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The Beautiful The Sublime And The Picturesque In 18th Century Musical Thought In Britain
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Book Synopsis The Beautiful, the Sublime and the Picturesque in 18th-century Musical Thought in Britain by : Roger Barnett Larsson
Download or read book The Beautiful, the Sublime and the Picturesque in 18th-century Musical Thought in Britain written by Roger Barnett Larsson and published by . This book was released on 1983 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Free Fantasia and the Musical Picturesque by : Annette Richards
Download or read book The Free Fantasia and the Musical Picturesque written by Annette Richards and published by Cambridge University Press. This book was released on 2001-01-04 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the 'picturesque' in the music of Bach, Haydn, and Beethoven.
Book Synopsis The Sound of the English Picturesque by : Stephen Groves
Download or read book The Sound of the English Picturesque written by Stephen Groves and published by Taylor & Francis. This book was released on 2023-12-04 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revealing the connections between the veneration of national landscape and eighteenth- century English vocal music, this study restores English music’s relationship with the picturesque. In the eighteenth century, the emerging taste for the picturesque was central to British aesthetics, as poets and painters gained popularity by glorifying the local landscape in works concurrent with the emergence of native countryside tourism. Yet English music was seldom discussed as a medium for conveying national scenic beauty. Stephen Groves explores this gap, and shows how secular song, the glee, and national theatre music expressed a uniquely English engagement with landscape. Using an interdisciplinary approach, Groves addresses the apparent ‘silence’ of the English picturesque. The book draws on analysis of the visualisations present in the texts of English vocal music, and their musical treatment, to demonstrate how local composers incorporated celebrations of landscape into their works. The final chapter shows that the English picturesque was a crucial influence on Joseph Haydn’s oratorio The Seasons. Suitable for anyone with an interest in eighteenth- century music, aesthetics, and the natural environment, this book will appeal to a wide range of specialists and non- specialists alike.
Book Synopsis Romanticism and Music Culture in Britain, 1770-1840 by : Gillen D'Arcy Wood
Download or read book Romanticism and Music Culture in Britain, 1770-1840 written by Gillen D'Arcy Wood and published by Cambridge University Press. This book was released on 2010-03-04 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book surveys the role of music in British culture throughout the long Romantic period.
Book Synopsis Resounding the Sublime by : Miranda Eva Stanyon
Download or read book Resounding the Sublime written by Miranda Eva Stanyon and published by University of Pennsylvania Press. This book was released on 2021-05-07 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.
Book Synopsis Music and Metaphor in Nineteenth-Century British Musicology by : Bennett Zon
Download or read book Music and Metaphor in Nineteenth-Century British Musicology written by Bennett Zon and published by Routledge. This book was released on 2017-07-05 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: ?In a word, I shall endeavour to show how our music, having been originally a shell-fish, with its restrictive skeleton on the outside and no soul within, has been developed by the inevitable laws of evolution, through natural selection and the survival of the fittest, into something human, even divine, with the strong, logical skeleton of its science inside, the fair flesh of God-given beauty outside, and the whole, like man himself, animated by a celestial, eternal spirit....? W.J. Henderson, The Story of Music (1889) Critical writing about music and music history in nineteenth-century Britain was permeated with metaphor and analogy. Music and Metaphor examines how over-arching theories of music history were affected by reference to various figurative linguistic templates adopted from other disciplines such as art, religion, politics and science. Each section of the book discusses a wide range of musicological writings and their correspondence with the language used to convey contemporary ideas such as the sublime, the ancient and modern debate, and, in particular, the theory of evolution. Bennett Zon reveals that through their application of metaphorical frameworks taken from art, religion and science, these writers and their work shed light on nineteenth-century perceptions of music history and illuminate the ways in which these disciplines affected notions of musical development.
Book Synopsis The Advancement of Music in Enlightenment England by : Tim Eggington
Download or read book The Advancement of Music in Enlightenment England written by Tim Eggington and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a book guaranteed to make waves. It skilfully weaves the story of one key musical figure into the story of one key institution, which it then weaves into the general story of music in eighteenth-century England. Anyone reading it will come away with fresh knowledge and perceptions - plus a great urge to hear Cooke's music.' Michael Talbot, Emeritus Professor of Music at the University of Liverpool and Fellow of the British Academy. Amidst the cosmopolitan, fashion obsessed concert life of later eighteenth century London there existed a discrete musical counterculture centred round a club known as the Academy of Ancient Music. Now largely forgotten, this enlightened school of musical thinkers sought to further music by proffering an alternative vision based on a high minded intellectual curiosity. Perceiving only ear-tickling ostentation in the showy styles that delighted London audiences, they aspired to raise the status of music as an art of profound expression, informed by its past and founded on universal harmonic principles. Central to this group of musical thinkers was the modest yet highly accomplished musician-scholar Benjamin Cooke, who both embodied and reflected this counterculture. As organist of Westminster Abbey and conductor of the Academy of Ancient Music for much of the second half of the eighteenth century, Cooke enjoyed prominence in his day as a composer, organist, teacher, and theorist. This book shows how, through his creativity, historicism and theorising, Cooke was instrumental in proffering an Enlightenment-inspired reassessment of musical composition and thinking at the Academy. The picture portrayed counters the current tendency to dismiss eighteenth-century English musicians as conservative and provincial. Casting new and valuable light on English musical history and on Enlightenment culture more generally, this book reveals how the agenda for musical advancement shared by Cooke and his Academy associates foreshadowed key developments that would mould European music of the nineteenth century and after. It includes an extensive bibliography, a detailed overview of the Cooke Collection at the Royal College of Music and a complete list of Cooke's works. TIM EGGINGTON is College Librarian at Queens' College, Cambridge.
Book Synopsis Concert Life in London from Mozart to Haydn by : Simon McVeigh
Download or read book Concert Life in London from Mozart to Haydn written by Simon McVeigh and published by Cambridge University Press. This book was released on 2006-11-02 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a detailed investigation of a lively and innovative period in London's cultural life.
Download or read book Ombra written by Clive McClelland and published by Lexington Books. This book was released on 2012-03-09 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ombra is the term which applies to an operatic scene involving the appearance of an oracle or demon, witches, or ghosts. Such scenes can be traced back to the early days of opera and were commonplace in the seventeenth century in Italy and France. Operas based on the legends of Orpheus, Iphigenia, and Alcestis provide numerous examples of ombra and extend well into the eighteenth century. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century is an in-depth examination of ombra and is many influences on classical music performance. McClelland reveals that ombra scenes proved popular with audiences not only because of the special stage effects employed, but also due to increasing use of awe-inspiring musical effects. By the end of the eighteenth century the scenes had come to be associated with an elaborate set of musical features including slow, sustained writing, the use of flat keys, angular melodic lines, chromaticism and dissonance, dotted rhythms and syncopation, tremolando effects, unexpected harmonic progressions, and unusual instrumentation, especially involving trombones. It is clearly distinct from other styles that exhibit some of these characteristics, such as the so-called 'Sturm und Drang' or 'Fantasia.' Futhermore, parallels can be drawn between these features and Edmund Burke's 'sublime of terror,' thus placing ombra music on an important position in the context of eighteenth-century aesthetic theory.
Book Synopsis The Theatre Career of Thomas Arne by : Todd Gilman
Download or read book The Theatre Career of Thomas Arne written by Todd Gilman and published by Rowman & Littlefield. This book was released on 2013 with total page 645 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book concerns the life and theatrical career of the great native-born English composer and musician of the eighteenth century, Thomas Augustine Arne (1710-1778), best known today as the composer of "Rule, Britannia." It will appeal to those interested in the mid-to-late eighteenth-century London and Dublin theatre, opera, and music scenes.
Book Synopsis Musical Prodigies by : Gary E. McPherson
Download or read book Musical Prodigies written by Gary E. McPherson and published by Oxford University Press. This book was released on 2016-08-26 with total page 833 pages. Available in PDF, EPUB and Kindle. Book excerpt: Child prodigies have been observed in a range of disciplines - particularly music, mathematics, chess, and art. The question of what makes a prodigy has long been controversial. Some have dismissed the notion of giftedness, arguing that most famous prodigies had strong parental, cultural, and environmental influences that helped them develop their extraordinary abilities. One recent theory suggested that anyone could achieve outstanding success in whatever endeavour they wanted with a minimum of 10,000 hours of practice. Nevertheless, many studies of prodigies have suggested that there might be strong underlying cognitive differences, regarding their use of short-term versus long-term memory, spatial memory, imagery, and language. Whatever the arguments - for those interested in child development - prodigies remain a fascinating subject of study when considering questions about creativity, intelligence, development, and the impact of nature versus nurture. This books breaks new ground in presenting the first scientific exploration on the topic of musical prodigies. It brings together research from a range of disciplines, including psychology, neurobiology, and genetics, to provide a thorough exploration of prodigious talent. In addition, the book includes fascinating case studies of prodigies and also looks at their long-term development into adulthood - many child prodigies have had problems making the transition into adolescence and adulthood. Musical prodigies will be required reading for anyone interested in child development, music, and the arts
Book Synopsis Imago Musicae, Volume III by : Tilman Seebass
Download or read book Imago Musicae, Volume III written by Tilman Seebass and published by Duke University Press. This book was released on 1987-06 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Each volume in this series for the study of pictorial documents on musical subjects contains articles, a catalog (published in installments) devoted to the complete documentation of specific sources, and an annual bibliography that bridges the gap between the bibliographies in art history and musicology.
Author :Donald R. Boomgaarden Publisher :Peter Lang Incorporated, International Academic Publishers ISBN 13 : Total Pages :256 pages Book Rating :4.:/5 (49 download)
Book Synopsis Musical Thought in Britain and Germany During the Early Eighteenth Century by : Donald R. Boomgaarden
Download or read book Musical Thought in Britain and Germany During the Early Eighteenth Century written by Donald R. Boomgaarden and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1987 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses important changes in attitudes toward music as seen in the writings of British and German philosophers, journalists, and musicians. Selecting four major aesthetic issues (the affections, imitation of nature, taste, and the imagination), Boomgaarden shows that the continuity of Eighteenth-Century musical thought defies any attempt to place the shift in musical style from Baroque to Classical at 1750--a shift which had actually begun long before. Significant and previously unknown interrelationships between writers in the two countries are also documented. The study is a significant contribution to women's, religious, and art history.
Book Synopsis Tonal Space in the Music of Antonio Vivaldi by : Bella Brover-Lubovsky
Download or read book Tonal Space in the Music of Antonio Vivaldi written by Bella Brover-Lubovsky and published by Indiana University Press. This book was released on 2008-06-25 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
Download or read book Tempesta written by Clive McClelland and published by Lexington Books. This book was released on 2017-10-13 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tempesta is a term coined in this book applying to music that exhibits agitated or violent characteristics in order to evoke terror and chaos, involving ideas like rapid scale passages, driving rhythmic figurations, strong accents, full textures, and robust instrumentation including prominent brass and timpani. Music of this type was used for storm scenes, which in operas of the 17th and 18th centuries are almost invariably of supernatural origin, and other frightening experiences such as pursuit, madness, and rage. This ‘stormy’ music formed the ingredients of a particular style in the later 18th century that scholars in recent decades have referred to as Sturm und Drang, implying a relationship to German literature which I believe is unhelpful and misleading. Haydn’s so-called Sturm und Drang symphonies exhibit characteristics that are no different to his depictions of storms in his operas and sacred music, and there is no evidence of Haydn suffering some kind of personal crisis, or even of him responding to the ‘spirit of the age’. He was simply exploring the expressive possibilities of the style for dramatic/rhetorical effect. Scholars have been dissatisfied with the term for some time, but no-one has previously suggested an alternative. The term tempesta therefore applies to all manifestations of this kind of music, a label that acknowledges the ‘stormy’ origins of the style, but which also recognizes that it functions as a counterpart to ombra. Tempesta contributed enormously to the continued popularity of operas on supernatural subjects, and quickly migrated towards sacred music and even instrumental music, where it became part of the topical discourse. The music does not merely represent the supernatural, it instills an emotional response in the listener. Awe and terror had already been identified as sources of the sublime, notably by Edmund Burke (predating the German literary Sturm und Drang), and the latter half of the century saw the rise of Gothic literature. The supernatural remained popular in theaters and opera houses, and special music that could produce an emotional response of such magnitude was a powerful tool in the composer’s expressive armory.
Book Synopsis A Handbook for Studies in 18th-century English Music by : Michael Burden
Download or read book A Handbook for Studies in 18th-century English Music written by Michael Burden and published by . This book was released on 1987 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Heinrich Schenker written by and published by Pendragon Press. This book was released on 1978 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
