta, has long been assumed for the period but rarely demonstrated. Here the issue is interwoven with the social and economic realities confronting music and musicians in Britain across the 19th century.

Music in the British Provinces, 1690-1914

Author : Peter Holman
Publisher : Routledge
ISBN 13 : 1351557327
Total Pages : 428 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music in the British Provinces, 1690-1914 by : Peter Holman

Download or read book Music in the British Provinces, 1690-1914 written by Peter Holman and published by Routledge. This book was released on 2017-07-05 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.

Muzio Clementi and British Musical Culture

Author : Luca Lévi Sala
Publisher : Routledge
ISBN 13 : 1351800884
Total Pages : 258 pages
Book Rating : 4.3/5 (518 download)

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Book Synopsis Muzio Clementi and British Musical Culture by : Luca Lévi Sala

Download or read book Muzio Clementi and British Musical Culture written by Luca Lévi Sala and published by Routledge. This book was released on 2018-06-14 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.

Refugees and Cultural Transfer to Britain

Author : Stefan Manz
Publisher : Routledge
ISBN 13 : 1317965930
Total Pages : 238 pages
Book Rating : 4.3/5 (179 download)

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Book Synopsis Refugees and Cultural Transfer to Britain by : Stefan Manz

Download or read book Refugees and Cultural Transfer to Britain written by Stefan Manz and published by Routledge. This book was released on 2013-10-18 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to focus specifically upon the relationship between refugees and intercultural transfer over an extensive period of time. Since circa 1830, a series of groups have made their way to Britain, beginning with exiles from the failed European revolutions of the mid-nineteenth century and ending with refugees who have increasingly come from beyond Europe. The book addresses four specific questions. First, what roles have individuals or groups of refugees played in cultural and political transfers to Britain since 1830? Second, can we identify a novel form of cultural production which differs from that in the homeland? Third, to what extent has dissemination within and transformation of the receiving culture occurred? Fourth, to what extent do refugee groups, themselves, undergo a process of cultural restructuring? The coverage of the individual essays ranges from high culture, through politics and everyday practices. The volume moves away from general perceptions of refugees as ‘problem groups’ and rather focuses on the way they have shaped, and indeed enriched, British cultural and political life. This book was previously published as a special issue of Immigrants and Minorities.

The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century

Author : Paul Watt
Publisher : Oxford Handbooks
ISBN 13 : 019061692X
Total Pages : 568 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century by : Paul Watt

Download or read book The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century written by Paul Watt and published by Oxford Handbooks. This book was released on 2020 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.

Opera and British Print Culture in the Long Nineteenth Century

Author : Christina Fuhrmann
Publisher : Liverpool University Press
ISBN 13 : 1638040435
Total Pages : 392 pages
Book Rating : 4.6/5 (38 download)

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Book Synopsis Opera and British Print Culture in the Long Nineteenth Century by : Christina Fuhrmann

Download or read book Opera and British Print Culture in the Long Nineteenth Century written by Christina Fuhrmann and published by Liverpool University Press. This book was released on 2023-02-16 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.

Music and Performance Culture in Nineteenth-Century Britain

Author : Bennett Zon
Publisher : Routledge
ISBN 13 : 1317092384
Total Pages : 364 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Music and Performance Culture in Nineteenth-Century Britain by : Bennett Zon

Download or read book Music and Performance Culture in Nineteenth-Century Britain written by Bennett Zon and published by Routledge. This book was released on 2016-04-29 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.

Romanticism and Music Culture in Britain, 1770-1840

Author : Gillen D'Arcy Wood
Publisher : Cambridge University Press
ISBN 13 : 052111733X
Total Pages : 313 pages
Book Rating : 4.5/5 (211 download)

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Book Synopsis Romanticism and Music Culture in Britain, 1770-1840 by : Gillen D'Arcy Wood

Download or read book Romanticism and Music Culture in Britain, 1770-1840 written by Gillen D'Arcy Wood and published by Cambridge University Press. This book was released on 2010-03-04 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book surveys the role of music in British culture throughout the long Romantic period.

Sounding Feminine

Author : David Kennerley
Publisher : Oxford University Press
ISBN 13 : 0190097574
Total Pages : 224 pages
Book Rating : 4.1/5 (9 download)

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Book Synopsis Sounding Feminine by : David Kennerley

Download or read book Sounding Feminine written by David Kennerley and published by Oxford University Press. This book was released on 2020-05-01 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1780 and 1850, the growing prominence of female singers in Britain's professional and amateur spheres opened a fraught discourse about women's engagement with musical culture. Protestant evangelical gender ideology framed the powerful, well-trained, and expressive female voice as a sign of inner moral corruption, while more restrained and delicate vocal styles were seen as indicative of the performer's virtuous femininity. Yet far from everyone was of this persuasion, and those from alternative class and religious milieux responded in more affirmative ways to the sound of professional female voices. The meanings listeners ascribed to women's voices reflect crucial developments in the musical world of the period, such as the popularity of particular genres with audiences of certain social backgrounds, and the reasons underpinning the development of prevalent types of nineteenth-century professional female vocality. Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture. Arguing for the importance of the aural dimension of the past, author David Kennerley draws from a variety of fields-including sound studies, sensory histories, and gender theory-to examine how audiences heard different kinds of femininities in the voices of British female singers. Sounding Feminine explores the intense divisions over the "correct" use of the female voice, and the intricate links between gender, nationality, class, and religion in ascribing status, purpose, and morality to female singing. Through this lens, Kennerley also explores the formation of British middle-class identities and the cultural impact of the evangelical revival-deepening our understanding of this period of transformational change in British culture.

Mendelssohn and Victorian England

Author : ColinTimothy Eatock
Publisher : Routledge
ISBN 13 : 1351558498
Total Pages : 208 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Mendelssohn and Victorian England by : ColinTimothy Eatock

Download or read book Mendelssohn and Victorian England written by ColinTimothy Eatock and published by Routledge. This book was released on 2017-07-05 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This valuable book considers the reception of the composer, pianist, organist and conductor Felix Mendelssohn in nineteenth-century England, and his influence on English musical culture. Despite the composer's immense popularity in the nation during his lifetime and in the decades following his death, this is the first book to deal exclusively with the subject of Mendelssohn in England. Mendelssohn's highly successful ten trips to Britain, between 1829 and 1847, are documented and discussed in detail, as are his relationships with English musicians and a variety of prominent figures. An introductory chapter describes the musical life of England (especially London) at the time of Mendelssohn's arrival and the last two chapters deal with the composer's posthumous reception, to the end of the Victorian era. Eatock reveals Mendelssohn as a catalyst for the expansion of English musical culture in the nineteenth century. In taking this position, the author challenges much of the extant literature on the subject and provides an engaging story that brings Mendelssohn and his English experiences to life.

Charles Hallé: A Musical Life

Author : Robert Beale
Publisher : Routledge
ISBN 13 : 1351572326
Total Pages : 304 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Charles Hallé: A Musical Life by : Robert Beale

Download or read book Charles Hallé: A Musical Life written by Robert Beale and published by Routledge. This book was released on 2017-07-05 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Charles Hallas one of the leading musicians of the nineteenth century and intimate with almost all of the great composers and performers of his time, as well as a friend of the Royal Family and known as much as a pianist and chamber musician as a conductor, in London, throughout the country and abroad, in addition to Manchester. Robert Beale presents a new perspective on Hall life and achievement, constructed mainly from primary sources, which serves to dispel many of the inaccuracies and omissions that have stemmed, to a great extent, from Hall own autobiographical account of 1896. His edited memoirs omit much of the competition and controversy, struggles and disappointments of his career in Manchester, and, indeed, hardly convey the scope of his activities elsewhere. Hallas a key figure in the shift from contemporary to classical repertory in orchestral concerts and piano performance. Not only did he found the Manchester orchestra, in 1862-3 he also gave the first known cycle of Beethoven's piano sonatas. His early annual recital series in London marked a new era in the musical history of his time. The formation of the modern 'symphony orchestra' took place during the period of Hall professional life, and he was a pioneer in the process, in both artistic and business terms. Having adopted the role of orchestral conductor when it was itself relatively novel, he became one of the acknowledged masters of the craft over four and half decades - as well as continuing to appear as solo pianist and chamber musician, and in addition he was enormously influential as musical pedagogue and educationist.

The Musical Crowd in English Fiction, 1840-1910

Author : P. Weliver
Publisher : Springer
ISBN 13 : 0230598765
Total Pages : 254 pages
Book Rating : 4.2/5 (35 download)

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Book Synopsis The Musical Crowd in English Fiction, 1840-1910 by : P. Weliver

Download or read book The Musical Crowd in English Fiction, 1840-1910 written by P. Weliver and published by Springer. This book was released on 2006-09-05 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides insight into how musical performances contributed to emerging ideas about class and national identity. Offering a fresh reading of bestselling fictional works, drawing upon crowd theory, climate theory, ethnology, science, music reviews and books by musicians to demonstrate how these discourses were mutually constitutive.

George Smart and Nineteenth-century London Concert Life

Author : John Carnelley
Publisher : Boydell & Brewer
ISBN 13 : 1783270640
Total Pages : 345 pages
Book Rating : 4.7/5 (832 download)

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Book Synopsis George Smart and Nineteenth-century London Concert Life by : John Carnelley

Download or read book George Smart and Nineteenth-century London Concert Life written by John Carnelley and published by Boydell & Brewer. This book was released on 2015 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of Beethoven

The Oxford Handbook of the New Cultural History of Music

Author : Jane F. Fulcher
Publisher : Oxford University Press
ISBN 13 : 0199711984
Total Pages : pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis The Oxford Handbook of the New Cultural History of Music by : Jane F. Fulcher

Download or read book The Oxford Handbook of the New Cultural History of Music written by Jane F. Fulcher and published by Oxford University Press. This book was released on 2013-11-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.

A Sport-loving Society

Author : J. A. Mangan
Publisher : Taylor & Francis
ISBN 13 : 9780714682297
Total Pages : 340 pages
Book Rating : 4.6/5 (822 download)

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Book Synopsis A Sport-loving Society by : J. A. Mangan

Download or read book A Sport-loving Society written by J. A. Mangan and published by Taylor & Francis. This book was released on 2006 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: A selection of essays exploring the role of social institutions and political, economic and technological change in shaping the sport of middle class Victorians and Edwardians.

Michael Costa: England's First Conductor

Author : John Goulden
Publisher : Routledge
ISBN 13 : 1317096916
Total Pages : 244 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Michael Costa: England's First Conductor by : John Goulden

Download or read book Michael Costa: England's First Conductor written by John Goulden and published by Routledge. This book was released on 2016-04-22 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. Yet this was arguably the most radical change of all: from a loose control shared between the violin-leader, musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form, but also higher standards of training and discipline, a new orchestral lay-out and a more focused rehearsal regime. The resulting rise in standards of performance was arguably the greatest achievement of English music in the otherwise rather barren mid-Victorian period. The key figure in this process was Michael Costa, who built for himself unprecedented contractual powers and used his awesome personal authority to impose reform on the three main institutions of mid-Victorian music: the opera houses, the Philharmonic and the Sacred Harmonic Society. He was a central figure in the battles between the two rival opera houses, between the Philharmonic and the New Philharmonic, and between the venerable Ancient Concerts and the mass festival events of the Sacred Harmonic Society. Costa’s uniquely powerful position in the operatic, symphonic and choral world and the rapidity with which he was forgotten after his death provide a fascinating insight into the politics and changing aesthetics of the Victorian musical world.

Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England

Author : PhilipRoss Bullock
Publisher : Routledge
ISBN 13 : 1351550519
Total Pages : 208 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England by : PhilipRoss Bullock

Download or read book Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England written by PhilipRoss Bullock and published by Routledge. This book was released on 2017-07-05 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jank, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi