Desire And Pleasure In Seventeenth Century Music

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Desire and Pleasure in Seventeenth-Century Music

Author : Susan McClary
Publisher : Univ of California Press
ISBN 13 : 0520952065
Total Pages : 239 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis Desire and Pleasure in Seventeenth-Century Music by : Susan McClary

Download or read book Desire and Pleasure in Seventeenth-Century Music written by Susan McClary and published by Univ of California Press. This book was released on 2012-03-06 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.

Desire and Pleasure in Seventeenth-Century Music

Author : Susan McClary
Publisher : Univ of California Press
ISBN 13 : 0520247345
Total Pages : 356 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Desire and Pleasure in Seventeenth-Century Music by : Susan McClary

Download or read book Desire and Pleasure in Seventeenth-Century Music written by Susan McClary and published by Univ of California Press. This book was released on 2012-03-06 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states--desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. ... McClary shows how musicians--whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice--were able to manipulate known procedures to produce radically new ways of experiencing time and the Self."--Dust jacket.

Structures of Feeling in Seventeenth-century Cultural Expression

Author : William Andrews Clark Memorial Library
Publisher : University of Toronto Press
ISBN 13 : 1442640626
Total Pages : 401 pages
Book Rating : 4.4/5 (426 download)

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Book Synopsis Structures of Feeling in Seventeenth-century Cultural Expression by : William Andrews Clark Memorial Library

Download or read book Structures of Feeling in Seventeenth-century Cultural Expression written by William Andrews Clark Memorial Library and published by University of Toronto Press. This book was released on 2013-01-01 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays based on papers presented at four international conferences held at the UCLA Clark Library, 2005.

Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900

Author : Laurel Parsons
Publisher : Oxford University Press
ISBN 13 : 0190237031
Total Pages : 336 pages
Book Rating : 4.1/5 (92 download)

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Book Synopsis Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900 by : Laurel Parsons

Download or read book Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900 written by Laurel Parsons and published by Oxford University Press. This book was released on 2018-09-04 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through musical analysis of compositions written between the mid-twelfth to late nineteenth centuries, this volume celebrates the achievements of eight composers, all women: Hildegard of Bingen, Maddalena Casulana, Barbara Strozzi, Élisabeth Jacquet de la Guerre, Marianne Martines, Josephine Lang, Fanny Hensel, Clara Schumann, and Amy Beach. Written by outstanding music theorists and musicologists, the essays provide fascinating in-depth critical-analytic explorations of representative compositions, often linking analytical observations with questions of meaning and sociohistorical context. Each essay is introduced by a brief biographical sketch of the composer by the editors. The collection--Volume 1 in an unprecedented four-volume series of analytical studies on music by women composers--is designed to challenge and stimulate a wide range of readers. For academics, these thoughtful analytical essays can open new paths into unexplored research areas in the fields of music theory and musicology. Post-secondary instructors may be inspired by the insights offered in these essays to include new works in music theory and history courses at both graduate and upper-level undergraduate levels, or in courses on women and music. Finally, for soloists, ensembles, conductors, and music broadcasters, these detailed analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners.

Modal Subjectivities

Author : Susan McClary
Publisher : Univ of California Press
ISBN 13 : 0520929152
Total Pages : 388 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis Modal Subjectivities by : Susan McClary

Download or read book Modal Subjectivities written by Susan McClary and published by Univ of California Press. This book was released on 2004-12-13 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself—the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.

Feminine Endings

Author : Susan McClary
Publisher : U of Minnesota Press
ISBN 13 : 9781452906362
Total Pages : 246 pages
Book Rating : 4.9/5 (63 download)

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Book Synopsis Feminine Endings by : Susan McClary

Download or read book Feminine Endings written by Susan McClary and published by U of Minnesota Press. This book was released on 2002 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. ". . . this is a major book . . . [McClary's] achievement borders on the miraculous." The Village Voice"No one will read these essays without thinking about and hearing music in new and interesting ways. Exciting reading for adventurous students and staid professionals." Choice"Feminine Endings, a provocative 'sexual politics' of Western classical or art music, rocks conservative musicology at its core. No review can do justice to the wealth of ideas and possibilities [McClary's] book presents. All music-lovers should read it, and cheer." The Women's Review of Books"McClary writes with a racy, vigorous, and consistently entertaining style. . . . What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity."-The New York Review of Books

Masculinity in Opera

Author : Philip Purvis
Publisher : Routledge
ISBN 13 : 1136182152
Total Pages : 305 pages
Book Rating : 4.1/5 (361 download)

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Book Synopsis Masculinity in Opera by : Philip Purvis

Download or read book Masculinity in Opera written by Philip Purvis and published by Routledge. This book was released on 2013-07-18 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the ways in which masculinity is negotiated, constructed, represented, and problematized within operatic music and practice. Although the consideration of masculine ontology and epistemology has pervaded cultural and sociological studies since the late 1980s, and masculinity has been the focus of recent if sporadic musicological discussion, the relationship between masculinity and opera has so far escaped detailed critical scrutiny. Operating from a position of sympathy with feminist and queer approaches and the phallocentric tendencies they identify, this study offers a unique perspective on the cultural relativism of opera by focusing on the male operatic subject. Anchored by musical analysis or close readings of musical discourse, the contributions take an interdisciplinary approach by also engaging with theatre, popular music, and cultural musicology scholarship. The various musical, theoretical, and socio-political trajectories of the essays are historically dispersed from seventeenth to twentieth- first-century operatic works and practices, visiting masculinity and the operatic voice, the complication or refusal of essentialist notions of masculinity, and the operatic representation of the ‘crisis’ of masculinity. This volume will not only enliven the study of masculinity in opera, but be an appealing contribution to music scholars interested in gender, history, and new musicology.

The Music History Classroom

Author : James A. Davis
Publisher : Routledge
ISBN 13 : 1317023501
Total Pages : 222 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis The Music History Classroom by : James A. Davis

Download or read book The Music History Classroom written by James A. Davis and published by Routledge. This book was released on 2016-02-17 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Music History Classroom brings together essays written by recognized and experienced teachers to assist in the design, implementation, and revision of college-level music history courses. This includes the traditional music history survey for music majors, but the materials presented here are applicable to other music history courses for music majors and general education students alike, including period classes, composer or repertory courses, and special topics classes and seminars. The authors bring current thought on the scholarship of teaching and learning together with practical experience into the unique environment of the music history classroom. While many of the issues confronting teachers in other disciplines are pertinent to music history classes, this collection addresses the unique nature of musical materials and the challenges involved in negotiating between historical information, complex technical musical issues, and the aesthetics of performing and listening. This single volume provides a systematic outline of practical teaching advice on all facets of music history pedagogy, including course design, classroom technology, listening and writing assignments, and more. The Music History Classroom presents the 'nuts-and-bolts' of teaching music history suitable for graduate students, junior faculty, and seasoned teachers alike.

Hearing Homophony

Author : Megan Kaes Long
Publisher : Oxford University Press, USA
ISBN 13 : 0190851902
Total Pages : 301 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis Hearing Homophony by : Megan Kaes Long

Download or read book Hearing Homophony written by Megan Kaes Long and published by Oxford University Press, USA. This book was released on 2020 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: ""This book examines a repertoire of homophonic vernacular partsongs composed around the turn of the seventeenth century, and considers how these partsongs exploit rhythm, meter, phrase structure, and form to craft harmonic trajectories. Giovanni Giacomo Gastoldi, Thomas Morley, Hans Leo Hassler, and their contemporaries engineered a particular kind of centricity that is distinctively tonal: they strategically deployed dominant harmonies at regular periodicities and in combination with poetic, phrase structural, and formal cues, thereby creating expectation for tonic harmonies. Homophony provided an ideal venue for these experiments: spurred by an increasing demand for comprehensible texts, composers of partsongs developed rigid text setting procedures that promoted both metrical regularity and consistent phrase rhythm. This rhythmic consistency had a ripple effect: it encouraged composers to design symmetrical phrase structures and to build comprehensive, repetitive, and predictable formal structures. Thus, homophonic partsongs create and exploit trajectories from dominants to tonics on multiple scales, from cadence to sub-phrase to phrase to form. Ultimately, this book argues for a model of tonality-and of tonality's history-that centers not pitch, but rhythm and meter. Metrically oriented harmonic trajectories encourage tonal expectation. And we can locate these trajectories in a variety of repertoires, including those that we traditionally understand as "modal." ""--

The Oxford Handbook of Western Music and Philosophy

Author : Assistant Professor of Music and Ad Astra Fellow Tomás McAuley
Publisher : Oxford University Press, USA
ISBN 13 : 0199367310
Total Pages : 1151 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis The Oxford Handbook of Western Music and Philosophy by : Assistant Professor of Music and Ad Astra Fellow Tomás McAuley

Download or read book The Oxford Handbook of Western Music and Philosophy written by Assistant Professor of Music and Ad Astra Fellow Tomás McAuley and published by Oxford University Press, USA. This book was released on 2020-12-30 with total page 1151 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy.

Gender and Song in Early Modern England

Author : Leslie C. Dunn
Publisher : Routledge
ISBN 13 : 1317130472
Total Pages : 287 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Gender and Song in Early Modern England by : Leslie C. Dunn

Download or read book Gender and Song in Early Modern England written by Leslie C. Dunn and published by Routledge. This book was released on 2016-04-15 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.

Voice, Slavery, and Race in Seventeenth-Century Florence

Author : Emily Wilbourne
Publisher : Oxford University Press
ISBN 13 : 0197646913
Total Pages : 521 pages
Book Rating : 4.1/5 (976 download)

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Book Synopsis Voice, Slavery, and Race in Seventeenth-Century Florence by : Emily Wilbourne

Download or read book Voice, Slavery, and Race in Seventeenth-Century Florence written by Emily Wilbourne and published by Oxford University Press. This book was released on 2023 with total page 521 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Grounded in new archival research documenting a significant presence of foreign and racially-marked individuals in Medici Florence, this book argues for the relevance of such individuals to the history of Western music and for the importance of sound-particularly musical and vocal sounds-to systems of racial and ethnic difference. Many of the individuals discussed in these pages were subject to enslavement or conditions of unfree labor; some labored at tasks that were explicitly musical or theatrical, while all intersected with sound and with practices of listening that afforded full personhood only to particular categories of people. Integrating historical detail alongside contemporary performances and musical conventions, this book makes the forceful claim that operatic musical techniques were-from their very inception-imbricated with racialized differences. Race, Voice, and Slavery in Seventeenth-Century Florence offers both a macro and micro approach to its content. The first half of the volume draws upon a wide range of archival, theatrical and historical sources to articulate the theoretical interdependence of razza (lit. "race"), voice, and music in early modern Italy; the second half focuses on the life and work of a specific, racially-marked individual: the enslaved, Black, male soprano singer, Giovannino Buonaccorsi (fl. 1651-1674). Race, Voice, and Slavery in Seventeenth-Century Florence reframes the place of racial difference in Western art music and provides a compelling pre-history to later racial formulations of the sonic"--

Eroticism in Early Modern Music

Author : Bonnie Blackburn
Publisher : Routledge
ISBN 13 : 1317141725
Total Pages : 375 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Eroticism in Early Modern Music by : Bonnie Blackburn

Download or read book Eroticism in Early Modern Music written by Bonnie Blackburn and published by Routledge. This book was released on 2016-03-09 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eroticism in Early Modern Music contributes to a small but significant literature on music, sexuality, and sex in sixteenth- and seventeenth-century Europe. Its chapters have grown from a long dialogue between a group of scholars, who employ a variety of different approaches to the repertoire: musical and visual analysis; archival and cultural history; gender studies; philology; and performance. By confronting musical, literary, and visual sources with historically situated analyses, the book shows how erotic life and sensibilities were encoded in musical works. Eroticism in Early Modern Music will be of value to scholars and students of early modern European history and culture, and more widely to a readership interested in the history of eroticism and sexuality.

Sound and Affect

Author : Judith Lochhead
Publisher : University of Chicago Press
ISBN 13 : 022675801X
Total Pages : 416 pages
Book Rating : 4.2/5 (267 download)

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Book Synopsis Sound and Affect by : Judith Lochhead

Download or read book Sound and Affect written by Judith Lochhead and published by University of Chicago Press. This book was released on 2021-04-23 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--

Out of Time

Author : Julian Johnson
Publisher : Oxford University Press
ISBN 13 : 019023329X
Total Pages : 400 pages
Book Rating : 4.1/5 (92 download)

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Book Synopsis Out of Time by : Julian Johnson

Download or read book Out of Time written by Julian Johnson and published by Oxford University Press. This book was released on 2015-02-27 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does music have to say about modernity? How can this apparently unworldly art tell us anything about modern life? In Out of Time, author Julian Johnson begins from the idea that it can, arguing that music renders an account of modernity from the inside, a history not of events but of sensibility, an archaeology of experience. If music is better understood from this broad perspective, our idea of modernity itself is also enriched by the specific insights of music. The result is a rehearing of modernity and a rethinking of music - an account that challenges ideas of linear progress and reconsiders the common concerns of music, old and new. If all music since 1600 is modern music, the similarities between Monteverdi and Schoenberg, Bach and Stravinsky, or Beethoven and Boulez, become far more significant than their obvious differences. Johnson elaborates this idea in relation to three related areas of experience - temporality, history and memory; space, place and technology; language, the body, and sound. Criss-crossing four centuries of Western culture, he moves between close readings of diverse musical examples (from the madrigal to electronic music) and drawing on the history of science and technology, literature, art, philosophy, and geography. Against the grain of chronology and the usual divisions of music history, Johnson proposes profound connections between musical works from quite different times and places. The multiple lines of the resulting map, similar to those of the London Underground, produce a bewildering network of plural connections, joining Stockhausen to Galileo, music printing to sound recording, the industrial revolution to motivic development, steam trains to waltzes. A significant and groundbreaking work, Out of Time is essential reading for anyone interested in the history of music and modernity.

Dreaming with Open Eyes

Author : Ayana O. Smith
Publisher : University of California Press
ISBN 13 : 0520298152
Total Pages : 326 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Dreaming with Open Eyes by : Ayana O. Smith

Download or read book Dreaming with Open Eyes written by Ayana O. Smith and published by University of California Press. This book was released on 2019-01-29 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.

Opera and the Political Imaginary in Old Regime France

Author : Olivia Bloechl
Publisher : University of Chicago Press
ISBN 13 : 022652289X
Total Pages : 301 pages
Book Rating : 4.2/5 (265 download)

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Book Synopsis Opera and the Political Imaginary in Old Regime France by : Olivia Bloechl

Download or read book Opera and the Political Imaginary in Old Regime France written by Olivia Bloechl and published by University of Chicago Press. This book was released on 2018-03-01 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.