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Venetian Painting Matters 1450 1750
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Book Synopsis Venetian Painting Matters, 1450-1750 by : Jodi Cranston
Download or read book Venetian Painting Matters, 1450-1750 written by Jodi Cranston and published by Brepols Publishers. This book was released on 2015 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collection of essays that focus on the Venetian style of painting and the influence of Venetian painters.
Book Synopsis The Enduring Legacy of Venetian Renaissance Art by : AndaleebBadiee Banta
Download or read book The Enduring Legacy of Venetian Renaissance Art written by AndaleebBadiee Banta and published by Routledge. This book was released on 2017-07-05 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Venetian artistic giants of the sixteenth century, such as Giorgione, Vittore Carpaccio, Titian, Jacopo Sansovino, Jacopo Tintoretto, Paolo Veronese, and their contemporaries, continued to shape artistic development, tastes in collecting, and modes of display long after their own practices ended. The robust reverberation of the Venetian Renaissance spread far beyond the borders of the lagoon to inform and influence artists, authors, and collectors who spent very little or even no time in Venice proper. The Enduring Legacy of Venetian Renaissance Art investigates the historical resonance of Venetian sixteenth-century art and explores its afterlife and its reinvention by artists working in its shadow. Despite being a frequently acknowledged truism, the pervasive legacy of Venetian sixteenth-century art has not received comprehensive treatment in recent publication history. The broad scope of the topics covered in these essays, from Titian's profound influence on the development of landscape painting to the effects of Carpaccio's historical paintings on early twentieth-century fashion, illustrates the persistence and adaptability of the Venetian Renaissance's legacy. In addition to analyzing the effects of individual artists on each other, this volume offers insight into the shifting characterizations and reception of Venice as a center for artistic innovation and inspiration throughout the early modern period, providing a nuanced and multifaceted view of the singular lagoon city and its indelible imprint on the history of art.
Book Synopsis Green Worlds of Renaissance Venice by : Jodi Cranston
Download or read book Green Worlds of Renaissance Venice written by Jodi Cranston and published by Penn State Press. This book was released on 2020-05-05 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: From celebrated gardens in private villas to the paintings and sculptures that adorned palace interiors, Venetians in the sixteenth century conceived of their marine city as dotted with actual and imaginary green spaces. This volume examines how and why this pastoral vision of Venice developed. Drawing on a variety of primary sources ranging from visual art to literary texts, performances, and urban plans, Jodi Cranston shows how Venetians lived the pastoral in urban Venice. She describes how they created green spaces and enacted pastoral situations through poetic conversations and theatrical performances in lagoon gardens; discusses the island utopias found, invented, and mapped in distant seas; and explores the visual art that facilitated the experience of inhabiting verdant landscapes. Though the greening of Venice was relatively short lived, Cranston shows how the phenomenon had a lasting impact on how other cities, including Paris and London, developed their self-images and how later writers and artists understood and adapted the pastoral mode. Incorporating approaches from eco-criticism and anthropology, Green Worlds of Renaissance Venice greatly informs our understanding of the origins and development of the pastoral in art history and literature as well as the culture of sixteenth-century Venice. It will appeal to scholars and enthusiasts of sixteenth-century history and culture, the history of urban landscapes, and Italian art.
Book Synopsis Giovanni Bellini by : Davide Gasparotto
Download or read book Giovanni Bellini written by Davide Gasparotto and published by Getty Publications. This book was released on 2017-10-10 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Praised by Albrecht Dürer as being “the best in painting,” Giovanni Bellini (ca. 1430– 1516) is unquestionably the supreme Venetian painter of the quattrocento and one of the greatest Italian artists of all time. His landscapes assume a prominence unseen in Western art since classical antiquity. Drawing from a selection of masterpieces that span Bellini's long and successful career, this exhibition catalogue focuses on the main function of landscape in his oeuvre: to enhance the meditational nature of paintings intended for the private devotion of intellectually sophisticated, elite patrons. The subtle doctrinal content of Bellini’s work—the isolated crucifix in a landscape, the “sacred conversation,” the image of Saint Jerome in the wilderness—is always infused with his instinct for natural representation, resulting in extremely personal interpretations of religious subjects immersed in landscapes where the real and the symbolic are inextricably intertwined. This volume includes a biography of the artist, essays by leading authorities in the field explicating the themes of the J. Paul Getty Museum’s exhibition, and detailed discussions and glorious reproductions of the twelve works in the show, including their history and provenance, function, iconography, chronology, and style.
Book Synopsis The Routledge Companion to Digital Humanities and Art History by : Kathryn Brown
Download or read book The Routledge Companion to Digital Humanities and Art History written by Kathryn Brown and published by Routledge. This book was released on 2020-04-15 with total page 575 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Digital Humanities and Art History offers a broad survey of cutting-edge intersections between digital technologies and the study of art history, museum practices, and cultural heritage. The volume focuses not only on new computational tools that have been developed for the study of artworks and their histories but also debates the disciplinary opportunities and challenges that have emerged in response to the use of digital resources and methodologies. Chapters cover a wide range of technical and conceptual themes that define the current state of the field and outline strategies for future development. This book offers a timely perspective on trans-disciplinary developments that are reshaping art historical research, conservation, and teaching. This book will be of interest to scholars in art history, historical theory, method and historiography, and research methods in education.
Book Synopsis Historical Dictionary of Baroque Art and Architecture by : Lilian H. Zirpolo
Download or read book Historical Dictionary of Baroque Art and Architecture written by Lilian H. Zirpolo and published by Rowman & Littlefield. This book was released on 2018-03-13 with total page 692 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.
Book Synopsis Sebastiano del Piombo and the World of Spanish Rome by : Piers Baker-Bates
Download or read book Sebastiano del Piombo and the World of Spanish Rome written by Piers Baker-Bates and published by Routledge. This book was released on 2017-07-05 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sebastiano del Piombo (c.1485-1547) was a close associate and rival of the central artistic figures of the High Renaissance, notably Michelangelo and Raphael. After the death of Raphael and the departure of Michelangelo from Rome, Sebastiano became the dominant artistic personality in the city. Despite being one of most significant artistic figures of the period, he remains the last artist of major importance in the western canon about whom no recent work has been published in English. In this study, Piers Baker-Bates approaches Sebastiano?s career through analysis of the patrons he attracted following his arrival at Rome. The first half of the book concentrates on Sebastiano?s network of patrons, predominantly Italian, who had strong factional ties to the Imperial camp; the second half discusses Sebastiano?s relationship with his principal Spanish patrons. Sebastiano is a leading example of a transcultural artist in the sixteenth century and his relationship with Spain was fundamental to the development of his careerThe author investigates the domination of Sebastiano?s career by patrons who had geographically different origins, but who were all were members of a wider network of Imperial loyalties. Thus Baker-Bates removes Sebastiano from the shadow of his contemporaries, bringing him to life for the reader as an artistic personality in his own right. Baker-Bates? characterization of the Rome in which Sebastiano made his career differs from previous scholarly accounts, and he describes how Sebastiano was ideally suited to flourish in the environment he depicts.Sebastiano del Piombo and the World of Spanish Rome thus re-appraises not only Sebastiano?s place in the canon of Renaissance art but, using him as a lens, also the cultural worlds of Early Modern Italy and Spain in which he operated.
Book Synopsis Jacopo Bellini's Book of Drawings in the Louvre by : Norberto Gramaccini
Download or read book Jacopo Bellini's Book of Drawings in the Louvre written by Norberto Gramaccini and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-07-05 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: The RF 1475–1556 Louvre Album is universally regarded as a corpus of drawings that was executed by the Venetian painter Jacopo Bellini. The album’s trajectory prior to coming into the possession of the Bellini family is elucidated in the present book. Based on Norberto Gramaccini’s interpretation, it was the Paduan painter Francesco Squarcione who was the mastermind and financier behind the drawings. The preparatory work had actually been delegated to his most gifted pupils, among them Andrea Mantegna, Jacopo Bellini ́s future son-in-law. The drawing’s topics —anatomy, perspective, archeology, mythology, contemporary chronicles, and zoology —were part of the teaching program of an art academy established by Squarcione in the 1440s, famous in its day, which provided crucial impulses for the training of artists in the modern era.
Book Synopsis Giorgione’s Ambiguity by : Tom Nichols
Download or read book Giorgione’s Ambiguity written by Tom Nichols and published by Reaktion Books. This book was released on 2020-10-17 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Venetian painter known as Giorgione or “big George” died at a young age in the dreadful plague of 1510, possibly having painted fewer than twenty-five works. But many of these are among the most mysterious and alluring in the history of art. Paintings such as The Three Philosophers and The Tempest remain compellingly elusive, seeming to deny the viewer the possibility of interpreting their meaning. Tom Nichols argues that this visual elusiveness was essential to Giorgione’s sensual approach and that ambiguity is the defining quality of his art. Through detailed discussions of all Giorgione’s works, Nichols shows that by abandoning the more intellectual tendencies of much Renaissance art, Giorgione made the world and its meanings appear always more inscrutable.
Book Synopsis Venetian Painting in America by : Bernard Berenson
Download or read book Venetian Painting in America written by Bernard Berenson and published by . This book was released on 1916 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Titian And Venetian Painting, 1450-1590 by : Bruce Cole
Download or read book Titian And Venetian Painting, 1450-1590 written by Bruce Cole and published by Routledge. This book was released on 2018-03-05 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own.
Download or read book Venetian Painting written by and published by . This book was released on 1970 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Four Centuries of Venetian Painting by : Toledo Museum of Art
Download or read book Four Centuries of Venetian Painting written by Toledo Museum of Art and published by . This book was released on 1940 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Venetian School of Painting by : Evelyn March Phillipps
Download or read book The Venetian School of Painting written by Evelyn March Phillipps and published by . This book was released on 2024-01-24 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Venetian painting in its prime differs altogether in character from that of every other part of Italy. The Venetian is the most marked and recognisable of all the schools; its singularity is such that a novice in art can easily, in a miscellaneous collection, sort out the works belonging to it, and added to this unique character is the position it occupies in the domain of art. Venice alone of Italian States can boast an epoch of art comparable in originality and splendour to that of her great Florentine rival; an epoch which is to be classed among the great art manifestations of the world, which has exerted, and continues to exert, incalculable power over painting, and which is the inspiration as well as the despair of those who try to master its secret. The other schools of Italy, with all their superficial varieties of treatment and feeling, depended for their very life upon the extent to which they were able to imbibe the Florentine influence. Siena rejected that strength and perished; Venice bided her time and suddenly struck out on independent lines, achieving a magnificent victory. Art in Florence made a strictly logical progress. As civilisation awoke in the old Latin race, it went back in every domain of learning to the rich subsoil which still underlay the ruin and the alien structures left by the long barbaric dominion, for the Italian in his darkest hour had never been a barbarian; and as the mind was once more roused to conscious life, Florence entered readily upon that great intellectual movement which she was destined to lead. Her cast of thought was, from the first, realistic and scientific. Its whole endeavour was to know the truth, to weigh evidences, to elaborate experiments, to see things as they really were; and when she reached the point at which art was ready to speak, we find that the governing motive of her language was this same predilection for reality, and it was with this meaning that her typical artists found a voice. No artist ever sought for truth, both physical and spiritual, more resolutely than Giotto, and none ever spoke more distinctly the mind of his age and country; and as one generation follows another, art in Tuscany becomes more and more closely allied to the intellectual movement. The scientific predilection for form, for the representation of things as they really are, characterises not Florentine painting alone, but the whole of Florentine art. It is an art of contributions and discoveries, marked, it is needless to say, at every step by dominating personalities, positively as well as relatively great, but with each member consciously absorbed in "going one better" than his predecessors, in solving problems and in mastering methods. Florentine art is the outcome of Florentine life and thought. It is part of the definite clear-cut view of thought and reason, of that exactitude of apprehension towards which the whole Florentine mind was bent, and the lesser tributaries, as they flowed towards her, formed themselves on her pattern and worked upon the same lines, so that they have a certain general resemblance, and their excellence is in proportion to the thoroughness with which they have learned their lesson.
Book Synopsis The Altarpiece in Renaissance Venice by : Peter Humfrey
Download or read book The Altarpiece in Renaissance Venice written by Peter Humfrey and published by . This book was released on 1993 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Venetian Painters of the Renaissance by : Bernard Berenson
Download or read book The Venetian Painters of the Renaissance written by Bernard Berenson and published by . This book was released on 1894 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Venetian Painting in America the Fifteenth Century by : Bernard Berenson
Download or read book Venetian Painting in America the Fifteenth Century written by Bernard Berenson and published by Forgotten Books. This book was released on 2015-06-24 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Venetian Painting in America the Fifteenth Century "Now that we are on the subject of Venetian Painting," that would be a more exact title for this book. For, in fact, I have made the stray pictures in our collections the pretext for saying what I wanted to say about their authors in general. In some ways this form suits me as it suited my master, Giovanni Morelli. Like him, I have a distaste for including in my own writing questions that do not vividly interest me at the moment, no matter how important in themselves; and like him, I prefer to avoid such systematic treatment as entails dealing with materials either at second hand, or out of dimmed and attenuated recollection. It goes against the grain to write about anything that does not fascinate and absorb me. For the last few years it has been the painters of Venice, and Giovanni Bellini in particular, that have preoccupied my leisure and occupied my working hours. I thought of making a book about him, and I may still do it. But should I fail to achieve this purpose the student will be able to gather from this book, supplemented by certain essays in my third series of "Study and Criticism of Italian Art," most of what I have to contribute to the subject. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
