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A Treasury Of Early Music
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Book Synopsis A Treasury of Early Music by : Carl Parrish
Download or read book A Treasury of Early Music written by Carl Parrish and published by Courier Corporation. This book was released on 2012-12-06 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Features 50 compositions from early Middle Ages to mid-18th century, including a Gregorian hymn, English lute piece, operatic arias, instrumental and vocal motets; works by Vivaldi, Telemann, Scarlatti, and others. Features commentary.
Book Synopsis A Treasury of Early Music by : Carl Parrish
Download or read book A Treasury of Early Music written by Carl Parrish and published by . This book was released on 1959 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Treasury of Early Music written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Treasury of Early Music ; an Anthology of Masterworks of the Middle Ages, the Renaissance, and the Baroque Era by : Carl Parrish (ed)
Download or read book A Treasury of Early Music ; an Anthology of Masterworks of the Middle Ages, the Renaissance, and the Baroque Era written by Carl Parrish (ed) and published by . This book was released on 1958 with total page 3321 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A treasury of early music by : Carl Parrish
Download or read book A treasury of early music written by Carl Parrish and published by . This book was released on 1984 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Early Music Revival by : Harry Haskell
Download or read book The Early Music Revival written by Harry Haskell and published by Courier Corporation. This book was released on 1996-01-01 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: First comprehensive historical study, going back to 18th century. Influence of Schola Cantorum; instrument builders; performers such as Wanda Landowska, Alfred Deller, others. Includes 46 illustrations. "Well informed" -- Christopher Hogwood.
Book Synopsis The Ancient Music of Ireland by : Edward Bunting
Download or read book The Ancient Music of Ireland written by Edward Bunting and published by Courier Corporation. This book was released on 2000-01-01 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This invaluable collection of Irish song is enriched by a 100-page preface and followed by 151 Irish airs arranged for piano, with songs' Irish names, authors, and dates of composition.
Book Synopsis Ukulele Picking Tunes - Early Music Gems by : Ondrej Sarek
Download or read book Ukulele Picking Tunes - Early Music Gems written by Ondrej Sarek and published by Mel Bay Publications. This book was released on 2022-10-07 with total page 65 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents 34 delightful Early Music melodies arranged for solo ukulele in gCEA tuning. The styles range from early Renaissance to Baroque, including lively dance tunes and sacred compositions, known for their beauty and vitality. Originally composed for lute or vihuela and often transcribed for classical guitar, these timeless pieces are now part of the ukulele repertoire. Written in standard notation and tablature, primarily for the intermediate to advanced player, but also for the determined novice.
Book Synopsis Inside Early Music by : Bernard D. Sherman
Download or read book Inside Early Music written by Bernard D. Sherman and published by Oxford University Press. This book was released on 2003-10-09 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: The attempt to play music with the styles and instruments of its era--commonly referred to as the early music movement--has become immensely popular in recent years. For instance, Billboard's "Top Classical Albums" of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon's top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important are historical period instruments for the performance of a piece? Why should musicians bother with historical information? Are they sacrificing art to scholarship? Now, in Inside Early Music, Bernard D. Sherman has invited many of the leading practitioners to speak out about their passion for early music--why they are attracted to this movement and how it shapes their work. Readers listen in on conversations with conductors Gardiner, William Christie, and Roger Norrington, Peter Phillips of the Tallis Scholars, vocalists Susan Hellauer of Anonymous 4, forte pianist Robert Levin, cellist Anner Bylsma, and many other leading artists. The book is divided into musical eras--Medieval, Renaissance, Baroque, and Classic and Romantic--with each interview focusing on particular composers or styles, touching on heated topics such as the debate over what is "authentic," the value of playing on period instruments, and how to interpret the composer's intentions. Whether debating how to perform Monteverdi's madrigals or comparing Andrew Lawrence-King's Renaissance harp playing to jazz, the performers convey not only a devotion to the spirit of period performance, but the joy of discovery as they struggle to bring the music most truthfully to life. Spurred on by Sherman's probing questions and immense knowledge of the subject, these conversations movingly document the aspirations, growing pains, and emerging maturity of the most exciting movement in contemporary classical performance, allowing each artist's personality and love for his or her craft to shine through. From medieval plainchant to Brahms' orchestral works, Inside Early Music takes readers-whether enthusiasts or detractors-behind the scenes to provide a masterful portrait of early music's controversies, challenges, and rewards.
Book Synopsis The Oxford Handbook of Music Revival by : Caroline Bithell
Download or read book The Oxford Handbook of Music Revival written by Caroline Bithell and published by Oxford Handbooks. This book was released on 2014 with total page 721 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revivals - movements that revitalize, resuscitate, or re-indigenize traditions perceived as threatened or moribund into new temporal, spatial, or cultural contexts - have been well-documented in Western Europe and Euro-North America. Less documented are the revival processes that have been occurring and recurring elsewhere in the world. And particularly under-analyzed are the aftermaths of revivals: the new infrastructures, musical styles, performance practices, subcultural communities, and value systems that have grown out of revival movements. The Oxford Handbook of Music Revival helps us achieve a deeper understanding of the role and development of traditional, folk, roots, world, classical, and early music in modern-day postindustrial, postcolonial, and postwar contexts. The book's thirty chapters present innovative theoretical perspectives illustrated through new ethnographic case studies on diverse music cultures around the world. Together these essays reveal the potency of acts of revival, resurgence, restoration, and renewal in shaping musical landscapes and transforming social experience. The contributors present research from Euro-America, Native America, Latin America and the Caribbean, Africa, Europe, the former Soviet bloc, Asia, Australia, and the Pacific. They enrich the field by applying approaches and insights from across the disciplines of ethnomusicology, ethnochoreology, historical musicology, folklore studies, anthropology, ethnology, sociology, and cultural studies. The book makes a powerful argument for the untapped potential of revival as a productive analytical tool in contemporary, global contexts-one that is crucial for understanding manifestations of musical heritage in postmodern, cosmopolitan societies. With its detailed treatment of authenticity, recontextualization, transmission, institutionalization, globalization, and other key concerns, the collection makes a significant impact far beyond the field of revival studies and is crucial for understanding contemporary manifestations of folk, traditional, and heritage music in today's postmodern cosmopolitan societies.
Book Synopsis The End of Early Music by : Bruce Haynes
Download or read book The End of Early Music written by Bruce Haynes and published by Oxford University Press. This book was released on 2007-07-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition.
Book Synopsis Some Early Musical Recollections of G. Haddock by : George Haddock
Download or read book Some Early Musical Recollections of G. Haddock written by George Haddock and published by . This book was released on 1906 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Early Music History: Volume 23 by : Iain Fenlon
Download or read book Early Music History: Volume 23 written by Iain Fenlon and published by Cambridge University Press. This book was released on 2004-12-27 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical history from the early Middle Ages to the end of the seventeenth century.
Book Synopsis Early Music History by : Iain Fenlon
Download or read book Early Music History written by Iain Fenlon and published by Cambridge University Press. This book was released on 2009-03-19 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume eleven include: Music and festivities at the court of Leo X: a Venetian view; Jean de Castro, the Pense partbooks and musical culture in sixteenth-century Lyons; The lost chant tradition of early Christian Jerusalem: some possible melodic survivals in the Byzantine and Latin chant repertories; Rome as the centre of the universe: papal grace and musical patronage.
Book Synopsis Interpretation of the Music of the 17th and 18th Centuries by : Arnold Dolmetsch
Download or read book Interpretation of the Music of the 17th and 18th Centuries written by Arnold Dolmetsch and published by Courier Corporation. This book was released on 2005-01-01 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch (1858–1940) was the first to apply academic attention to the issue of authentic historical performance. His groundbreaking study, The Interpretation of the Music of the 17th and 18th Centuries, first appeared in 1915 and remains a landmark of musicology. An outstanding musician, teacher, and maker of Baroque-style instruments, Dolmetsch sought the correct interpretation of Baroque music in order to heighten its expressive intent and emotional impact. In this study, he quotes extensively from both familiar and lesser-known treatises of the seventeenth and eighteenth centuries, adding enlightening comments to each quotation and providing illuminating conclusions. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning, and fingering, and musical instruments of the period. A rare appendix of musical examples, originally published separately, appears in this new edition of the first book to address in a comprehensive and scholarly manner the problems of performing Baroque music. More than a text on performance practices, this classic offers glimpses of what Baroque music meant—both as an art and a science—to musicians of the era.
Download or read book Early Music News written by and published by . This book was released on 2002 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music for a Mixed Taste by : Steven Zohn
Download or read book Music for a Mixed Taste written by Steven Zohn and published by Oxford University Press. This book was released on 2015 with total page 721 pages. Available in PDF, EPUB and Kindle. Book excerpt: Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste, Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic.
