"British Music and Modernism, 1895?960 "

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Author :
Publisher : Routledge
ISBN 13 : 1351573004
Total Pages : 463 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis "British Music and Modernism, 1895?960 " by : Matthew Riley

Download or read book "British Music and Modernism, 1895?960 " written by Matthew Riley and published by Routledge. This book was released on 2017-07-05 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.

British Music and Modernism, 1895-1960

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Author :
Publisher : Routledge
ISBN 13 : 1351573012
Total Pages : 346 pages
Book Rating : 4.3/5 (515 download)

DOWNLOAD NOW!


Book Synopsis British Music and Modernism, 1895-1960 by : Matthew Riley

Download or read book British Music and Modernism, 1895-1960 written by Matthew Riley and published by Routledge. This book was released on 2017-07-05 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.