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Perspectives On Musical Aesthetics
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Book Synopsis Perspectives on Musical Aesthetics by : John Rahn
Download or read book Perspectives on Musical Aesthetics written by John Rahn and published by W. W. Norton & Company. This book was released on 1994 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 30 lively and diverse essays brought together in this volume--all drawn from the journal PERSPECTIVE OF NEW MUSIC--suggest possible answers to the age-old question: Why does music affect us so strongly? The writers include many of the most prominent names in both modern music and aesthetic theory, including Pierre Boulez, John Cage, Iannis Xenakis, Eric Gans, Michel Foucault, and Delmore Schwartz.
Book Synopsis Aesthetics of Music by : Stephen Downes
Download or read book Aesthetics of Music written by Stephen Downes and published by Routledge. This book was released on 2014-06-27 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aesthetics of Music: Musicological Approaches is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as possible. Each essay includes musical examples from works in the 18th, 19th, and into the 20th century. Topics have been selected from amongst widely recognised central issues in musical aesthetics, as well as those that have been somewhat neglected, to create a collection that covers a distinctive range of ideas. All essays cover historical origins, sources, and developments of the chosen idea, survey important musicological approaches, and offer new critical angles or musical case studies in interpretation.
Book Synopsis Aesthetics of Music by : Stephen Downes
Download or read book Aesthetics of Music written by Stephen Downes and published by Routledge. This book was released on 2014-06-27 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aesthetics of Music: Musicological Approaches is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as possible. Each essay includes musical examples from works in the 18th, 19th, and into the 20th century. Topics have been selected from amongst widely recognised central issues in musical aesthetics, as well as those that have been somewhat neglected, to create a collection that covers a distinctive range of ideas. All essays cover historical origins, sources, and developments of the chosen idea, survey important musicological approaches, and offer new critical angles or musical case studies in interpretation.
Book Synopsis The Philosophy & Aesthetics of Music by : Edward A. Lippman
Download or read book The Philosophy & Aesthetics of Music written by Edward A. Lippman and published by U of Nebraska Press. This book was released on 1999-01-01 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edward A. Lippman?s writings on musical aesthetics comprise a wide variety of areas and employ both systematic and historical approaches, reflecting throughout his unrivaled knowledge of the philosophical literature on music and his deep understanding of the musical repertory. These essays span a broad range of subjects, from the ancients? sense of what music encompasses to the experience of rhythm in Anton Webern?s work. ø Lippman surveys the physical and physiological factors that condition musical perception, and he explores the effect of sung text in vocal music. In the more purely philosophical realm, he argues persuasively that music speaks in its own terms, not in any formalistic sense but through the symbolic meanings it conveys. ø The historically focused essays include investigations of the aesthetic thinking of Wagner and Schumann, an endeavor that leads Lippman to probe the sources and drives behind musical creativity. Elsewhere he explores the development of particular musical styles. The Philosophy and Aesthetics of Music draws upon both philosophy and musicology in demonstrating how the interpretation of music extends far beyond the scope of conventional theory and analysis.
Book Synopsis African Musical Aesthetics by : John Murungi
Download or read book African Musical Aesthetics written by John Murungi and published by Cambridge Scholars Publishing. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the West, philosophy is generally confined to the domain of the intellect, and music to the domain of the emotion. This book makes either domain the location for the other. African musical aesthetics constitutes this location, and has its home in it. Moreover, since the separation of the domain of the intellect and the domain of emotion represents a bifurcation of what it is to be a human being, and by making either domain the location of the other, what African musical aesthetics accomplishes is the affirmation of a unified sense of what it is to be a human being. Accordingly, the unity of philosophy and music give rises to a unified sense of being human. It is to such unity that African musical aesthetics takes us. For African musical aesthetics to accomplish this task, this book challenges the conventional Western understanding of philosophyâ "an understanding that projects Africa as devoid of philosophy. It is this projection that pervaded Africa during the colonial period, and it is the projection that is challenged in African philosophy. From an African philosophical perspective African musical aesthetics turns out to be an emancipatory process that seeks to affirm the humanity of Africans but also a process that seeks to affirm common humanity. Music is not solely a matter of audiology, what is played, or what one dances to. It has its elemental task in calling our attention to what we are as human beings. In so far as it is sensuous, it constitutes us as members of the sensible world, and links us intrinsically to all that is sensuous. It is more than humanism. Music registers us as members of nature. It is nature naturing.
Book Synopsis The Aesthetics of Music by : Roger Scruton
Download or read book The Aesthetics of Music written by Roger Scruton and published by Oxford University Press. This book was released on 1999 with total page 553 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is music, what is its value, and what does it mean? In this stimulating volume, Roger Scruton offers a comprehensive account of the nature and significance of music from the perspective of modern philosophy. The study begins with the metaphysics of sound. Scruton 7istinguishes sound from tone; analyzes rhythm, melody, and harmony; and explores the various dimensions of musical organization and musical meaning. Taking on various fashionable theories in the philosophy and theory of music, he presents a compelling case for the moral significance of music, its place in our culture, and the need for taste and discrimination in performing and listening to it. Laying down principles for musical analysis and criticism, this bold work concludes with a theory of culture--and a devastating demolition of modern popular music. "A provocative new study."--The Guardian
Book Synopsis Philosophical Perspectives on Music by : Wayne D. Bowman
Download or read book Philosophical Perspectives on Music written by Wayne D. Bowman and published by Oxford University Press on Demand. This book was released on 1998 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: An introduction to diverse philosophical perspectives on the nature and value of music, ranging from the ancient Greeks to idealism to phenomenology to contemporary socio-cultural critiques. Designed to introduce the serious music student with no philosophical background to the vitality of music philosophical discourse, it explores a broad range of music philosophical terrain, showing the philsophers' reasons for holding what can seem to the non-philosopher like extraordinarily bizarre notions, while at the same time pointing out the philosophical shortcomings of what musicians often take for common-sense musical truths.
Book Synopsis Aesthetics in Feminist Perspective by : Hilde Hein
Download or read book Aesthetics in Feminist Perspective written by Hilde Hein and published by Indiana University Press. This book was released on 1993-09-22 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A first-rate introduction to the field, accessible to scholars working from a variety of disciplinary and theoretical perspectives. Highly recommended... " -- Choice "... offers both broad theoretical considerations and applications to specific art forms, diverse methodological perspectives, and healthy debate among the contributors.... [an] outstanding volume."Â -- Philosophy and Literature "... this volume represents an eloquent and enlightened attempt to reconceptualize the field of aesthetic theory by encouraging its tendencies toward openness, self-reflexivity and plurality." -- Discourse & Society "All of the authors challenge the traditional notion of a pure and disinterested observer that does not allow for questions of race/ethnicity, class, sexual preference, or gender." -- Signs These essays examine the intellectual traditions of the philosophy of art and aesthetics. Containing essays by scholars and by the writer Marilyn French, the collection ranges from the history of aesthetic theory to a philosophical reflection on fashion. The contributions are unified by a sustained scrutiny of the nature of "feminist," "feminine," or "female" art, creativity, and interpretation.
Book Synopsis Sensorial Aesthetics in Music Practices by : Kathleen Coessens
Download or read book Sensorial Aesthetics in Music Practices written by Kathleen Coessens and published by Leuven University Press. This book was released on 2019-07-15 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Embodied experience and sensorial understandings in Western music The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artistic practice refers to the original meaning of aesthetics—the senses. Whereas Baumgarten and Goethe explored the relationship between sensibility and reason, sensation and thinking, later philosophers of aesthetics deemed the sensorial to be confused and unreliable and instead prioritised a cognitive or objective approach. Written by authors from the fields of philosophy, composition, performance, and artistic practice, Sensorial Aesthetics in Music Practices repositions aesthetics as a domain of the sensible and explores the interaction between artists, life, and environment. Aesthetics becomes a field of sensorial and embodied experience involving temporal and spatial influences, implicit knowledge, and human characteristics. Contributors: Kathleen Coessens (Koninklijk Conservatorium Brussel, Orpheus Institute), Tim Ingold (University of Aberdeen), Michaël Levinas (Conservatoire National Supérieur de Musique de Paris), Fabien Lévy (Hochschule für Musik Detmold), Lasse Thoresen (Norwegian Academy of Music), Vanessa Tomlinson (Queensland Conservatorium of Music), Salomé Voegelin (University of the Arts London)
Book Synopsis Adorno's Aesthetics of Music by : Max Paddison
Download or read book Adorno's Aesthetics of Music written by Max Paddison and published by Cambridge University Press. This book was released on 1997-10-30 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: This introduction to the aesthetics and sociology of music of the German philosopher and music theorist T. W. Adorno is the only book to deal comprehensively with this topic and it has quickly established itself as a classic text.
Book Synopsis Adorno and Popular Music by : Colin J. Campbell
Download or read book Adorno and Popular Music written by Colin J. Campbell and published by . This book was released on 2019-11 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This book will collect Adornian contributions on different trends, genres and artists belonging to the broad and complex and in-itself-articulated field of popular music. On the occasion of the 50th anniversary of Adorno's death, the book will represent an important contribution for the international community of Adorno scholars and, additionally, for scholars of both philosophy and musicology in general, in order to assess and celebrate the persistent actuality of Adorno's contribution to the understanding of popular music in the context of the dynamics and processes of the culture industry, but also to critically rethink some of the main concepts and themes of his influential philosophy of music and thus to develop it at a further level, also intersecting it with other philosophical perspectives or adapting it when necessary to the partially changed conditions of popular music in comparison to his epoch.
Book Synopsis Contemporary Music by : Mr Max Paddison
Download or read book Contemporary Music written by Mr Max Paddison and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. Edited by Max Paddison and Irène Deliège, the book offers a wide range of international perspectives from prominent musicologists, philosophers and composers, including Célestin Deliège, Pascal Decroupet, Richard Toop, Rudolf Frisius, Alastair Williams, Herman Sabbe, François Nicolas, Marc Jimenez, Anne Boissière, Max Paddison, Hugues Dufourt, Jonathan Harvey, and new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Part I is mainly theoretical in emphasis. Issues addressed include the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake of Spectralism, debates on the 'new complexity', the heterogeneity, pluralism and stylistic omnivorousness that characterizes music in our time, and the characterization of twentieth-century and contemporary music as a 'search for lost harmony'. The orientation of Part II is mainly philosophical, examining concepts of totality and inclusivity in new music, raising questions as to what might be expected from an autonomous contemporary musical logic, and considering the problem of the survival of the avant-garde in the context of postmodernist relativism. As well as analytic philosophy and cognitive psychology, critical theory features prominently, with theories of social mediation in music, new perspectives on the concept of musical material in Adorno's late aesthetic theory, and a call for 'an aesthetics of risk' in contemporary art as a means 'to reassert the essential role of criticism, of judgment, and of evaluation as necessary conditions to bring about a real public debate on the art of today'. Part III offers creative perspectives, with new essays and interviews from important contemporary composers who have made highly significant interventions in the debates around music today, both through their compositions and through their writings on music. The contributions from Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, Wolfgang Rihm, and Jonathan Harvey, and also the opening essay of the volume by the French spectralist composer and philosopher Hugues Dufourt, address issues of chance, control, freedom, intuition, ambiguity, technology, time, and meaning in contemporary music. A concluding essay by Alastair Williams on advanced contemporary music and the Austro-German tradition post-1968 provides a postlude to the book, while the whole collection is prefaced by an extended introductory chapter by Max Paddison which provides a context of ideas, and traces many of the issues discussed back to Adorno's seminal notion of une musique informelle.
Book Synopsis Musical Aesthetics by : Jonathan L. Friedmann
Download or read book Musical Aesthetics written by Jonathan L. Friedmann and published by Cambridge Scholars Publishing. This book was released on 2018-07-27 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contains six chapters covering key areas of musical aesthetics, including aesthetics of emotions; aesthetics of listening; aesthetics of performance; aesthetics of composition; aesthetics of nature; and aesthetics of commerce. Each chapter adopts an experiential approach to aesthetics, in which perceptual and intuitive musical responses – real-time experiences – are valued as a source of truth. Unlike intellectual aesthetics, which values conscious associations and meticulous artistic appraisals, experiential aesthetics looks primarily at everyday subconscious appreciations. The explorations here draw from the social sciences, hard sciences, philosophy, literature, theology, musicology, humanities, and other fields that directly or indirectly contribute to an understanding of our attraction to music. Presenting user-friendly distillations of numerous theories, concepts, and functions, this book will be of interest to both lay readers and expert practitioners.
Book Synopsis Experiencing Music Video by : Carol Vernallis
Download or read book Experiencing Music Video written by Carol Vernallis and published by Columbia University Press. This book was released on 2004-06-16 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music videos have ranged from simple tableaux of a band playing its instruments to multimillion dollar, high-concept extravaganzas. Born of a sudden expansion in new broadcast channels, music videos continue to exert an enormous influence on popular music. They help to create an artist's identity, to affect a song's mood, to determine chart success: the music video has changed our idea of the popular song. Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from the songs they illuminate—and sell. Carol Vernallis describes how verbal, musical, and visual codes combine in music video to create defining representations of race, class, gender, sexuality, and performance. The book explores the complex interactions of narrative, settings, props, costumes, lyrics, and much more. Three chapters contain close analyses of important videos: Madonna's "Cherish," Prince's "Gett Off," and Peter Gabriel's "Mercy St."
Book Synopsis Aesthetics in Perspective by : Kathleen M. Higgins
Download or read book Aesthetics in Perspective written by Kathleen M. Higgins and published by Wadsworth Publishing Company. This book was released on 2003-08 with total page 832 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reissued for 2003! This comprehensive anthology offers a vast collection of classic and contemporary readings in aesthetics from both western and non-western sources. It is organized topically into four parts: Art and the Nature of Beauty, Interpreting and Evaluating Art, Challenges to the Tradition and Beyond the West.
Download or read book Music & Meaning written by Wilson Coker and published by . This book was released on 1972 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Bodily Expression in Electronic Music by : Deniz Peters
Download or read book Bodily Expression in Electronic Music written by Deniz Peters and published by Routledge. This book was released on 2012-02-06 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily expressivity. When, where, and what is the body expressed in electronic music then? The authors of this book reveal composers’, performers’, improvisers’ and listeners’ bodies, as well as the works’ and technologies’ figurative bodies as a rich source of expressive articulation. Bringing together humanities’ scholarship and musical arts contingent upon new media, the contributors offer inspiring thought and critical reflection for all those seriously engaged with the aesthetics of electronic music, interactive performance, and the body’s role in aesthetic experience and expression. Performativity is not only seen as being reclaimed in live electronic music, interactive arts, and installations; it is also exposed as embodied in the music and the listeners themselves.
