Intermediality In Theatre And Performance

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Intermediality in Theatre and Performance

Author : Freda Chapple
Publisher : Rodopi
ISBN 13 : 9789042016293
Total Pages : 280 pages
Book Rating : 4.0/5 (162 download)

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Book Synopsis Intermediality in Theatre and Performance by : Freda Chapple

Download or read book Intermediality in Theatre and Performance written by Freda Chapple and published by Rodopi. This book was released on 2006 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intermediality: the incorporation of digital technology into theatre practice, and the presence of film, television and digital media in contemporary theatre is a significant feature of twentieth-century performance. Presented here for the first time is a major collection of essays, written by the Theatre and Intermediality Research Group of the International Federation for Theatre Research, which assesses intermediality in theatre and performance. The book draws on the history of ideas to present a concept of intermediality as an integration of thoughts and medial processes, and it locates intermediality at the inter-sections situated in-between the performers, the observers and the confluence of media, medial spaces and art forms involved in performance at a particular moment in time. Referencing examples from contemporary theatre, cinema, television, opera, dance and puppet theatre, the book puts forward a thesis that the intermedial is a space where the boundaries soften and we are in-between and within a mixing of space, media and realities, with theatre providing the staging space for intermediality. The book places theatre and performance at the heart of the 'new media' debate and will be of keen interest to students, with clear relevance to undergraduates and post-graduates in Theatre Studies and Film and Media Studies, as well as the theatre research community.

Mapping Intermediality in Performance

Author : Sarah Bay-Cheng
Publisher : Amsterdam University Press
ISBN 13 : 9089642552
Total Pages : 305 pages
Book Rating : 4.0/5 (896 download)

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Book Synopsis Mapping Intermediality in Performance by : Sarah Bay-Cheng

Download or read book Mapping Intermediality in Performance written by Sarah Bay-Cheng and published by Amsterdam University Press. This book was released on 2010 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This insightful book explores the relationship between theater and digital culture. The authors show that the marriage of traditional performance with new technologies leads to an upheaval of the implicit “live” quality of theatre by introducing media interfaces and Internet protocols, all the while blurring the barriers between theater-makers and their audience.

Stage-Play and Screen-Play

Author : Michael Ingham
Publisher : Taylor & Francis
ISBN 13 : 131755521X
Total Pages : 230 pages
Book Rating : 4.3/5 (175 download)

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Book Synopsis Stage-Play and Screen-Play by : Michael Ingham

Download or read book Stage-Play and Screen-Play written by Michael Ingham and published by Taylor & Francis. This book was released on 2016-12-08 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.

Media Archaeology and Intermedial Performance

Author : Nele Wynants
Publisher : Springer
ISBN 13 : 3319995766
Total Pages : 298 pages
Book Rating : 4.3/5 (199 download)

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Book Synopsis Media Archaeology and Intermedial Performance by : Nele Wynants

Download or read book Media Archaeology and Intermedial Performance written by Nele Wynants and published by Springer. This book was released on 2018-12-30 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book develops media archaeological approaches to theatre and intermediality. As an age-old art form, theatre has always embraced ‘new’ media. To create theatrical effects and optical illusions, theatre makers were ready to integrate state-of-the-art technics and technologies, and by doing so they playfully explored and popularized scientific knowledge on mechanics, optics and sound for live audiences. This book highlights this obvious but often overlooked relation between media developments and the history of intermedial theater. By considering the interplay between present intermedial performances and their archaeological traces, the authors assembled here revisit old and often forgotten media approaches and theatre technologies. This archaeology is understood less as the discovery of a forgotten past than as the establishment of an active relationship between past and present. Rather than treating archaeological remains as representative tokens of a fragmented past that need to be preserved, the authors stress the return of the past in the present, but in a different, performative guise.

Intermedial Performance and Politics in the Public Sphere

Author : Katia Arfara
Publisher : Springer
ISBN 13 : 3319753436
Total Pages : 267 pages
Book Rating : 4.3/5 (197 download)

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Book Synopsis Intermedial Performance and Politics in the Public Sphere by : Katia Arfara

Download or read book Intermedial Performance and Politics in the Public Sphere written by Katia Arfara and published by Springer. This book was released on 2018-06-05 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics. It explores the response of socially-engaged artistic practices to the current crisis in politics and media. It also critically examines urgent issues such as rampant nationalism and populism, expanding neoliberalism, the refugee crisis, growing inosculations of corporate and cyber culture, and the ongoing geopolitical changes in the Middle East. Can intermedial performances reflect the present artistic and political dilemmas in Europe and beyond? The collection provides theoretical frameworks that interrogate the role that spectators as citizens can play in our mediatized world while focusing on the functions of immersion, participation, and civic engagement in contemporary performance and society. The collection provides analyses by international scholars from Europe, Asia, and the USA, covering global performance created in the twenty-first century. It also introduces interviews with internationally acclaimed intermedial artists and companies such as BERLIN, Rimini Protokoll, Dries Verhoeven, Akira Takayama, and Kris Verdonck.

Handbook of Intermediality

Author : Gabriele Rippl
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110393786
Total Pages : 701 pages
Book Rating : 4.1/5 (13 download)

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Book Synopsis Handbook of Intermediality by : Gabriele Rippl

Download or read book Handbook of Intermediality written by Gabriele Rippl and published by Walter de Gruyter GmbH & Co KG. This book was released on 2015-07-24 with total page 701 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook offers students and researchers compact orientation in their study of intermedial phenomena in Anglophone literary texts and cultures by introducing them to current academic debates, theoretical concepts and methodologies. By combining theory with text analysis and contextual anchoring, it introduces students and scholars alike to a vast field of research which encompasses concepts such as intermediality, multi- and plurimediality, intermedial reference, transmediality, ekphrasis, as well as related concepts such as visual culture, remediation, adaptation, and multimodality, which are all discussed in connection with literary examples. Hence each of the 30 contributions spans both a theoretical approach and concrete analysis of literary texts from different centuries and different Anglophone cultures.

Theatre Through the Camera Eye

Author : Sava Laura Sava
Publisher : Edinburgh University Press
ISBN 13 : 147444590X
Total Pages : 330 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Theatre Through the Camera Eye by : Sava Laura Sava

Download or read book Theatre Through the Camera Eye written by Sava Laura Sava and published by Edinburgh University Press. This book was released on 2019-06-24 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do we experience theatre through film? Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media. Through an in-depth analysis of films such as Jacques Rivette's L'Amour fou, Pedro Almodvar's All About My Mother and Charlie Kaufman's Synecdoche, New York, this book analyses the embedment of theatre in film and the notion of spectatorial address. Using textual analysis in conjunction with concepts derived from narratology, performance philosophy, and film and theatre phenomenology, it explores the mechanisms of representation involved in the intermedial diegetisation of theatre in film.

Liveness on Stage

Author : Claudia Georgi
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110346532
Total Pages : 281 pages
Book Rating : 4.1/5 (13 download)

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Book Synopsis Liveness on Stage by : Claudia Georgi

Download or read book Liveness on Stage written by Claudia Georgi and published by Walter de Gruyter GmbH & Co KG. This book was released on 2014-08-27 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre is traditionally considered a live medium but its ‘liveness’ can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality,Liveness on Stageexplores how performances that incorporate film or video self-reflexively stage and challenge their own liveness by contrasting or approximating live and mediatised action. To illustrate this, the monograph investigates key aspects such as ‘ephemerality’, ‘co-presence’, ‘unpredictability’, ‘interaction’ and ‘realistic representation’ and highlights their significance for re-evaluating received notions of liveness. The analysis is based on productions by Gob Squad, Forkbeard Fantasy, Station House Opera, Proto-type Theater, Tim Etchells and Mary Oliver. In their playful approaches these practitioners predominantly present such media combination as a means of cross-fertilisation rather than as an antagonism between liveness and mediatisation. Combining an original theoretical approach with an in-depth analysis of the selected productions, this study will appeal to scholars and practitioners of theatre and performance as well as to those researching intermedial phenomena.

Intermedial Theater

Author : Bryan Reynolds
Publisher : Springer
ISBN 13 : 1137508388
Total Pages : 314 pages
Book Rating : 4.1/5 (375 download)

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Book Synopsis Intermedial Theater by : Bryan Reynolds

Download or read book Intermedial Theater written by Bryan Reynolds and published by Springer. This book was released on 2017-04-06 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Félix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Socìetas Raffaello Sanzio, Thomas Ostermeier, Rodrigo García and La Carnicería Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today’s audiences.

Intermediality and Spectatorship in the Theatre Work of Robert Lepage

Author : Aristita I. Albacan
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443812897
Total Pages : 343 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Intermediality and Spectatorship in the Theatre Work of Robert Lepage by : Aristita I. Albacan

Download or read book Intermediality and Spectatorship in the Theatre Work of Robert Lepage written by Aristita I. Albacan and published by Cambridge Scholars Publishing. This book was released on 2016-09-23 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Lepage has imposed himself in the past three decades as a Wunderkind of contemporary theatre, with eagerly awaited and widely acclaimed productions at the most prestigious theatre festivals and venues around the world. Soon after his international breakthrough with The Dragon’s Trilogy (1984), Lepage’s work became an object of particular scrutiny for critics and scholars, and continues to be subject to media exposure, inspiring cultural critique, academic study and the admiration of audiences across the world. A recurrent fascination with the formal novelty of his theatrical approach imbues most, if not all, critical considerations. However, in spite of the wide interest provoked, little space has been devoted to the quintessential impact of his work on spectatorship, and, most importantly, to connecting the dots between his creative practice and its substantial impact on audiences. Intermediality and Spectatorship in the Theatre Work of Robert Lepage bridges this gap by exploring the notion that intermediality – observed both as a mise-en-scene strategy and a perceptual effect in performance – is situated at the core of the director’s approach. This approach is situated in direct relation to the evolving expectations and medial competencies of spectators, demonstrating an in-depth understanding of the ways in which different media can be engaged in the creative process in a holistic way in order to alter the regime of spectatorship, to enhance its creative and cognitive potential. Lepage’s work and theatre making process are analysed here from an interdisciplinary perspective that combines theatre, media and cultural studies, and which is applied to his solo shows, namely Vinci (1986), Needles and Opium (1991), Elsinore (1995), Far Side of the Moon (2000) and Project Andersen (2005). In bringing to the forefront interconnecting notions of intermediality and contemporary spectatorship, the book highlights the director’s preoccupation with an ongoing dialogue with audiences across the world, and their particular involvement in the development of one of the most innovative practices of the Western theatre landscape.

Intermedial Theatre

Author : Mark Crossley
Publisher : Red Globe Press
ISBN 13 : 1137611588
Total Pages : 0 pages
Book Rating : 4.1/5 (376 download)

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Book Synopsis Intermedial Theatre by : Mark Crossley

Download or read book Intermedial Theatre written by Mark Crossley and published by Red Globe Press. This book was released on 2019-05-10 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This rigorous yet accessible collection demystifies the principles of intermediality whilst examining its place in 21st century theatrical practice. Bringing together chapters and case studies from top thinkers in the field, this book clarifies the key theoretical ideas and practical impacts of intermediality while encouraging students to experiment with it in their own practical work. Offering an engaging insight into one of the most dominant trends in contemporary theatre, this is essential reading for students of Theatre, Performance and Media Studies.

Cinematic Intermediality

Author : Marion Schmid
Publisher :
ISBN 13 : 9781474446341
Total Pages : 224 pages
Book Rating : 4.4/5 (463 download)

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Book Synopsis Cinematic Intermediality by : Marion Schmid

Download or read book Cinematic Intermediality written by Marion Schmid and published by . This book was released on 2021-02-28 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance. With essays by leading researchers and practitioners, this book investigates cinema's productive synergies and crossovers with the other arts through a broad range of avant-garde and experimental work. Mapping a trajectory from pre-cinema to the digital era, the book considers the impact of technological materiality on intermedial expression, incorporating both mainstream and experimental practice, world cinema and peripheral cinemas. Bridging the gap between theory and practice, it opens up new pathways for thinking about how intermediality, as both a creative method and an interpretative paradigm, might be explored alongside probing questions of what cinema is, has been and can be.

New Directions in Mobile Media and Performance

Author : Camille C. Baker
Publisher : Routledge
ISBN 13 : 1317088530
Total Pages : 266 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis New Directions in Mobile Media and Performance by : Camille C. Baker

Download or read book New Directions in Mobile Media and Performance written by Camille C. Baker and published by Routledge. This book was released on 2018-09-03 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Directions in Mobile Media and Performance explores various performative projects and forms of expression that have emerged since the onset of the smartphone. It focuses mainly on new concepts and developments that have emerged in mobile media performance. It showcases the intimate and phenomenological mobile aesthetic that has been unfolding within networked performance and media art projects for over a decade and a half. This aesthetic utilises the potential and affordances with each iteration and update of modern smartphones. Themes of embodiment, presence, liveness and connection through mobile, networked, and remote technology are revisited in the context of HD mobile cameras, selfies and live video streaming from the phone, as well as the impact of peer production, opensource and Maker culture on mobile media performance practices. It explores the surge in development of wearable devices in performance, as well as how the ‘quantified-self movement’ has affected performance works. It deals with concepts and developments in intermedial performance that incorporate mobile and wearable devices, especially from the artist’s, designer’s or dramaturge’s perspective as the creator and their creative process, working with technology as a collaborator, not just a tool or guide. The book demonstrates how artists have repurposed the device – transforming it from merely a communication device, using voice and text only – to become a new collaborative medium, a full visual, synaesthetic, interactive and performative tool of deeper expression and social change. It discusses seminal works and the evolution of the medium, within intermedial digital art and performance practices as medium for artistic expression, creative process and staged performances. It focuses on projects and artists who have pushed mobile media performance beyond the conventional blackbox. Emerging visual, digital, interactive, tactile, gestural and theatrical or performance projects that incorporate mobile or wearable devices, used as vehicles for more challenging, experimental, experiential and immersive performative artworks are highlighted. The book also contextualises Baker’s own media research and performance practice within the larger landscape with the field. It is bookended with interviews with the artists themselves on their creative process and intentions. It is the outcome of three years of research of artistic works around the world, interviews, in-person viewings of performances, as well as incorporating and reflecting on her own ongoing practice and projects in context.

Viral Performance

Author : Miriam Felton-Dansky
Publisher : Northwestern University Press
ISBN 13 : 0810137178
Total Pages : 337 pages
Book Rating : 4.8/5 (11 download)

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Book Synopsis Viral Performance by : Miriam Felton-Dansky

Download or read book Viral Performance written by Miriam Felton-Dansky and published by Northwestern University Press. This book was released on 2018-05-15 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital culture has occasioned a seismic shift in the discourse around contagion, transmission, and viral circulation. Yet theater, in the cultural imagination, has always been contagious. Viral Performance proposes the concept of the viral as an essential means of understanding socially engaged and transmedial performance practices since the mid-twentieth century. Its chapters rethink the Living Theatre’s Artaudian revolution through the lens of affect theory, bring fresh attention to General Idea’s media-savvy performances of the 1970s, explore the digital-age provocations of Franco and Eva Mattes and Critical Art Ensemble, and survey the dramaturgies and political stakes of global theatrical networks. Viral performance practices testify to the age-old—and ever renewed—instinct that when people gather, something spreads. Performance, an art form requiring and relying on live contact, renders such spreading visible, raises its stakes, and encodes it in theatrical form. The artists explored here rarely disseminate their ideas or gestures as directly as a viral marketer or a political movement would; rather, they undermine simplified forms of contagion while holding dialogue with the philosophical and popular discourses, old and new, that have surrounded viral culture. Viral Performance argues that the concept of the viral is historically deeper than immediate associations with the contemporary digital landscape might suggest, and far more intimately linked to live performance

Reading Contemporary Performance

Author : Gabrielle Cody
Publisher : Routledge
ISBN 13 : 1136246568
Total Pages : 508 pages
Book Rating : 4.1/5 (362 download)

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Book Synopsis Reading Contemporary Performance by : Gabrielle Cody

Download or read book Reading Contemporary Performance written by Gabrielle Cody and published by Routledge. This book was released on 2015-09-25 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the nature of contemporary performance continues to expand into new forms, genres and media, it requires an increasingly diverse vocabulary. Reading Contemporary Performance provides students, critics and creators with a rich understanding of the key terms and ideas that are central to any discussion of this evolving theatricality. Specially commissioned entries from a wealth of contributors map out the many and varied ways of discussing performance in all of its forms – from theatrical and site-specific performances to live and New Media art. The book is divided into two sections: Concepts - Key terms and ideas arranged according to the five characteristic elements of performance art: time; space; action; performer; audience. Methodologies and Turning Points - The seminal theories and ways of reading performance, such as postmodernism, epic theatre, feminisms, happenings and animal studies. Case Studies – entries in both sections are accompanied by short studies of specific performances and events, demonstrating creative examples of the ideas and issues in question. Three different introductory essays provide multiple entry points into the discussion of contemporary performance, and cross-references for each entry also allow the plotting of one’s own pathway. Reading Contemporary Performance is an invaluable guide, providing not just a solid set of familiarities, but an exploration and contextualisation of this broad and vital field.

Intermedial Theatre

Author : Mark Crossley
Publisher : Bloomsbury Publishing
ISBN 13 : 1137611596
Total Pages : 226 pages
Book Rating : 4.1/5 (376 download)

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Book Synopsis Intermedial Theatre by : Mark Crossley

Download or read book Intermedial Theatre written by Mark Crossley and published by Bloomsbury Publishing. This book was released on 2019-05-01 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This rigorous yet accessible collection demystifies the principles of intermediality whilst examining its place in 21st century theatrical practice. Bringing together chapters and case studies from top thinkers in the field, this book clarifies the key theoretical ideas and practical impacts of intermediality while encouraging students to experiment with it in their own practical work. Offering an engaging insight into one of the most dominant trends in contemporary theatre, this is essential reading for students of theatre, performance and media studies.

Cinema and Intermediality

Author : Ágnes Pethő
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443830348
Total Pages : 525 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Cinema and Intermediality by : Ágnes Pethő

Download or read book Cinema and Intermediality written by Ágnes Pethő and published by Cambridge Scholars Publishing. This book was released on 2011-05-25 with total page 525 pages. Available in PDF, EPUB and Kindle. Book excerpt: Within the last two decades “intermediality” has emerged as one of the most challenging concepts in media theory with no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not a desire for more classifications applied to the world of moving pictures, but a strong urge to investigate what the “inter-” implied by the idea of “intermediality” stands for, and what it actually entails in the cinema. The book offers in each of the individual chapters a cross-section view of specific instances in which cinema seems to consciously position itself “in-between” media and arts, employing techniques that tap into the multimedial complexity of cinema, and bring into play the tensions generated by media differences. The introductory theoretical writings deal with the historiography of approaching intermedial phenomena in cinema presenting at the same time some of the possible “gateways” that can open up the cinematic image towards the perceptual frames of other media and arts. The book also contains essays that examine more closely specific paradigms in the poetics of cinematic intermediality, like the allure of painting in Hitchcock’s films, the exquisite ways of framing and un-framing haptical imagery in Antonioni’s works, the narrative allegories of media differences, the word and image plays and ekphrastic techniques in Jean-Luc Godard’s “total” cinema, the flâneuristic intermedial gallery of moving images created by José Luis Guerín, or the types of intermedial metalepses in Agnès Varda’s “cinécriture.” From a theoretical vantage point these essays break with the tradition of thinking of intermediality in analogy with intertextuality and attempt a phenomenological (re)definition of intermedial relations. Moreover, some of the analyses target films that expose the coexistence of the hypermediated experience of intermediality and the illusion of reality, connecting the questions of intermediality both to the indexical nature of cinematic representation and to the specific ideological and cultural context of the films, thus offering insights into a few questions regarding the “politics” of intermediality as well.