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Musical Comedy On The West End Stage 1890 1939
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Book Synopsis Musical Comedy on the West End Stage, 1890 - 1939 by : L. Platt
Download or read book Musical Comedy on the West End Stage, 1890 - 1939 written by L. Platt and published by Springer. This book was released on 2004-03-09 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers the first full historical treatment of a music theatre that was once at the centre of London's West End. From the late Victorian period to the early 1920s, musical comedy was the single most popular form of 'legitimate' theatre entertainment. This lively account establishes musical comedy as one of the first industrial cultures and offers fascinating insights into how it functioned ideologically as a celebrated embracing of the modern condition.
Book Synopsis British and American Musical Theatre Exchanges in the West End (1924-1970) by : Arianne Johnson Quinn
Download or read book British and American Musical Theatre Exchanges in the West End (1924-1970) written by Arianne Johnson Quinn and published by Springer Nature. This book was released on 2023-11-08 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1924-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical’s cultural significance in Britain.
Book Synopsis Cultural Identity in British Musical Theatre, 1890–1939 by : Ben Macpherson
Download or read book Cultural Identity in British Musical Theatre, 1890–1939 written by Ben Macpherson and published by Springer. This book was released on 2018-05-15 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.
Book Synopsis Popular Musical Theatre in London and Berlin by : Len Platt
Download or read book Popular Musical Theatre in London and Berlin written by Len Platt and published by Cambridge University Press. This book was released on 2014-09-25 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to reconstruct early popular musical theatre as a transnational and highly cosmopolitan entertainment industry.
Book Synopsis German Operetta on Broadway and in the West End, 1900–1940 by : Derek B. Scott
Download or read book German Operetta on Broadway and in the West End, 1900–1940 written by Derek B. Scott and published by Cambridge University Press. This book was released on 2019-07-11 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uncovers a world of forgotten triumphs of musical theatre that shine a light on major social topics. This book is also available as Open Access on Cambridge Core.
Book Synopsis London's West End by : Rohan McWilliam
Download or read book London's West End written by Rohan McWilliam and published by Oxford University Press. This book was released on 2020-09-25 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did the West End of London become the world's leading pleasure district? What is the source of its magnetic appeal? How did the centre of London become Theatreland? London's West End, 1800-1914 is the first ever history of the area which has enthralled millions. The reader will discover the growth of theatres, opera houses, galleries, restaurants, department stores, casinos, exhibition centres, night clubs, street life, and the sex industry. The area from the Strand to Oxford Street came to stand for sensation and vulgarity but also the promotion of high culture. The West End produced shows and fashions whose impact rippled outwards around the globe. During the nineteenth century, an area that serviced the needs of the aristocracy was opened up to a wider public whilst retaining the imprint of luxury and prestige. Rohan McWilliam tells the story of the great artists, actors and entrepreneurs who made the West End: figures such as Gilbert and Sullivan, the playwright Dion Boucicault, the music hall artiste Jenny Hill, and the American Harry Gordon Selfridge who wanted to create the best shop in the world. At the same time, McWilliam explores the distinctive spaces created in the West End, from the glamour of Drury Lane and Covent Garden, through to low life bars and taverns. We encounter the origins of the modern star system and celebrity culture. London's West End, 1800-1914 moves from the creation of Regent Street to the glory days of the Edwardian period when the West End was the heart of empire and the entertainment industry. Much of modern culture and consumer society was shaped by a relatively small area in the middle of London. This pioneering study establishes why that was.
Book Synopsis Nation and Race in West End Revue by : David Linton
Download or read book Nation and Race in West End Revue written by David Linton and published by Springer Nature. This book was released on 2021-07-31 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: London West End revue constituted a particular response to mounting social, political, and cultural insecurities over Britain’s status and position at the beginning of the twentieth century. Insecurities regarding Britain’s colonial rule as exemplified in Ireland and elsewhere, were compounded by growing demands for social reform across the country — the call for women’s emancipation, the growth of the labour, and the trade union movements all created a climate of mounting disillusion. Revue correlated the immediacy of this uncertain world, through a fragmented vocabulary of performance placing satire, parody, social commentary, and critique at its core and found popularity in reflecting and responding to the variations of the new lived experiences. Multidisciplinary in its creation and realisation, revue incorporated dance, music, design, theatre, and film appropriating pre-modern theatre forms, techniques, and styles such as burlesque, music hall, pantomime, minstrelsy, and pierrot. Experimenting with narrative and expressions of speech, movement, design, and sound, revue displayed ambivalent representations that reflected social and cultural negotiations of previously essentialised identities in the modern world. Part of a wide and diverse cultural space at the beginning of the twentieth century it was acknowledged both by the intellectual avant-garde and the workers theatre movement not only as a reflexive action, but also as an evolving dynamic multidisciplinary performance model, which was highly influential across British culture. Revue displaced the romanticism of musical comedy by combining a satirical listless detachment with a defiant sophistication that articulated a fading British hegemonic sensibility, a cultural expression of a fragile and changing social and political order.
Book Synopsis Popular Musical Theatre in London and Berlin by : Len Platt
Download or read book Popular Musical Theatre in London and Berlin written by Len Platt and published by Cambridge University Press. This book was released on 2014-09-25 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: In the decades before the Second World War, popular musical theatre was one of the most influential forms of entertainment. This is the first book to reconstruct early popular musical theatre as a transnational and highly cosmopolitan industry that included everything from revues and operettas to dance halls and cabaret. Bringing together contributors from Britain and Germany, this collection moves beyond national theatre histories to study Anglo-German relations at a period of intense hostility and rivalry. Chapters frame the entertainment zones of London and Berlin against the wider trading routes of cultural transfer, where empire and transatlantic song and dance produced, perhaps for the first time, a genuinely international culture. Exploring adaptations and translations of works under the influence of political propaganda, this collection will be of interest both to musical theatre enthusiasts and to those interested in the wider history of modernism.
Book Synopsis Popular Culture in Europe since 1800 by : Tobias Becker
Download or read book Popular Culture in Europe since 1800 written by Tobias Becker and published by Taylor & Francis. This book was released on 2023-09-28 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book tells the story of the history of popular culture in Europe since 1800, providing a framework which challenges traditional associations that have formulated popular culture firmly in relation to the post-1945 period and the economic power of the USA. Focusing on key themes associated with modernity – secularisation, industrialisation, social cohesion and control, globalisation and technological change – this synthesis of research across a very wide field fills a gap that has long been felt by students and educators working in the field of popular culture. While it is organised as a history of cultural forms, it can also be used across a wide range of social science and humanities programmes, including media and cultural studies, literary studies, sociology and European studies. Covering the subject with a broad number of themes, this book discusses popular culture through visual culture and performance, games, music, film, television and video games. Popular Culture in Europe since 1800 will be of interest to anyone looking for an engaged but concise overview of how book production and reading practices, visual cultures, music, performance and sports and games developed across Europe in the modern period.
Book Synopsis Music in Edwardian London by : Simon McVeigh
Download or read book Music in Edwardian London written by Simon McVeigh and published by Boydell & Brewer. This book was released on 2024-05-21 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.
Book Synopsis Assembling Identities by : Sam Wiseman
Download or read book Assembling Identities written by Sam Wiseman and published by Cambridge Scholars Publishing. This book was released on 2014-10-21 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of sixteen essays, drawn from across the arts, humanities and social sciences, represents a cross-disciplinary exploration of some of the ways in which identities - whether of individuals, communities, or nations - are constructed, maintained and contested. It is introduced by the editor, Sam Wiseman, with a preface by Regenia Gagnier, and the essays are subdivided into four sections: Performative Identities; British Identities; Ethnic, Bodily and Sexual Identities; and Visual ...
Book Synopsis The Cambridge Companion to Operetta by : Anastasia Belina
Download or read book The Cambridge Companion to Operetta written by Anastasia Belina and published by Cambridge University Press. This book was released on 2019-12-05 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
Book Synopsis The Globalization of Theatre 18701930 by : Christopher B. Balme
Download or read book The Globalization of Theatre 18701930 written by Christopher B. Balme and published by Cambridge University Press. This book was released on 2019-10-24 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the fascinating career of Maurice E. Bandmann and his global theatrical circuit in the early twentieth century.
Book Synopsis The Oxford Handbook of the British Musical by : Robert Gordon
Download or read book The Oxford Handbook of the British Musical written by Robert Gordon and published by Oxford University Press. This book was released on 2016 with total page 777 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive academic survey of British musical theatre from its origins, The Oxford Handbook of the British Musical offers both a historical account of musical theatre from 1728 and a range of in-depth critical analyses of key works and productions that illustrate its aesthetic values and sociocultural meanings.
Book Synopsis British Theatre and the Great War, 1914 - 1919 by : Andrew Maunder
Download or read book British Theatre and the Great War, 1914 - 1919 written by Andrew Maunder and published by Springer. This book was released on 2015-08-22 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Theatre and the Great War examines how theatre in its various forms adapted itself to the new conditions of 1914-1918. Contributors discuss the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and highlighting new areas for investigation (regional theatre, prison camp theatre, troop entertainment, the threat from film, suburban theatre) the book offers revisionist analysis of how the conflict and its challenges were represented on stage at the time and the controversies it provoked. The volume offers new models for exploring the topic in an accessible, jargon-free way, and it shows how theatrical entertainment of the time can be seen as the `missing link’ in the study of First World War writing.
Book Synopsis Directors and the New Musical Drama by : M. Lundskaer-Nielsen
Download or read book Directors and the New Musical Drama written by M. Lundskaer-Nielsen and published by Springer. This book was released on 2008-04-14 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is one of the first books to offer a rigorous analysis of the enormous changes in the musical theatre during the 1980s and 90s. In addition, it focuses on the contribution of well-known, serious theatre directors to the mainstream Musical Theatre and it is the first book to offer a dual Anglo-American perspective on this subject.
Book Synopsis Women's Playwriting and the Women's Movement, 1890-1918 by : Anna Farkas
Download or read book Women's Playwriting and the Women's Movement, 1890-1918 written by Anna Farkas and published by Routledge. This book was released on 2019-05-13 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: The influence of the women’s movement has long been a scholarly priority in the study of British women’s drama of the late nineteenth and early twentieth centuries, but previous scholarship has largely clustered around two events: the New Woman in the 1890s and the suffrage campaign in the years before the First World War. Women’s Playwriting and the Women’s Movement, 1890–1918 is the first designated study of British women’s drama from a period of exceptional productivity and innovation for female playwrights. Both the British theatre and women’s position within British society underwent fundamental changes in this period, and this book shows how female dramatists carefully negotiated their position in the heated debates about women’s rights that occurred at this time, while staking out a place for themselves in an evolving theatrical landscape. Farkas also identifies the women’s movement as a key influence on the development of female-authored drama between 1890 and 1918, but argues that scholarly prioritizing of the "radicalism" of work associated with the New Woman and the suffrage campaign has had a distorting effect in the past. Ideal for scholars of British and Victorian theatre, Women’s Playwriting and the Women’s Movement, 1890–1918 offers a new perspective which emphasizes the complexity of women playwrights’ engagement with first-wave feminism and links it to the diversification of the British theatre in this period.
