The Shakespearean Comic And Tragicomic

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The Shakespearean comic and tragicomic

Author : Richard Hillman
Publisher : Manchester University Press
ISBN 13 : 1526144093
Total Pages : 306 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis The Shakespearean comic and tragicomic by : Richard Hillman

Download or read book The Shakespearean comic and tragicomic written by Richard Hillman and published by Manchester University Press. This book was released on 2020-01-20 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: In exploring links between the early modern English theatre and France, Richard Hillman focuses on Shakespeare’s deployment of genres whose dominant Italian models and affinities might seem to leave little scope for French ones. The author draws on specific and unsuspected points of contact, whilst also pointing out a broad tendency by the dramatist, to draw on French material, both dramatic and non-dramatic, to inflect comic forms in potentially tragic directions. The resulting internal tensions are evident from the earliest comedies to the latest tragicomedies (or ‘romances’). While its many original readings will interest specialists and students of Shakespeare, this book will have broader appeal: it contributes significantly, from an unfamiliar angle, to the contemporary discourse concerned with early modern English culture within the European context. At the same time, it is accessible to a wide range of readers, with translations provided for all non-English citations.

William Shakespeare's 'The Merchant of Venice' - Comedy, Tragedy Or Problem Play?

Author : Anni St.
Publisher : GRIN Verlag
ISBN 13 : 3656136653
Total Pages : 29 pages
Book Rating : 4.6/5 (561 download)

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Book Synopsis William Shakespeare's 'The Merchant of Venice' - Comedy, Tragedy Or Problem Play? by : Anni St.

Download or read book William Shakespeare's 'The Merchant of Venice' - Comedy, Tragedy Or Problem Play? written by Anni St. and published by GRIN Verlag. This book was released on 2012-02 with total page 29 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2010 in the subject English - Literature, Works, grade: 1,3, RWTH Aachen University (Institut für Anglistik), course: Hauptseminar Shakespeare's Comedies, language: English, abstract: The first question that Shakespeare's play The Merchant of Venice raises is "What kind of play is this? Is it a comedy, a tragedy or a problem play?" The Merchant of Venice is believed to be written between 1596 and 1598. Already from the very beginning, hardly any other play has experienced so many diverse receptions after its publication. In his essay on The Merchant of Venice, Walter Cohen comments that "no other Shakespeare comedy before All's Well That Ends Well (1602) and Measure for Measure (1604), perhaps no other Shakespeare comedy at all, has excited comparable controversy." Although the title page of the first edition of the play "The Most Excellent Historie of the Merchant of Venice" (first print in 1600) suggested it to be a history play, it had initially been classified as a comedy. In 1623, Heminges and Condell placed The Merchant of Venice among the comedies in the First Folio of Shakespeare's works. However, many readers, actors, directors and playgoers still argue about the genre of the play. They have difficulties in defining The Merchant of Venice as a comedy as the following quotation shows: "Indeed, seen from any angle, The Merchant of Venice is not a very funny play, and we might gain a lot if, for the moment, we ceased to be bullied by its inclusion in the comedies." Today, The Merchant of Venice is often read and played more like a problem play or even a tragedy. The following term paper deals with the classification of the literary genre of The Merchant of Venice. Does the play belong to the category of comedies or shall it rather be identified as a tragedy or problem play? To assign the play to a specific category, it is necessary to shortly present the criteria of the genres comedy, tragedy and problem play. In chapter 3, the pl

Shakespeare's "The Merchant of Venice" - a tragic comedy?

Author : Nadine Scherny
Publisher : GRIN Verlag
ISBN 13 : 3638401235
Total Pages : 18 pages
Book Rating : 4.6/5 (384 download)

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Book Synopsis Shakespeare's "The Merchant of Venice" - a tragic comedy? by : Nadine Scherny

Download or read book Shakespeare's "The Merchant of Venice" - a tragic comedy? written by Nadine Scherny and published by GRIN Verlag. This book was released on 2005-07-21 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Trier, course: Shakespeare's "The Taming of the Shrew" and "The Merchant of Venice", 17 entries in the bibliography, language: English, abstract: It has often been said that one can measure the quality of a dramatic piece by the feedback it evokes; the more the reactions and opinions diverge the better the play. This definitely holds true for The Merchant of Venice. Hardly any other dramatic piece has experienced so many diverse receptions during four hundred years after its publication, as the following comments of two different authors show: Indeed, seen from any angle, The Merchant of Venice is not a very funny play, and we might gain a lot if, for the moment, we ceased to be bullied by its inclusion in the comedies. (Graham Midgely, qtd. in Holderness: 23) No other Shakespearean comedy before All’s Well That Ends Well (1602) and Measure for Measure (1604), perhaps no other Shakespearean comedy at all, has excited comparable controversy. (Walter Cohen: 47) Although the original title of the play, The Most Excellent Historie of the Merchant of Venice (first print 1600), suggested it to be a history play, it had been labelled a comedy until the 18th century due to its happy ending and still today the drama can be found in several reference works under the entry of ‘comedy’. In the 19th century then it was re-interpreted as tragedy, whereas a parallel tradition put the main stress on the fairy tale elements in the piece. The perception of the play in the second half of the 20th century led, for obvious reasons from World War II, to the classification as ‘problem play’ (Schülting: 135). This paper shall try to solve the problem of assigning TMoV to a specific dramatic category by firstly giving an insight as to what criteria constitute different genres. In a second part, the plot structure will be analysed in order to illustrate that TMoV can indeed be seen as a mixture of different genres, but also to show the weaknesses of some arguments that are provided with the intention of forcing TMoV into certain schemes. The aim of a third section is to investigate the position of the Jew and Shylock, because he seems to be the key character in the reading of TMoV, as the multitude of interpretations of his role in the play demonstrate.

Shakespeare's Comic Commonwealths

Author : Camille Wells Slights
Publisher : University of Toronto Press
ISBN 13 : 9780802029249
Total Pages : 316 pages
Book Rating : 4.0/5 (292 download)

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Book Synopsis Shakespeare's Comic Commonwealths by : Camille Wells Slights

Download or read book Shakespeare's Comic Commonwealths written by Camille Wells Slights and published by University of Toronto Press. This book was released on 1993-01-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging the traditional view that Shakespeare's early comedies are about the experience of romantic love and constitute a genre called romantic comedy, Camille Wells Slights demonstrates that they dramatize individual action in the context of social dynamics, reflecting and commenting on the culture in which they originated. Shakespeare's Comic Commonwealths sheds new light on ten Shakespearean comedies: The Comedy of Errors, The Taming of the Shrew, The Two Gentlemen of Verona, Love's Labor's Lost, A Midsummer Night's Dream, The Merchant of Venice, The Merry Wives of Windsor, Much Ado about Nothing, As You Like It and Twelfth Night. In a diversity of comic forms - from rollicking farce to tragicomedy - these plays offer varying perspectives on the forces that make and mar human communities. Dramatizing tensions between savagery and civilization, autonomy and dependence, and isolation and community, Shakespeare's comedies both reflect and comment on the society that produces them. Slights eschews viewing these comedies as endorsements of the prevailing ideologies of sixteenth-century England or as subversions of that hierarchical, patriarchal culture. They can be most fruitfully understood as imaginative forms that present cultural practices, institutions and beliefs as human constructions susceptible to critical scrutiny. While exposing the injustice and brutality as well as the assurances and satisfactions of social experiences, Shakespeare's comedies represent people as inescapably social beings. By combining historical scholarship with formal analysis and incorporating insights from social anthropology and feminist theory, Shakespeare's Comic Commonwealths offers new readings of Shakespeare's early comedies and analyses the interaction between the plays and the social structures and processes of early modern England.

The Name and Nature of Tragicomedy

Author : Verna A. Foster
Publisher : Routledge
ISBN 13 : 1351885340
Total Pages : 335 pages
Book Rating : 4.3/5 (518 download)

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Book Synopsis The Name and Nature of Tragicomedy by : Verna A. Foster

Download or read book The Name and Nature of Tragicomedy written by Verna A. Foster and published by Routledge. This book was released on 2017-03-02 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on European tragicomedy from the early modern period to the theatre of the absurd, Verna Foster here argues for the independence of tragicomedy as a genre that perceives and communicates human experience differently from the various forms of tragedy, comedy, and the drame (serious drama that is neither comic nor tragic). Foster posits that, in the sense of the dramaturgical and emotional fusion of tragic and comic elements to create a distinguishable new genre, tragicomedy has emerged only twice in the history of drama. She argues that tragicomedy first emerged and was controversial in the Renaissance; and that it has in modern times replaced tragedy itself as the most serious and moving of all dramatic genres. In the first section of the book, the author analyzes the name 'tragicomedy' and the genre's problems of identity; then goes on to explore early modern tragicomedies by Shakespeare, Beaumont and Fletcher, and Massinger. A transitional chapter addresses cognate genres. The final section of the book focuses on modern tragicomedies by Ibsen, Chekhov, Synge, O'Casey, Williams, Ionesco, Beckett and Pinter. By exploring dramaturgical similarities between early modern and modern tragicomedies, Foster demonstrates the persistence of tragicomedy's generic markers and provides a more precise conceptual framework for the genre than has so far been available.

Shakespeare & the Uses of Comedy

Author : Joseph Allen Bryant
Publisher : University Press of Kentucky
ISBN 13 : 9780813130958
Total Pages : 300 pages
Book Rating : 4.1/5 (39 download)

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Book Synopsis Shakespeare & the Uses of Comedy by : Joseph Allen Bryant

Download or read book Shakespeare & the Uses of Comedy written by Joseph Allen Bryant and published by University Press of Kentucky. This book was released on 1986 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Shakespeare's hand the comic mode became an instrument for exploring the broad territory of the human situation, including much that had normally been reserved for tragedy. Once the reader recognizes that justification for such an assumption is presented repeatedly in the earlier comedies -- from The Comedy of Errors to Twelfth Night -- he has less difficulty in dispensing with the currently fashionable classifications of the later comedies as problem plays and romances or tragicomedies and thus in seeing them all as manifestations of a single impulse. Bryant shows how Shakespeare, early a.

Renaissance Tragicomedy

Author : Nancy Klein Maguire
Publisher :
ISBN 13 :
Total Pages : 264 pages
Book Rating : 4.:/5 (321 download)

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Book Synopsis Renaissance Tragicomedy by : Nancy Klein Maguire

Download or read book Renaissance Tragicomedy written by Nancy Klein Maguire and published by . This book was released on 1987 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Scrolls of Love

Author : Peter S. Hawkins
Publisher : Fordham Univ Press
ISBN 13 : 0823225712
Total Pages : 382 pages
Book Rating : 4.8/5 (232 download)

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Book Synopsis Scrolls of Love by : Peter S. Hawkins

Download or read book Scrolls of Love written by Peter S. Hawkins and published by Fordham Univ Press. This book was released on 2006 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scrolls of Love is a book of unions. Edited by a Christian and a Jew who are united by a shared passion for the Bible and a common literary hermeneutic, this volume joins two biblical scrolls and gathers around them a diverse community of interpreters. Respectful of traditional biblical scholarship, the collection of essays moves beyond it; alert to contemporary trends, the volume returns venerable interpretive tradition to center stage. Most significantly, it is interfaith, bringing together two communities that have read their Bibles in isolation from one another, in ignorance of the richness of the others traditions.

Early Modern Tragicomedy

Author : Subha Mukherji
Publisher : DS Brewer
ISBN 13 : 9781843841302
Total Pages : 252 pages
Book Rating : 4.8/5 (413 download)

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Book Synopsis Early Modern Tragicomedy by : Subha Mukherji

Download or read book Early Modern Tragicomedy written by Subha Mukherji and published by DS Brewer. This book was released on 2007 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fresh explorations of the tragicomic drama, setting the familiar plays of Shakespeare and his contemporaries alongside Irish and European drama. Tragicomedy is one of the most important dramatic genres in Renaissance literature, and the essays collected here offer stimulating new perspectives and insights, as well as providing broad introductions to arguably lesser-known European texts. Alongside the chapters on Classical, Italian, Spanish, and French material, there are striking and fresh approaches to Shakespeare and his contemporaries -- to the origins of mixed genre in English, to the development of Shakespearean and Fletcherian drama, to periodization in Shakespeare's career, to the language of tragicomedy, and to the theological structure of genre. The collection concludes with two essays on Irish theatre and its interactions with the London stage, further evidence of the persistent and changing energy of tragicomedy in the period. Contributors: SARAH DEWAR-WATSON, MATTHEW TREHERNE, ROBERT HENKE, GERAINT EVANS, NICHOLAS HAMMOND, ROSKING, SUZANNE GOSSETT, GORDAN MCMULLAN, MICHAEL WINMORE, JONATHAN HOPE, MICHAEL NEILL, LUCY MUNRO, DEANA RANKIN

Greek Tragic Women on Shakespearean Stages

Author : Tanya Pollard
Publisher : Oxford University Press
ISBN 13 : 0198793111
Total Pages : 342 pages
Book Rating : 4.1/5 (987 download)

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Book Synopsis Greek Tragic Women on Shakespearean Stages by : Tanya Pollard

Download or read book Greek Tragic Women on Shakespearean Stages written by Tanya Pollard and published by Oxford University Press. This book was released on 2017 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The book argues that rediscovered ancient Greek plays exerted a powerful and uncharted influence on sixteenth-century England's dramatic landscape, not only in academic and aristocratic settings, but also at the heart of the developing commercial theaters."--Introduction, p. 2.

The Two Gentlemen of Verona

Author : William Shakespeare
Publisher :
ISBN 13 :
Total Pages : 78 pages
Book Rating : 4.:/5 (318 download)

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Book Synopsis The Two Gentlemen of Verona by : William Shakespeare

Download or read book The Two Gentlemen of Verona written by William Shakespeare and published by . This book was released on 1868 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Beyond Comedy - The Tragic Fall of Malvolio in William Shakespeare’s Twelfth Night

Author : Nadja Grebe
Publisher : GRIN Verlag
ISBN 13 : 3656326444
Total Pages : 27 pages
Book Rating : 4.6/5 (563 download)

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Book Synopsis Beyond Comedy - The Tragic Fall of Malvolio in William Shakespeare’s Twelfth Night by : Nadja Grebe

Download or read book Beyond Comedy - The Tragic Fall of Malvolio in William Shakespeare’s Twelfth Night written by Nadja Grebe and published by GRIN Verlag. This book was released on 2012-11-29 with total page 27 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ernst Moritz Arndt University of Greifswald (Institut für Fremdsprachliche Philologien), course: Shakespeare's Comedies, language: English, abstract: What kind of play is Twelfth Night? This question has probably been raised by many readers of Shakespeare’s play Twelfth Night and has moreover become a central aspect of discussion for numerous critics. It is thus not surprising to find several approaches of defining the tone, style or genre of the play in annotated editions, essays and study books. (cf. Cambridge School Shakespeare, Longman Study Texts) Although there are many ways of interpreting Shakespeare’s Twelfth Night I want to spotlight one distinctive perspective, as it somewhat resembles the initial platform for this essay. “A very amusing and charming play, sunny and always enjoyable. Filled with innocent laughter and preposterous situations, it has a happy ending which restores harmony [...]. All the characters are likeable and funny [...] even Malvolio has his comic appeal, especially when he gets what he deserves at the play’s end. The whole play is simply a delightful entertainment which must never be taken seriously.” (Gibson 1993, 156) Following this interpretation of Twelfth Night however, the reader will miss much of the content that lies behind the comic apparel. Twelfth Night is not always enjoyable, as it often manages to shift the attention from the light play of love and illusion towards the more serious and worrying fate of characters like Malvolio. At yet another point in his review Gibson offers a more suitable angle to Twelfth Night: “An upsetting play which seems light and amusing on the surface yet has dark and harsh depths. It is an uneasy play about outsiders who lose” (157). According to this quote, I argue that Shakespeare’s Twelfth Night is more than just a pure comedy and even has tragic elements to it. Malvolio’s function is not simply to serve as the embodiment of a self-centred and self-loving man, who needs to be taught a lesson, but he is the victim of a cruel prank, which eventually leads to his collapse in person as well as in reputation. Thus it will be the main focus of this paper to rethink Shakespeare’s Twelfth Night as a play beyond comedy. It shall be discussed whether a classification as the one quoted earlier, grasps the whole meaning of the play or whether there are more layers to it – even underlying tragedies. With regard to David Willbern and his essay Malvolio’s Fall (1978) emphasis will be put on the character of Malvolio and the question, if there is anything like a tragic fall in Shakespeare’s Twelfth Night.

Shakespearian Comedy

Author : H. B. Charlton
Publisher : Routledge
ISBN 13 : 1136556214
Total Pages : 312 pages
Book Rating : 4.1/5 (365 download)

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Book Synopsis Shakespearian Comedy by : H. B. Charlton

Download or read book Shakespearian Comedy written by H. B. Charlton and published by Routledge. This book was released on 2013-10-11 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1938. This is a survey of Shakepeare's comedies which illustrates the playwright's increasing grasp on the art and idea of comedy. Themes, characters and plays covered include: Romanticism in Shakespearian comedy; Shakespeare's Jew, Falstaff, The Taming of the Shrew, A Midsummer Night's Dream, and The Dark Comedies.

Shakespeare in the Eighteenth Century

Author : Fiona Ritchie
Publisher : Cambridge University Press
ISBN 13 : 0521898609
Total Pages : 469 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis Shakespeare in the Eighteenth Century by : Fiona Ritchie

Download or read book Shakespeare in the Eighteenth Century written by Fiona Ritchie and published by Cambridge University Press. This book was released on 2012-04-19 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.

English Tragicomedy

Author : Frank Humphrey Ristine
Publisher :
ISBN 13 :
Total Pages : 316 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis English Tragicomedy by : Frank Humphrey Ristine

Download or read book English Tragicomedy written by Frank Humphrey Ristine and published by . This book was released on 1910 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Fossil Poetry

Author : Chris Jones
Publisher : Oxford University Press
ISBN 13 : 0192557955
Total Pages : 336 pages
Book Rating : 4.1/5 (925 download)

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Book Synopsis Fossil Poetry by : Chris Jones

Download or read book Fossil Poetry written by Chris Jones and published by Oxford University Press. This book was released on 2018-08-09 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on 'early' language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontology, and the evolutionary life sciences since James Hutton's apprehension of 'deep time' in his 1788 Theory of the Earth. Fossil Poetry argues that two, roughly consecutive phases of poetic Anglo-Saxonism took place over the course of the nineteenth century: firstly, a phase of 'constant roots' whereby Anglo-Saxon is constructed to resemble, and so to legitimize a tradition of English Romanticism conceived as essential and unchanging; secondly, a phase in which the strangeness of many of the 'extinct' philological forms of early English is acknowledged, and becomes concurrent with a desire to recover and recuperate the fossils of Anglo-Saxon within contemporary English poetry. The volume advances new readings of work by a variety of poets including Walter Scott, Henry Longfellow, William Wordsworth, William Barnes, Walt Whitman, Ralph Waldo Emerson, William Morris, Alfred Tennyson, and Gerard Hopkins.

Transnational connections in early modern theatre

Author : M. A. Katritzky
Publisher : Manchester University Press
ISBN 13 : 1526139197
Total Pages : 487 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Transnational connections in early modern theatre by : M. A. Katritzky

Download or read book Transnational connections in early modern theatre written by M. A. Katritzky and published by Manchester University Press. This book was released on 2019-11-25 with total page 487 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres. Its twelve essays compose a complex image of theatre connections as a socially, economically, politically and culturally rich tissue of networks and influences. With particular attention to itinerant performers, court festival, and the Black, Muslim and Jewish impact, they combine disciplines and methods to place Shakespeare and his contemporaries in the wider context of performance culture in English, Spanish, French, Dutch, German, Czech and Italian speaking Europe. The authors examine transnational connections by offering multidisciplinary perspectives on the theatrical significance of concrete historical facts: archaeological findings, archival records, visual artefacts, and textual evidence.