French Motets In The Thirteenth Century

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French Motets in the Thirteenth Century

Author : Mark Everist
Publisher : Cambridge University Press
ISBN 13 : 9780521612043
Total Pages : 220 pages
Book Rating : 4.6/5 (12 download)

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Book Synopsis French Motets in the Thirteenth Century by : Mark Everist

Download or read book French Motets in the Thirteenth Century written by Mark Everist and published by Cambridge University Press. This book was released on 2004-11-11 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.

A Critical Companion to Medieval Motets

Author : Jared C. Hartt
Publisher : Boydell & Brewer
ISBN 13 : 1783273070
Total Pages : 422 pages
Book Rating : 4.7/5 (832 download)

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Book Synopsis A Critical Companion to Medieval Motets by : Jared C. Hartt

Download or read book A Critical Companion to Medieval Motets written by Jared C. Hartt and published by Boydell & Brewer. This book was released on 2018 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: First full comprehensive guide to one of the most important genres of music in the Middle Ages.

Allegorical Play in the Old French Motet

Author : Sylvia Huot
Publisher : Stanford University Press
ISBN 13 : 9780804727174
Total Pages : 264 pages
Book Rating : 4.7/5 (271 download)

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Book Synopsis Allegorical Play in the Old French Motet by : Sylvia Huot

Download or read book Allegorical Play in the Old French Motet written by Sylvia Huot and published by Stanford University Press. This book was released on 1997 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the literary artistry of the texts of Old French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality.

The Motet in Thirteenth Century France

Author : Hans Tischler
Publisher :
ISBN 13 :
Total Pages : 366 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis The Motet in Thirteenth Century France by : Hans Tischler

Download or read book The Motet in Thirteenth Century France written by Hans Tischler and published by . This book was released on 1942 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Polyphony in Medieval Paris

Author : Catherine A. Bradley
Publisher : Cambridge University Press
ISBN 13 : 1108311180
Total Pages : 301 pages
Book Rating : 4.1/5 (83 download)

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Book Synopsis Polyphony in Medieval Paris by : Catherine A. Bradley

Download or read book Polyphony in Medieval Paris written by Catherine A. Bradley and published by Cambridge University Press. This book was released on 2018-08-09 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginnings of musical composition as we know it. Is musical analysis possible for such medieval repertoires? Catherine A. Bradley demonstrates that it is, presenting new methodologies to illuminate processes of musical and poetic creation, from monophonic plainchant and vernacular French songs, to polyphonic organa, clausulae, and motets in both Latin and French. This book engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring concepts of authorship and originality as well as practices of quotation and musical reworking.

Robert de Reims

Author : Robert de Reims
Publisher : Penn State Press
ISBN 13 : 0271088265
Total Pages : 190 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis Robert de Reims by : Robert de Reims

Download or read book Robert de Reims written by Robert de Reims and published by Penn State Press. This book was released on 2021-11-22 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert de Reims, also known as “La Chievre de Rains,” was among the earliest trouvères—poet-composers who were contemporaries of the troubadours but who wrote in the dialects of northern France. This critical edition provides new translations into English and modern French of all the songs and motets ascribed to him, along with the original texts, the extant music, and a substantive introduction. Active sometime between 1190 and 1220, Robert was an influential figure in the literary circles of Arras. Thirteen compositions set to music are here attributed to him, including nine chansons and four polyphonic motets that were broadly disseminated in the thirteenth century and beyond. Robert’s work is exceptional on a number of fronts. He lavished particular care on the phonic harmony of his words. Acoustic luxuriance and expertise in rhyming, grounded in the play of echoes and variation (often extending into the music), constitute the hallmark of his poetry. Moreover, he is the earliest trouvère known to have composed a parodic sotte chanson contre Amours (silly song against Love). Located clearly at the nexus of monophonic song and polyphony, Robert’s corpus also poses the intriguing question of trouvère participation in the development of the polyphonic repertory. The case of Robert de Reims jostles and tempers the standard history of the chanson and motet. Accessible and instructive, this trilingual critical edition of his complete works makes the oeuvre of this innovative and consequential trouvère available in one volume for the first time.

Music and Culture in the Middle Ages and Beyond

Author : Benjamin Brand
Publisher : Cambridge University Press
ISBN 13 : 131679895X
Total Pages : 379 pages
Book Rating : 4.3/5 (167 download)

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Book Synopsis Music and Culture in the Middle Ages and Beyond by : Benjamin Brand

Download or read book Music and Culture in the Middle Ages and Beyond written by Benjamin Brand and published by Cambridge University Press. This book was released on 2016-10-27 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.

French and English Polyphony of the 13th and 14th Centuries

Author : Ernest H. Sanders
Publisher : Routledge
ISBN 13 : 0429763360
Total Pages : 358 pages
Book Rating : 4.4/5 (297 download)

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Book Synopsis French and English Polyphony of the 13th and 14th Centuries by : Ernest H. Sanders

Download or read book French and English Polyphony of the 13th and 14th Centuries written by Ernest H. Sanders and published by Routledge. This book was released on 2019-05-29 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998, this volume brings together the most part of the author’s work on medieval polyphony. The most significant advance in music during the period in the High Gothic was the development of a system of rhythm and of its notation, the modern understanding of which was to a considerable extent obscured by an undue emphasis on the so-called rhythmic modes. The investigation of this topic forms the centre of this book, and a related essay deals with rhythmic Latin poetry. Other pieces survey the accomplishments of Europe’s first great composer and the flourishing of the medieval motet, whose rise he stimulated, while several essays focus on English polyphony, and on what remains of the motets of Philippe de Vitry, a major figure in Parisian intellectual circles of the 14th century.

The Malmariée in the Thirteenth-Century Motet

Author : Dolores Pesce
Publisher : Taylor & Francis
ISBN 13 : 1000826619
Total Pages : 159 pages
Book Rating : 4.0/5 (8 download)

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Book Synopsis The Malmariée in the Thirteenth-Century Motet by : Dolores Pesce

Download or read book The Malmariée in the Thirteenth-Century Motet written by Dolores Pesce and published by Taylor & Francis. This book was released on 2023-02-08 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph offers a comprehensive study of the topos of the malmariée or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant. Part I examines the malmariée motets from three vantage points: (1) in light of contemporaneous canonist views on marriage; (2) to what degree the French malmariée texts in the upper voices treat the messages inherent in the underlying Latin chant through parody and/or allegory; and (3) interactions among upper-voice texts that invite additional interpretations focused on gender issues. Part II investigates the transmission profile of the motets, as well as of their refrains, revealing not only intertextual refrain usage between the motets and other genres, but also a significant number of shared refrains between malmariée motets and other motets. Part II furthermore offers insights on the chronology of composition within a given intertextual refrain nexus, and examines how a refrain’s meaning can change in a new context. Finally, based on the transmission profile, Part II argues for a lively interest in the topos in the 1270s and 1280s, both through composition of new motets and compilation of earlier ones, with Paris and Arras playing a prominent role.

The Cambridge History of Medieval Music

Author : Mark Everist
Publisher : Cambridge University Press
ISBN 13 : 1108577075
Total Pages : pages
Book Rating : 4.1/5 (85 download)

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Book Synopsis The Cambridge History of Medieval Music by : Mark Everist

Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Relationships Between Music and Text in the Late Thirteenth-century French Motet

Author : Linda Jean Speck
Publisher :
ISBN 13 :
Total Pages : 812 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Relationships Between Music and Text in the Late Thirteenth-century French Motet by : Linda Jean Speck

Download or read book Relationships Between Music and Text in the Late Thirteenth-century French Motet written by Linda Jean Speck and published by . This book was released on 1980 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Authorship and Identity in Late Thirteenth-Century Motets

Author : Catherine A. Bradley
Publisher : Routledge
ISBN 13 : 1000581438
Total Pages : 130 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis Authorship and Identity in Late Thirteenth-Century Motets by : Catherine A. Bradley

Download or read book Authorship and Identity in Late Thirteenth-Century Motets written by Catherine A. Bradley and published by Routledge. This book was released on 2022-03-30 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open fascicle 7, and three later motets in this fascicle are elsewhere ascribed to Adam de la Halle. This monograph reveals a musical and textual quotation of Adam’s Aucun se sont loe incipit at the outset of Petrus’s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus – their works and techniques – within further anonymous compositions. Authorship is additionally considered from the perspective of two new types of motets especially prevalent in fascicle 7: motets that name musicians, as well as those based on vernacular song or instrumental melodies, some of which are identified by the names of their creators. This book offers new insights into the musical, poetic, and curatorial reception of thirteenth-century composers’ works in their own time. It uncovers, beneath the surface of an anonymous motet book, unsuspected interactions between authors and traces of compositional identities.

The Cambridge Companion to Medieval Music

Author : Mark Everist
Publisher : Cambridge University Press
ISBN 13 : 1107495121
Total Pages : 512 pages
Book Rating : 4.1/5 (74 download)

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Book Synopsis The Cambridge Companion to Medieval Music by : Mark Everist

Download or read book The Cambridge Companion to Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2011-03-03 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.

The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry

Author : Jennifer Saltzstein
Publisher : DS Brewer
ISBN 13 : 1843843498
Total Pages : 210 pages
Book Rating : 4.8/5 (438 download)

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Book Synopsis The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry by : Jennifer Saltzstein

Download or read book The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry written by Jennifer Saltzstein and published by DS Brewer. This book was released on 2013 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: A survey of the use of the refrain in thirteenth and fourteenth-century French music and poetry, showing how it was skilfully deployed to assert the validity of the vernacular. The relationship between song quotation and the elevation of French as a literary language that could challenge the cultural authority of Latin is the focus of this book. It approaches this phenomenon through a close examination of the refrain, a short phrase of music and text quoted intertextually across thirteenth- and early fourteenth-century musical and poetic genres. The author draws on a wide range of case studies, from motets, trouvère song, plays, romance, vernacular translations, and proverb collections, to show that medieval composers quoted refrains as vernacular auctoritates; she argues that their appropriation of scholastic, Latinate writing techniques workedto authorize Old French music and poetry as media suitable for the transmission of knowledge. Beginning with an exploration of the quasi-scholastic usage of refrains in anonymous and less familiar clerical contexts, the book goeson to articulate a new framework for understanding the emergence of the first two named authors of vernacular polyphonic music, the cleric-trouvères Adam de la Halle and Guillaume de Machaut. It shows how, by blending their craftwith the writing practices of the universities, composers could use refrain quotation to assert their status as authors with a new self-consciousness, and to position works in the vernacular as worthy of study and interpretation. Jennifer Saltzstein is Assistant Professor of Musicology at the University of Oklahoma.

Motets from the Chansonnier de Noailles

Author : Gaël Saint-Cricq
Publisher : A-R Editions, Inc.
ISBN 13 : 089579862X
Total Pages : 277 pages
Book Rating : 4.8/5 (957 download)

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Book Synopsis Motets from the Chansonnier de Noailles by : Gaël Saint-Cricq

Download or read book Motets from the Chansonnier de Noailles written by Gaël Saint-Cricq and published by A-R Editions, Inc.. This book was released on 2017-01-01 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: The collection of motets in manuscript Paris, Bibliothèque nationale de France, fonds fr. 12615, known as the Chansonnier de Noailles, brings together ninety-one thirteenth-century motets in two to four parts, whose upper voices are all sung to vernacular texts. It is one of six diverse collections contained in the manuscript; it shares space with three different compilations of monophonic songs, a collection of songs and dits, various nonlyric texts, and several later additions, all gathered in a codex closely tied to the former northern province of Artois and in particular to the city of Arras. The motet collection is notable in several respects: with its ninety-one pieces it is the fourth-largest repository of thirteenth-century motets and the third-largest of motets in French; it is one of only two sizable sets of polyphonic motets preserved in provincial songbooks rather than Parisian collections, a fact that broadly affects the style of several groups of its motets; finally, it transmits an unusually high number of unica, due to the anthologys inclusion in an Artesian chansonnier. Although the Chansonnier de Noailles has sparked the interest of bibliophiles and scholars since the first half of the eighteenth century, its faulty polyphonic notation has made editing the motets difficult; past editions have thus been incomplete and relied heavily upon concordant readings. This volume presents the music and texts (with translations into English) of the motets from the Chansonnier de Noailles, for the first time published in a single, coordinated, comprehensive critical edition.

The Montpellier Codex

Author : Catherine A. Bradley
Publisher : Studies in Medieval and Renais
ISBN 13 : 9781783272723
Total Pages : 351 pages
Book Rating : 4.2/5 (727 download)

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Book Synopsis The Montpellier Codex by : Catherine A. Bradley

Download or read book The Montpellier Codex written by Catherine A. Bradley and published by Studies in Medieval and Renais. This book was released on 2018-02-16 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music.

Gender and Voice in Medieval French Literature and Song

Author : Rachel May Golden
Publisher : University Press of Florida
ISBN 13 : 0813057922
Total Pages : 323 pages
Book Rating : 4.8/5 (13 download)

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Book Synopsis Gender and Voice in Medieval French Literature and Song by : Rachel May Golden

Download or read book Gender and Voice in Medieval French Literature and Song written by Rachel May Golden and published by University Press of Florida. This book was released on 2021-10-12 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky