Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
Download Mystifying Movies full books in PDF, epub, and Kindle. Read online Mystifying Movies ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author : Noël Carroll
Publisher :
ISBN 13 : 9780231059558
Total Pages : 262 pages
Book Rating : 4.0/5 (595 download)
Download or read book Mystifying Movies written by Noël Carroll and published by . This book was released on 1988 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Nitzan Ben-Shaul
Publisher : Berg
ISBN 13 : 1847883702
Total Pages : 168 pages
Book Rating : 4.8/5 (478 download)
Download or read book Film written by Nitzan Ben-Shaul and published by Berg. This book was released on 2007-01-01 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film: The Key Concepts presents a coherent, clear and exciting overview of film theory for beginning readers. The book takes the reader through the often conflicting analyses that make up film theory, illustrating arguments with examples from mainstream and independent films. Concise and comprehensive, the book guides the reader through realism, formalism, structuralism, semiotics, Marxism, psychoanalysis, feminism, cognitivism, post-colonialism, postmodernism, gender and queer film theory, stardom and film audience research. The book as a whole provides a complete overview of the evolution of film theory. Throughout, the analysis is illustrated with lively boxed studies of key mainstream and independent films. Bulleted chapter summaries, questions and guides to further reading are also provided.
Author : Warren Buckland
Publisher : Cambridge University Press
ISBN 13 : 1139429957
Total Pages : 182 pages
Book Rating : 4.1/5 (394 download)
Download or read book The Cognitive Semiotics of Film written by Warren Buckland and published by Cambridge University Press. This book was released on 2000-05-29 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies.
Author : Robert Sinnerbrink
Publisher : Bloomsbury Publishing
ISBN 13 : 1441146199
Total Pages : 258 pages
Book Rating : 4.4/5 (411 download)
Download or read book New Philosophies of Film written by Robert Sinnerbrink and published by Bloomsbury Publishing. This book was released on 2011-10-13 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a critical exploration of analytic and Continental philosophies of film, which puts film-philosophy into practice with detailed discussions of three filmmakers. The book includes philosophical readings of three key contemporary filmmakers: Malick, Lynch and Von Trier. It also features links to online resources, guides to further reading and a filmography.
Author : Robert K. Elder
Publisher : Chicago Review Press
ISBN 13 : 1569768285
Total Pages : 305 pages
Book Rating : 4.5/5 (697 download)
Download or read book The Film That Changed My Life written by Robert K. Elder and published by Chicago Review Press. This book was released on 2011-01-01 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The movie that inspired filmmakers to direct is like the atomic bomb that went off before their eyes. The Film That Changed My Life captures that epiphany. It explores 30 directors' love of a film they saw at a particularly formative moment, how it influenced their own works, and how it made them think differently. Rebel Without a Cause inspired John Woo to comb his hair and talk like James Dean. For Richard Linklater, “something was simmering in me, but Raging Bull brought it to a boil.” Apocalypse Now inspired Danny Boyle to make larger-than-life films. A single line from The Wizard of Oz--“Who could ever have thought a good little girl like you could destroy all my beautiful wickedness?”--had a direct impact on John Waters. “That line inspired my life,” Waters says. “I sometimes say it to myself before I go to sleep, like a prayer.” In this volume, directors as diverse as John Woo, Peter Bogdanovich, Michel Gondry, and Kevin Smith examine classic movies that inspired them to tell stories. Here are 30 inspired and inspiring discussions of classic films that shaped the careers of today's directors and, in turn, cinema history.
Author : Christian Quendler
Publisher : Taylor & Francis
ISBN 13 : 1317434196
Total Pages : 263 pages
Book Rating : 4.3/5 (174 download)
Download or read book The Camera-Eye Metaphor in Cinema written by Christian Quendler and published by Taylor & Francis. This book was released on 2016-11-18 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?
Author : Nitzan Ben Shaul
Publisher : BRILL
ISBN 13 : 9401206295
Total Pages : 95 pages
Book Rating : 4.4/5 (12 download)
Download or read book Hyper-Narrative Interactive Cinema written by Nitzan Ben Shaul and published by BRILL. This book was released on 2008-01-01 with total page 95 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hyper narrative interactive cinema refers to the possibility for users or “interactors” to shift at different points in an evolving film narrative to other film narrative trajectories. Such works have resulted so far in interactor distraction rather than sustained engagement. Contrary to post-modern textual and cognitive presumptions, film immersion and computer game theories, this study uses dual coding theory, cognitive load theory, and constructivist narrative film theory to claim that interactive hyper-narrative distraction results from cognitive and behavioral multi-tasking, which lead to split attention problems that cannot be cognitively handled. Focus is upon split attention resulting from the non-critical use of de-centered and non-cohering hyper-narrative and audio-visual formations, and from interaction. For hyper-narrative interactive cinema to sustain deep engagement, multi-tasking split attention problems inhering in such computer-based works have to be managed, and – most importantly - made to enhance rather than reduce engagement. This book outlines some viable solutions to construct deep cognitive-emotional engagement of interactors with hyper-narrative interactive cinema.
Author : Scott C. Richmond
Publisher : U of Minnesota Press
ISBN 13 : 145295187X
Total Pages : 274 pages
Book Rating : 4.4/5 (529 download)
Download or read book Cinema's Bodily Illusions written by Scott C. Richmond and published by U of Minnesota Press. This book was released on 2016-10-15 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Do contemporary big-budget blockbuster films like Gravity move something in us that is fundamentally the same as what avant-garde and experimental films have done for more than a century? In a powerful challenge to mainstream film theory, Cinema’s Bodily Illusions demonstrates that this is the case. Scott C. Richmond bridges genres and periods by focusing, most palpably, on cinema’s power to evoke illusions: feeling like you’re flying through space, experiencing 3D without glasses, or even hallucinating. He argues that cinema is, first and foremost, a technology to modulate perception. He presents a theory of cinema as a proprioceptive technology: cinema becomes art by modulating viewers’ embodied sense of space. It works primarily not at the level of the intellect but at the level of the body. Richmond develops his theory through examples of direct perceptual illusion in cinema: hallucinatory flicker phenomena in Tony Conrad’s The Flicker, eerie depth effects in Marcel Duchamp’s Anémic Cinéma, the illusion of bodily movement through onscreen space in Stanley Kubrick’s 2001, Godfrey Reggio’s Koyaanisqatsi, and Alfonso Cuarón’s Gravity. In doing so he combines insights from Maurice Merleau-Ponty’s phenomenology of perception and James J. Gibson’s ecological approach to perception. The result is his distinctive ecological phenomenology, which allows us to refocus on the cinema’s perceptual, rather than representational, power. Arguing against modernist habits of mind in film theory and aesthetics, and the attendant proclamations of cinema’s death or irrelevance, Richmond demonstrates that cinema’s proprioceptive aesthetics make it an urgent site of contemporary inquiry.
Author : M. O'Pray
Publisher : Springer
ISBN 13 : 0230535771
Total Pages : 262 pages
Book Rating : 4.2/5 (35 download)
Download or read book Film, Form and Phantasy written by M. O'Pray and published by Springer. This book was released on 2004-08-05 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the ideas of the neglected English aesthetician and art historian, Adrian Stokes. Stokes's Kleinian-based concepts of carving and modelling are analysed in relation to film, arguing that they replace the traditional notions of realism and montage in film theory and provide a set of aesthetics which encompasses mainstream and 'art' cinema. This Kleinian psychoanalytic approach is offered to the films of Eisenstein, Rossellini, Hitchcock and others.
Author : Vera Dika
Publisher : Cambridge University Press
ISBN 13 : 9780521016315
Total Pages : 258 pages
Book Rating : 4.0/5 (163 download)
Download or read book Recycled Culture in Contemporary Art and Film written by Vera Dika and published by Cambridge University Press. This book was released on 2003-06-09 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One from the Heart. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.
Author : Mathew Abbott
Publisher : Edinburgh University Press
ISBN 13 : 1474404677
Total Pages : 176 pages
Book Rating : 4.4/5 (744 download)
Download or read book Abbas Kiarostami and Film-Philosophy written by Mathew Abbott and published by Edinburgh University Press. This book was released on 2016-10-27 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: A deflationary, anti-theoretical film-philosophy through the cinema of Abbas KiarostamiMathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostamis films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work.Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, NoAl Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostamis most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy and Like Someone in Love.
Author :
Publisher :
ISBN 13 :
Total Pages : 1288 pages
Book Rating : 4.:/5 (31 download)
Download or read book Electrical Experimenter written by and published by . This book was released on 1924 with total page 1288 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Timothy Corrigan
Publisher : Macmillan
ISBN 13 : 0312681704
Total Pages : 548 pages
Book Rating : 4.3/5 (126 download)
Download or read book The Film Experience written by Timothy Corrigan and published by Macmillan. This book was released on 2012-01-03 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A comprehensive introduction to film that recognizes students as movie fans and helps them understand the art form's full scope. The authors situate their strong coverage of the medium's formal elements within the larger cultural contexts that inform the ways we watch film, from economics and exhibition to marketing and the star system." -- Blackwells.
Author : Robert Lapsley
Publisher : Manchester University Press
ISBN 13 : 1526185857
Total Pages : 334 pages
Book Rating : 4.5/5 (261 download)
Download or read book Film theory written by Robert Lapsley and published by Manchester University Press. This book was released on 2024-07-30 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film theory: an introduction offers a highly readable account of film theory and is an indispensable resource for students. The discussion ranges from the late 1960s to the present, a period in which a number of conceptual strands, notably politics, semiotics and psychoanalysis were woven together in an ambitious synthesis. In this book, the authors chart the construction of this synthesis and its subsequent fragmentation, and clearly explain the various intellectual currents which have contributed to it. Divided into two parts, the first covers the conceptual background of film theory, dealing with historical materialism, semiotics and psychoanalysis, whilst in the second the authors concentrate on particular topics such as authorship, narrative, realism, the avant-garde and postmodernism. For this new edition, the authors have added a new foreword, a fully updated and expanded bibliography, and a 60-page Retrospect outlining developments within film theory since the book’s original publication in 1988. This Retrospect identifies a number of broad readings of Theory, each with a different perspective on the main content of the book. As such, it provides a new and original mapping of the ‘post-theory’ moment in this complex and often fractured terrain. Accessible and authoritative, this book is essential reading for students of film theory, or indeed anyone seeking a deeper understanding of modern cinema.
Author : Graeme Turner
Publisher : Psychology Press
ISBN 13 : 0415252814
Total Pages : 550 pages
Book Rating : 4.4/5 (152 download)
Download or read book The Film Cultures Reader written by Graeme Turner and published by Psychology Press. This book was released on 2002 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon.
Author : Felicity Colman
Publisher : Columbia University Press
ISBN 13 : 0231169736
Total Pages : 146 pages
Book Rating : 4.2/5 (311 download)
Download or read book Film Theory written by Felicity Colman and published by Columbia University Press. This book was released on 2014-06-14 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Theory addresses the core concepts and arguments created or used by academics, critical film theorists, and filmmakers, including the work of Dudley Andrew, Raymond Bellour, Mary Ann Doane, Miriam Hansen, bell hooks, Siegfried Kracauer, Raul Ruiz, P. Adams Sitney, Bernard Stiegler, and Pier Paolo Pasolini. This volume takes the position that film theory is a form of writing that produces a unique cinematic grammar; and like all grammars, it forms part of the system of rules that govern a language, and is thus applicable to wider range of media forms. In their creation of authorial trends, identification of the technology of cinema as a creative force, and production of films as aesthetic markers, film theories contribute an epistemological resource that connects the technologies of filmmaking and film composition. This book explores these connections through film theorisations of processes of the diagrammatisation (the systems, methodologies, concepts, histories) of cinematic matters of the filmic world.
Author : Simon Frith
Publisher : Harvard University Press
ISBN 13 : 0674247310
Total Pages : 363 pages
Book Rating : 4.6/5 (742 download)
Download or read book Performing Rites written by Simon Frith and published by Harvard University Press. This book was released on 1998-02-06 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of popular aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's "for real"--these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgments but also demanding them, and shaping our understanding of what all music means.
