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Author : Kimberly White
Publisher :
ISBN 13 : 9781107498532
Total Pages : 239 pages
Book Rating : 4.4/5 (985 download)
Download or read book Female Singers on the French Stage, 1830-1848 written by Kimberly White and published by . This book was released on 2018 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Kimberly White
Publisher : Cambridge University Press
ISBN 13 : 1108688470
Total Pages : 333 pages
Book Rating : 4.1/5 (86 download)
Download or read book Female Singers on the French Stage, 1830–1848 written by Kimberly White and published by Cambridge University Press. This book was released on 2018-05-24 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830–1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including vocal training, débuts, rehearsals and performance schedules, touring, benefit concerts, and retirement, as well as the strategies utilized in publicity and image making. Dozens of case studies, many compiled from singers' correspondence and archival papers, shed light on the performers' successes and struggles at a time when Paris was the operatic centre of Europe.
Author : Kimberly White
Publisher : Cambridge University Press
ISBN 13 : 1108643191
Total Pages : 254 pages
Book Rating : 4.1/5 (86 download)
Download or read book Female Singers on the French Stage, 1830–1848 written by Kimberly White and published by Cambridge University Press. This book was released on 2018-05-24 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830–1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including vocal training, débuts, rehearsals and performance schedules, touring, benefit concerts, and retirement, as well as the strategies utilized in publicity and image making. Dozens of case studies, many compiled from singers' correspondence and archival papers, shed light on the performers' successes and struggles at a time when Paris was the operatic centre of Europe.
Author : Hugh Macdonald
Publisher : Cambridge University Press
ISBN 13 : 1108426387
Total Pages : 449 pages
Book Rating : 4.1/5 (84 download)
Download or read book Saint-Saëns and the Stage written by Hugh Macdonald and published by Cambridge University Press. This book was released on 2019-03-14 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first major study of Saint-Saëns's stage music, timed to coincide with revivals of his operas on stage.
Author : Cormac Newark
Publisher : Oxford University Press
ISBN 13 : 0190224215
Total Pages : 456 pages
Book Rating : 4.1/5 (92 download)
Download or read book The Oxford Handbook of the Operatic Canon written by Cormac Newark and published by Oxford University Press. This book was released on 2020-09-18 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.
Author : Mary May Robertson
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527531287
Total Pages : 866 pages
Book Rating : 4.5/5 (275 download)
Download or read book The Marriage between Perfume and the Lyric Stage written by Mary May Robertson and published by Cambridge Scholars Publishing. This book was released on 2023-09-22 with total page 866 pages. Available in PDF, EPUB and Kindle. Book excerpt: “But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
Author : Nina Penner
Publisher : Indiana University Press
ISBN 13 : 0253049989
Total Pages : 312 pages
Book Rating : 4.2/5 (53 download)
Download or read book Storytelling in Opera and Musical Theater written by Nina Penner and published by Indiana University Press. This book was released on 2020-10-06 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, Storytelling in Opera and Musical Theater offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st-century audiences.
Author : Mark Everist
Publisher : Cambridge University Press
ISBN 13 : 1108904726
Total Pages : 61 pages
Book Rating : 4.1/5 (89 download)
Download or read book The Empire at the Opéra written by Mark Everist and published by Cambridge University Press. This book was released on 2021-01-21 with total page 61 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although nineteenth-century legislation had tried to ensure a precise separation between genre and institution for Parisian music in the theatre, it had inadvertently laid out a field on which the politics of genre could be played out as agents and actors of all types deployed various forms of artistic power. During the Second Empire, from 1854 until 1870, the state took over day-to-day control of the Opéra in ways that were without precedent. Every element of the Opéra's activity was subjugated to the exigency of Empire; the selection or artists, works and more general questions of artistic policy were handed over to politicians. The Opéra effectively became a branch of government. The result was a stagnation of the Opéra's repertory, and beneficiaries were the composers of larger-scale works for competing organisations: the Opéra Comique and the Théâtre Lyrique.
Author : Charlotte Bentley
Publisher : University of Chicago Press
ISBN 13 : 0226823083
Total Pages : 265 pages
Book Rating : 4.2/5 (268 download)
Download or read book New Orleans and the Creation of Transatlantic Opera, 1819–1859 written by Charlotte Bentley and published by University of Chicago Press. This book was released on 2022-12-06 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of nineteenth-century New Orleans and the people who made it a vital, if unexpected, part of an emerging operatic world. New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city’s operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans’s Francophone theater, the Théâtre d’Orléans, as well as the performers who came to the city and the reception they received. But opera’s significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines and visual culture, and dancing in its many ballrooms. Just as New Orleans helped to create transatlantic opera, opera in turn helped to create the city of New Orleans.
Author : Diana R. Hallman
Publisher : Boydell & Brewer
ISBN 13 : 1783277009
Total Pages : 410 pages
Book Rating : 4.7/5 (832 download)
Download or read book America in the French Imaginary, 1789-1914 written by Diana R. Hallman and published by Boydell & Brewer. This book was released on 2022-05-17 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.
Author : Sean M. Parr
Publisher : Oxford University Press
ISBN 13 : 0197542662
Total Pages : 325 pages
Book Rating : 4.1/5 (975 download)
Download or read book Vocal Virtuosity written by Sean M. Parr and published by Oxford University Press. This book was released on 2021-04-06 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nothing strikes the ear quite like a soprano singing in the sonic stratosphere. Whether thrilling, chilling, or repellent to the listener, the reaction to cascades of coloratura with climaxing high notes is strong. Coloratura-agile, rapid-fire singing-was originally essential for all singers, but its function changed greatly when it became the specialty of particular sopranos over the course of the nineteenth century. The central argument of Vocal Virtuosity challenges the historical commonplace that coloratura became an anachronism in nineteenth-century opera. Instead, the book demonstrates that melismas at mid-century were made modern. Coloratura became an increasingly marked musical gesture during the century with a correspondingly more specific dramaturgical function. In exploring this transformation, the book reveals the instigators of this change in vocal practice and examines the historical traces of Parisian singers who were the period's greatest exponents of vertiginous vocality as archetypes of the modern coloratura soprano. The book constructs the historical trajectory of coloratura as it became gendered the provenance of the female singer, while also considering what melismas can signify in operatic performance. As a whole, it argues that vocal virtuosity was a source of power for women, generating space for female authorship and creativity. In so doing, the book reclaims a place in history for the coloratura soprano.
Author : William Weber
Publisher : Boydell & Brewer
ISBN 13 : 1648250165
Total Pages : 328 pages
Book Rating : 4.6/5 (482 download)
Download or read book Canonic Repertories and the French Musical Press written by William Weber and published by Boydell & Brewer. This book was released on 2021 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: A bold application of the concept of canonical works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.
Author : Rachel Bryant Davies
Publisher : Bloomsbury Publishing
ISBN 13 : 1350200352
Total Pages : 329 pages
Book Rating : 4.3/5 (52 download)
Download or read book Intersectional Encounters in the Nineteenth-Century Archive written by Rachel Bryant Davies and published by Bloomsbury Publishing. This book was released on 2022-08-11 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rachel Bryant Davies and Erin Johnson-Williams lead a cast of renowned scholars to initiate an interdisciplinary conversation about the mechanisms of power that have shaped the nineteenth-century archive, to ask: What is a nineteenth-century archive, broadly defined? This landmark collection of essays will broach critical and topical questions about how the complex discourses of power involved in constructions of the nineteenth-century archive have impacted, and continue to impact, constructions of knowledge across disciplinary boundaries, and beyond academic confines. The essays, written from a range of disciplinary perspectives, grapple with urgent problems of how to deal with potentially sensitive nineteenth-century archival items, both within academic scholarship and in present-day public-facing institutions, which often reflect erotic, colonial and imperial, racist, sexist, violent, or elitist ideologies. Each contribution grapples with these questions from a range of perspectives: Musicology, Classics, English, History, Visual Culture, and Museums and Archives. The result is far-reaching historical excavation of archival experiences.
Author : Katharine Ellis
Publisher : Oxford University Press
ISBN 13 : 0197600166
Total Pages : 445 pages
Book Rating : 4.1/5 (976 download)
Download or read book French Musical Life written by Katharine Ellis and published by Oxford University Press. This book was released on 2022 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explicitly or not, the historical musicology of post-Revolutionary France has focused on Paris as a proxy for the rest of the country. This distorting lens is the legacy of political and cultural struggle during the long nineteenth century, indicating a French Revolution unresolved both then and now. In light of the capital's power as the seat of a centralizing French state (which provincials found 'colonizing') and as a cosmopolitan musical crossroads of nineteenth-century Europe, the struggles inherent in creating sustainable musical cultures outside Paris, and in composing local and regionalist music, are ripe for analysis. Replacement of 'France' with Paris has encouraged normative history-writing articulated by the capital's opera and concert life. Regional practices have been ignored, disparaged or treated piecemeal. This book is a study of French musical centralization and its discontents during the period leading up to and beyond the "provincial awakening" of the Belle Époque. The book explains how different kinds of artistic decentralization and regionalism were hard won (or not) across a politically turbulent century from the 1830s to World War II. In doing so it redraws the historical map of musical power relations in mainland France. Based on work in over 70 archives, chapters on conservatoires, concert life, stage music, folk music and composition reveal how tensions of State and locality played out differently depending on the structures and funding mechanisms in place, the musical priorities of different communities, and the presence or absence of galvanizing musicians. Progressively, the book shifts from musical contexts to musical content, exploring the pressure point of folk music and its translation into "local color" for officials who perpetually feared national division. Control over composition on the one hand, and the emotional intensity of folk-based musical experience on the other, emerges as a matter of consistent official praxis. In terms of "French music" and its compositional styles, what results is a surprising new historiography of French neoclassicism, bound into and growing out of a study of diversity and its limits in daily musical life.
Author : Harriet Boyd-Bennett
Publisher : Cambridge University Press
ISBN 13 : 1316761762
Total Pages : 243 pages
Book Rating : 4.3/5 (167 download)
Download or read book Opera in Postwar Venice written by Harriet Boyd-Bennett and published by Cambridge University Press. This book was released on 2018-09-13 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the city's nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle of the century are often talked about in strikingly similar terms: as museums locked in the past and blind to the future. These clichés are here overturned: perceptions of crisis were in fact remarkably productive for opera, and despite being physically locked in the past, Venice was undergoing a flourishing of avant-garde activity. Focusing on a local musical culture, Harriet Boyd-Bennett recasts some of the major composers, works, stylistic categories and narratives of twentieth-century music. The study provides fresh understandings of works by composers as diverse as Stravinsky, Prokofiev, Verdi, Britten and Nono.
Author : Roger Parker
Publisher : University of Chicago Press
ISBN 13 : 022667021X
Total Pages : 300 pages
Book Rating : 4.2/5 (266 download)
Download or read book London Voices, 1820–1840 written by Roger Parker and published by University of Chicago Press. This book was released on 2019-12-09 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: London, 1820. The British capital is a metropolis that overwhelms dwellers and visitors alike with constant exposure to all kinds of sensory stimulation. Over the next two decades, the city’s tumult will reach new heights: as population expansion places different classes in dangerous proximity and ideas of political and social reform linger in the air, London begins to undergo enormous infrastructure change that will alter it forever. It is the London of this period that editors Roger Parker and Susan Rutherford pinpoint in this book, which chooses one broad musical category—voice—and engages with it through essays on music of the streets, theaters, opera houses, and concert halls; on the raising of voices in religious and sociopolitical contexts; and on the perception of voice in literary works and scientific experiments with acoustics. Emphasizing human subjects, this focus on voice allows the authors to explore the multifaceted issues that shaped London, from the anxiety surrounding the city’s importance in the musical world at large to the changing vocal imaginations that permeated the epoch. Capturing the breadth of sonic stimulations and cultures available—and sometimes unavoidable—to residents at the time, London Voices, 1820–1840 sheds new light on music in Britain and the richness of London culture during this period.
Author : Hilary Poriss
Publisher : Oxford University Press
ISBN 13 : 0190299665
Total Pages : 177 pages
Book Rating : 4.1/5 (92 download)
Download or read book Gioachino Rossini's The Barber of Seville written by Hilary Poriss and published by Oxford University Press. This book was released on 2021-09-17 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gioachino Rossini's The Barber of Seville surveys the opera's fascinating performance history, mapping out the myriad changes that have affected the work since its premiere, exploring many of the personalities responsible for those alterations, and taking into account the range of reactions that these changes have prompted in spectators and critics from the nineteenth century to the present. Opening with a wide-ranging overview of the types of alterations that have been imposed on Rossini's score for the past two centuries, the first chapter addresses the mechanics behind these changes as well as the cultural forces that both fostered and encouraged them. The book next looks at some of the opera's earliest revivals, drawing attention to alterations that were made to the score and to individual singers who were responsible for the changes, especially those who appeared in the roles of Almaviva and Bartolo. An entire chapter is devoted to Rosina, examining the wide array of creative liberties that prima donnas have unremittingly and unrepentantly taken with their interpretations of Rossini's character. The final sections turn to the opera's recent history, observing how the Rossini Renaissance brought with it a new dedication to the "work concept" and to shedding the types of alterations that had long characterized performances of this work. The book closes with a consideration of operatic consumerism from the nineteenth century to the present, exploring the myriad ways that one can now experience The Barber of Seville in all its recorded, digitized, and commodified glory.
