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Film And The Imagined Image
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Book Synopsis Film and the Imagined Image by : Sarah Cooper
Download or read book Film and the Imagined Image written by Sarah Cooper and published by Edinburgh University Press. This book was released on 2019-07-03 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is perceptible on screen. This book explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. Bringing together an international range of films with debates in philosophy, film theory, literary scholarship and cognitive psychology, author Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind. Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship.
Book Synopsis New Takes on Film and Imagination by : Sarah Cooper
Download or read book New Takes on Film and Imagination written by Sarah Cooper and published by Paragraph Special Issues. This book was released on 2020-11-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In contemporary film theory, cognitivist specialists have demonstrated the most sustained interest in imagination, pioneering an earlier wave of scholarship on this topic. This volume seeks to explore new questions, as well as open consideration of film and imagination to other theories and philosophies.
Download or read book Image and Mind written by Gregory Currie and published by Cambridge University Press. This book was released on 1995-09-29 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book develops a theory of the nature of the cinematic medium, of the psychology of film viewing, and of film narrative.
Book Synopsis Fiction and Imagination in Early Cinema by : Mario Slugan
Download or read book Fiction and Imagination in Early Cinema written by Mario Slugan and published by Bloomsbury Publishing. This book was released on 2019-11-28 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: When watching the latest instalment of Batman, it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.
Book Synopsis Philosophy of Film and Motion Pictures by : Noël Carroll
Download or read book Philosophy of Film and Motion Pictures written by Noël Carroll and published by John Wiley & Sons. This book was released on 2009-02-09 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the viewingof pornography Replete with examples and discussion of moving picturesthroughout
Book Synopsis The Palgrave Handbook of the Philosophy of Film and Motion Pictures by : Noël Carroll
Download or read book The Palgrave Handbook of the Philosophy of Film and Motion Pictures written by Noël Carroll and published by Springer Nature. This book was released on 2019-10-30 with total page 1047 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
Book Synopsis Cinema and the Audiovisual Imagination by : Robert Robertson
Download or read book Cinema and the Audiovisual Imagination written by Robert Robertson and published by . This book was released on 2019 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: So far, the study of cinema has been overwhelmingly visual. In this book Robert Robertson presents cinema as an audiovisual medium, based on Eisenstein's ideas on the montage of music, image and sound. Robertson applies an audiovisual focus to key works by film directors such as Spike Lee, Maya Deren, David Lynch, Alfred Hitchcock, Stanley Kubrick, and Fritz Lang, as well as exploring the audiovisual in avant-garde animation, in landscape in cinema, and in films beyond the European tradition. Recent developments in technology have for the first time enabled practitioners to work extensively with music and sound on an equal level with the visual track, so Robertson also explores the audiovisual creative process in opera, a music/film collaboration, and in his music/films Oserake and The River That Walks. This illuminating book has relevance for practitioners in any work that involves the audiovisual, especially cinema and its future multiple forms. -- Provided by publisher.
Book Synopsis The Material Image by : Brigitte Peucker
Download or read book The Material Image written by Brigitte Peucker and published by Stanford University Press. This book was released on 2007 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the bodyimages and the realare juxtaposed and entwined in a set of relations.
Book Synopsis Cinema and the Audiovisual Imagination by : Robert Robertson
Download or read book Cinema and the Audiovisual Imagination written by Robert Robertson and published by . This book was released on 2015 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Moving Imagination by : Helena De Preester
Download or read book Moving Imagination written by Helena De Preester and published by John Benjamins Publishing. This book was released on 2013-05-29 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together contributions by philosophers, art historians and artists who discuss, interpret and analyse the moving and gesturing body in the arts. Broadly inspired by phenomenology, and taking into account insights from cognitive science, the contribution of the motor body in watching a film, attending a dance or theatre performance, looking at paintings or drawings, and listening to music is explored from a diversity of perspectives. This volume is intended for both the specialist and non-specialist in the fields of art, philosophy and cognitive science, and testifies to the burgeoning interest for the moving and gesturing body, not only in the creation but also in the perception of works of art. Imagination is tied to our capacity to silently resonate with the way a work of art has been or is created.
Book Synopsis Film, Philosophy, and Reality by : Nathan Andersen
Download or read book Film, Philosophy, and Reality written by Nathan Andersen and published by Routledge. This book was released on 2018-12-21 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard’s groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically. The book addresses topics such as: Film: what it is and how to understand it The methods and concerns of philosophy The nature of cinematic appearances The history of metaphysics The relationship between cinema and life The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy.
Book Synopsis Fiction and Imagination in Early Cinema by : Mario Slugan
Download or read book Fiction and Imagination in Early Cinema written by Mario Slugan and published by Bloomsbury Publishing. This book was released on 2019-11-28 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shortlisted for the BAFTSS 'Best Monograph' Award 2021 When watching the latest instalment of Batman, it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.
Book Synopsis New York in Cinematic Imagination by : Vojislava Filipcevic Cordes
Download or read book New York in Cinematic Imagination written by Vojislava Filipcevic Cordes and published by Routledge. This book was released on 2020-06-11 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: New York in Cinematic Imagination is an interdisciplinary study into urbanism and cinematic representations of the American metropolis in the twentieth century. It contextualizes spatial transformations and discourse about New York during the Great Depression and the Second World War, examining both imaginary narratives and documentary images of the city in film. The book argues that alternating endorsements and critiques of the 1920s machine age city are replaced in films of the 1930s and 1940s by a new critical theory of "agitated urban modernity" articulated against the backdrop of turbulent economic and social settings and the initial practices of urban renewal in the post-war period. Written for postgraduates and researchers in the fields of film, history and urban studies, with 40 black and white illustrations to work alongside the text, this book is an engaging study into cinematic representations of New York City.
Book Synopsis Memory and Imagination in Film by : P. Lombardo
Download or read book Memory and Imagination in Film written by P. Lombardo and published by Springer. This book was released on 2014-09-24 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media.
Book Synopsis Marvelous Images by : Kendall L. Walton
Download or read book Marvelous Images written by Kendall L. Walton and published by Oxford University Press. This book was released on 2008 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twelve essays by Kendall Walton in this volume address a broad range of issues concerning the arts. Walton introduces an account of aesthetic value, and explores relations between aesthetic value and values of other kinds. Postscripts have been added to several of the reprinted essays.
Download or read book Cinema II written by Gilles Deleuze and published by A&C Black. This book was released on 2013-12-19 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The second volume of Gilles Deleuze's landmark reassessment of the art of film, now available in the Bloomsbury Revelations series"--
Book Synopsis Hollywood Puzzle Films by : Warren Buckland
Download or read book Hollywood Puzzle Films written by Warren Buckland and published by Routledge. This book was released on 2014-05-30 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Inception to The Lake House, moviegoers are increasingly flocking to narratologically complex puzzle films. These puzzle movies borrow techniques—like fragmented spatio-temporal reality, time loops, unstable characters with split identities or unreliable narrators—more commonly attributed to art cinema and independent films. The essays in Hollywood Puzzle Films examine the appropriation of puzzle film techniques by contemporary Hollywood dramas and blockbusters through questions of narrative, time, and altered realities. Analyzing movies like Source Code, The Butterfly Effect, Donnie Darko, Déjà Vu, and adaptations of Philip K. Dick, contributors explore the implications of Hollywood's new movie mind games.
