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Russian Theatre In Practice
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Book Synopsis Russian Theatre in Practice by : Amy Skinner
Download or read book Russian Theatre in Practice written by Amy Skinner and published by Bloomsbury Publishing. This book was released on 2019-04-18 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world. This edited volume introduces students and practitioners alike to the innovations of Russia's directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director's Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice. The full range of the director's role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings. Through their ground-breaking ideas and techniques, Russia's directors still demand our attention, and in this volume they come to life as a powerful resource for today's theatre makers.
Book Synopsis A History of Russian Theatre by : Robert Leach
Download or read book A History of Russian Theatre written by Robert Leach and published by Cambridge University Press. This book was released on 1999-11-29 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive history of Russian theatre, written by an international team of experts.
Book Synopsis Russian Theatre in Practice by : Amy Skinner
Download or read book Russian Theatre in Practice written by Amy Skinner and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world. This edited volume introduces students and practitioners alike to the innovations of Russia's directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director's Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice. The full range of the director's role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings. Through their ground-breaking ideas and techniques, Russia's directors still demand our attention, and in this volume they come to life as a powerful resource for today's theatre makers"--...
Book Synopsis Russian Theatre in Practice by : Amy Skinner
Download or read book Russian Theatre in Practice written by Amy Skinner and published by Bloomsbury Publishing. This book was released on 2019-04-18 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world. This edited volume introduces students and practitioners alike to the innovations of Russia's directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director's Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice. The full range of the director's role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings. Through their ground-breaking ideas and techniques, Russia's directors still demand our attention, and in this volume they come to life as a powerful resource for today's theatre makers.
Book Synopsis Modern Theatre in Russia by : Stefan Aquilina
Download or read book Modern Theatre in Russia written by Stefan Aquilina and published by Bloomsbury Publishing. This book was released on 2020-07-09 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: What did modern theatre in Russia look like and how did it foreground tradition building and transmission processes? The book challenges conventional historiographical approaches by weaving contemporary theories on cultural transmission into its historical narrative. It argues that processes of transmission – training spaces, acting manuals, photographic evidence, newspaper reports, international networking, informal encounters, cultural memories – contribute to the formation and consolidation of theatre traditions. Through English translations of rare Russian sources, the book expounds on: *side-lined material on Stanislavsky, including his relationship with German actor Ludwig Barnay, use of improvisation at the First Studio, and rehearsal practices for Artists and Admirers (1933); *Valentin Smyshlaev's acting manual The Technique to Process Stage Performance and the creation of hybrid practices; *proletarian theatre as an amateur-professional combination and force in the transformation of everyday life, as seen in the Proletkult's volume Art at the Workers' Clubs; *Meyerhold's Borodin Studio as an early example of Practice as Research, his European tour of 1930, and international persona as depicted in newspapers published in the West; and *Asja Lacis's work with children, which contributes to current efforts to address the gender imbalance that is often characteristic of modernism. This historical-theoretical investigation is combined with practical exercises that provide a more experiential understanding of the modern performance realities involved. In this way, the book speaks not only to theatre scholars and historians, but also to students and practitioners engaged in practical work.
Book Synopsis Stanislavsky in Practice by : Vreneli Farber
Download or read book Stanislavsky in Practice written by Vreneli Farber and published by Peter Lang. This book was released on 2008 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stanislavsky in Practice focuses on the course of study pursued today by aspiring actors in Russia and on the philosophy that informs this curriculum. It draws on extensive observation during the academic year 2000-2001 of the actor training program of the St. Petersburg State Academy of Theatre Arts (SPGATI), one of the three most prestigious theatrical institutes in Russia, and on interviews of a wide array of individuals in the Academy. Although the years since 1991 have witnessed many changes in theater and in actor training - sources of funding, administration, choice of repertoire, new methodologies, etc. - there remains much continuity with the past. The core of this continuity is the Stanislavsky tradition, which nevertheless has been affected by the views of post-Soviet Russia. The developments in actor training from 1991 to 2001 reflect the challenges and problems faced by other institutions in the arts and sciences. In other words, the phenomenon of continuity and discontinuity with the past is characteristic of other institutions in Russia, cultural as well as scientific and educational.
Book Synopsis Russians in Britain by : Jonathan Pitches
Download or read book Russians in Britain written by Jonathan Pitches and published by Routledge. This book was released on 2012-03-12 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Komisarjevsky in the 1920s, to Cheek by Jowl’s Russian ‘sister company’ almost a century later, Russian actor training has had a unique influence on modern British theatre. Russians in Britain, edited by Jonathan Pitches, is the first work of its type to identify a relationship between both countries’ theatrical traditions as continuous as it is complex. Unravelling new strands of transmission and translation linking the great Russian émigré practitioners to the second and third generation artists who responded to their ideas, Russians in Britain takes in: Komisarjevsky and the British theatre establishment. Stanislavsky in the British conservatoire. Meyerhold in the academy. Michael Chekhov in the private studio. Littlewood’s Theatre Workshop and the Northern Stage Ensemble. Katie Mitchell, Declan Donnellan and Michael Boyd. Charting a hitherto untold story with historical and contemporary implications, these nine essays present a compelling alternative history of theatrical practice in the UK.
Book Synopsis Russian Futurist Theatre by : Robert Leach
Download or read book Russian Futurist Theatre written by Robert Leach and published by Edinburgh University Press. This book was released on 2018-03-07 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Russian Futurist Theatre explores is the first book to comprehensively uncover the Russian futurist theatre in all its virtuosity and diversity.
Book Synopsis Russian Theatre In The Age Of Modernism by : Andrew Barratt
Download or read book Russian Theatre In The Age Of Modernism written by Andrew Barratt and published by Springer. This book was released on 1990-06-14 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Translated and Visiting Russian Theatre in Britain, 1945–2015 by : Cynthia Marsh
Download or read book Translated and Visiting Russian Theatre in Britain, 1945–2015 written by Cynthia Marsh and published by Springer Nature. This book was released on 2020-05-18 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev’s A Month in the Country: have the British staged a ‘Russia of the theatrical mind’?
Download or read book The Russian Theatre written by and published by . This book was released on 1923 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Theatre and Identity in Imperial Russia by : Catherine A. Schuler
Download or read book Theatre and Identity in Imperial Russia written by Catherine A. Schuler and published by University of Iowa Press. This book was released on 2009-05-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre. Schuler draws upon contemporary journals written and published by the educated nobility and the intelligentsia—who represented the intellectual, aesthetic, and cultural groups of the day—as well as upon the laws of the Russian empire and upon theatrical memoirs. With fascinating detail, she spotlights the ideologically charged binaries ascribed to prominent actors—authentic/performed, primitive/civilized, Russian/Western—that mirrored the volatility of national identity from the Napoleonic Wars through the reign of Alexander II. If the path traveled by Russian artists and audiences from the turn of the nineteenth century to the era of the Great Reforms reveals anything about Russian culture and society, it may be that there is nothing more difficult than being Russian in Russia. By exploring the ways in which theatrical administrators, playwrights, and actors responded to three tsars, two wars, and a major revolt, this carefully crafted book demonstrates the battle for the hearts and minds of the Russian people.
Book Synopsis Migrating Modernist Performance by : Claire Warden
Download or read book Migrating Modernist Performance written by Claire Warden and published by Springer. This book was released on 2016-10-13 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the experiences of early to mid-twentieth century British theatre-makers in Russia, this book imagines how these travellers interpreted Russian realism, symbolism, constructivism, agitprop, pageantry, dance or cinema. With some searching for an alternative to the corporate West End, some for experimental techniques and others still for methods that might politically inspire their audiences, did these journeys make any differences to their practice? And how did distinctly Russian techniques affect British theatre history? Migrating Modernist Performance seeks to answer these questions, reimagining the experiences and creative output of a range of, often under-researched, practitioners. What emerges is a dynamic collection of performances that bridge geographical, aesthetic, chronological and political divides.
Download or read book Witness onstage written by Molly Flynn and published by Manchester University Press. This book was released on 2019-11-07 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Witness Onstage is a detailed study of the remarkable growth of documentary theatre forms in Russian since the early 2000s. It draws on the author’s work as a performer, producer, and researcher of documentary theatre both in Russia and internationally to provide new perspective on the mechanics of theatre as a venue for civic engagement.
Book Synopsis The Moscow Art Theatre and Its Distinguishing Characteristics by : A. L. Fovitzky
Download or read book The Moscow Art Theatre and Its Distinguishing Characteristics written by A. L. Fovitzky and published by . This book was released on 1923 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Sound: A Reader in Theatre Practice by : Ross Brown
Download or read book Sound: A Reader in Theatre Practice written by Ross Brown and published by Bloomsbury Publishing. This book was released on 2009-11-27 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brown explores relationships between sound and theatre, focusing on sound's interdependence and interaction with human performance and drama. Suggesting different ways in which sound may be interpreted to create meaning, it includes key writings on sound design, as well as perspectives from beyond the discipline.
Book Synopsis A Triptych from the Russian Theatre by : Victor Borovsky
Download or read book A Triptych from the Russian Theatre written by Victor Borovsky and published by C. HURST & CO. PUBLISHERS. This book was released on 2001 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The book is based on Russian and Western archive material, unpublished memoirs and letters, theatre reviews and interviews (the latter included Peggy Ashcroft, John Gielgud and Ernestine Stodelle Komissarzhevsky, the last wife of Fyodor Junior, who allowed the author access to her private archive)." "Apart from a few articles in academic journals (mainly about Vera) nothing has been written about the Komissarzhevskys. This book, as well as recording these three remarkable lives, traces the accumulation of Russian theatrical culture over a century, and its impact on British and American theatre."--BOOK JACKET.