Nationalism and Youth in Theatre and Performance

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Author :
Publisher : Routledge
ISBN 13 : 131781200X
Total Pages : 271 pages
Book Rating : 4.3/5 (178 download)

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Book Synopsis Nationalism and Youth in Theatre and Performance by : Victoria Pettersen Lantz

Download or read book Nationalism and Youth in Theatre and Performance written by Victoria Pettersen Lantz and published by Routledge. This book was released on 2014-07-11 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nationalism and Youth in Theatre and Performance explores how children and young people fit into national political theatre and, moreover, how youth enact interrogative, patriotic, and/or antagonistic performances as they develop their own relationship with nationhood. Children are often seen as excluded from public discourse or political action. However, this idea of exclusion is false both because adults place children at the center of political debates (with the rhetoric of future generations) and because children actively insert themselves into public discourse. Whether performing a national anthem for visiting heads of state, creating a school play about a country’s birth, or marching in protest of a change in public policy, young people use theatre and performance as a means of publicly staking a claim in national politics, directly engaging with ideas of nationalism around the world. This collection explores the issues of how children fit into national discourse on international stages. The authors focus on national performances by/for/with youth and examine a wide range of performances from across the globe, from parades and protests to devised and traditional theatre. Nationalism and Youth in Theatre and Performance rethinks how national performance is defined and offers previously unexplored historical and theoretical discussions of political youth performance.

Play, Performance, and Identity

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Author :
Publisher : Routledge
ISBN 13 : 1317703235
Total Pages : 185 pages
Book Rating : 4.3/5 (177 download)

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Book Synopsis Play, Performance, and Identity by : Matt Omasta

Download or read book Play, Performance, and Identity written by Matt Omasta and published by Routledge. This book was released on 2015-02-11 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: Play helps define who we are as human beings. However, many of the leisurely/ludic activities people participate in are created and governed by corporate entities with social, political, and business agendas. As such, it is critical that scholars understand and explicate the ideological underpinnings of played-through experiences and how they affect the player/performers who engage in them. This book explores how people play and why their play matters, with a particular interest in how ludic experiences are often constructed and controlled by the interests of institutions, including corporations, non-profit organizations, government agencies, religious organizations, and non-governmental organizations (NGOs). Each chapter explores diverse sites of play. From theme parks to comic conventions to massively-multiplayer online games, they probe what roles the designers of these experiences construct for players, and how such play might affect participants' identities and ideologies. Scholars of performance studies, leisure studies, media studies and sociology will find this book an essential reference when studying facets of play.

Theatre and Learning

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443882054
Total Pages : 255 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Theatre and Learning by : Art Babayants

Download or read book Theatre and Learning written by Art Babayants and published by Cambridge Scholars Publishing. This book was released on 2015-09-04 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: As early as Plato, theorists acknowledged the power of theatre as a way of teaching young minds. Similarly, starting with Plato, philosophers occasionally adopted an anti-theatrical stance, worried by the “dangers” theatre posed to society. The relationships between learning and theatre have never been seen as straightforward, obvious, or without contradictions. This volume investigates the complexity of the intersection of theatre and learning, addressing both the theoretical and practical aspects of it. In three sections—Reflecting, Risking, and Re-imagining—theatre researchers, education scholars, theatre practitioners consider the tensions, frictions and failures that make learning through theatre, in theatre and about theatre interesting, engaging, and challenging. Loosely based on the proceedings from the 20th Festival of Original Theatre (F.O.O.T.), which took place in February 2012 at the University of Toronto, this book contains academic articles and interviews, as well as position, reflection and provocation papers from both established researchers in the field of Applied Theatre, such as Professor Helen Nicholson and Professor Kathleen Gallagher, as well as experienced and emergent scholars in Education, Theatre, Dance and Performance Studies. It also introduces the unorthodox work of the pre-eminent Swedish director and inventor of Babydrama, Suzanne Osten, to the academic audience. Theatre and Learning will be interesting to a wide range of audiences, such as theatre artists and students, theatre researchers and educators, and will be particularly useful for those teaching Theatre Theory and Practice, including Applied Theatre, in higher education.

Holocaust Memory and Youth Performance

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Publisher : Bloomsbury Publishing
ISBN 13 : 1350263346
Total Pages : 234 pages
Book Rating : 4.3/5 (52 download)

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Book Synopsis Holocaust Memory and Youth Performance by : Erika Hughes

Download or read book Holocaust Memory and Youth Performance written by Erika Hughes and published by Bloomsbury Publishing. This book was released on 2024-01-25 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an examination of children's and youth plays and performances about the Holocaust from Germany, Israel, and the United States, this book offers an entirely new way of looking at the vital role of youth performance in coping with the legacy of historical tragedy. As the first book-length critical examination of this subject, Holocaust Memory and Youth Performance considers plays that are produced by major theatre companies alongside performances written by young authors and pieces taken from the diaries and memoirs of those who experienced the Holocaust as children or adolescents. While youth-focused plays about the Holocaust have been in the repertories of top professional companies throughout the world for decades and continue to be performed in theatres, schools, and community centers, they are often neglected in concentrated and comparative studies of Holocaust theatre. Erika Hughes fills this gap by examining plays (including The Diary of Anne Frank and Ab heure heißt Du Sara), musicals, performances, scripts, a rock concert, a performance on Instagram, and pedagogically-focused works of applied theatre – a diverse collection of performances for young audiences that tell the stories of young people who experienced the Holocaust. Adopting Hannah Arendt's notion of natality as a powerful framework, this study examines the ways in which youth-theatre performances make a vital contribution to intergenerational witnessing and the collective memory of the Holocaust.

The Politics and Reception of Rabindranath Tagore's Drama

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Author :
Publisher : Routledge
ISBN 13 : 1317619412
Total Pages : 285 pages
Book Rating : 4.3/5 (176 download)

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Book Synopsis The Politics and Reception of Rabindranath Tagore's Drama by : Arnab Bhattacharya

Download or read book The Politics and Reception of Rabindranath Tagore's Drama written by Arnab Bhattacharya and published by Routledge. This book was released on 2014-12-05 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first volume to focus specifically on Rabindranath Tagore’s dramatic literature, visiting translations and adaptations of Tagore’s drama, and cross-cultural encounters in his works. As Asia’s first Nobel Laureate, Tagore’s highly original plays occupy a central position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education, gender and women, postcolonial encounters, romantic idealism, and universality. Tagore’s drama plays a generous host to experimentations with new performance modes, like the writing and staging of an all-women play on stage for the first time, or the use of cross-cultural styles such as Manipuri dance, Thai craft in stage design, or the Baul singing styles. This book is an exciting re-exploration of Tagore’s plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated or the non-translatable Tagore drama, Tagore drama in the 21st century, and Indian film. The volume serves as a wide-ranging and up-to-date resource on the criticism of Tagore drama, and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.

Performance and Phenomenology

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Author :
Publisher : Routledge
ISBN 13 : 1317617924
Total Pages : 263 pages
Book Rating : 4.3/5 (176 download)

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Book Synopsis Performance and Phenomenology by : Maaike Bleeker

Download or read book Performance and Phenomenology written by Maaike Bleeker and published by Routledge. This book was released on 2015-04-10 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a timely discussion about the interventions and tensions between two contested and contentious fields, performance and phenomenology, with international case studies that map an emerging twenty-first century terrain of critical and performance practice. Building on the foundational texts of both fields that established the performativity of perception and cognition, Performance and Phenomenology continues a tradition that considers experience to be the foundation of being and meaning. Acknowledging the history and critical polemics against phenomenological methodology and against performance as a field of study and category of artistic production, the volume provides both an introduction to core thinkers and an expansion on their ideas in a wide range of case studies. Whether addressing the use of dead animals in performance, actor training, the legal implications of thinking phenomenologically about how we walk, or the intertwining of digital and analog perception, each chapter explores a world comprised of embodied action and thought. The established and emerging scholars contributing to the volume develop insights central to the phenomenological tradition while expanding on the work of contemporary theorists and performers. In asking why performance and phenomenology belong in conversation together, the book suggests how they can transform each other in the process and what is at stake in this transformation.

Global Insights on Theatre Censorship

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Publisher : Routledge
ISBN 13 : 131750092X
Total Pages : 427 pages
Book Rating : 4.3/5 (175 download)

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Book Synopsis Global Insights on Theatre Censorship by : Catherine O'Leary

Download or read book Global Insights on Theatre Censorship written by Catherine O'Leary and published by Routledge. This book was released on 2017-09-19 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre has always been subject to a wide range of social, political, moral, and doctrinal controls, with authorities and social groups imposing constraints on scripts, venues, staging, acting, and reception. Focusing on a range of countries and political regimes, this book examines the many forms that theatre censorship has taken in the 20th century and continues to take in the 21st, arguing that it remains a live issue in the contemporary world. The book re-examines assumptions about prohibition and state control, and offers a more complex reading of theatre censorship as a continuum ranging from the unconscious self-censorship built into social structures and discursive practices, through bureaucratic regulation or unofficial influence, up to detention and physical violence. An international team of contributors offers an illuminating set of case studies informed by both new archival research and the first-hand experience of playwrights and directors, covering theatre censorship in areas such as Spain, Portugal, Brazil, Poland, East Germany, Nepal, Zimbabwe, the USA, Ireland, and Britain. Focusing on right-wing dictatorships, post-colonial regimes, communist systems and Western democracies, the essays analyze methods and discourses of censorship, identify the multiple agents involved, examine the responses of theatremakers, and show how each example reveals important features of its political and cultural contexts. Expanding understanding of the nature and effects of censorship, this volume affirms the power of theatre to challenge authorized discourses and makes a timely contribution to debates about freedom of expression through performance.

The Performance of Nationalism

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1107000106
Total Pages : 273 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis The Performance of Nationalism by : Jisha Menon

Download or read book The Performance of Nationalism written by Jisha Menon and published by Cambridge University Press. This book was released on 2013 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jisha Menon's book explores the mimetic relationships between history and political performance and between India and Pakistan.

Performance and the Disney Theme Park Experience

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Author :
Publisher : Springer Nature
ISBN 13 : 303029322X
Total Pages : 295 pages
Book Rating : 4.0/5 (32 download)

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Book Synopsis Performance and the Disney Theme Park Experience by : Jennifer A. Kokai

Download or read book Performance and the Disney Theme Park Experience written by Jennifer A. Kokai and published by Springer Nature. This book was released on 2019-11-27 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses Disney parks using performance theory. Few to no scholars have done this to date—an enormous oversight given the Disney parks’ similarities to immersive theatre, interpolation of guests, and dramaturgical construction of attractions. Most scholars and critics deny agency to the tourist in their engagement with the Disney theme park experience. The vast body of research and journalism on the Disney “Imagineers”—the designers and storytellers who construct the park experience—leads to the misconception that these exceptional artists puppeteer every aspect of the guest’s experience. Contrary to this assumption, Disney park guests find a range of possible reading strategies when they enter the space. Certainly Disney presents a primary reading, but generations of critical theory have established the variety of reading strategies that interpreters can employ to read against the text. This volume of twelve essays re-centers the park experience around its protagonist: the tourist.

Theatre, Exhibition, and Curation

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Publisher : Routledge
ISBN 13 : 1317564804
Total Pages : 226 pages
Book Rating : 4.3/5 (175 download)

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Book Synopsis Theatre, Exhibition, and Curation by : Georgina Guy

Download or read book Theatre, Exhibition, and Curation written by Georgina Guy and published by Routledge. This book was released on 2016-04-20 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art. Moving beyond the exhibition of immaterial art and its documents, as well as re-enactment in gallery contexts, Guy's book articulates an emerging field of arts practice distinct from but related to increasing curatorial provision for ‘live’ performance. Drawing on a recent proliferation of object-centric events of display that interconnect with theatre, the book approaches artworks in terms of their curation together and re-theorizes the exhibition as a dynamic context in which established traditions of display and performance interact. By examining the current traffic of ideas and aesthetics moving between theatricality and curatorial practice, the study reveals how the reception of a specific form is often mediated via the ontological expectations of another. It asks how contemporary visual arts and exhibition practices display performance and what it means to generalize the ‘theatrical’ as the optic or directive of a curatorial concept. Proposing a symbiotic relation between theatricality and display, Guy presents cases from international arts institutions which are both displayed and performed, including the Tate Modern and the Guggenheim, and assesses their significance to the enduring relation between theatre and the visual arts. The book progresses from the conventional alignment of theatricality and ephemerality within performance research and teases out a new temporality for performance with which contemporary exhibitions implicitly experiment, thereby identifying supplementary modes of performance which other discourses exclude. This important study joins the fields of Theatre and Performance Studies with exciting new directions in curation, aesthetics, sociology of the arts, visual arts, the creative industries, the digital humanities, cultural heritage, and reception and audience theories.

Rewriting Narratives in Egyptian Theatre

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Publisher : Routledge
ISBN 13 : 1317368266
Total Pages : 326 pages
Book Rating : 4.3/5 (173 download)

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Book Synopsis Rewriting Narratives in Egyptian Theatre by : Sirkku Aaltonen

Download or read book Rewriting Narratives in Egyptian Theatre written by Sirkku Aaltonen and published by Routledge. This book was released on 2016-03-31 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of Egyptian theatre and its narrative construction explores the ways representations of Egypt are created of and within theatrical means, from the 19th century to the present day. Essays address the narratives that structure theatrical, textual, and performative representations and the ways the rewriting process has varied in different contexts and at different times. Drawing on concepts from Theatre and Performance Studies, Translation Studies, Cultural Studies, Postcolonial Studies, and Diaspora Studies, scholars and practitioners from Egypt and the West enter into dialogue with one another, expanding understanding of the different fields. The articles focus on the ways theatre texts and performances change (are rewritten) when crossing borders between different worlds. The concept of rewriting is seen to include translation, transformation, and reconstruction, and the different borders may be cultural and national, between languages and dramaturgies, or borders that are present in people’s everyday lives. Essays consider how rewritings and performances cross borders from one culture, nation, country, and language to another. They also study the process of rewriting, the resulting representations of foreign plays on stage, and representations of the Egyptian revolution on stage and in Tahrir Square. This assessment of the relationship between theatre practices, exchanges, and rewritings in Egyptian theatre brings vital coverage to an undervisited area and will be of interest to developments in theatre translation and beyond.

Historical Affects and the Early Modern Theater

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Publisher : Routledge
ISBN 13 : 1317690702
Total Pages : 273 pages
Book Rating : 4.3/5 (176 download)

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Book Synopsis Historical Affects and the Early Modern Theater by : Ronda Arab

Download or read book Historical Affects and the Early Modern Theater written by Ronda Arab and published by Routledge. This book was released on 2015-05-15 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored. This volume brings together these lines of inquiry for the first time, exploring the critical turn to affect in literary studies from a historicist perspective to demonstrate how the early modern theater showcased the productive interconnections between historical contingencies and affective attachments. Considering well-known plays such as Shakespeare’s Antony and Cleopatra and Thomas Dekker’s The Shoemaker’s Holiday together with understudied texts such as court entertainments, and examining topics ranging from dramatic celebrity to women’s political agency to the parental emotion of grief, this volume provides a fresh and at times provocative assessment of the "historical affects"—financial, emotional, and socio-political—that transformed Renaissance theater. Instead of treating history and affect as mutually exclusive theoretical or philosophical contexts, the essays in this volume ask readers to consider how drama emplaces the most personal, unspeakable passions in matrices defined in part by financial exchange, by erotic desire, by gender, by the material body, and by theatricality itself. As it encourages this conversation to take place, the collection provides scholars and students alike with a series of new perspectives, not only on the plays, emotions, and histories discussed in its pages, but also on broader shifts and pressures animating literary studies today.

Food and Theatre on the World Stage

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Author :
Publisher : Routledge
ISBN 13 : 1317618025
Total Pages : 303 pages
Book Rating : 4.3/5 (176 download)

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Book Synopsis Food and Theatre on the World Stage by : Dorothy Chansky

Download or read book Food and Theatre on the World Stage written by Dorothy Chansky and published by Routledge. This book was released on 2015-06-12 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Putting food and theatre into direct conversation, this volume focuses on how food and theatre have operated for centuries as partners in the performative, symbolic, and literary making of meaning. Through case studies, literary analyses, and performance critiques, contributors examine theatrical work from China, Japan, India, Greece, Italy, France, Germany, England, the United States, Chile, Argentina, and Zimbabwe, addressing work from classical, popular, and contemporary theatre practices. The investigation of uses of food across media and artistic genres is a burgeoning area of scholarly investigation, yet regarding representation and symbolism, literature and film have received more attention than theatre, while performance studies scholars have taken the lead in examining the performative aspects of food events. This collection looks across dramatic genres, historical periods, and cultural contexts, and at food in all of its socio-political, material complexity to examine the particular problems and potentials of invoking and using food in live theatre. The volume considers food as a transhistorical, global phenomenon across theatre genres, addressing the explosion of food studies at the end of the twentieth century that has shown how food is a crucial aspect of cultural identity.

Performing Asian Transnationalisms

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Publisher : Routledge
ISBN 13 : 1135010331
Total Pages : 268 pages
Book Rating : 4.1/5 (35 download)

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Book Synopsis Performing Asian Transnationalisms by : Amanda Rogers

Download or read book Performing Asian Transnationalisms written by Amanda Rogers and published by Routledge. This book was released on 2014-09-19 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book makes a significant contribution to interdisciplinary engagements between Theatre Studies and Cultural Geography in its analysis of how theatre articulates transnational geographies of Asian culture and identity. Deploying a geographical approach to transnational culture, Rogers analyses the cross-border relationships that exist within and between Asian American, British East Asian, and South East Asian theatres, investigating the effect of transnationalism on the construction of identity, the development of creative praxis, and the reception of works in different social fields. This book therefore examines how practitioners engage with one another across borders, and details the cross-cultural performances, creative opportunities, and political alliances that result. By viewing ethnic minority theatres as part of global — rather than simply national — cultural fields, Rogers argues that transnational relationships take multiple forms and have varying impetuses that cannot always be equated to diasporic longing for a homeland or as strategically motivated for economic gain. This argument is developed through a series of chapters that examine how different transnational spatialities are produced and re-worked through the practice of theatre making, drawing upon an analysis of rehearsals, performances, festivals, and semi-structured interviews with practitioners. The book extends existing discussions of performance and globalization, particularly through its focus on the multiplicity of transnational spatiality and the networks between English-language Asian theatres. Its analysis of spatially extensive relations also contributes to an emerging body of research on creative geographies by situating theatrical praxis in relation to cross-border flows. Performing Asian Transnationalisms demonstrates how performances reflect and rework conventional transnational geographies in imaginative and innovative ways.

Mainstream AIDS Theatre, the Media, and Gay Civil Rights

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Author :
Publisher : Routledge
ISBN 13 : 1317376501
Total Pages : 210 pages
Book Rating : 4.3/5 (173 download)

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Book Synopsis Mainstream AIDS Theatre, the Media, and Gay Civil Rights by : Jacob Juntunen

Download or read book Mainstream AIDS Theatre, the Media, and Gay Civil Rights written by Jacob Juntunen and published by Routledge. This book was released on 2016-01-29 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book demonstrates the political potential of mainstream theatre in the US at the end of the twentieth century, tracing ideological change over time in the reception of US mainstream plays taking HIV/AIDS as their topic from 1985 to 2000. This is the first study to combine the topics of the politics of performance, LGBT theatre, and mainstream theatre’s political potential, a juxtaposition that shows how radical ideas become mainstream, that is, how the dominant ideology changes. Using materialist semiotics and extensive archival research, Juntunen delineates the cultural history of four pivotal productions from that period—Larry Kramer’s The Normal Heart (1985), Tony Kushner’s Angels in America (1992), Jonathan Larson’s Rent (1996), and Moises Kaufman’s The Laramie Project (2000). Examining the connection between AIDS, mainstream theatre, and the media reveals key systems at work in ideological change over time during a deadly epidemic whose effects changed the nation forever. Employing media theory alongside nationalism studies and utilizing dozens of reviews for each case study, the volume demonstrates that reviews are valuable evidence of how a production was hailed by society’s ideological gatekeepers. Mixing this new use of reviews alongside textual analysis and material study—such as the theaters’ locations, architectures, merchandise, program notes, and advertising—creates an uncommonly rich description of these productions and their ideological effects. This book will be of interest to scholars and students of theatre, politics, media studies, queer theory, and US history, and to those with an interest in gay civil rights, one of the most successful social movements of the late twentieth century.

Representing China on the Historical London Stage

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Publisher : Routledge
ISBN 13 : 1135007519
Total Pages : 216 pages
Book Rating : 4.1/5 (35 download)

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Book Synopsis Representing China on the Historical London Stage by : Dongshin Chang

Download or read book Representing China on the Historical London Stage written by Dongshin Chang and published by Routledge. This book was released on 2015-02-11 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.

Russian Theatre in Practice

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 1474284442
Total Pages : 297 pages
Book Rating : 4.4/5 (742 download)

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Book Synopsis Russian Theatre in Practice by : Amy Skinner

Download or read book Russian Theatre in Practice written by Amy Skinner and published by Bloomsbury Publishing. This book was released on 2019-04-18 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world. This edited volume introduces students and practitioners alike to the innovations of Russia's directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director's Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice. The full range of the director's role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings. Through their ground-breaking ideas and techniques, Russia's directors still demand our attention, and in this volume they come to life as a powerful resource for today's theatre makers.