Musical Thought in Britain and Germany During the Early Eighteenth Century

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Author :
Publisher : Peter Lang Incorporated, International Academic Publishers
ISBN 13 :
Total Pages : 256 pages
Book Rating : 4.:/5 (49 download)

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Book Synopsis Musical Thought in Britain and Germany During the Early Eighteenth Century by : Donald R. Boomgaarden

Download or read book Musical Thought in Britain and Germany During the Early Eighteenth Century written by Donald R. Boomgaarden and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1987 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses important changes in attitudes toward music as seen in the writings of British and German philosophers, journalists, and musicians. Selecting four major aesthetic issues (the affections, imitation of nature, taste, and the imagination), Boomgaarden shows that the continuity of Eighteenth-Century musical thought defies any attempt to place the shift in musical style from Baroque to Classical at 1750--a shift which had actually begun long before. Significant and previously unknown interrelationships between writers in the two countries are also documented. The study is a significant contribution to women's, religious, and art history.

Music and Culture in Eighteenth-Century Europe

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Author :
Publisher : University of Chicago Press
ISBN 13 : 9780226267326
Total Pages : 436 pages
Book Rating : 4.2/5 (673 download)

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Book Synopsis Music and Culture in Eighteenth-Century Europe by : Enrico Fubini

Download or read book Music and Culture in Eighteenth-Century Europe written by Enrico Fubini and published by University of Chicago Press. This book was released on 1994-08-15 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time. With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.

The Work of Music Theory

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Author :
Publisher : Routledge
ISBN 13 : 135153940X
Total Pages : 404 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Work of Music Theory by : Thomas Christensen

Download or read book The Work of Music Theory written by Thomas Christensen and published by Routledge. This book was released on 2017-10-23 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings together an anthology of articles by Thomas Christensen, one of the leading historians of music theory active today. Published over the span of the past 25 years, the selected articles provide a historical conspectus about a range of vital topics in the history of music theory, focusing in particular upon writings from the seventeenth and eighteenth centuries. Christensen examines a variety of theorists and their arguments within the intellectual and musical contexts of their time, in the process highlighting the diverse and idiosyncratic nature of the discipline of music theory itself. In the first section of the book Christensen offers general reflections on the meaning and interpretation of historical music theories, with especial attention paid to their value for music theorists today. The second section of the book contains a number of articles that consider the catalytic role of the thorough bass in the development of harmonic theory during the seventeenth and eighteenth centuries. In the final two sections of the anthology, focus turns to the writings of several individual music theorists, including Marin Mersenne, Seth Calvisius, Johann Mattheson, Johann Nicolaus Bach, Denis Diderot and Johann Nichelmann. The volume includes essays from hard-to-find publications as well as newly-translated material and the articles are prefaced by a new, wide-ranging autobiographical essay by the author that offers a broad re-assessment of his historical project. This book is essential reading for music theorists and seventeenth- and eighteenth-century musicologists.

Music and the Benefit Performance in Eighteenth-Century Britain

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1108492932
Total Pages : 303 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Music and the Benefit Performance in Eighteenth-Century Britain by : Matthew Gardner

Download or read book Music and the Benefit Performance in Eighteenth-Century Britain written by Matthew Gardner and published by Cambridge University Press. This book was released on 2019-10-31 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.

Music as a Science of Mankind in Eighteenth-Century Britain

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Author :
Publisher : Routledge
ISBN 13 : 1317092198
Total Pages : 221 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Music as a Science of Mankind in Eighteenth-Century Britain by : Maria Semi

Download or read book Music as a Science of Mankind in Eighteenth-Century Britain written by Maria Semi and published by Routledge. This book was released on 2016-04-29 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation - trying to describe how the human mind could develop ideas and emotions by its means - philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which - in David Hume's words - 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.

Two Centuries of British Symphonism

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Author :
Publisher : Georg Olms Verlag
ISBN 13 : 3487152282
Total Pages : 619 pages
Book Rating : 4.4/5 (871 download)

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Book Synopsis Two Centuries of British Symphonism by : Jürgen Schaarwächter

Download or read book Two Centuries of British Symphonism written by Jürgen Schaarwächter and published by Georg Olms Verlag. This book was released on 2015-02-27 with total page 619 pages. Available in PDF, EPUB and Kindle. Book excerpt: Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.

Haydn and the Performance of Rhetoric

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Author :
Publisher : University of Chicago Press
ISBN 13 : 0226041298
Total Pages : 391 pages
Book Rating : 4.2/5 (26 download)

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Book Synopsis Haydn and the Performance of Rhetoric by : Tom Beghin

Download or read book Haydn and the Performance of Rhetoric written by Tom Beghin and published by University of Chicago Press. This book was released on 2007 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accompanying CD-ROM in pocket at the rear of book.

The Stylus Phantasticus and Free Keyboard Music of the North German Baroque

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Author :
Publisher : Routledge
ISBN 13 : 1351540211
Total Pages : 276 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Stylus Phantasticus and Free Keyboard Music of the North German Baroque by : Paul Collins

Download or read book The Stylus Phantasticus and Free Keyboard Music of the North German Baroque written by Paul Collins and published by Routledge. This book was released on 2017-07-05 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of stylus phantasticus (or ?fantastic style?) as it was expressed in free keyboard music of the north German Baroque forms the focus of this book. Exploring both the theoretical background to the style and its application by composers and performers, Paul Collins surveys the development of Athanasius Kircher?s original concept and its influence on music theorists such as Brossard, Janovka, Mattheson, and Walther. Turning specifically to fantasist composers of keyboard works, the book examines the keyboard toccatas of Merulo, Fresobaldi, Rossi and Froberger and their influence on north German organists Tunder, Weckmann, Reincken, Buxtehude, Bruhns, Lubeck, Bohm, and Leyding. The free keyboard music of this distinguished group highlights the intriguing relationship at this time between composition and performance, the concept of fantasy, and the understanding of originality and individuality in seventeenth-century culture.

G. F. Handel

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Author :
Publisher : Routledge
ISBN 13 : 113678358X
Total Pages : 488 pages
Book Rating : 4.1/5 (367 download)

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Book Synopsis G. F. Handel by : Mary Ann Parker

Download or read book G. F. Handel written by Mary Ann Parker and published by Routledge. This book was released on 2013-10-15 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Baroque composer George Frideric Handel easily ranks among the world's greatest composers. The first edition of this research guide on Handel appeared in 1988; since that time a great deal of scholarly work has been published on Handel and related areas, including the discovery of a hitherto unknown work. New general resources such as the New Grove Dictionary of Opera (1992), electronic resources such as the RISM libretto catalogue online, and the study of Handel's continuing popularity as evidenced by the new Handel House Museum in London and Handel practice around the world (e.g., Messiah and millennium celebrations in Tonga, singalong Messiahs etc.) are incorporated into this revised edition of the Handel guide.

Music in Eighteenth-Century Britain

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Author :
Publisher : Routledge
ISBN 13 : 1351557408
Total Pages : 427 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music in Eighteenth-Century Britain by : DavidWyn Jones

Download or read book Music in Eighteenth-Century Britain written by DavidWyn Jones and published by Routledge. This book was released on 2017-07-05 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

German Music Criticism in the Late Eighteenth Century

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Author :
Publisher : Cambridge University Press
ISBN 13 : 052158227X
Total Pages : 271 pages
Book Rating : 4.5/5 (215 download)

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Book Synopsis German Music Criticism in the Late Eighteenth Century by : Mary Sue Morrow

Download or read book German Music Criticism in the Late Eighteenth Century written by Mary Sue Morrow and published by Cambridge University Press. This book was released on 1997-09-18 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.

Compositional Theory in the Eighteenth Century

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Author :
Publisher : Harvard University Press
ISBN 13 : 9780674155237
Total Pages : 370 pages
Book Rating : 4.1/5 (552 download)

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Book Synopsis Compositional Theory in the Eighteenth Century by : Joel Lester

Download or read book Compositional Theory in the Eighteenth Century written by Joel Lester and published by Harvard University Press. This book was released on 1992 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the most comprehensive account ever given of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving preeminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred seventeenth- and eighteenth century writers.

Enlightenment Orpheus

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Author :
Publisher : Oxford University Press on Demand
ISBN 13 : 0195336666
Total Pages : 278 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Enlightenment Orpheus by : Vanessa Agnew

Download or read book Enlightenment Orpheus written by Vanessa Agnew and published by Oxford University Press on Demand. This book was released on 2008-05 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries.Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on music's curative powers, interest in non-European music, and concerns about cultural identity. Arguing that what people said about music was central to some of the great Enlightenment debates surrounding such issues as human agency, cultural difference, and national identity, Agnew adds a new dimension to postcolonial studies, which has typically emphasized the literary and visual at the expense of the aural. She also demonstrates that these discussions must be viewed in context at the era's broad and well-entrenched transnational network, and emphasizes the importance of travel literature in generating knowledge at the time.A new and radically interdisciplinary approach to the question of the power of music - its aesthetic and historical interpretations and political uses - Enlightenment Orpheus will appeal to students and scholars in historical musicology, ethnomusicology, German studies, eighteenth-century history, and comparative studies.

The Cambridge History of Eighteenth-Century Music

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Author :
Publisher : Cambridge University Press
ISBN 13 : 9780521663199
Total Pages : 816 pages
Book Rating : 4.6/5 (631 download)

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Book Synopsis The Cambridge History of Eighteenth-Century Music by : Simon P. Keefe

Download or read book The Cambridge History of Eighteenth-Century Music written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2009-09-10 with total page 816 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.

Theories of Fugue from the Age of Josquin to the Age of Bach

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Author :
Publisher : University Rochester Press
ISBN 13 : 9781580461504
Total Pages : 504 pages
Book Rating : 4.4/5 (615 download)

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Book Synopsis Theories of Fugue from the Age of Josquin to the Age of Bach by : Paul Walker

Download or read book Theories of Fugue from the Age of Josquin to the Age of Bach written by Paul Walker and published by University Rochester Press. This book was released on 2000 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: An analysis of the history and methodology of the pre-Bach baroque fugue.

Music in Eighteenth-Century Britain

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Author :
Publisher : Routledge
ISBN 13 : 1351557416
Total Pages : 336 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music in Eighteenth-Century Britain by : DavidWyn Jones

Download or read book Music in Eighteenth-Century Britain written by DavidWyn Jones and published by Routledge. This book was released on 2017-07-05 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

Masculinity and Western Musical Practice

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Author :
Publisher : Routledge
ISBN 13 : 1351559036
Total Pages : 350 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Masculinity and Western Musical Practice by : Kirsten Gibson

Download or read book Masculinity and Western Musical Practice written by Kirsten Gibson and published by Routledge. This book was released on 2017-07-05 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: How have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining some of the ways in which men, music and masculinity have been implicated with each other since the Middle Ages. Feminist musicologies have already dealt extensively with music and gender, from the 'phallocentric' tendencies of the Western tradition, to the explicit marginalization of women from that tradition. This book builds on that work by turning feminist critical approaches towards the production, rhetorical engagement and subversion of masculinities in twelve different musical case studies. In other disciplines within the arts and humanities, 'men's studies' is a well-established field. Musicology has only recently begun to address critically music's engagement with masculinity and as a result has sometimes thereby failed to recognize its own discursive misogyny. This book does not seek to cover the field comprehensively but, rather, to explore in detail some of the ways in which musical practices do the cultural work of masculinity. The book is structured into three thematic sections: effeminate and virile musics and masculinities; national masculinities, national musics; and identities, voices, discourses. Within these themes, the book ranges across a number of specific topics: late medieval masculinities; early modern discourses of music, masculinity and medicine; Renaissance Italian masculinities; eighteenth-, nineteenth- and early twentieth-century ideas of creativity, gender and canonicity; masculinity, imperialist and nationalist ideologies in the nineteenth century, and constructions of the masculine voice in late nineteenth- and twentieth-century opera and song. While the case studies are methodologically disparate and located in different historical and geographical locations, they all share a common conc