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Theatricalities Of Power
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Book Synopsis Theatricalities of Power by : Steven T. Brown
Download or read book Theatricalities of Power written by Steven T. Brown and published by Stanford University Press. This book was released on 2001 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an extended reading of the noh play Aoi ne Ue, as well as briefer examinations of several other plays, this book sheds new light on the circulation of power and desire in the middle and late medieval periods in Japan. It argues that these plays constituted an active force in the theater of the medieval cultural imaginary by engaging specific sociopolitical issues and problems.
Book Synopsis Theatrical Jazz by : Omi Osun Joni L. Jones
Download or read book Theatrical Jazz written by Omi Osun Joni L. Jones and published by Black Performance and Cultural. This book was released on 2023-01-08 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length study of the theatrical jazz aesthetic, that draws on the jazz principles of ensemble--the break, the bridge, and the blue note.
Book Synopsis Actors in the Audience by : Shadi Bartsch
Download or read book Actors in the Audience written by Shadi Bartsch and published by Harvard University Press. This book was released on 1994 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tacitus, Suetonius, and Juvenal all figure in Bartsch's shrewd analysis of historical and literary responses to the brute facts of empire; even the Panegyricus of Pliny the Younger now appears as a reaction against the widespread awareness of dissimulation.
Book Synopsis Theatre and the English Public from Reformation to Revolution by : Katrin Beushausen
Download or read book Theatre and the English Public from Reformation to Revolution written by Katrin Beushausen and published by Cambridge University Press. This book was released on 2018-04-05 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents new and overarching perspectives on the relationship between theatre and public from the Henrician Reformation through the interregnum to the Restoration, combining vivid case studies with discussion of theatre's continued importance in shaping the early modern public. Considered from the vantage point of theatre, the early modern public becomes visible as an unruly agent of political change, a force that authorities both feared and appealed to, and one that proved ultimately beyond control. It was through theatrical strategies that rulers and their opposition addressed the early modern public, and in turn it was theatre's public potential that shaped the development of the stage during the revolutionary years of the seventeenth century. In this volume, Katrin Beushausen examines sources including irreverent satirical pamphlets, regal spectacles, anti-theatrical polemic and visions of state theatres, casting new light on the development of the early modern public and theatre.
Book Synopsis The Place of the Stage by : Steven Mullaney
Download or read book The Place of the Stage written by Steven Mullaney and published by University of Michigan Press. This book was released on 1995 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Probes English society in the age of Shakespeare
Book Synopsis Meyerhold on Theatre by : Edward Braun
Download or read book Meyerhold on Theatre written by Edward Braun and published by Bloomsbury Publishing. This book was released on 2016-01-28 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Meyerhold on Theatre brings together in one volume Vsevolod Meyerhold's most significant writings and utterances, and covers his entire career as a director from 1902 to 1939. It contains a comprehensive selection from all published material, unabridged and translated from the original Russian, updated and supplemented with a critical commentary relating Meyerhold to his period and eye-witness accounts describing all his productions. The book is illustrated with photographs of Meyerhold's designs and productions. Within this diverse collection of sometimes dense, sometimes lyrical, and always fascinating writings, Meyerhold emerges from this book as a forerunner of such directors as Brecht, Piscator, Planchon and Brook, a relentless enemy of naturalism and a supreme exponent of total theatre whose influence continues to be felt throughout the theatre of today. This fourth edition features a new introduction by Prof. Jonathan Pitches, which helps to demystify some of the terminology Meyerhold and his associates used, and indicates the fundamental connection between culture and politics represented in his life and art.
Book Synopsis New Historicism and Renaissance Drama by : Richard Wilson
Download or read book New Historicism and Renaissance Drama written by Richard Wilson and published by Routledge. This book was released on 2016-07-01 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Historicism has been one of the major developments in literary theory over the last decade, both in the USA and Europe. In this book, Wilson and Dutton examine the theories behind New Historicism and its celebrated impact in practice on Renaissance Drama, providing an important collection both for students of the genre and of literary theory.
Book Synopsis Intermediality in Theatre and Performance by :
Download or read book Intermediality in Theatre and Performance written by and published by BRILL. This book was released on 2006-01-01 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intermediality: the incorporation of digital technology into theatre practice, and the presence of film, television and digital media in contemporary theatre is a significant feature of twentieth-century performance. Presented here for the first time is a major collection of essays, written by the Theatre and Intermediality Research Group of the International Federation for Theatre Research, which assesses intermediality in theatre and performance. The book draws on the history of ideas to present a concept of intermediality as an integration of thoughts and medial processes, and it locates intermediality at the inter-sections situated in-between the performers, the observers and the confluence of media, medial spaces and art forms involved in performance at a particular moment in time. Referencing examples from contemporary theatre, cinema, television, opera, dance and puppet theatre, the book puts forward a thesis that the intermedial is a space where the boundaries soften and we are in-between and within a mixing of space, media and realities, with theatre providing the staging space for intermediality. The book places theatre and performance at the heart of the ‘new media’ debate and will be of keen interest to students, with clear relevance to undergraduates and post-graduates in Theatre Studies and Film and Media Studies, as well as the theatre research community.
Book Synopsis Performance, Theatre, and Society in Contemporary Nicaragua by : Alberto Guevara
Download or read book Performance, Theatre, and Society in Contemporary Nicaragua written by Alberto Guevara and published by . This book was released on 2014-01 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since coming to power in 2007, the Sandinista Front of National Liberation (FSLN) has proclaimed itself the "government of the poor" and the "government of peace and reconciliation." Accordingly, the regime has endeavoured to control and manipulate the symbols, social images, important spaces, and situations of popular struggles for social justice in the country. Under the watch of Daniel Ortega's administration, Nicaragua has become a country where an extraordinary effort is put into social spectacles, propaganda, and theatricality to create the impression of social and economic transformation. While the current regime orchestrates impressive social performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. These mine the gap between experiences and promises in today's Nicaragua. The exhibit of suffering bodies in public national spaces as political weapons by pesticide victims, as well as a transvestite circus spectacle in Managua redefine spaces and states of "invisibility" and "visibility" by articulating social positions through performance. The bodies of these Nicaraguans--refusing to be invisible--show Nicaragua's ongoing social drama of a predominant social power relation of inclusion and exclusion within a narrative intersected by political power, marginality and theatricality. As spectacularized bodies, they become avenues for showing processes of structural violence. Although there has been some excellent academic research focusing on performance or/and theatre in Nicaragua, such scholarship seldom attends to the very important connections between daily staged public social acts and local, national/global politics that deal directly and indirectly with marginalized social/cultural landscapes in this country. This book fills the gap by examining the connections between Nicaragua's marginalized landscapes and bodies, between social/political visibility and invisibility, and the relationship between social abandonment and social encompassment in the nation. This is an important book for performance studies, social cultural anthropology, theatre studies and Latin American studies. This book is in the Cambria Contemporary Global Performing Arts Series (general editor: John Clum, Duke University) and includes rare images.
Book Synopsis Twentieth Century Theatre: A Sourcebook by : Richard Drain
Download or read book Twentieth Century Theatre: A Sourcebook written by Richard Drain and published by Routledge. This book was released on 2002-09-11 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twentieth Century Theatre: A Sourcebook is an inspired handbook of ideas and arguments on theatre. Richard Drain gathers together a uniquely wide-ranging selection of original writings on theatre by its most creative practitioners - directors, playwrights, performers and designers, from Jarry to Grotowski and Craig. These key texts span the twentieth century, from the onset of modernism to the present, providing direct access to the thinking behind much of the most stimulating theatre the century has had to offer, as well as guidelines to its present most adventurous developments. Setting theory beside practice, these writings bring alive a number of vital and continuing concerns, each of which is given full scope in five sections which explore the Modernist, Political, Inner and Global dimensions of twentieth century theatre. Twentieth Century Theatre: A Sourcebook provides illuminationg perspectives on past history, and throws fresh light on the sources and development of theatre today. This sourcebook is not only an essential and versatile collection for students at all levels, but also directed numerous devised shows which have toured to theatres, schools, community centres and prisons.
Book Synopsis Drama, Performance and Debate by : Jan Bloemendal
Download or read book Drama, Performance and Debate written by Jan Bloemendal and published by BRILL. This book was released on 2012-10-31 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, 15 contributions discuss the role or roles of early modern ('literacy' and non-literary) forms of theatre in the formation of public opinion or its use in making statements in public or private debates.
Book Synopsis A New Companion to Renaissance Drama by : Arthur F. Kinney
Download or read book A New Companion to Renaissance Drama written by Arthur F. Kinney and published by John Wiley & Sons. This book was released on 2017-07-11 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field
Book Synopsis Transgressive Theatricality, Romanticism, and Mary Wollstonecraft by : Lisa Plummer Crafton
Download or read book Transgressive Theatricality, Romanticism, and Mary Wollstonecraft written by Lisa Plummer Crafton and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 163 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lisa Plummer Crafton argues that, throughout her works, Mary Wollstonecraft engages with early Romantic notions of the theatrical and contributes to contemporary debates on theater. Within the context of the political discourse of the French Revolution, juridical transcripts of treason and civil divorce trials, and the spectacle of the female actress on stage as typified by Sarah Siddons, Crafton shows how Wollstonecraft's persistent use of the trope reveals theatricality's transgressive potential for self-invention.
Book Synopsis The Culture of Violence by : Francis Barker
Download or read book The Culture of Violence written by Francis Barker and published by University of Chicago Press. This book was released on 1993 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Culture' and 'violence' have always been regarded as antithetical terms. In The Culture of Violence, Francis Barker takes a different view. Central to his argument is the contention that, contrary to post-Enlightenment humanist, liberal and conservative thought, 'culture' does not necessarily stand in opposition to political inequality and social injustice, but may be complicit with the oppressive exercise of power. The book focuses on Shakespearean tragedy and on the historicism and culturalism of much present-day cultural theory. Barker's analysis moves dialectically backwards and forwards between these two moments in order to illuminate aspects of early modern culture, and to critique the ways in which the complicity between culture and violence has been occluded. Rejecting the tendency of both modernism and post-modernism to homogenise historical time, Barker argues for a genuinely new, 'diacritical' understanding of the violence of history.
Book Synopsis Imagining Human Rights in Twenty-First Century Theater by : F. Becker
Download or read book Imagining Human Rights in Twenty-First Century Theater written by F. Becker and published by Springer. This book was released on 2012-12-27 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: There is extraordinary diversity, depth, and complexity in the encounter between theatre, performance, and human rights. Through an examination of a rich repertoire of plays and performance practices from and about countries across six continents, the contributors open the way toward understanding the character and significance of this encounter.
Book Synopsis Theatricality of the Closet by : Michelle Liu Carriger
Download or read book Theatricality of the Closet written by Michelle Liu Carriger and published by Northwestern University Press. This book was released on 2023-09-15 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: A richly illustrated exploration of fashion and its capacity for generating controversy and constructing social and individual identities Clothing matters. This basic axiom is both common sense and, in another way, radical. It is from this starting point that Michelle Liu Carriger elucidates the interconnected ways in which gender, sexuality, class, and race are created by the everyday act of getting dressed. Theatricality of the Closet: Fashion, Performance, and Subjectivity between Victorian Britain and Meiji Japan examines fashion and clothing controversies of the nineteenth century, drawing on performance theory to reveal how the apparently superficial or frivolous deeply affects the creation of identity. By interrogating a set of seemingly disparate examples from the same period but widely distant settings—Victorian Britain and Meiji-era Japan—Carriger disentangles how small, local, ordinary practices became enmeshed in a global fabric of cultural and material surfaces following the opening of trade between these nations in 1850. This richly illustrated book presents an array of media, from conservative newspapers and tabloids to ukiyo-e and early photography, that locate dress as a site where the individual and the social are interwoven, whether in the 1860s and 1870s or the twenty-first century.
Book Synopsis Incapacity and Theatricality by : Tony McCaffrey
Download or read book Incapacity and Theatricality written by Tony McCaffrey and published by Routledge. This book was released on 2019-01-15 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Incapacity and Theatricality acknowledges the distinctive contribution to contemporary theatrical performance made by actors with intellectual disabilities. It presents a close examination of certain key theatrical performances across a variety of different media, including John Cassavetes’ 1963 social issues film A Child Is Waiting; the performance art collaboration between Robert Wilson and Christopher Knowles; and the provocative pranksterism of Christoph Schlingensief’s talent show mockumentary FreakStars 3000. Tracing a global path of performances, Incapacity and Theatricality offers an analysis of how actors with intellectual disabilities have emerged onto the main stage, and how their inclusion calls into question long-held assumptions about both theatre and intellectual disability. For postgraduate students, or anyone interested in the shifting dynamics of twenty-first century theatre, McCaffrey’s work offers a vital consideration of the intersubjective relations between people with and without intellectual disabilities and ultimately addresses urgent questions about the situation and representation of the contemporary subject caught up somewhere between incapacity and theatricality.
