Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
English Musical Renaissance 1840 1940
Download English Musical Renaissance 1840 1940 full books in PDF, epub, and Kindle. Read online English Musical Renaissance 1840 1940 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis English Musical Renaissance, 1840-1940 by : Meirion Hughes
Download or read book English Musical Renaissance, 1840-1940 written by Meirion Hughes and published by Manchester University Press. This book was released on 2001-12-07 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This controversial study isolates and identifies the intellectual, social, and political assumptions which surrounded English music in the early-20th century. The authors deconstruct the established meanings of music in this period, arguing that music was not just for the elite, but it had come to represent a stronghold of national values, reflecting the reassuring "Englishness" of middle-class life as well.
Book Synopsis The English Musical Renaissance and the Press, 1850-1914 by : Meirion Hughes
Download or read book The English Musical Renaissance and the Press, 1850-1914 written by Meirion Hughes and published by Routledge. This book was released on 2002 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second half of the nineteenth-century witnessed a significant revival of interest in English music. Meirion Hughes argues that this 'English Musical Renaissance' could not have happened without the pivotal support of British music journalists who championed the idea of a national music.
Book Synopsis The English Musical Renaissance by : Peter J. Pirie
Download or read book The English Musical Renaissance written by Peter J. Pirie and published by St Martins Press. This book was released on 1980 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The English Musical Renaissance and the Press 1850-1914: Watchmen of Music by : Meirion Hughes
Download or read book The English Musical Renaissance and the Press 1850-1914: Watchmen of Music written by Meirion Hughes and published by Routledge. This book was released on 2017-07-05 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The importance of nineteenth-century writing about culture has long been accepted by scholars, yet so far as music criticism is concerned, Victorian England has been an area of scholarly neglect. This state of affairs is all the more surprising given that the quantity of such criticism in the Victorian and Edwardian press was vast, much of it displaying a richness and diversity of critical perspectives. Through the study of music criticism from several key newspapers and journals (specifically The Times, Daily Telegraph, Athenaeum and The Musical Times), this book examines the reception history of new English music in the period surveyed and assesses its cultural, social and political, importance. Music critics projected and promoted English composers to create a national music of which England could be proud. J A Fuller Maitland, critic on The Times, described music journalists as 'watchmen on the walls of music', and Meirion Hughes extends this metaphor to explore their crucial role in building and safeguarding what came to be known as the English Musical Renaissance. Part One of the book looks at the critics in the context of the publications for which they worked, while Part Two focuses on the relationship between the watchmen-critics and three composers: Arthur Sullivan, Hubert Parry and Edward Elgar. Hughes argues that the English Musical Renaissance was ultimately a success thanks largely to the work of the critics. In so doing, he provides a major re-evaluation of the impact of journalism on British music history.
Book Synopsis British Music and Modernism, 1895-1960 by : Matthew Riley
Download or read book British Music and Modernism, 1895-1960 written by Matthew Riley and published by Routledge. This book was released on 2017-07-05 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.
Book Synopsis The Musical Crowd in English Fiction, 1840-1910 by : P. Weliver
Download or read book The Musical Crowd in English Fiction, 1840-1910 written by P. Weliver and published by Springer. This book was released on 2006-09-05 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides insight into how musical performances contributed to emerging ideas about class and national identity. Offering a fresh reading of bestselling fictional works, drawing upon crowd theory, climate theory, ethnology, science, music reviews and books by musicians to demonstrate how these discourses were mutually constitutive.
Book Synopsis A New English Music by : Tim Rayborn
Download or read book A New English Music written by Tim Rayborn and published by McFarland. This book was released on 2016-04-06 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: The turn of the 20th century was a time of great change in Britain. The empire saw its global influence waning and its traditional social structures challenged. There was a growing weariness of industrialism and a desire to rediscover tradition and the roots of English heritage. A new interest in English folk song and dance inspired art music, which many believed was seeing a renaissance after a period of stagnation since the 18th century. This book focuses on the lives of seven composers--Ralph Vaughan Williams, Gustav Holst, Ernest Moeran, George Butterworth, Philip Heseltine (Peter Warlock), Gerald Finzi and Percy Grainger--whose work was influenced by folk songs and early music. Each chapter provides an historical background and tells the fascinating story of a musical life.
Book Synopsis Debating English Music in the Long Nineteenth Century by : John Ling
Download or read book Debating English Music in the Long Nineteenth Century written by John Ling and published by Boydell & Brewer. This book was released on 2021 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Situates the controversial narrative of 'The English Musical Renaissance' within its wider historical context.
Book Synopsis Historical Dictionary of English Music by : Charles Edward McGuire
Download or read book Historical Dictionary of English Music written by Charles Edward McGuire and published by Scarecrow Press. This book was released on 2011-04-08 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Historical Dictionary of English Music seeks to identify and briefly annotate a wide range of subjects relating to English musical culture, largely from the early 15th century through 1958, dates that reflect the coalescence of an identifiable English style in the early Renaissance and the death of the iconic Ralph Vaughan Williams in the mid-20th century. This book is an excellent access point for students, researchers, and anyone wanting to know more about English music.
Book Synopsis Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England by : PhilipRoss Bullock
Download or read book Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England written by PhilipRoss Bullock and published by Routledge. This book was released on 2017-07-05 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jan?k, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi
Download or read book Joseph Holbrooke written by Paul Watt and published by Rowman & Littlefield. This book was released on 2014-12-23 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first scholarly work to document the musical contribution of Joseph Holbrooke, one of Britain’s most controversial composers during the first half of the twentieth century. Paul Watt and Anne-Marie Forbes have gathered a team of scholars who focuses on the musical and literary life of the composer.
Book Synopsis The Sea in the British Musical Imagination by : Eric Saylor
Download or read book The Sea in the British Musical Imagination written by Eric Saylor and published by Boydell & Brewer. This book was released on 2015 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: 10 Political Visions, National Identities, and the Sea Itself: Stanford and Vaughan Williams in 1910 -- 11 Bax's 'Sea Symphony' -- 12 'Close your eyes and listen to it': Special Sound and the Sea in BBC Radio Drama, 1957-59 -- Afterword : Channelling the Swaying Sound of the Sea -- Index
Book Synopsis The Royal College of Music and its Contexts by : David C. H. Wright
Download or read book The Royal College of Music and its Contexts written by David C. H. Wright and published by Cambridge University Press. This book was released on 2019-09-05 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: A rounded portrait of the Royal College of Music, investigating its educational and cultural impact on music and musical life.
Book Synopsis An Imperishable Heritage: British Choral Music from Parry to Dyson by : Stephen Town
Download or read book An Imperishable Heritage: British Choral Music from Parry to Dyson written by Stephen Town and published by Routledge. This book was released on 2016-04-15 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.
Book Synopsis The Symphonic Poem in Britain, 1850-1950 by : Michael Allis
Download or read book The Symphonic Poem in Britain, 1850-1950 written by Michael Allis and published by Boydell & Brewer. This book was released on 2020 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).
Book Synopsis "British Music and Modernism, 1895?960 " by : Matthew Riley
Download or read book "British Music and Modernism, 1895?960 " written by Matthew Riley and published by Routledge. This book was released on 2017-07-05 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.
Book Synopsis Albion’s Glory by : Stephen H. Smith
Download or read book Albion’s Glory written by Stephen H. Smith and published by Troubador Publishing Ltd. This book was released on 2022-01-12 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: My book begins with a brief consideration of what we mean by “English music” and what factors are involved. I explain the reasons behind my choice of composers for consideration, and for the omissions from the survey.