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Meter Rhythm And Performance
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Book Synopsis Meter, Rhythm, and Performance by : Christoph Küper
Download or read book Meter, Rhythm, and Performance written by Christoph Küper and published by Peter Lang Publishing. This book was released on 2002 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume includes most papers read at the International Conference on "Meter, Rhythm and Performance" held at the University of Vechta, Germany, in May 1999. This metrics conference set out to break new ground in two respects. It was the first
Book Synopsis Rhythm & Meter Patterns by : Gary Chaffee
Download or read book Rhythm & Meter Patterns written by Gary Chaffee and published by Alfred Music Publishing. This book was released on 1994-07 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt: Patterns is one of the most comprehensive drum methods available. Covering a wide range of materials, the books can be used in any order, or in any combination with one another. They are a must for developing the kinds of skills necessary for drumset performance. Rhythm and Meter Patterns introduces the student to a wide range of rhythmic and metric possibilities, including odd rhythms, mixed meters, polyrhythms, and metric modulation.
Book Synopsis Meter in Music, 1600–1800 by : George Houle
Download or read book Meter in Music, 1600–1800 written by George Houle and published by Indiana University Press. This book was released on 2000-06-22 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: "All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." —Continuo "This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . " —Early Music " . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum." —Music Educators Journal The treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.
Book Synopsis Franz Schubert's Music in Performance by : David Montgomery
Download or read book Franz Schubert's Music in Performance written by David Montgomery and published by Pendragon Press. This book was released on 2003 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Franz Schubert's Music in Performance David Montgomery challenges many operative myths about the music of this great, but often misunderstood, Viennese master. Chief among them is the lingering notion that Schubert was poorly-trained but still managed to turn out brilliant, if often flawed, scores. Modern adherents of this view believe that Schubert could not notate his own musical wishes accurately, and that he was principally a creature of intuition. Accordingly, musicians might allow themselves wide intuitive leeway in the interpretation of his music. Another myth challenged by Montgomery is that Schubert was a conservative, or perhaps even a chronological throwback. Opposing recent attempts to legitimize performer-generated embellishment of Schubert's music in the style of the eighteenth century, He clarifies Schubert's contributions to the radical intellectualism of nineteenth-century romanticism. The book offers six informative chapters ranging from aesthetics and acoustics to the specifics of tempo and expression, plus an appendix of pertinent Viennese pedagogical sources. In addition to many years of musicological research, Montgomery brings long experience as a concertizing pianist and conductor to this engaging and controversial work.
Download or read book Poetic Rhythm written by Reuven Tsur and published by Liverpool University Press. This book was released on 2012-05-25 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers an instrumental investigation of a theory of rhythmical performance of poetry, originally propounded speculatively in the author's "Perception-Oriented Theory of Metre" (1977). This title assumes that when the versification patterns and linguistic patterns conflict, they can be accommodated in a pattern of Rhythmical Performance.
Book Synopsis Meter As Rhythm by : Christopher Hasty
Download or read book Meter As Rhythm written by Christopher Hasty and published by Oxford University Press, USA. This book was released on 2020 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: ""In thinking about music it is difficult to avoid representing any concrete instance as if it were a stable and essentially pre-formed entity composed of fully determinate and ultimately static objects or relations. Certainly, in the actual performance of music there is no escaping the contingency and indeterminacy that inhere in every temporal act. When we attempt to analyze the musical event, however, it is most convenient to imagine that the intricate web of relationships that comes into play on such an occasion has already been woven in a prior compositional act or in a determinate and determining order of values and beliefs. We can, for example, point to the score as a fixed set of instructions for the recreation of an essentially self-same work or as a repository wherein the traces of a composer's thought lie encoded awaiting faithful decoding by a receptive performer/listener. Or, with even greater abstraction, we can point to the presence of an underlying tonal system, the governing rules of a style or "common practice," the reflection of a set of existing social relations, or the role of hardened ideologies in music's production and reception. It must be said that there is some truth in the variety of determinacies that intellectual analysis would ascribe to music (if little truth in the claims of any one perspective to speak for the whole). But it must also be said that, to the extent the abstractions of analysis deny or suppress the creativity, spontaneity, and novelty of actual musical experience, analysis will have misrepresented music's inescapably temporal nature. The challenge of taking this temporal nature into account lies in finding ways of speaking of music's very evanescence and thus of developing concepts that would capture both the determinacy and the indeterminacy of events in passage. Stated in this way, such an enterprise appears to be loaded with paradox. However, much of the paradox disappears if we can shift our attention from objects or products to process and from static being to dynamic becoming. Indeed, such a shift might provide a perspective from which the great variety of determinacies we ascribe to music could be seen as inseparable components of musical communication. ""--
Book Synopsis Performing Time by : Clemens Wöllner
Download or read book Performing Time written by Clemens Wöllner and published by Oxford University Press. This book was released on 2023-06-20 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and dance can change our sense of time. Both rely on synchronizing our attention and actions with sounds and with other people, both involve memory and expectation, and both can give rise to experiences of flow and pleasure. Performing Time explores our experience of time in dance and music, from the perspectives of performers and audiences, and informed by the most recent research in dance science, musicology, neuroscience, and psychology. It includes discussions of tempo and pacing, coordination and synchrony, the performer's experience of time, audiences' temporal expectations, the effect of extreme slowness, and our individual versus collective senses of time. At its core, the book addresses how time and temporality in music and dance relate to current psychological and neuroscientific theories as well as to the aesthetic aims of composers, choreographers and performers. Bringing together new research on rhythm, time and temporality in both music and dance in one volume, the book contains overview chapters on the state of the art from leading researchers on topics ranging from the psychology, neuroscience, and philosophy of musical time to embodied timing in dance. In addition, numerous case studies regarding our temporal experience of music and dance are provided in shorter focus chapters, with their implications for further scientific study and artistic enquiry. Performing Time is an invaluable and comprehensive resource for students, researchers, educators, and artists alike, and for any reader interested in how the performing arts construct and play with time in our minds and bodies. Some chapters in this title are open access and available under the terms of a [CC BY-NC-ND 4.0 International] licence.
Book Synopsis Expressiveness in music performance by : Dorottya Fabian
Download or read book Expressiveness in music performance written by Dorottya Fabian and published by OUP Oxford. This book was released on 2014-07-03 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to be expressive in music performance across diverse historical and cultural domains? What are the means at the disposal of a performer in various time periods and musical practice conventions? What are the conceptualisations of expression and the roles of performers that shape expressive performance? This book brings together research from a range of disciplines that use diverse methodologies to provide new perspectives and formulate answers to these questions about the meaning, means, and contextualisation of expressive performance in music. The contributors to this book explore expressiveness in music performance in four interlinked parts. Starting with the philosophical and historical underpinnings crucially relevant for Western classical musical performance it then reaches out to cross-cultural issues and finally focuses the attention on various specific problems, including the teaching of expressive music performance skills. The overviews provide a focussed and comprehensive account of the current state of research as well as new developments and a prospective of future directions. This is a valuable new book for those in the fields of music, music psychology, and music education.
Book Synopsis The Philosophy of Rhythm by : Peter Cheyne
Download or read book The Philosophy of Rhythm written by Peter Cheyne and published by Oxford University Press, USA. This book was released on 2019 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rhythm is the fundamental pulse that animates poetry, music, and dance across all cultures. And yet the recent explosion of scholarly interest across disciplines in the aural dimensions of aesthetic experience--particularly in sociology, cultural and media theory, and literary studies--has yet to explore this fundamental category. This book furthers the discussion of rhythm beyond the discrete conceptual domains and technical vocabularies of musicology and prosody. With original essays by philosophers, psychologists, musicians, literary theorists, and ethno-musicologists, The Philosophy of Rhythm opens up wider-and plural-perspectives, examining formal affinities between the historically interconnected fields of music, dance, and poetry, while addressing key concepts such as embodiment, movement, pulse, and performance. Volume editors Peter Cheyne, Andy Hamilton, and Max Paddison bring together a range of key questions: What is the distinction between rhythm and pulse? What is the relationship between everyday embodied experience, and the specific experience of music, dance, and poetry? Can aesthetics offer an understanding of rhythm that helps inform our responses to visual and other arts, as well as music, dance, and poetry? And, what is the relation between psychological conceptions of entrainment, and the humane concept of rhythm and meter? Overall, The Philosophy of Rhythm appeals across disciplinary boundaries, providing a unique overview of a neglected aspect of aesthetic experience.
Book Synopsis Computational Models of Rhythm and Meter by : Georg Boenn
Download or read book Computational Models of Rhythm and Meter written by Georg Boenn and published by Springer. This book was released on 2018-06-20 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the latest computational models of rhythm and meter that are based on number theory, combinatorics and pattern matching. Two computational models of rhythm and meter are evaluated: The first one explores a relatively new field in Mathematics, namely Combinatorics on Words, specifically Christoffel Words and the Burrows-Wheeler Transform, together with integer partitions. The second model uses filtered Farey Sequences in combination with specific weights that are assigned to inter-onset ratios. This work is assessed within the context of the current state of the art of tempo tracking and computational music transcription. Furthermore, the author discusses various representations of musical rhythm, which lead to the development of a new shorthand notation that will be useful for musicologists and composers. Computational Models of Rhythm and Meter also contains numerous investigations into the timing structures of human rhythm and metre perception carried out within the last decade. Our solution to the transcription problem has been tested using a wide range of musical styles, and in particular using two recordings of J.S. Bach's Goldberg Variations by Glenn Gould. The technology is capable of modelling musical rhythm and meter by using Farey Sequences, and by detecting duration classes in a windowed analysis, which also detects the underlying tempo. The outcomes represent human performances of music as accurate as possible within Western score notation.
Book Synopsis The Neurosciences and Music III by : Simone Dalla Bella
Download or read book The Neurosciences and Music III written by Simone Dalla Bella and published by John Wiley & Sons. This book was released on 2009-09 with total page 585 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This volume will be of particular interest to medical professionals, neuroscientists, neurologists, psychologists, educators, music therapists, musicologists, sound engineers, computer scientists. Manuscripts address how the tools of cognitive neuroscience have provided new insights into where and how rhythm is coded in the brain; production and perception abilities and the relationship between the two; the use of music as a tool for the investigation of human cognition and its underlying brain mechanisms; recent research investigating various aspects of musical memory and learning, and implications for medical rehabilitation for patients with memory disorders; advances in the fields of developmental auditory neuroscience, empirical music aesthetics, and music emotions in normal and disordered development such as autistic spectrum disorders; mutual interactions between music and language in children and adults with cochlear implants; and human communication of information, ideas, and emotional states, and the shared networks of speech and motor processing with musical processing"--NYAS Web site
Book Synopsis Performance and the Middle English Romance by : Linda Marie Zaerr
Download or read book Performance and the Middle English Romance written by Linda Marie Zaerr and published by DS Brewer. This book was released on 2012 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of if and how medieval romance was performed, uniquely uniting the perspective of a scholar and practitioner. Although English medieval minstrels performed gestes, a genre closely related to romance, often playing the harp or the fiddle, the question of if, and how, Middle English romance was performed has been hotly debated. Here, the performance tradition is explored by combining textual, historical and musicological scholarship with practical experience from a noted musician. Using previously unrecognised evidence, the author reconstructs a realistic model of minstrel performance, showing how a simple melody can interact with the text, and vice versa. She argues that elements in Middle English romance which may seem simplistic or repetitive may in fact be incomplete, as missing an integral musical dimension; metrical irregularities, for example, may be relics of sophisticated rhythmic variation that make sense only with music. Overall, the study offers both a more accurate comprehension of minstrel performance, and a deeper appreciation of the romances themselves. Linda Marie Zaerr is Professor of Medieval Studies at Boise State University.
Book Synopsis The Cambridge Companion to Rhythm by : Russell Hartenberger
Download or read book The Cambridge Companion to Rhythm written by Russell Hartenberger and published by Cambridge University Press. This book was released on 2020-09-24 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the defining aspects of music is that it exists in time. From clapping to dancing, toe-tapping to head-nodding, the responses of musicians and listeners alike capture the immediacy and significance of the musical beat. This Companion explores the richness of musical time through a variety of perspectives, surveying influential writings on the topic, incorporating the perspectives of listeners, analysts, composers, and performers, and considering the subject across a range of genres and cultures. It includes chapters on music perception, visualizing rhythmic notation, composers' writings on rhythm, rhythm in jazz, rock, and hip-hop. Taking a global approach, chapters also explore rhythmic styles in the music of India, Africa, Bali, Latin America and the Caribbean, and Indigenous music of North and South America. Readers will gain an understanding of musicians' approaches to performing complex rhythms of contemporary music, and revealing insights into the likely future of rhythm in music.
Book Synopsis Ancient Greek Music in Performance by : Stefan Hagel
Download or read book Ancient Greek Music in Performance written by Stefan Hagel and published by Austrian Academy of Sciences Press. This book was released on 2005 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: The collection of essays is based on the papers held at a symposium that was held to discuss various "practical" aspects of ancient Greek music. The individual contributions address organological questions of tuning and playing techniques, ancient and modern performance contexts and expectations, as well as the notorious topic of musical "ethos". The accompanying CD contains, in addition to musical examples of passages referred to in the papers, the recording of a public performance that was part of the symposium. Singers and instrumentalists from four countries present their approaches to the ancient melodies that are extant; especially when different interpretations of the same piece can be compared, the complex questions involved in any re-creation of ancient music become obvious immediately.
Book Synopsis Music Learning Today by : William I. Bauer
Download or read book Music Learning Today written by William I. Bauer and published by Oxford University Press. This book was released on 2020-07-27 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Learning Today: Digital Pedagogy for Creating, Performing, and Responding to Music presents an approach to conceptualizing and utilizing technology as a tool for music learning. Designed for use by pre- and in-service music teachers, it provides the essential understandings required to become an adaptive expert with music technology, creating and implementing lessons, units, and curriculum that take advantage of technological affordances to assist students in developing their musicianship. Author William I. Bauer makes connections among music knowledge and skill outcomes, the research on human cognition and music learning, best practices in music pedagogy, and technology. His essential premise is that music educators and students benefit through use of technology as a tool to support learning in the three musical processes - creating, performing, and responding to music. The philosophical and theoretical rationales, along with the practical information discussed in the book, are applicable to all experience levels. However, the technological applications described are focused at a beginning to intermediate level, relevant to both pre-service and in-service music educators and their students. This expanded second edition features an all-new student-friendly design and updated discussions of recent technological developments with applications for music teaching and learning. The revamped companion website also offers a new teacher's guide, with sample syllabi and lessons for each chapter.
Book Synopsis Dance and the Music of J. S. Bach by : Meredith Little
Download or read book Dance and the Music of J. S. Bach written by Meredith Little and published by Indiana University Press. This book was released on 2009-01-27 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique study of dance forms and rhythms in the Baroque composer’s repertoire. Stylized dance music and music based on dance rhythms pervade Bach’s compositions. Although the music of this very special genre has long been a part of every serious musician’s repertoire, little has been written about it. The original edition of this book addressed works that bore the names of dances—a considerable corpus. In this expanded version of their practical and insightful study, Meredith Little and Natalie Jenne apply the same principles to the study of a great number of Bach’s works that use identifiable dance rhythms but do not bear dance-specific titles. Part I describes French dance practices in the cities and courts most familiar to Bach. The terminology and analytical tools necessary for discussing dance music of Bach’s time are laid out. Part II presents the dance forms that Bach used, annotating all of his named dances. Little and Jenne draw on choreographies, harmony, theorists’ writings, and the music of many seventeenth- and eighteenth-century composers in order to arrive at a model for each dance type. Additionally, in Appendix A all of Bach’s named dances are listed in convenient tabular form; included are the BWV number for each piece, the date of composition, the larger work in which it appears, the instrumentation, and the meter. Appendix B supplies the same data for pieces recognizable as dance types but not named as such. More than ever, this book will stimulate both the musical scholar and the performer with a new perspective at the rhythmic workings of Bach’s remarkable repertoire of dance-based music.
Book Synopsis The Oxford Handbook of Music Performance, Volume 1 by : Gary McPherson
Download or read book The Oxford Handbook of Music Performance, Volume 1 written by Gary McPherson and published by Oxford University Press. This book was released on 2021-12-24 with total page 737 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science. The 80 experts from 13 countries who prepared the 53 chapters in this handbook are leaders in the fields of music psychology, performance science, musicology, psychology, education and music education. Chapters in the Handbook provide a broad coverage of the area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections - Development and Learning, Proficiencies, Performance Practices, Psychology, Enhancements, Health & Wellbeing, Science, and Innovations - the range and scope of The Oxford Handbook of Music Performance is much wider than other publications through the inclusion of chapters from related disciplines such as performance science (e.g., optimizing performance, mental techniques, talent development in non-music areas), and education (e.g., human development, motivation, learning and teaching styles) as well as the attention given to emerging critical issues in the field (e.g., wellbeing, technology, gender, diversity, inclusion, identity, resilience and buoyancy, diseases, and physical and mental disabilities). Within each chapter, authors have selected what they consider to be the most important scientific and artistic material relevant to their topic. They begin their chapters by surveying theoretical views on each topic and then, in the final part of the chapter, highlight practical implications of the literature that performers will be able to apply within their daily musical lives.
