Motets from the Chansonnier de Noailles

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Publisher : A-R Editions, Inc.
ISBN 13 : 089579862X
Total Pages : 277 pages
Book Rating : 4.8/5 (957 download)

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Book Synopsis Motets from the Chansonnier de Noailles by : Gaël Saint-Cricq

Download or read book Motets from the Chansonnier de Noailles written by Gaël Saint-Cricq and published by A-R Editions, Inc.. This book was released on 2017-01-01 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: The collection of motets in manuscript Paris, Bibliothèque nationale de France, fonds fr. 12615, known as the “Chansonnier de Noailles,” brings together ninety-one thirteenth-century motets in two to four parts, whose upper voices are all sung to vernacular texts. It is one of six diverse collections contained in the manuscript; it shares space with three different compilations of monophonic songs, a collection of songs and dits, various nonlyric texts, and several later additions, all gathered in a codex closely tied to the former northern province of Artois and in particular to the city of Arras. The motet collection is notable in several respects: with its ninety-one pieces it is the fourth-largest repository of thirteenth-century motets and the third-largest of motets in French; it is one of only two sizable sets of polyphonic motets preserved in provincial songbooks rather than Parisian collections, a fact that broadly affects the style of several groups of its motets; finally, it transmits an unusually high number of unica, due to the anthology’s inclusion in an Artesian chansonnier. Although the Chansonnier de Noailles has sparked the interest of bibliophiles and scholars since the first half of the eighteenth century, its faulty polyphonic notation has made editing the motets difficult; past editions have thus been incomplete and relied heavily upon concordant readings. This volume presents the music and texts (with translations into English) of the motets from the Chansonnier de Noailles, for the first time published in a single, coordinated, comprehensive critical edition.

Robert de Reims

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Publisher : Penn State Press
ISBN 13 : 0271088265
Total Pages : 190 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis Robert de Reims by : Robert de Reims

Download or read book Robert de Reims written by Robert de Reims and published by Penn State Press. This book was released on 2021-11-22 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert de Reims, also known as “La Chievre de Rains,” was among the earliest trouvères—poet-composers who were contemporaries of the troubadours but who wrote in the dialects of northern France. This critical edition provides new translations into English and modern French of all the songs and motets ascribed to him, along with the original texts, the extant music, and a substantive introduction. Active sometime between 1190 and 1220, Robert was an influential figure in the literary circles of Arras. Thirteen compositions set to music are here attributed to him, including nine chansons and four polyphonic motets that were broadly disseminated in the thirteenth century and beyond. Robert’s work is exceptional on a number of fronts. He lavished particular care on the phonic harmony of his words. Acoustic luxuriance and expertise in rhyming, grounded in the play of echoes and variation (often extending into the music), constitute the hallmark of his poetry. Moreover, he is the earliest trouvère known to have composed a parodic sotte chanson contre Amours (silly song against Love). Located clearly at the nexus of monophonic song and polyphony, Robert’s corpus also poses the intriguing question of trouvère participation in the development of the polyphonic repertory. The case of Robert de Reims jostles and tempers the standard history of the chanson and motet. Accessible and instructive, this trilingual critical edition of his complete works makes the oeuvre of this innovative and consequential trouvère available in one volume for the first time.

A Critical Companion to Medieval Motets

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Publisher : Boydell & Brewer
ISBN 13 : 1783273070
Total Pages : 422 pages
Book Rating : 4.7/5 (832 download)

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Book Synopsis A Critical Companion to Medieval Motets by : Jared C. Hartt

Download or read book A Critical Companion to Medieval Motets written by Jared C. Hartt and published by Boydell & Brewer. This book was released on 2018 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: First full comprehensive guide to one of the most important genres of music in the Middle Ages.

The Malmariée in the Thirteenth-Century Motet

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Publisher : Taylor & Francis
ISBN 13 : 1000826619
Total Pages : 159 pages
Book Rating : 4.0/5 (8 download)

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Book Synopsis The Malmariée in the Thirteenth-Century Motet by : Dolores Pesce

Download or read book The Malmariée in the Thirteenth-Century Motet written by Dolores Pesce and published by Taylor & Francis. This book was released on 2023-02-08 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph offers a comprehensive study of the topos of the malmariée or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant. Part I examines the malmariée motets from three vantage points: (1) in light of contemporaneous canonist views on marriage; (2) to what degree the French malmariée texts in the upper voices treat the messages inherent in the underlying Latin chant through parody and/or allegory; and (3) interactions among upper-voice texts that invite additional interpretations focused on gender issues. Part II investigates the transmission profile of the motets, as well as of their refrains, revealing not only intertextual refrain usage between the motets and other genres, but also a significant number of shared refrains between malmariée motets and other motets. Part II furthermore offers insights on the chronology of composition within a given intertextual refrain nexus, and examines how a refrain’s meaning can change in a new context. Finally, based on the transmission profile, Part II argues for a lively interest in the topos in the 1270s and 1280s, both through composition of new motets and compilation of earlier ones, with Paris and Arras playing a prominent role.

French Motets in the Thirteenth Century

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Publisher : Cambridge University Press
ISBN 13 : 9780521612043
Total Pages : 220 pages
Book Rating : 4.6/5 (12 download)

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Book Synopsis French Motets in the Thirteenth Century by : Mark Everist

Download or read book French Motets in the Thirteenth Century written by Mark Everist and published by Cambridge University Press. This book was released on 2004-11-11 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.

Authorship and Identity in Late Thirteenth-Century Motets

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Publisher : Routledge
ISBN 13 : 1000581438
Total Pages : 130 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis Authorship and Identity in Late Thirteenth-Century Motets by : Catherine A. Bradley

Download or read book Authorship and Identity in Late Thirteenth-Century Motets written by Catherine A. Bradley and published by Routledge. This book was released on 2022-03-30 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open fascicle 7, and three later motets in this fascicle are elsewhere ascribed to Adam de la Halle. This monograph reveals a musical and textual quotation of Adam’s Aucun se sont loe incipit at the outset of Petrus’s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus – their works and techniques – within further anonymous compositions. Authorship is additionally considered from the perspective of two new types of motets especially prevalent in fascicle 7: motets that name musicians, as well as those based on vernacular song or instrumental melodies, some of which are identified by the names of their creators. This book offers new insights into the musical, poetic, and curatorial reception of thirteenth-century composers’ works in their own time. It uncovers, beneath the surface of an anonymous motet book, unsuspected interactions between authors and traces of compositional identities.

Medieval Sex Lives

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Publisher : Cornell University Press
ISBN 13 : 1501771884
Total Pages : 285 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis Medieval Sex Lives by : Elizabeth Eva Leach

Download or read book Medieval Sex Lives written by Elizabeth Eva Leach and published by Cornell University Press. This book was released on 2023-12-15 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval Sex Lives examines courtly song as a complex cultural product and social force in the early fourteenth century, exploring how it illuminates the relationship between artistic production and the everyday lives of the elites for whom this music and poetry was composed and performed. In a focused analysis of the Oxford Bodelian Library's Douce 308 manuscript—a fourteenth-century compilation that includes over five hundred Old French lyrics composed over two centuries alongside a narrative account of elaborate courtly festivities centered on a week-long tournament—Elizabeth Eva Leach explores two distinct but related lines of inquiry: first, why the lyric tradition of "courtly love" had such a long and successful history in Western European culture; and, second, why the songs in the Bodleian manuscript would have been so important to the book's compilers, owners, and readers. The manuscript's lack of musical notation and authorial attributions make it unusual among Old French songbooks; its arrangement of the lyrics by genre invites inquiry into the relationship between this long musical tradition and the emotional and sexual lives of its readers. Combining an original account of the manuscript's contents and their likely social milieu with in-depth musical and poetic analyses, Leach proposes that lyrics, whether read or heard aloud, provided a fertile means of propagating and enabling various sexual scripts in the Middle Ages. Drawing on musicology, literary history, and the sociology and psychology of sexuality, Medieval Sex Lives presents a provocative hypothesis about the power of courtly songs to model, inspire, and support sexual behaviors and fantasies.

Gender and Voice in Medieval French Literature and Song

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Publisher : University Press of Florida
ISBN 13 : 0813057922
Total Pages : 323 pages
Book Rating : 4.8/5 (13 download)

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Book Synopsis Gender and Voice in Medieval French Literature and Song by : Rachel May Golden

Download or read book Gender and Voice in Medieval French Literature and Song written by Rachel May Golden and published by University Press of Florida. This book was released on 2021-10-12 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky

The Cambridge History of Medieval Music

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Publisher : Cambridge University Press
ISBN 13 : 1108577075
Total Pages : pages
Book Rating : 4.1/5 (85 download)

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Book Synopsis The Cambridge History of Medieval Music by : Mark Everist

Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Polyphony in Medieval Paris

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Publisher : Cambridge University Press
ISBN 13 : 1108418589
Total Pages : 301 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Polyphony in Medieval Paris by : Catherine A. Bradley

Download or read book Polyphony in Medieval Paris written by Catherine A. Bradley and published by Cambridge University Press. This book was released on 2018-08-09 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Redefines musical analysis for a period that marks the beginnings of composition as we know it now.

Allegorical Play in the Old French Motet

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Publisher : Stanford University Press
ISBN 13 : 9780804727174
Total Pages : 264 pages
Book Rating : 4.7/5 (271 download)

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Book Synopsis Allegorical Play in the Old French Motet by : Sylvia Huot

Download or read book Allegorical Play in the Old French Motet written by Sylvia Huot and published by Stanford University Press. This book was released on 1997 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the literary artistry of the texts of Old French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality.

The Sound of Writing

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Publisher : JHU Press
ISBN 13 : 1421447266
Total Pages : 278 pages
Book Rating : 4.4/5 (214 download)

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Book Synopsis The Sound of Writing by : Christopher Cannon

Download or read book The Sound of Writing written by Christopher Cannon and published by JHU Press. This book was released on 2023-11-14 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: An interdisciplinary exploration of how writers have conveyed sound through text. Edited by Christopher Cannon and Steven Justice, The Sound of Writing explores the devices and techniques that writers have used to represent sound and how they have changed over time. Contributors consider how writing has channeled sounds as varied as the human voice and the buzzing of bees using not only alphabets but also the resources of the visual and musical arts. Cannon and Justice have assembled a constellation of classicists, medievalists, modernists, literary historians, and musicologists to trace the sound of writing from the beginning of the Western record to poetry written in the last century. This rich series of essays considers the writings of Sappho, Simonides, Aldhem, Marcabru, Dante Alighieri, William Langland, Charles Butler, Tennyson, Gertrude Stein, and T. S. Eliot as well as poems and songs in Ancient Greek, Old and Middle English, Italian, Old French, Occitan, and modern English. The book will interest anyone curious about the way sound has been preserved in the past and the kinds of ingenuity that can recover the process of that preservation. Essays focus on questions of language and expression, and each contributor sets out a distinct method for understanding the relationship between sound and writing. Cannon and Justice open the volume with a survey of the various ways sound has been understood as the object of our senses. Each ensuing chapter presents a case study for a sonic phenomenology at a specific time in history. With approaches from a wide variety of disciplines, The Sound of Writing analyzes writing systems and the aural dimensions of literary cultures to reconstruct historical soundscapes in vivid ways.

Stolen Song

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Publisher : Cornell University Press
ISBN 13 : 1501747649
Total Pages : 257 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis Stolen Song by : Eliza Zingesser

Download or read book Stolen Song written by Eliza Zingesser and published by Cornell University Press. This book was released on 2020-03-15 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stolen Song documents the act of cultural appropriation that created a founding moment for French literary history: the rescripting and domestication of troubadour song, a prestige corpus in the European sphere, as French. This book also documents the simultaneous creation of an alternative point of origin for French literary history—a body of faux-archaic Occitanizing songs. Most scholars would find the claim that troubadour poetry is the origin of French literature uncomplicated and uncontroversial. However, Stolen Song shows that the "Frenchness" of this tradition was invented, constructed, and confected by francophone medieval poets and compilers keen to devise their own literary history. Stolen Song makes a major contribution to medieval studies both by exposing this act of cultural appropriation as the origin of the French canon and by elaborating a new approach to questions of political and cultural identity. Eliza Zingesser shows that these questions, usually addressed on the level of narrative and theme, can also be fruitfully approached through formal, linguistic, and manuscript-oriented tools.

Song, Landscape, and Identity in Medieval Northern France

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Publisher : Oxford University Press
ISBN 13 : 019754780X
Total Pages : 289 pages
Book Rating : 4.1/5 (975 download)

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Book Synopsis Song, Landscape, and Identity in Medieval Northern France by : Jennifer Saltzstein

Download or read book Song, Landscape, and Identity in Medieval Northern France written by Jennifer Saltzstein and published by Oxford University Press. This book was released on 2023-05-30 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Song, Landscape, and Identity in Medieval Northern France offers a new perspective on how medieval song expressed relationships between people and their environments. Informed by environmental history and harnessing musicological and ecocritical approaches, author Jennifer Saltzstein draws connections between the nature imagery that pervades songs written by the trouvères of northern France to the physical terrain and climate of the lands on which their authors lived. In doing so, she analyzes the different ways in which composers' lived environments related to their songs and categorizes their use of nature imagery as realistic, aspirational, or nostalgic. Demonstrating a cycle of mutual impact between nature and culture, Saltzstein argues that trouvère songs influenced the ways particular groups of medieval people defined their identities, encouraging them to view themselves as belonging to specific landscapes. The book offers close readings of love songs, pastourelles, motets, and rondets from the likes of Gace Brulé, Adam de la Halle, Guillaume de Machaut, and many others. Saltzstein shows how their music-text relationships illuminate the ways in which song helped to foster identities tied to specific landscapes among the knightly classes, the clergy, aristocratic women, and peasants. By connecting social types to topographies, trouvère songs and the manuscripts in which they were preserved presented models of identity for later generations of songwriters, performers, listeners, patrons, and readers to emulate, thereby projecting into the future specific ways of being on the land. Written in the long thirteenth century during the last major era of climate change, trouvère songs, as Saltzstein demonstrates, shape our understanding of how identity formation has rested on relationships between nature, culture, and change.

Devotional Refrains in Medieval Latin Song

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Publisher : Cambridge University Press
ISBN 13 : 1316517195
Total Pages : 313 pages
Book Rating : 4.3/5 (165 download)

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Book Synopsis Devotional Refrains in Medieval Latin Song by : Mary Channen Caldwell

Download or read book Devotional Refrains in Medieval Latin Song written by Mary Channen Caldwell and published by Cambridge University Press. This book was released on 2022-03-31 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reveals the importance of sung refrains in the musical lives of religious communities in medieval Europe.

Hearing the Motet

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Publisher : Oxford University Press
ISBN 13 : 0195351657
Total Pages : 393 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Hearing the Motet by : Dolores Pesce

Download or read book Hearing the Motet written by Dolores Pesce and published by Oxford University Press. This book was released on 1998-12-10 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds. How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing as well a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture--a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort. Fresh, broad-ranging, and unique, Hearing the Motet makes vital reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods. Contributors include Rebecca A. Baltzer, Margaret Bent, M. Jennifer Bloxam, David Crook, James Haar, Paula Higgins, Joseph Kerman, Patrick Macey, Craig Monson, Robert Nosow, Jessie Ann Owens, Dolores Pesce, Joshua Rifkin, Anne Walters Robertson, Richard Sherr, and Rob C. Wegman.

Ars antiqua

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Author :
Publisher : Routledge
ISBN 13 : 135157583X
Total Pages : 539 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Ars antiqua by : EdwardH. Roesner

Download or read book Ars antiqua written by EdwardH. Roesner and published by Routledge. This book was released on 2017-07-05 with total page 539 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ars antiqua began to be mentioned in writings about music in the early decades of the fourteenth century, where it was cited along with references to a more modern "art", an ars nova. It was understood by those who coined the notion to be rooted in the musical practices outlined in the Ars musica of Lambertus and, especially, the Ars cantus mensurabilis of Franco of Cologne. Directly or indirectly the essays collected in this volume all address one or more of the issues regarding ars antiqua polyphony-questions relating to the nature and definition of genre; the evolution of the polyphonic idiom; the workings of the creative process including the role of oral process and notation and the continuum between these extremes; questions about how this music was used and understood; and of how it fits into the intellectual life of the twelfth and thirteenth centuries. Some of the essays ask new questions or approach long-standing ones from fresh perspectives. All, however, are rooted in a line of scholarship that produced a body of writing of continuing relevance.