Voicing The Cinema

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Voicing the Cinema

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Author : James Buhler
Publisher : University of Illinois Press
ISBN 13 : 0252051866
Total Pages : 489 pages
Book Rating : 4.2/5 (52 download)

Book Synopsis Voicing the Cinema by : James Buhler

Download or read book Voicing the Cinema written by James Buhler and published by University of Illinois Press. This book was released on 2020-03-16 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack. The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in Brave and Frozen. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from The Martian and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism. Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell

The Voice in Cinema

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Author : Michel Chion
Publisher : Columbia University Press
ISBN 13 : 9780231108232
Total Pages : 204 pages
Book Rating : 4.1/5 (82 download)

Book Synopsis The Voice in Cinema by : Michel Chion

Download or read book The Voice in Cinema written by Michel Chion and published by Columbia University Press. This book was released on 1999 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chion analyzes imaginative uses of the human voice by directors like Lang, Hitchcock, Ophuls, Duras, and de Palma.

Music in Cinema

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Author : Michel Chion
Publisher : Columbia University Press
ISBN 13 : 0231552858
Total Pages : 217 pages
Book Rating : 4.2/5 (315 download)

Book Synopsis Music in Cinema by : Michel Chion

Download or read book Music in Cinema written by Michel Chion and published by Columbia University Press. This book was released on 2021-10-12 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer. Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.

Audio-vision

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Author : Michel Chion
Publisher : Columbia University Press
ISBN 13 : 9780231078993
Total Pages : 282 pages
Book Rating : 4.0/5 (789 download)

Book Synopsis Audio-vision by : Michel Chion

Download or read book Audio-vision written by Michel Chion and published by Columbia University Press. This book was released on 1994 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Deals with issue of sound in audio-visual images

Words on Screen

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Author : Michel Chion
Publisher : Columbia University Press
ISBN 13 : 023154345X
Total Pages : 301 pages
Book Rating : 4.2/5 (315 download)

Book Synopsis Words on Screen by : Michel Chion

Download or read book Words on Screen written by Michel Chion and published by Columbia University Press. This book was released on 2017-03-07 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michel Chion is well known in contemporary film studies for his innovative investigations into aspects of cinema that scholars have traditionally overlooked. Following his work on sound in film in Audio-Vision and Film, a Sound Art, Words on Screen is Chion's survey of everything the seventh art gives us to read on screen. He analyzes titles, credits, and intertitles, but also less obvious forms of writing that appear on screen, from the tear-stained letter in a character's hand to reversed writing seen in mirrors. Through this examination, Chion delves into the multitude of roles that words on screen play: how they can generate narrative, be torn up or consumed but still remain in the viewer's consciousness, take on symbolic dimensions, and bear every possible relation to cinematic space. With his characteristic originality, Chion performs a poetic inventory of the possibilities of written text in the film image. Taking examples from hundreds of films spanning years and genres, from the silents to the present, he probes the ways that words on screen are used and their implications for film analysis and theory. In the process, he opens up and unearths the specific poetry of visual text in film. Exhaustively researched and illustrated with hundreds of examples, Words on Screen is a stunning demonstration of a creative scholar's ability to achieve a radically new understanding of cinema.

Hearing the Movies

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Author : James Buhler
Publisher : Oxford University Press
ISBN 13 : 9780199987719
Total Pages : 592 pages
Book Rating : 4.9/5 (877 download)

Book Synopsis Hearing the Movies by : James Buhler

Download or read book Hearing the Movies written by James Buhler and published by Oxford University Press. This book was released on 2015-04-01 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hearing the Movies, Second Edition, combines a historical and chronological approach to the study of film music and sound with an emphasis on building listening skills. Through engaging, accessible analyses and exercises, the book covers all aspects of the subject, including how a soundtrack is assembled to accompany the visual content, how music enhances the form and style of key film genres, and how technology has influenced the changing landscape of film music.

Sound Design

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Author : David Sonnenschein
Publisher :
ISBN 13 : 9781615932023
Total Pages : 0 pages
Book Rating : 4.9/5 (32 download)

Book Synopsis Sound Design by : David Sonnenschein

Download or read book Sound Design written by David Sonnenschein and published by . This book was released on 2013-04 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The clash of light sabers in the electrifying duels of Star Wars. The chilling bass line signifying the lurking menace of the shark in Jaws. The otherworldly yet familiar pleas to "phone home" in the enchanting E.T." "These are examples of the different ways sound can contribute to the overall dramatic impact of a film. To craft a distinctive atmosphere, sound design is as important as art direction and cinematography - and it can also be an effective tool to express the personalities of your characters."--Jacket.

The Acoustic Mirror

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Author : Kaja Silverman
Publisher : Indiana University Press
ISBN 13 : 9780253116642
Total Pages : 274 pages
Book Rating : 4.1/5 (166 download)

Book Synopsis The Acoustic Mirror by : Kaja Silverman

Download or read book The Acoustic Mirror written by Kaja Silverman and published by Indiana University Press. This book was released on 1988-04-22 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: "... a vitally new understanding that takes us from the terms of the representation of sexual difference to an anatomy of female subjectivity which will be widely influential." -- Stephen Heath "An original work likely to have significant impact on all those with an interest in the vibrant intersection of feminism, film theory, and psychoanalysis... " -- Naomi Schor "... powerfully argued study... impressive... " -- Choice "... important because of its innovative work on Hollywood's ideologically-charged construction of subjectivity.... what is exciting about The Acoustic Mirror is that it inspires one to reevaluate a number of now classical theoretical texts, and to see films with an eye to how authorship is constructed and subjectivity is generated." -- Literature and Psychology "As evocative as it is shrewdly systematic, the pioneering theory of female subjectivity formulated in the final three chapters will have wide impact as a major contribution to feminist theory." -- SubStance The Acoustic Mirror attempts to do for the sound-track what feminist film theory of the past decade has done for the image-track -- to locate the points at which it is productive of sexual difference. The specific focus is the female voice understood not merely as spoken dialogue, narration, and commentary, but as a fantasmatic projection, and as a metaphor for authorship.

The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion

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Author : Christopher Lupke
Publisher : Cambria Press
ISBN 13 : 1621967069
Total Pages : 398 pages
Book Rating : 4.6/5 (219 download)

Book Synopsis The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion by : Christopher Lupke

Download or read book The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion written by Christopher Lupke and published by Cambria Press. This book was released on 2016-03-25 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Featuring rare interviews and sophisticated analysis, this book sheds light on Hou's narrative innovations and aesthetic triumphs while, along the way, unlocking some of the mysteries lurking behind one of the greatest bodies of cinematic work ever produced." -MICHAEL BERRY, University of California Santa Barbara "Lupke's book provides comprehensive coverage, detailed contextualization, and insightful analysis from Hou's earliest works to his most recent accomplishment. The narrative is particularly compelling because it weaves cultural and social contexts and filmic texts together, and it brings various formal elements (image, editing, language, music) to bear upon one another. The book also includes careful comparison with another East Asian auteur Ozu Yasujirô. The Sinophone Cinema of Hou Hsiao-hsien is a significant addition." -GUO-JUIN, HONG, Duke University "Lupke's comprehensive and original study excavates the literary inspirations of Hou's filmmaking, showing how Wu Nianzhen, Shen Congwen, and especially Zhu Tianwen shape his philosophy and aesthetic. In Lupke's convincing account, the anti-filial behaviors of their characters, which have attracted little critical attention, are the key to understanding their shared concern for the visible dissolution of the family in the modern world. In addition to its lucid analysis, this book contextualizes the filmmaking history of Hou in ways that illustrate the cultural and political significance of studying Taiwan Cinema in a global context." -HSIU-CHUANG DEPPMAN, Oberlin College "Serving both as an excellent comprehensive introduction to the filmmaker and as a series of in-depth readings, this informative, engaging, and insightful book covers the full range of Hou's work. Writing clearly and elegantly, Lupke perceptively relates Hou's films to both literary and cinematic antecedents. Aside from Hou's well-known connection to Taiwan's 'native soil' literature, Lupke highlights as well the filmmaker's debt to earlier mainland Chinese authors such as Shen Congwen, Zhang Ailing, and Hu Lancheng. Hou's singular contribution to film aesthetics, summarized as 'stasis within motion,' comes through vividly and convincingly." -JASON MCGRATH, University of Minnesota *This book includes images.

The Singing Voice in Contemporary Cinema

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Author : Diane Hughes
Publisher : Equinox Publishing
ISBN 13 : 9781781791127
Total Pages : 0 pages
Book Rating : 4.7/5 (911 download)

Book Synopsis The Singing Voice in Contemporary Cinema by : Diane Hughes

Download or read book The Singing Voice in Contemporary Cinema written by Diane Hughes and published by Equinox Publishing. This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume focuses on the singing voice in contemporary cinema from 1945 to the present day, and rather than being restricted to one particular genre, considers how the singing voice has helped define and/or confuse genre classification. Typically heard in song, the singing voice is arguably the most expressive of all musical instruments. This volume celebrates the ways in which singing features in film. This includes the singing voice as protagonist, as narrator, as communicator, as entertainer, and as comedic interlude. Whether the singing voice in film is personally expressive, reflexive and distant, or synchronized for entertainment, there is typically interplay between the voice and visual elements. Extending beyond the body of literature on 'the musical', the volume is not about musicals per se. Rather, The Singing Voice in Contemporary Cinema discusses the singing voice as a distinct genre that focuses on the conceptualization and synchronization of the singing voice in the post-War era. It explores the relationship between screen, singing, singer and song; it celebrates the intersection of the singing voice and popular culture. In doing so, the volume will cross multiple disciplines including vocal studies, film studies, film sound studies, and music production (vocal processing).

Voices from the Japanese Cinema

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Author : Joan Mellen
Publisher : Liveright Publishing Corporation
ISBN 13 : 9780871406040
Total Pages : 295 pages
Book Rating : 4.4/5 (6 download)

Book Synopsis Voices from the Japanese Cinema by : Joan Mellen

Download or read book Voices from the Japanese Cinema written by Joan Mellen and published by Liveright Publishing Corporation. This book was released on 1975-01-01 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Echo and Narcissus

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Author : Amy Lawrence
Publisher : Univ of California Press
ISBN 13 : 9780520070820
Total Pages : 236 pages
Book Rating : 4.0/5 (78 download)

Book Synopsis Echo and Narcissus by : Amy Lawrence

Download or read book Echo and Narcissus written by Amy Lawrence and published by Univ of California Press. This book was released on 1991-07-23 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus, Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of women in film, enabling us to see individual films in new ways, and to ask new questions of other films. Using Sadie Thompson (1928), Blackmail (1929), Rain (1932), The Spiral Staircase, Sorry,Wrong Number, Notorious, Sunset Boulevard (1950) and To Kill a Mockingbird (1962), Lawrence illustrates how women's voices are positioned within narratives that require their submission to patriarchal roles and how their attempts to speak provoke increasingly severe repression. She also shows how women's natural ability to speak is interrupted, made difficult, or conditioned to a suffocating degree by sound technology itself. Telephones, phonographs, voice-overs, and dubbing are foregrounded, called upon to silence women and to restore the primacy of the image. Unlike the usage of "voice" by feminist and literary critics to discuss broad issues of authorship and point of view, in film studies the physical voice itself is a primary focus. Echo and Narcissus shows how assumptions about the "deficiencies" of women's voices and speech are embedded in sound's history, technology, uses, and marketing. Moreover, the construction of the woman's voice is inserted into the ideologically loaded cinematic and narrative conventions governing the representation of women in Hollywood film.

Composing for the Cinema

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Author : Ennio Morricone
Publisher : Scarecrow Press
ISBN 13 : 0810892421
Total Pages : 311 pages
Book Rating : 4.8/5 (18 download)

Book Synopsis Composing for the Cinema by : Ennio Morricone

Download or read book Composing for the Cinema written by Ennio Morricone and published by Scarecrow Press. This book was released on 2013-10-10 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.

Binghamton Babylon

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Author : Scott M. MacDonald
Publisher : SUNY Press
ISBN 13 : 1438458886
Total Pages : 275 pages
Book Rating : 4.4/5 (384 download)

Book Synopsis Binghamton Babylon by : Scott M. MacDonald

Download or read book Binghamton Babylon written by Scott M. MacDonald and published by SUNY Press. This book was released on 2015-08-31 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documents a volatile and productive moment in the development of film studies. In Binghamton Babylon, Scott M. MacDonald documents one of the crucial moments in the history of cinema studies: the emergence of a cinema department at what was then the State University of New York at Binghamton (now Binghamton University) between 1967 and 1977. The department brought together a group of faculty and students who not only produced a remarkable body of films and videos but went on to invigorate the American media scene for the next half-century. Drawing on interviews with faculty, students, and visiting artists, MacDonald weaves together an engaging conversation that explores the academic excitement surrounding the emergence of cinema as a viable subject of study in colleges and universities. The voices of the various participantsSteve Anker, Alan Berliner, Danny Fingeroth, Hollis Frampton, Ernie Gehr, J. Hoberman, Ralph Hocking, Ken Jacobs, Bill T. Jones, Peter Kubelka, Saul Levine, Camille Paglia, Phil Solomon, Maureen Turim, and many otherstell the story of this remarkable period. MacDonald concludes with an analysis of the pedagogical dimensions of the films that were produced in Binghamton, including Larry Gottheims Horizons; Jacobss Tom, Tom, the Pipers Son; Gehrs Serene Velocity; Framptons Critical Mass; and Nicholas Rays final film, We Cant Go Home Again. This is an important episode in film history and in particular the history of the cinematic avant-garde, and it is exciting to have so many voices from the time assembled in one volume. A terrific book! Dana Polan, Cinema Studies, New York University Binghamton Babylon is an enormously important contribution to film, video, and media historiography. David Sterritt, author of The Cinema of Clint Eastwood: Chronicles of America

The Cinema of Me

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Author : Alisa Lebow
Publisher : Columbia University Press
ISBN 13 : 0231850166
Total Pages : 289 pages
Book Rating : 4.2/5 (318 download)

Book Synopsis The Cinema of Me by : Alisa Lebow

Download or read book The Cinema of Me written by Alisa Lebow and published by Columbia University Press. This book was released on 2012-05-29 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

Moroccan Cinema Uncut

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Author : Higbee Will Higbee
Publisher : Edinburgh University Press
ISBN 13 : 147447795X
Total Pages : 288 pages
Book Rating : 4.4/5 (744 download)

Book Synopsis Moroccan Cinema Uncut by : Higbee Will Higbee

Download or read book Moroccan Cinema Uncut written by Higbee Will Higbee and published by Edinburgh University Press. This book was released on 2020-08-18 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Moroccan film production has increased rapidly since the late 2000s, and Morocco is a thriving service production hub for international film and television. Taking a transnational approach to Moroccan cinema, this book examines diversity in its production models, its barriers to international distribution and success, its key markets and audiences, as well as the consequences of digital disruption upon it.

Movies and Tone

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Author : Douglas Pye
Publisher : Wallflower Press
ISBN 13 :
Total Pages : 256 pages
Book Rating : 4.3/5 (91 download)

Book Synopsis Movies and Tone by : Douglas Pye

Download or read book Movies and Tone written by Douglas Pye and published by Wallflower Press. This book was released on 2007 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Colse-Up 02' is a collection of three individual studies specialising in close readings of films and TV. Each issue is devoted to the practice of detailed textual analysis of film and visual media.