Musical Modernism And German Cinema From 1913 To 1933

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Musical Modernism and German Cinema from 1913 to 1933

Author : Francesco Finocchiaro
Publisher : Springer
ISBN 13 : 3319582623
Total Pages : 259 pages
Book Rating : 4.3/5 (195 download)

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Book Synopsis Musical Modernism and German Cinema from 1913 to 1933 by : Francesco Finocchiaro

Download or read book Musical Modernism and German Cinema from 1913 to 1933 written by Francesco Finocchiaro and published by Springer. This book was released on 2017-12-16 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the relationship between musical Modernism and German cinema. It paves the way for anunorthodox path of research, one which has been little explored up until now. The main figures of musical Modernism, from Alban Berg to Paul Hindemith, and from Richard Strauss to Kurt Weill, actually had a significant relationship with cinema. True, it was a complex and contradictory relationship in which cinema often emerged more as an aesthetic point of reference than an objective reality; nonetheless, the reception of the language and aesthetic of cinema had significant influence on the domain of music. Between 1913 and 1933, Modernist composers’ exploration of cinema reached such a degree of pervasiveness and consistency as to become a true aesthetic paradigm, a paradigm that sat at the very heart of the Modernist project. In this insightful volume, Finocchiaro shows that the creative confrontation with the avant-garde medium par excellence can be regarded as a vector of musical Modernism: a new aesthetic paradigm for the very process – of deliberate misinterpretation, creative revisionism, and sometimes even intentional subversion of the Classic-Romantic tradition – which realized the “dream of Otherness” of the Modernist generation.

Historical Dictionary of Modern and Contemporary Classical Music

Author : Nicole V. Gagné
Publisher : Rowman & Littlefield
ISBN 13 : 1538122987
Total Pages : 545 pages
Book Rating : 4.5/5 (381 download)

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Book Synopsis Historical Dictionary of Modern and Contemporary Classical Music by : Nicole V. Gagné

Download or read book Historical Dictionary of Modern and Contemporary Classical Music written by Nicole V. Gagné and published by Rowman & Littlefield. This book was released on 2019-07-17 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contemporary music scene thus embodies a uniquely broad spectrum of activity, which has grown and changed down to the present hour. With new talents emerging and different technologies developing as we move further into the 21st century, no one can predict what paths music will take next. All we can be certain of is that the inspiration and originality that make music live will continue to bring awe, delight, fascination, and beauty to the people who listen to it. This book cover modernist and postmodern concert music worldwide from the years 1888 to 2018. This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music worldwide, from 1888 to 2018. This book is an excellent resource for students, researchers, and anyone wanting to know more about modern and contemporary classical music.

Historical Dictionary of German Cinema

Author : Robert C. Reimer
Publisher : Rowman & Littlefield
ISBN 13 : 1538119404
Total Pages : 547 pages
Book Rating : 4.5/5 (381 download)

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Book Synopsis Historical Dictionary of German Cinema by : Robert C. Reimer

Download or read book Historical Dictionary of German Cinema written by Robert C. Reimer and published by Rowman & Littlefield. This book was released on 2019-07-15 with total page 547 pages. Available in PDF, EPUB and Kindle. Book excerpt: The History of German film is diverse and multi-faceted. This volume can only suggest the richness of a film tradition that includes five distinct German governments [Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany (West Germany), and the German Democratic Republic (East Germany), s well as a reunited Germany], two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as and the natural inclination of artists to rebel and create new styles, allow for construction of a narrative of German film. Disjuncture generates distinct points of separation, and yet also highlights continuities between the ruptures. This second edition of Historical Dictionary of German Cinema contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. This book is an excellent resource for students, researchers, and anyone wanting to know more about German cinema.

Seeing Through Music

Author : Peter Franklin
Publisher : Oxford University Press
ISBN 13 : 0199874638
Total Pages : 208 pages
Book Rating : 4.1/5 (998 download)

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Book Synopsis Seeing Through Music by : Peter Franklin

Download or read book Seeing Through Music written by Peter Franklin and published by Oxford University Press. This book was released on 2011-07-29 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood film music is often mocked as a disreputably 'applied' branch of the art of composition that lacks both the seriousness and the quality of the classical or late-romantic concert and operatic music from which it derives. Its composers in the 1930s and '40s were themselves often scornful of it and aspired to produce more 'serious' works that would enhance their artistic reputation. In fact the criticism of film music as slavishly descriptive or manipulatively over-emotional has a history that is older than film - it had even been directed at the relatively popular operatic and concert music written by some of the ?migr? Hollywood composers themselves before they had left Europe. There, as subsequently in America, such criticism was promoted by the developing project of Modernism, whose often high-minded opposition to mass culture used polarizing language that drew, intentionally or not, upon that of gender difference. Regressive, late-romantic music, the old argument ran, was -- as women were believed to be -- emotional, irrational, and lacking in logic. This book seeks to level the critical playing field between film music and "serious music," reflecting upon gender-related ideas about music and modernism as much as about film. Peter Franklin broaches the possibility of a history of twentieth-century music that would include, rather than marginalize, film music -- and, indeed, the scores of a number of the major Hollywood movies discussed here, like The Bride of Frankenstein, King Kong, Rebecca, Gone With The Wind, Citizen Kane and Psycho. In doing so, he brings more detailed music-historical knowledge to bear upon cinema music, often discussed as a unique and special product of film, and also offers conclusions about the problematic aspects of musical modernism and some arguably liberating aspects of "late-romanticism."

Paul Bekker's Musical Ethics

Author : Nanette Nielsen
Publisher : Routledge
ISBN 13 : 1317082982
Total Pages : 242 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Paul Bekker's Musical Ethics by : Nanette Nielsen

Download or read book Paul Bekker's Musical Ethics written by Nanette Nielsen and published by Routledge. This book was released on 2017-10-05 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: German music critic and opera producer Paul Bekker (1882–1937) is a rare example of a critic granted the opportunity to turn his ideas into practice. In this first full-length study of Bekker in English, Nanette Nielsen investigates Bekker's theory and practice in light of ethics and aesthetics, in order to uncover the ways in which these intersect in his work and contributed to the cultural and political landscape of the Weimar Republic. By linking Beethoven's music to issues of freedom and individuality, as he argues for its potential to unify the masses, Bekker had already in 1911 begun to construct the ethical framework for his musical sociology and opera aesthetics. Nielsen discusses some of the complex (and conflicting) layers of modernism and conservatism in Bekker that would have a continued presence in his work and its reception throughout his career. Bekker's demands for a 'practical ethics' led to his criticisms of metaphysically grounded approaches to aesthetics, and his ethical views are put into further relief in a sketch of the development of his music phenomenology in the 1920s. Nielsen unravels the complex intersections between Bekker's ethics and his opera aesthetics in connection with his practice as an Intendant at the Wiesbaden State Theatre (1927–1932), offering a critical reading of an opera staged during his tenure: Hugo Herrmann’s Vasantasena (1930). Further works are considered in light of the theoretical framework underpinning the book, inspired by several intersections between ethics and aesthetics encountered in Bekker's work.

Catholicism, Popular Culture, and the Arts in Germany, 1880-1933

Author : Margaret Stieg Dalton
Publisher :
ISBN 13 :
Total Pages : 398 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Catholicism, Popular Culture, and the Arts in Germany, 1880-1933 by : Margaret Stieg Dalton

Download or read book Catholicism, Popular Culture, and the Arts in Germany, 1880-1933 written by Margaret Stieg Dalton and published by . This book was released on 2005 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Margaret Stieg Dalton offers a comprehensive study of the German Catholic cultural movement that lasted from the late nineteenth century until 1933. Rapidly advancing industrialization, higher literacy rates, rising real income, and increased leisure time created a demand for intellectually accessible entertainment. Technological developments gave rise not only to new forms of entertainment, but also to the means by which they were marketed and disseminated. high culture. Dalton's book examines the encounter of clergy and lay Catholics with both high culture and popular culture in Germany. German Catholic culture was more than the product of an individual who happened to be Catholic; it was intellectual and artistic activity with a specifically Catholic stamp, a unique blend that offered distinctive variants of art, literature, and music. In response to the predominant Protestant, nationalistic culture, German Catholics attempted to create an alternative cultural universe that would insulate them from a world that seemed to threaten their faith. and other Germans tried to determine to what extent the new world could be accepted while still holding on to traditional values. Catholicism, Popular Culture, and the Arts in Germany, 1880-1933 will be welcomed by anyone interested in European intellectual and cultural history.

Destination London

Author : Tim Bergfelder
Publisher : Berghahn Books
ISBN 13 : 9781845455323
Total Pages : 284 pages
Book Rating : 4.4/5 (553 download)

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Book Synopsis Destination London by : Tim Bergfelder

Download or read book Destination London written by Tim Bergfelder and published by Berghahn Books. This book was released on 2008 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The legacy of emigrés in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance. Focusing on areas such as exile, genre, technological transfer, professional training and education, cross-cultural exchange and representation, it begins by mapping the reasons for this neglect before examining the contributions made to British cinema by emigré directors, actors, screenwriters, cinematographers, set designers, and composers. It goes on to assess the cultural and economic contexts of transnational industry collaborations in the 1920s, artistic cosmopolitanism in the 1930s, and anti-Nazi propaganda in the 1940s.

Early British Animation

Author : Malcolm Cook
Publisher : Springer
ISBN 13 : 3319734296
Total Pages : 282 pages
Book Rating : 4.3/5 (197 download)

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Book Synopsis Early British Animation by : Malcolm Cook

Download or read book Early British Animation written by Malcolm Cook and published by Springer. This book was released on 2018-05-04 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first history of British animated cartoons, from the earliest period of cinema in the 1890s up to the late 1920s. In this period cartoonists and performers from earlier traditions of print and stage entertainment came to film to expand their artistic practice, bringing with them a range of techniques and ideas that shaped the development of British animation. These were commercial rather than avant-garde artists, but they nevertheless saw the new medium of cinema as offering the potential to engage with modern concerns of the early 20th century, be it the political and human turmoil of the First World War or new freedoms of the 1920s. Cook’s examination and reassessment of these films and their histories reveals their close attention and play with the way audiences saw the world. As such, this book offers new insight into the changing understanding of vision at that time as Britain’s place in the world was reshaped in the early 20th century.

The Cambridge Companion to Film Music

Author : Mervyn Cooke
Publisher : Cambridge University Press
ISBN 13 : 1107094518
Total Pages : 439 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis The Cambridge Companion to Film Music by : Mervyn Cooke

Download or read book The Cambridge Companion to Film Music written by Mervyn Cooke and published by Cambridge University Press. This book was released on 2016-12-08 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.

Close Up: Cinema And Modernism

Author : James Donald
Publisher : A&C Black
ISBN 13 : 0304335169
Total Pages : 353 pages
Book Rating : 4.3/5 (43 download)

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Book Synopsis Close Up: Cinema And Modernism by : James Donald

Download or read book Close Up: Cinema And Modernism written by James Donald and published by A&C Black. This book was released on 1998-01-01 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1927 and 1933, the journal "Close Up" championed a European avant-garde in film-making. This volume republishes articles from the journal, with an introduction and a commentary on the lives of, and complex relationships between, its writers and editors.

Instruments for New Music

Author : Thomas Patteson
Publisher : Univ of California Press
ISBN 13 : 0520288025
Total Pages : 251 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Instruments for New Music by : Thomas Patteson

Download or read book Instruments for New Music written by Thomas Patteson and published by Univ of California Press. This book was released on 2016 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium

Modernist America

Author : Richard Pells
Publisher : Yale University Press
ISBN 13 : 0300171730
Total Pages : 514 pages
Book Rating : 4.3/5 (1 download)

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Book Synopsis Modernist America by : Richard Pells

Download or read book Modernist America written by Richard Pells and published by Yale University Press. This book was released on 2011-03-29 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: America's global cultural impact is largely seen as one-sided, with critics claiming that it has undermined other countries' languages and traditions. But contrary to popular belief, the cultural relationship between the United States and the world has been reciprocal, says Richard Pells. The United States not only plays a large role in shaping international entertainment and tastes, it is also a consumer of foreign intellectual and artistic influences.Pells reveals how the American artists, novelists, composers, jazz musicians, and filmmakers who were part of the Modernist movement were greatly influenced by outside ideas and techniques. People across the globe found familiarities in American entertainment, resulting in a universal culture that has dominated the twentieth and twenty-first centuries and fulfilled the aim of the Modernist movement--to make the modern world seem more intelligible."Modernist America" brilliantly explains why George Gershwin's music, Cole Porter's lyrics, Jackson Pollock's paintings, Bob Fosse's choreography, Marlon Brando's acting, and Orson Welles's storytelling were so influential, and why these and other artists and entertainers simultaneously represent both an American and a modern global culture.

The Promise of Cinema

Author : Anton Kaes
Publisher : Univ of California Press
ISBN 13 : 0520962435
Total Pages : 704 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis The Promise of Cinema by : Anton Kaes

Download or read book The Promise of Cinema written by Anton Kaes and published by Univ of California Press. This book was released on 2016-03-01 with total page 704 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of “theory” not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity’s most powerful new medium. We encounter lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history.

The New German Cinema

Author : Caryl Flinn
Publisher : Univ of California Press
ISBN 13 : 0520228952
Total Pages : 331 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis The New German Cinema by : Caryl Flinn

Download or read book The New German Cinema written by Caryl Flinn and published by Univ of California Press. This book was released on 2004 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of New German cinema identifies different styles of historical remembrance in which music participates. It concentrates on how listeners are urged to interact with difference - including Germany's difficult past - rather than try to 'master' or 'get past' it.

The Sorcerer of Bayreuth

Author : Barry Millington
Publisher : Oxford University Press
ISBN 13 : 0199986959
Total Pages : 320 pages
Book Rating : 4.1/5 (999 download)

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Book Synopsis The Sorcerer of Bayreuth by : Barry Millington

Download or read book The Sorcerer of Bayreuth written by Barry Millington and published by Oxford University Press. This book was released on 2012-10-29 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Wagner (1813-1883) is one of the most influential - and also one of the most controversial - composers in the history of music. Over the course of his long career, he produced a stream of spellbinding works that challenged musical convention through their richness and tonal experimentation, ultimately paving the way for modernism. This book presents an in-depth but easy-to-read overview of Wagner's life, work and times. It considers a wide range of themes, including the composer's original sources of inspiration; his fetish for exotic silks; his relationship with his wife, Cosima, and with his mistress, Mathilde Wesendonck; the anti-semitism that is undeniably present in the operas; their proto-cinematic nature; and the turbulent legacy both of the Bayreuth Festival and of Wagnerism itself. Making use of the very latest scholarship - much of it undertaken by the author himself in connection with his editorship of The Wagner Journal - Millington reassesses received notions about Wagner and his work, demolishing ill-informed opinion in favour of proper critical understanding. It is a radical - and occasionally controversial - reappraisal of this most perplexing of composers. The volume's arrangement - unique among books on the composer -combines an accessible text, intriguing images and original documents, thus ensuring a consistently fresh approach. Bringing new insights to an endlessly fascinating subject, The Sorcerer of Bayreuth will charm anyone interested in music and in the wider cultural life of the 19th century and beyond.

Sound, Speech, Music in Soviet and Post-Soviet Cinema

Author : Lilya Kaganovsky
Publisher : Indiana University Press
ISBN 13 : 0253011108
Total Pages : 314 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Sound, Speech, Music in Soviet and Post-Soviet Cinema by : Lilya Kaganovsky

Download or read book Sound, Speech, Music in Soviet and Post-Soviet Cinema written by Lilya Kaganovsky and published by Indiana University Press. This book was released on 2014-03-07 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative volume challenges the ways we look at both cinema and cultural history by shifting the focus from the centrality of the visual and the literary toward the recognition of acoustic culture as formative of the Soviet and post-Soviet experience. Leading experts and emerging scholars from film studies, musicology, music theory, history, and cultural studies examine the importance of sound in Russian, Soviet, and post-Soviet cinema from a wide range of interdisciplinary perspectives. Addressing the little-known theoretical and artistic experimentation with sound in Soviet cinema, changing practices of voice delivery and translation, and issues of aesthetic ideology and music theory, this book explores the cultural and historical factors that influenced the use of voice, music, and sound on Soviet and post-Soviet screens.

Moonlighting

Author : Nathan Waddell
Publisher : Oxford University Press
ISBN 13 : 0192548654
Total Pages : 272 pages
Book Rating : 4.1/5 (925 download)

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Book Synopsis Moonlighting by : Nathan Waddell

Download or read book Moonlighting written by Nathan Waddell and published by Oxford University Press. This book was released on 2019-06-27 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: How and why did the life and music of Ludwig van Beethoven (1770-1827) matter to experimental writers in the early twentieth century? Previous answers to this question have tended to focus on structural analogies between musical works and literary texts, charting the many different ways in which poetry and prose resemble Beethoven's compositions. This book takes a different approach. It focuses on how early twentieth-century writers—chief among them E. M. Forster, Aldous Huxley, Wyndham Lewis, Dorothy Richardson, Rebecca West, and Virginia Woolf—profited from the representational conventions associated in the nineteenth century and beyond with Beethovenian culture. The emphasis of Moonlighting falls for the most part on how modernist writers made use of Beethovenian legend. It is concerned neither with formal similarities between Beethoven's music and modernist writing nor with the music of Beethoven per se, but with certain ways of understanding Beethoven's music which had long before 1900 taken shape as habit, myth, cliché, and fantasy, and with the influence they had on experimental writing up to 1930. Moonlighting suggests that the modernists drew knowingly and creatively on the conventional. It proposes that many of the most experimental works of modernist literature were shaped by a knowing reliance on Beethovenian consensus; in short, that the literary modernists knew Beethovenian legend when they saw it, and that they were eager to use it.