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The Chinese Painter As Poet
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Book Synopsis The Chinese Painter as Poet by : Jonathan Chaves
Download or read book The Chinese Painter as Poet written by Jonathan Chaves and published by Art Media Resources. This book was released on 2000 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exhibition explores the poetry-painting relationship in Chinese art, the Ways in which the relationship manifested in visual art and the common themes that have inspired painters and poets throughout Chinese history, from the Jin Dynasty (1115 - 1234) through the 20th century. The 36 artworks features paintings, calligraphy, woodblock printed rare books and objects with inscribed poems. Western examples are also presented to enable comparison to be drawn. Bringing anothor important point of view to the study of Chinese painting and demonstrating that the linking of poetry and painting transcends the cultural borders between East and West and between China and Japan, this volume shows how that union, an ancient tradition, remains viable among artists today.
Download or read book Words and Images written by Alfreda Murck and published by Metropolitan Museum of Art. This book was released on 1991 with total page 615 pages. Available in PDF, EPUB and Kindle. Book excerpt: In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Book Synopsis The Three Perfections by : Michael Sullivan
Download or read book The Three Perfections written by Michael Sullivan and published by . This book was released on 1999 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An analysis of Chinese art attempts to explain why their artists wrote inscriptions and poems on their paintings and what the relationship was between the three arts.
Book Synopsis The Lyrical Resonance Between Chinese Poets and Painters by : Daan Pan
Download or read book The Lyrical Resonance Between Chinese Poets and Painters written by Daan Pan and published by . This book was released on 2010 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is the most comprehensive and insightful study on this topic in any language and the first written in English. In addition to its scholarly value, Professor Pan's book opens a window to a picturesque poetic world for Western readers who are interested in Chinese poetry and painting." - Zu-yan Chen, Professor of Chinese Literature, Binghamton University "In this book, Professor Pan provides a rare treat for the English-language reader with valuable information regarding this hitherto under-represented subject. He lucidly traces the development of this border-crossing genre from its prototype works to its maturity in the Tang Dynasty (618-907) and the subsequent expansion in late imperial China. He illustrates the tihuashi poetics of the master bard Du Fu (712-770) and that of the virtuoso poet-artist-philosopher Su Shi (1037-1101). Most remarkable of his contribution is the generous number of faithfully translated poems, all with great clarity and elegance. This book will help the reader better understand the relationship between Chinese painting, calligraphy and poetry, the interartistic, intertextual, and interdisciplinary characteristics of tihuashi, the cultural milieu of its creation, and its intellectual significance to the Chinese literati community." - Madeline Chu, Professor of Chinese Language & Literature, Kalamazoo College "A special value I find in this book lies in its bilingual texts of Chinese tihuashi poems, which will not only benefit scholars and students of classical Chinese poetry but also exemplify Professor Pan's insights on classical Chinese poetic language and the art of translating this language into contemporary English." - John S. Rohsenow, Professor Emeritus, The University of Illinois at Chicago
Book Synopsis Wang Wei the Painter-Poet by : Lewis Calvin
Download or read book Wang Wei the Painter-Poet written by Lewis Calvin and published by Tuttle Publishing. This book was released on 2016-01-26 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Chinese art history book is a study of a single poet-artist—Wang Wei—perhaps the most influential of antiquity. This eighth-century genius, whose versatility is comparable to that of the great Italian Leonardo da Vinci, lived during the Tang Dynasty when the most brilliant cultural period in Chinese history was at its height. Whatever he attempted—as artist, poet, musician, doctor and official—he performed with a master's touch. As a poet he earned the title of "Great." He is acknowledged as the father of pure Chinese landscape painting., destined to become classic throughout the world. Wang's initiative in monochromes and his advanced skills in techniques were harbingers of different types of paintings. Greatest of all his innovations is the long horizontal Chinese scroll, reaching a length, in some instances, of over twenty feet.
Book Synopsis Poetry and Painting in Song China by : Alfreda Murck
Download or read book Poetry and Painting in Song China written by Alfreda Murck and published by BRILL. This book was released on 2020-10-26 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the history of imperial China, the educated elite used various means to criticize government policies and actions. During the Song dynasty (960-1278), some members of this elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Murck shows that certain paintings expressed strong political opinions--some transparent, others deliberately concealed. She argues that the coding of messages in seemingly innocuous paintings was an important factor in the growing respect for painting among the educated elite and that the capacity of painting’s systems of reference to allow scholars to express dissent with impunity contributed to the art’s vitality and longevity.
Book Synopsis Singing of the Source by : Jonathan Chaves
Download or read book Singing of the Source written by Jonathan Chaves and published by University of Hawaii Press. This book was released on 1993-01-01 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive presentation and study of the poetry of Wu Li (1632-1718), one of the orthodox masters of early Ch'ing-dynasty painting, with particular attention to the circumstances that led this Chinese scholar deeply immersed in Neo-Confucianism and Buddhism to convert to Christianity and then t
Book Synopsis Liu Ye: The Book Paintings by : Liu Ye
Download or read book Liu Ye: The Book Paintings written by Liu Ye and published by David Zwirner Books. This book was released on 2021-09-07 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese artist Liu Ye’s subtle, colorful canvases convey his love of literature in the artist’s first publication solely dedicated to his paintings of books. Beijing-based artist Liu Ye is known for his precise, deftly rendered representational paintings. Reminiscent of cartoons and illustrations in children’s books, they include references to abstract artists such as Piet Mondrian. In this new publication devoted exclusively to his Book Paintings, the artist examines the book as both a physical object and cultural totem. He simultaneously stresses the geometry in the composition while always imbuing his paintings with his uniquely recognizable style. The result is a body of work that feels both alien and familiar. Liu's Book Painting series, begun in 2013, depicts closeup views of books that are turned open to reveal empty pages, a strategy that emphasizes the object’s formal qualities over its content. Intimately scaled, these paintings indicate an appreciation of the book as an object, as well as a love of literature—Liu’s father was a children’s book author who introduced him to Western writers at a young age, fueling his curiosity and imagination. Published on the occasion of a solo exhibition presented at David Zwirner, New York, in 2020, this catalogue includes new writing by the acclaimed poet Zhu Zhu and an interview with the artist by Hans Ulrich Obrist.
Download or read book The Lyric Journey written by James Cahill and published by Harvard University Press. This book was released on 1996 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: This beautifully illustrated book looks at three exemplary traditions in poetic painting, bringing new understanding of the relationship between the art and the societies that produced it.
Download or read book Cave of the Immortals written by Tong Wen and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wen Tong (1019-1079) is considered the supreme master of bamboo painting in the history of Chinese art. According to his friend and admirer, Su Shi (Dongpo), the greatest poet of the Song Dynasty (960-1279), "When Wen Tong painted bamboo, he himself became bamboo!" Wen was a poet as well, and perhaps because of his fame as a painter, his poetry has remained virtually unknown for centuries. This book is the first in any Western language to present translations of selected poems by Wen, over three hundred of them, as well as examples of his prose writings, which are also fascinating. A particular revelation is Wen's unusual degree of interest in what might be called the Folk Religion of China, for example, ceremonies of supplication to various gods, especially Dragon deities, to send rain in time of drought. Wen's poems and prose pieces also bring to light aspects of Buddhism, Daoism, and Confucianism that are of great importance in Chinese civilization, but rarely addressed in the literature of the Chinese poets as they involve devotional practices held in suspicion by many of the literati, but seen by Wen Tong in a positive light.
Book Synopsis The Translation of Art by : James C. Y. Watt
Download or read book The Translation of Art written by James C. Y. Watt and published by University of Washington Press. This book was released on 1976 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Modern Poetry in China by : Paul Manfredi
Download or read book Modern Poetry in China written by Paul Manfredi and published by . This book was released on 2014-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is in the Cambria Sinophone World Series (general editor: Victor H. Mair). *Includes rare color images. Chinese poetry, along with many other art forms in China, underwent a highly self-conscious transformation in the first decades of the twentieth century. Poetry, perhaps more than any other art form, did so under the heavy burden of a voluminous literary precedent, a precedent which was in its very format of patterned words inscribed on scrolls--a mark of the Chinese literati tradition. Turning away from this tradition seemed necessary in the context of a political, social, and cultural reform movement (which was designed to strengthen China in the face of increasing international pressure as well as domestic breakdown). At the same time, reforming a poetic tradition which had served as a principal touchstone of aesthetic accomplishment--from its role in Confucian canon as object of contemplation for correct action, to its function as a test of candidate's qualifications to govern through the civil service examination, to its function as national past-time in all manner of social gathering--was a major challenge. The result of such a predicament for poets throughout the twentieth century has been the compulsion to discover a poetic style which resonates with the modern world and yet is rooted in Chinese cultural experience. One way in which poets have been able to accomplish this is by relying on poetry's visuality, be it in the graphic properties of the writing system itself, the visual context of the presentation of the poetic texts, or the acute image details in the poems. The history of approximately one century of modern Chinese poetry production has been addressed broadly in scholarship, but such broad strokes tend to miss important dynamics which fall outside of general narratives. The importance of Chinese visual tradition to modern Chinese poets is a good case in point. Accordingly, this book addresses specific manifestations of the nexus connecting modernity and visuality in Chinese poetry. It begins with a discussion of May Fourth poetics as exemplified in the groundbreaking work of Li Jinfa, China's first "Symbolist" poet. From there the book traces notable developments of visuality in the new form or free verse writing (called Xinshi or "New Poetry") through mid-century modernist experiments in Taiwan (focusing on Ji Xian). From there the book then explores the avant-garde poetry of Luo Qing and Xia Yu before returning to mainland Chinese developments of Misty poets Yan Li and his contemporaries. The work concludes with a wide variety of poet-artists writing and exhibiting in the twenty-first century. Looking across this period of modern Chinese poetry's development, one is able to observe how important the visual-verbal dynamic has been to the innovation of poetic style and method. From the twenty-first century on, such multi-media expressions will likely continue to grow; this is a function of a Chinese aesthetic tradition pairing word and image and will continue to manifest in new and more inventive ways. This is an important book for Asian literary and art history studies and history collections
Download or read book The Poet's Brush written by Jason C. Kuo and published by . This book was released on 2016-09-23 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of 300 tables by Lo Ch'ing shows how selective borrowing from the Chinese classical canon and from Western cultures enabled this artist to make work that is relevant to his own society as well as to an increasingly globalized world. Lo Ch'ing is one of China's foremost contemporary poet-painters. Despite the differences in their circumstances, many contemporary Chinese painters share one common trait: they have been stimulated by contact with contemporary Western art, but they did not merely imitate it; instead, they have rediscovered the abstract and expressionistic possibilities in their own tradition. Lo Ch'ing has internalized such conflicting state of tradition and modernity in his work. The "Chinese tradition" takes a not so subtle turn in the Taiwanese environment. The rise of industrialization, post-industrialization, and curious issue of Taiwan's cultural identity created a nurturing and controversial ground for creative talents. Industrialization and post-industrialization are subjects of Lo Ch'ing's work. Certainly, there is an oddity in Lo Ch'ing's depiction of alien saucers and floating rocks and mountains, yet Lo Ch'ing's work presents a fresh curiosity that had not been explored in the practice of in painting precisely for that reason. Lo Ch'ing's'work has a heightened sense of awareness in its presentation of any subject in this matter, and that Lo Ch'ing's work is very conscious of the environment that its content was derived from. Urbanity, interestingly enough, would be an idea that is in opposition to the tradition of Chinese literati landscape painting, for it means the destruction of nature.
Download or read book Words and Images written by Alfreda Murck and published by Princeton University Press. This book was released on 1991 with total page 589 pages. Available in PDF, EPUB and Kindle. Book excerpt: Words and Images contains twenty-three essays based on papers presented at an international symposium held at the Metropolitan Museum of Art in May 1985 to celebrate the gifts and promised gifts of Chinese calligraphy and painting from John M. Crawford, Jr. In these essays senior scholars from Asia and America express a wide range of perspectives on an issue that is central to the history of Chinese visual aesthetics--the relationships among poetry, calligraphy, and painting. The practice of integrating the three art forms in one work of art emerged during the Yan dynasty (1279-1369) largely in the context of the literati scholar-artist culture. This interdisciplinary exploration of the literati painting inscribed with poetry and of related topics involves art historians, literary historians, and scholars of calligraphy who cover roughly two millennia of Chinese history in their research. Chinese characters have been provided throughout the texts for artists' names, for titles of works of art and literature, and for important historical figures, as well as for excerpts of relevant poetry and prose. A chronology, also containing Chinese characters, and an extensive glossary-index are included.
Book Synopsis The Lyrical Resonance Between Chinese Poets and Painters by : Daan Pan
Download or read book The Lyrical Resonance Between Chinese Poets and Painters written by Daan Pan and published by . This book was released on 2014-05-14 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is the most comprehensive and insightful study on this topic in any language and the first written in English. In addition to its scholarly value, Professor Pan's book opens a window to a picturesque poetic world for Western readers who are interested in Chinese poetry and painting." - Zu-yan Chen, Professor of Chinese Literature, Binghamton University"In this book, Professor Pan provides a rare treat for the English-language reader with valuable information regarding this hitherto under-represented subject. He lucidly traces the development of this border-crossing genre from its prototype works to its maturity in the Tang Dynasty (618-907) and the subsequent expansion in late imperial China. He illustrates the tihuashi poetics of the master bard Du Fu (712-770) and that of the virtuoso poet-artist-philosopher Su Shi (1037-1101). Most remarkable of his contribution is the generous number of faithfully translated poems, all with great clarity and elegance. This book will help the reader better understand the relationship between Chinese painting, calligraphy and poetry, the interartistic, intertextual, and interdisciplinary characteristics of tihuashi, the cultural milieu of its creation, and its intellectual significance to the Chinese literati community." - Madeline Chu, Professor of Chinese Language & Literature, Kalamazoo College"A special value I find in this book lies in its bilingual texts of Chinese tihuashi poems, which will not only benefit scholars and students of classical Chinese poetry but also exemplify Professor Pan's insights on classical Chinese poetic language and the art of translating this language into contemporary English." - John S. Rohsenow, Professor Emeritus, The University of Illinois at Chicago
Book Synopsis Poetry in Painting by : Helene Cixous
Download or read book Poetry in Painting written by Helene Cixous and published by Edinburgh University Press. This book was released on 2012-04-04 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book by Helene Cixous on painting and the contemporary arts. This collection gathers most of Helene Cixous' texts devoted to contemporary artists, such as the painter Nancy Spero, the photographer Andres Serrano, the visual artist Roni Horn, the fashion designer Sonia Rykiel and the choreographer Karine Saporta, among others. The artworks belong to different genres and media - photography, painting, installations, film, choreography and fashion design - while the commentaries all deal with some of Helene Cixous' privileged themes: exile, war, violence (against women) and exclusion, as well as love, memory, beauty and tenderness.Neither art criticism nor a collection of critical essays, Helene Cixous responds to these artworks as a poet, reading them as if they were poems. Written between 1985 and 2010, most of these essays are unpublished in English, or published only in rare catalogues or art books.
Book Synopsis The Chinese on the Art of Painting by : Osvald Sirén
Download or read book The Chinese on the Art of Painting written by Osvald Sirén and published by Courier Corporation. This book was released on 2013-02-19 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comments by noted landscapists, poet-painters, historians, and theoreticians; discussions of Ch'an Buddhism and its relation to painting; methods of study and aesthetic principles, more.
