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Music And Theatre In France 1600 1680
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Book Synopsis Music and Theatre in France, 1600-1680 by : John S. Powell
Download or read book Music and Theatre in France, 1600-1680 written by John S. Powell and published by Clarendon Press. This book was released on 2000 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.
Book Synopsis Dance and Drama in French Baroque Opera by : Rebecca Harris-Warrick
Download or read book Dance and Drama in French Baroque Opera written by Rebecca Harris-Warrick and published by Cambridge University Press. This book was released on 2016-10-27 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
Book Synopsis Joost Van Den Vondel (1587-1679) by : Jan Bloemendal
Download or read book Joost Van Den Vondel (1587-1679) written by Jan Bloemendal and published by BRILL. This book was released on 2011-11-25 with total page 667 pages. Available in PDF, EPUB and Kindle. Book excerpt: Both historically and theoretically this book deals the work and the life of Joost van den Vondel, the most famous and controversial Dutch playwright in the Dutch Republic. Over twenty-five of his tragedies are analyzed, offering an overview of different theoretical approaches. Historically, Vondel is situated in his own times and in the present.
Book Synopsis Women on the Stage in Early Modern France by : Virginia Scott
Download or read book Women on the Stage in Early Modern France written by Virginia Scott and published by Cambridge University Press. This book was released on 2010-07-08 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The study then moves beyond that stereotype to detail the reality of the personal and artistic lives of women on the French stage, from the almost unknown Marie Ferré - who signed a contract for 12 livres a year in 1545 to perform the 'antiquailles de Rome or other histories, moralities, farces, and acrobatics' in the provinces - to the queens of the eighteenth-century Paris stage, whose 'adventures' have overshadowed their artistic triumphs. The book also investigates the ways in which actresses made invaluable contributions to the development of the French theatre in the seventeenth and eighteenth centuries, and looks at the 'afterlives' of such women as Armande Béjart, Marquise Du Parc, Charlotte Desmares, Adrienne Lecouvreur, and Hippolyte Clairon in biographies, plays, and films.
Book Synopsis Opera and the Political Imaginary in Old Regime France by : Olivia Bloechl
Download or read book Opera and the Political Imaginary in Old Regime France written by Olivia Bloechl and published by University of Chicago Press. This book was released on 2018-03-01 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.
Book Synopsis Popular Opera in Eighteenth-Century France by : David Charlton
Download or read book Popular Opera in Eighteenth-Century France written by David Charlton and published by Cambridge University Press. This book was released on 2021-12-16 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major re-orientation in understanding opera, exploring musical comedies with spoken dialogue previously excluded from historical accounts.
Book Synopsis English Dramatick Opera, 1661–1706 by : Andrew R. Walkling
Download or read book English Dramatick Opera, 1661–1706 written by Andrew R. Walkling and published by Routledge. This book was released on 2019-03-19 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
Book Synopsis New Perspectives on Marc-Antoine Charpentier by : Shirley Thompson
Download or read book New Perspectives on Marc-Antoine Charpentier written by Shirley Thompson and published by Routledge. This book was released on 2017-07-05 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: The tercentenary of Marc-Antoine Charpentier's death in 2004 stimulated a surge of activity on the part of performers and scholars, confirming the modern assessment of Charpentier (1643-1704) as one of the most important and inventive composers of the French Baroque. The present book provides a snapshot of Charpentier scholarship in the early years of the new century. Its 13 chapters illustrate not only the sheer variety of strands currently pursued, but also the way in which these strands frequently intertwine and generate the potential for future research. Between them, they examine facets of the composer's compositional language and process, aspects of his performance practice and notation, the contexts within which he worked, and the nature of his legacy. The appendix contains a transcription of the inventory of Charpentier's manuscripts prepared when their sale to the Royal Library was negotiated in 1726 - an invaluable research tool, as numerous chapters in the book demonstrate. The wide variety of topics covered here will appeal both to readers interested in Charpentier's music and to those with a broader interest in the music and culture of the French Baroque, including aspects of patronage, church and theatre. Far from treating his output in isolation, this book places it in the wider context alongside such composers as Lully, Lalande, Marais, Fran‘s Couperin and Rameau; it also views the composer in relation to his Italian training. In the process, the under-examined question of influence - who influenced Charpentier? whom did he influence? - repeatedly comes to the fore. The book's Foreword was written by H. Wiley Hitchcock shortly before he died. Hitchcock's own part in raising the profile of Charpentier and his music to the level of recognition which it now enjoys cannot be emphasized enough. Appropriately the volume is dedicated to his memory.
Book Synopsis The Cambridge Companion to French Music by : Simon Trezise
Download or read book The Cambridge Companion to French Music written by Simon Trezise and published by Cambridge University Press. This book was released on 2015-02-19 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: France has a long and rich music history that has had a far-reaching impact upon music and cultures around the world. This accessible Companion provides a comprehensive introduction to the music of France. With chapters on a range of music genres, internationally renowned authors survey music-making from the early middle ages to the present day. The first part provides a complete chronological history structured around key historical events. The second part considers opera and ballet and their institutions and works, and the third part explores traditional and popular music. In the final part, contributors analyse five themes and topics, including the early church and its institutions, manuscript sources, the musical aesthetics of the Siècle des Lumières, and music at the court during the ancien régime. Illustrated with photographs and music examples, this book will be essential reading for both students and music lovers.
Book Synopsis Music and Musicians on the London Stage, 1695-1705 by : Kathryn Lowerre
Download or read book Music and Musicians on the London Stage, 1695-1705 written by Kathryn Lowerre and published by Routledge. This book was released on 2017-07-05 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Book Synopsis "Music and Musicians on the London Stage, 1695?705 " by : Kathryn Lowerre
Download or read book "Music and Musicians on the London Stage, 1695?705 " written by Kathryn Lowerre and published by Routledge. This book was released on 2017-07-05 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Book Synopsis A Cultural History of Theatre in the Early Modern Age by : Robert Henke
Download or read book A Cultural History of Theatre in the Early Modern Age written by Robert Henke and published by Bloomsbury Publishing. This book was released on 2019-08-08 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: For both producers and consumers of theatre in the early modern era, art was viewed as a social rather than an individual activity. Emerging in the context of new capitalistic modes of production, the birth of the nation state and the rise of absolute monarchies, theatre also proved a highly mobile medium across geolinguistic boundaries. This volume provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1400 to 1650, and examines the socioeconomically heterodox nature of theatre and performance during this period. Highly illustrated with 48 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Book Synopsis Transnational connections in early modern theatre by : M. A. Katritzky
Download or read book Transnational connections in early modern theatre written by M. A. Katritzky and published by Manchester University Press. This book was released on 2019-11-25 with total page 487 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres. Its twelve essays compose a complex image of theatre connections as a socially, economically, politically and culturally rich tissue of networks and influences. With particular attention to itinerant performers, court festival, and the Black, Muslim and Jewish impact, they combine disciplines and methods to place Shakespeare and his contemporaries in the wider context of performance culture in English, Spanish, French, Dutch, German, Czech and Italian speaking Europe. The authors examine transnational connections by offering multidisciplinary perspectives on the theatrical significance of concrete historical facts: archaeological findings, archival records, visual artefacts, and textual evidence.
Book Synopsis Music and the Exotic from the Renaissance to Mozart by : Ralph P. Locke
Download or read book Music and the Exotic from the Renaissance to Mozart written by Ralph P. Locke and published by Cambridge University Press. This book was released on 2015-05-07 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.
Book Synopsis Masque and Opera in England, 1656-1688 by : Andrew R. Walkling
Download or read book Masque and Opera in England, 1656-1688 written by Andrew R. Walkling and published by Taylor & Francis. This book was released on 2016-08-25 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a limited amount of documentation survives, Walkling argues that our understanding of the distinctions between masque and opera must be premised upon a thorough knowledge of theatrical context and performance circumstances. Using extensive archival and literary evidence, detailed textual readings, rigorous tabular analysis, and meticulous collation of bibliographical and musical sources, this interdisciplinary study offers a host of new insights into a body of work that has long been of interest to musicologists, theatre historians, literary scholars and historians of Restoration court and political culture, but which has hitherto been imperfectly understood. A companion volume will explore the phenomenon of "dramatick opera" and its precursors on London’s public stages between the early 1660s and the first decade of the eighteenth century.
Book Synopsis Dance, Spectacle, and the Body Politick, 1250-1750 by : Jennifer Nevile
Download or read book Dance, Spectacle, and the Body Politick, 1250-1750 written by Jennifer Nevile and published by Indiana University Press. This book was released on 2008 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: An engaging overview of dance from the Medieval era through the Baroque
Book Synopsis The Cambridge Companion to Seventeenth-Century Opera by :
Download or read book The Cambridge Companion to Seventeenth-Century Opera written by and published by Cambridge University Press. This book was released on with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt:
