Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
The English Mannerist Poets And The Visual Arts
Download The English Mannerist Poets And The Visual Arts full books in PDF, epub, and Kindle. Read online The English Mannerist Poets And The Visual Arts ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis The English Mannerist Poets and the Visual Arts by : L. E. Semler
Download or read book The English Mannerist Poets and the Visual Arts written by L. E. Semler and published by Fairleigh Dickinson Univ Press. This book was released on 1998 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this study, L.E. Semler begins with a comprehensive, historical definition of Mannerism in visual arts from which he derives four key terms that constitute the nucleus of the aesthetic: technical precision, elegance, grazia, and the difficulta:facilita formula. These principles - interwoven with one another and with maniera - are derived from visual arts but are specifically designed to be transferable to any medium. The rest of the book situates the English poets in relation to the visual arts - including painting, limning, gold- and silversmithery, architecture, and garden design - and discusses their verse in relation to the key Mannerist principles.
Book Synopsis English Mannerist Poets and the Visual Arts by : L. E. Semler
Download or read book English Mannerist Poets and the Visual Arts written by L. E. Semler and published by . This book was released on 1998-12 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: After laying a foundationary definition of Mannerism in Continental and English visual arts, this study proposes four key terms (technical precision, elegance, grazia, and the difficulta/ facilita) to assist the delineation of a mannerist poetic. Although strict chronological development of the aesthetic is not enforced, a certain stylistic evolution is suggestively charted. Through this process the poets are linked with various visual arts in early modern England, including painting, sculpture, gold- and silversmithery, miniaturism, garden design, and architecture.
Book Synopsis Renaissance Perspectives in Literature and the Visual Arts by : Murray Roston
Download or read book Renaissance Perspectives in Literature and the Visual Arts written by Murray Roston and published by Princeton University Press. This book was released on 2014-07-14 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture, exploring by a close reading of the texts and the artistic works the insights such comparison offers. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author :Elizabeth Bergmann Loizeaux Publisher :Syracuse University Press ISBN 13 :9780815629955 Total Pages :276 pages Book Rating :4.6/5 (299 download)
Book Synopsis Yeats and the Visual Arts by : Elizabeth Bergmann Loizeaux
Download or read book Yeats and the Visual Arts written by Elizabeth Bergmann Loizeaux and published by Syracuse University Press. This book was released on 2003-03-01 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This beautifully illustrated book traces W. B. Yeats's fascination with the visual arts from his early years, which were strongly influenced by his father's paintings and the Pre-Raphaelite brotherhood, to his celebration in his old age of Greek sculpture, Byzantine mosaics, and Michaelangelo's art.
Book Synopsis Frank O'Hara's New York School and Mid-Century Mannerism by : Sam Ladkin
Download or read book Frank O'Hara's New York School and Mid-Century Mannerism written by Sam Ladkin and published by Oxford University Press. This book was released on 2024-02-29 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Frank O'Hara's New York School & Mid-Century Mannerism offers a ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School. Fresh accounts of canonical figures (Jackson Pollock, Willem de Kooning, George Balanchine, Fred Astaire) and original work on those too little discussed (Edwin Denby, Elaine de Kooning) resound with analysis of queer iconology from Michelangelo's David to James Dean. Sam Ladkin argues that O'Hara and the New York School revive Mannerism. Turning away from interpretations of O'Hara's Transcendentalism, Romanticism, or pastoralism, 'mid-century Mannerism' helps explain O'Hara's self-conscious style, its play with sweet and grand grace, contortion of conventional measure, risks with affectation, conceits, nonchalance, and scrambling of high/low culture. Mannerism clarifies the sociability implicit in the formal innovations of the New York School. The work also studies the kinship between art mediums by retooling rhetoric and recovering a perennial manneristic tendency beyond period style. Genealogies of grace, the figura serpentinata, sprezzatura, ornatus, and the marvellous exemplify qualities exhibited by O'Hara's New York School. Ladkin relates the essential role of dance in the New York School. O'Hara's reception has been tied to painting, predominantly Abstract Expressionism. He was also, however, a balletomane, a fan, for whom ballet was 'made up exclusively of qualities which other arts only aspire to in order to be truly modern.' Relaying ballet's Mannerist origins and aesthetics, and demonstrating its influence alongside Broadway and Hollywood musical-dance on art and poetry, completes the portrait of mid-century modernity.
Book Synopsis The Princeton Encyclopedia of Poetry and Poetics by : Roland Greene
Download or read book The Princeton Encyclopedia of Poetry and Poetics written by Roland Greene and published by Princeton University Press. This book was released on 2012-08-26 with total page 1678 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Book Synopsis John Donne's Poetry and Early Modern Visual Culture by : Ann Hurley
Download or read book John Donne's Poetry and Early Modern Visual Culture written by Ann Hurley and published by Susquehanna University Press. This book was released on 2005 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study argues the thesis that John Donne's poetry, already well-served by the insightful close readings of earlier generations of scholars, can now profit from being read in the context of early modern cultural experience, specifically its visual culture. It points out that the focus on visual culture allows for a non-monolithic, flexible reading of Donne's verse, in part because it acknowledges that while the complexity of his religious identity has been well-explored, the complexity of his secular interest has perhaps been less thoroughly examined. Since a study of early modern visual culture is deeply concerned with the vicissitudes of the image, both religious and secular, such a context serves to integrate what in Donne sometimes invites polarity.Focused on close readings of several poems, the study is in two parts. On the one hand, it examines the visual culture of early modern England and argues that reading Donne's poetry enhances our understanding of how that culture actually operated when looked at through the experience of a practicing poet. the visual culture through which it participated adds a dimension to that verse that would otherwise be less accessible to us. Ann H. Hurley is Professor of English at Wagner College.
Book Synopsis Comparative Essays on the Poetry and Prose of John Donne and George Herbert by : Russell M. Hillier
Download or read book Comparative Essays on the Poetry and Prose of John Donne and George Herbert written by Russell M. Hillier and published by Rutgers University Press. This book was released on 2021-10-15 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together ten essays on John Donne and George Herbert composed by an international group of scholars. The volume represents the first collection of its kind to draw close connections between these two distinguished early modern thinkers and poets who are justly coupled because of their personal and artistic association. The contributors' distinctive new approaches and insights illuminate a variety of topics and fields while suggesting new directions that future study of Donne and Herbert might take. Some chapters explore concrete instances of collaboration or communication between Donne and Herbert, and others find fresh ways to contextualize the Donnean and Herbertian lyric, carefully setting the poetry alongside discourses of apophatic theology or early modern political theory, while still others link Herbert's verse to Donne's devotional prose. Several chapters establish specific theological and aesthetic grounds for comparison, considering Donne and Herbert's respective positions on religious assurance, comic sensibility, and virtuosity with poetic endings.
Book Synopsis The Art of Picturing in Early Modern English Literature by : Camilla Caporicci
Download or read book The Art of Picturing in Early Modern English Literature written by Camilla Caporicci and published by Routledge. This book was released on 2019-11-04 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "picturing" in early modern English literature. The essays in this volume offer a comprehensive and varied picture of the relationship between visual and verbal in the early modern period, while also contributing to the understanding of the literary context in which Shakespeare wrote. Using different methodological approaches and taking into account a great variety of texts, including Elizabethan sonnet sequences, metaphysical poetry, famous as well as anonymous plays, and court masques, the book opens new perspectives on the literary modes of "picturing" and on the relationship between this creative act and the tense artistic, religious and political background of early modern Europe. The first section explores different modes of looking at works of art and their relation with technological innovations and religious controversies, while the chapters in the second part highlight the multifaceted connections between European visual arts and English literary production. The third section explores the functions performed by portraits on the page and the stage, delving into the complex question of the relationship between visual and verbal representation. Finally, the chapters in the fourth section re-appraise early modern reflections on the relationship between word and image and on their respective power in light of early-seventeenth-century visual culture, with particular reference to the masque genre.
Book Synopsis Poets and the Visual Arts in Renaissance England by : Norman K. Farmer
Download or read book Poets and the Visual Arts in Renaissance England written by Norman K. Farmer and published by University of Texas Press. This book was released on 2014-08-19 with total page 139 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the twentieth century, the pioneering work of such art historians as Erwin Panofsky and Edgar Wind heightened our awareness of the relationship between Renaissance literature and the visual arts. By focusing on that relationship in the work of such poets as Sir Philip Sidney, John Donne, Richard Crashaw, Edmund Waller, and Robert Herrick, Norman K. Farmer, Jr., convincingly shows that they and other writers of the late sixteenth and early seventeenth centuries in England wrote with a lively and creative sense of the visual—a sense richly informed by the theory and practice of Renaissance art. Farmer begins by describing the powerful visual matrix that underlies the narrative structure of Sidney's New Arcadia. He compares the role of the visual in the poetry of Donne and Ben Jonson, and demonstrates how works by both Thomas Carew and Lord Herbert exhibit poetic invention according to familiar Renaissance pictorial themes. Herrick's Hesperides is shown to be the major seventeenth-century poetic application of the Horatian idea ut pictura poesis. A special feature of this gracefully written and enlightening volume is Farmer's discussion of Lady Drury's oratory at Hawstead Hall. Published here for the first time are photographs of this uniquely decorated oratory, in which themes from a variety of English and Continental emblem books were painted on the walls of a room apparently designed for private meditation.
Book Synopsis Poetry and Vision in Early Modern England by : Jane Partner
Download or read book Poetry and Vision in Early Modern England written by Jane Partner and published by Springer. This book was released on 2018-04-09 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry’s own relation to truth. Drawing on archival research, Poetry and Vision in Early Modern England brings together an innovative selection of texts and images to construct a new interdisciplinary context for interpreting the poetry of Cavendish, Traherne, Marvell and Milton. Each chapter presents a reappraisal of vision in the work of one of these authors, and these case studies also combine to offer a broader consideration of the ways that conceptions of seeing were used in poetry to explore the relations between the ‘inward’ life of the viewer and the ‘outward’ reality that lies beyond; terms that are shown to have been closely linked, through ideas about sight, with the emergence of the fundamental modern categories of the ‘subjective’ and ‘objective’. This book will be of interest to literary scholars, art historians and historians of science.
Book Synopsis Donne and the Resources of Kind by : A. D. Cousins
Download or read book Donne and the Resources of Kind written by A. D. Cousins and published by Fairleigh Dickinson Univ Press. This book was released on 2002 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thus they suggest how his drawing on the resources of kind illuminates at once his own writings and their interactions with those of his literary predecessors and contemporaries. They suggest as well what his dealings with genre imply about his dealings with social and political authority in his world - for example, about his dealings with the courtly world and its ideologies, with specific patrons, with religious doctrine and controversy."--BOOK JACKET.
Book Synopsis The Poetry of Place by : Louisa Mackenzie
Download or read book The Poetry of Place written by Louisa Mackenzie and published by University of Toronto Press. This book was released on 2011-01-01 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: The sixteenth century in France was marked by religious warfare and shifting political and physical landscapes. Between 1549 and 1584, however, the Pléiade poets, including Pierre de Ronsard, Joachim Du Bellay, Rémy Belleau, and Antoine de Baïf, produced some of the most abiding and irenic depictions of rural French landscapes ever written. In The Poetry of Place, Louisa Mackenzie reveals and analyzes the cultural history of French paysage through her study of lyric poetry and its connections with landscape painting, cartography, and land use history. In the face of destructive environmental change, lyric poets in Renaissance France often wrote about idealized physical spaces, reclaiming the altered landscape to counteract the violence and loss of the period and creating in the process what Mackenzie, following David Harvey, terms 'spaces of hope.' This unique alliance of French Renaissance studies with cultural geography and eco-criticism demonstrates that sixteenth-century poetry created a powerful sense of place which continues to inform national and regional sentiment today.
Book Synopsis John Ashbery and English Poetry by : Ben Hickman
Download or read book John Ashbery and English Poetry written by Ben Hickman and published by Edinburgh University Press. This book was released on 2012-03-07 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of how we should read one of America's most important poets
Book Synopsis Pencils Rhetorique by : Judith Dundas
Download or read book Pencils Rhetorique written by Judith Dundas and published by University of Delaware Press. This book was released on 1993 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: The painting and the poetry of the Renaissance shared the same goal of imitating nature. English poets of the sixteenth and seventeenth centuries frequently underlined the force of ut pictura poesis - the ancient analogy between poetry and painting - by means of ekphrases, or descriptions of works of art, and through metaphors drawn from the visual arts. The present study is concerned with various kinds of allusions and what they can tell us not only about Renaissance poets' attitudes toward the visual arts, but also about their attitudes toward their own art of representation. In their poems lies a neglected source of art criticism. Since, in her view, the language of Renaissance criticism offers our best approach to an understanding of the poetry of the period, Judith Dundas begins her book with Sir Philip Sidney and ends it with John Dryden - the two poet-critics who most clearly enunciate the importance of the analogy between poetry and painting. Between these boundaries are chapters on Shakespeare, Spenser, Chapman, Jonson, a group of seventeenth-century minor poets, and Milton. The order of the chapters is partly chronological and partly thematic - depending on the interest of particular developments in the poets' allusions to the visual arts. The illustrations that accompany the text are chosen to suggest the background of pictorial reality against which the Renaissance poets were writing. They also show the painters' response to the accomplishments of poetry that are, in themselves, a response to nature. In including illustrations, Dundas does not wish to blur the distinction between poetry and painting, since it is in their very difference of medium that the arts achieve their triumphs. These triumphs led to the debate, known as the paragone, about which art is the superior; but, as Dundas notes, the significance of this debate is that it served as a topos for discussing the relationship of art to truth.
Book Synopsis The Unimagined in the English Renaissance by : Andrew Mattison
Download or read book The Unimagined in the English Renaissance written by Andrew Mattison and published by Rowman & Littlefield. This book was released on 2013 with total page 183 pages. Available in PDF, EPUB and Kindle. Book excerpt: When we read poetry, we tend to believe that we are getting a glimpse of the interior of the poet's mind--pictures from the poet's imagination relayed through the representative power of language. But poets themselves sometimes express doubt (usually indirectly) that poetic language has the capability or the purpose of revealing these images. This book examines description in Renaissance poetry, aiming to reveal its complexity and variability, its distinctiveness from prose description, and what it can tell us about Renaissance ways of thinking about the visible world and the poetic mind. Recent criticism has tended to address representation as a product of culture; The Unimagined in the English Renaissance argues to the contrary that attention to description as a literary phenomenon can complicate its cultural context by recognizing the persistent problems of genre and literary history. The book focuses on Sidney, Spenser, Donne, and Milton, who had very different aims as poets but shared a degree of skepticism about imagistic representation. For these poets, description can obscure as much as it makes visible, and can create whole categories of existence that are outside of visibility altogether.
Book Synopsis Andrew Marvell's Liminal Lyrics by : Joan Faust
Download or read book Andrew Marvell's Liminal Lyrics written by Joan Faust and published by University of Delaware. This book was released on 2012-09-20 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andrew Marvell's Liminal Lyrics: The Space Between is an interdisciplinary study of the major lyric poems of seventeenth-century British metaphysical poet Andrew Marvell. The poet and his work have generally proven enigmatic to scholars because both refuse to fit into normal categories and expectations. This study invites Marvell readers to view the poet and some of his representative lyrics in the context of the anthropological concept of liminality as developed by Victor Turner and enriched by Arnold Van Gennep, Jacques Lacan, and other observers of the in-between aspects of experience. The approach differs from previous attempts to “explain” Marvell in that it allows multidisciplinary and multi-media contexts in a broad matrix of the areas of experience and representation that defy boundaries, that blur the line at which entrance becomes exit. This study acknowledges that the poems discussed, and, by implication, the entire corpus of Marvell’s work and the life that produced it, derive from a refusal to draw a definite divide. In analyzing a small selection of Marvell’s life and lyrics as explorations of various realms of liminality in word and image, readers can see a passageway to the poet’s works that never really reaches a destination; instead, the unlimited possibilities of the journey remain. Thus, the in-between aspects of the poet and his poetry actually define his technique as well as his brilliance.
