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Gender And Song In Early Modern England
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Book Synopsis Gender and Song in Early Modern England by : Leslie C. Dunn
Download or read book Gender and Song in Early Modern England written by Leslie C. Dunn and published by Routledge. This book was released on 2016-04-15 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.
Book Synopsis Gender and Song in Early Modern England by : Leslie C. Dunn
Download or read book Gender and Song in Early Modern England written by Leslie C. Dunn and published by . This book was released on 2014 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Matter of Song in Early Modern England by : Katherine R. Larson
Download or read book The Matter of Song in Early Modern England written by Katherine R. Larson and published by Oxford University Press. This book was released on 2019-08-29 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.
Book Synopsis Gender and Song in Early Modern England by : Leslie C. Dunn
Download or read book Gender and Song in Early Modern England written by Leslie C. Dunn and published by Routledge. This book was released on 2016-04-15 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.
Book Synopsis The Matter of Song in Early Modern England by : Katherine R. Larson
Download or read book The Matter of Song in Early Modern England written by Katherine R. Larson and published by Oxford University Press, USA. This book was released on 2019-08-29 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume treats early modern song as a musical and embodied practice and considers the implications of reading song not just as lyric text, but as a musical phenomenon that is the product of the singing body. It draws on a variety of genres, from theatre to psalm translations, sonnets and lyrics, and household drama to courtly masques.
Book Synopsis Beyond Boundaries by : Linda Phyllis Austern
Download or read book Beyond Boundaries written by Linda Phyllis Austern and published by Indiana University Press. This book was released on 2017-02-13 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.
Book Synopsis The Matter of Song in Early Modern England by : Katherine R. Larson
Download or read book The Matter of Song in Early Modern England written by Katherine R. Larson and published by Oxford University Press. This book was released on 2019-08-29 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.
Book Synopsis Musical Voices of Early Modern Women by : Thomasin LaMay
Download or read book Musical Voices of Early Modern Women written by Thomasin LaMay and published by Routledge. This book was released on 2017-05-15 with total page 499 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent scholarship has offered a veritable landslide of studies about early modern women, illuminating them as writers, thinkers, midwives, mothers, in convents, at home, and as rulers. Musical Voices of Early Modern Women adds to the mix of early modern studies a volume that correlates women's musical endeavors to their lives, addressing early modern women's musical activities across a broad spectrum of cultural events and settings. The volume takes as its premise the notion that while women may have been squeezed to participate in music through narrower doors than their male peers, they nevertheless did so with enthusiasm, diligence, and success. They were there in many ways, but as women's lives were fundamentally different and more private than men's were, their strategies, tools, and appearances were sometimes also different and thus often unstudied in an historical discipline that primarily evaluated men's productivity. Given that, many of these stories will not necessarily embrace a standard musical repertoire, even as they seek to expand canonical borders. The contributors to this collection explore the possibility of a larger musical culture which included women as well as men, by examining early modern women in "many-headed ways" through the lens of musical production. They look at how women composed, assuming that compositional gender strategies may have been used differently when applied through her vision; how women were composed, or represented and interpreted through music in a larger cultural context, and how her presence in that dialog situated her in social space. Contributors also trace how women found music as a means for communicating, for establishing intellectual power, for generating musical tastes, and for enhancing the quality of their lives. Some women performed publicly, and thus some articles examine how this impacted on their lives and families. Other contributors inquire about the economics of music and women, and how in different situations some women may have been financially empowered or even in control of their own money-making. This collection offers a glimpse at women from home, stage, work, and convent, from many classes and from culturally diverse countries - including France, Spain, Italy, England, Austria, Russia, and Mexico - and imagines a musical history centered in the realities of those lives.
Book Synopsis Oral Traditions and Gender in Early Modern Literary Texts by : Mary Ellen Lamb
Download or read book Oral Traditions and Gender in Early Modern Literary Texts written by Mary Ellen Lamb and published by Routledge. This book was released on 2017-11-28 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Proposing a fresh approach to scholarship on the topic, this volume explores the cultural meanings, especially the gendered meanings, of material associated with oral traditions. The collection is divided into three sections. Part One investigates the evocations of the 'old nurse' as storyteller so prominent in early modern fictions. The essays in Part Two investigate women's fashioning of oral traditions to serve their own purposes. The third section disturbs the exclusive associations between the feminine and oral traditions to discover implications for masculinity, as well. Contributors explore the plays of Shakespeare and writings of Spenser, Sidney, Wroth and the Cavendishes, as well as works by less well known or even unknown authors. Framed by an introduction by Mary Ellen Lamb and an afterword by Pamela Allen Brown, these essays make several important interventions in scholarship in the field. They demonstrate the continuing cultural importance of an oral tradition of tales and ballads, even if sometimes circulated in manuscript and printed forms. Rather than in its mode of transmission, contributors posit that the continuing significance of this oral tradition lies instead in the mode of consumption (the immediacy of the interaction of the participants). Oral Traditions and Gender in Early Modern Literary Texts confirms the power of oral traditions to shape and also to unsettle concepts of the masculine as well as of the feminine. This collection usefully complicates any easy assumptions about associations of oral traditions with gender.
Book Synopsis The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 by : Elizabeth Scott-Baumann
Download or read book The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 written by Elizabeth Scott-Baumann and published by Oxford University Press. This book was released on 2023-01-14 with total page 897 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 brings together new work by scholars across the globe, from some of the founding figures in early modern women's writing to those early in their careers and defining the field now. It investigates how and where women gained access to education, how they developed their literary voice through varied genres including poetry, drama, and letters, and how women cultivated domestic and technical forms of knowledge from recipes and needlework to medicines and secret codes. Chapters investigate the ways in which women's writing was an integral part of the intellectual culture of the period, engaging with male writers and traditions, while also revealing the ways in which women's lives and writings were often distinctly different, from women prophetesses to queens, widows, and servants. It explores the intersections of women writing in English with those writing in French, Spanish, Latin, and Greek, in Europe and in New England, and argues for an archipelagic understanding of women's writing in Scotland, Wales, Ireland, and England. Finally, it reflects on--and challenges--the methodologies which have developed in, and with, the field: book and manuscript history, editing, digital analysis, premodern critical race studies, network theory, queer theory, and feminist theory. The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 captures the most innovative work on early modern women's writing in English at present.
Download or read book Things of Darkness written by Kim F. Hall and published by Cornell University Press. This book was released on 2018-09-05 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The "Ethiope," the "tawny Tartar," the "woman blackamoore," and "knotty Africanisms"—allusions to blackness abound in Renaissance texts. Kim F. Hall's eagerly awaited book is the first to view these evocations of blackness in the contexts of sexual politics, imperialism, and slavery in early modern England. Her work reveals the vital link between England's expansion into realms of difference and otherness—through exploration and colonialism-and the highly charged ideas of race and gender which emerged. How, Hall asks, did new connections between race and gender figure in Renaissance ideas about the proper roles of men and women? What effect did real racial and cultural difference have on the literary portrayal of blackness? And how did the interrelationship of tropes of race and gender contribute to a modern conception of individual identity? Hall mines a wealth of sources for answers to these questions: travel literature from Sir John Mandeville's Travels to Leo Africanus's History and Description of Africa; lyric poetry and plays, from Shakespeare's Antony and Cleopatra and The Tempest to Ben Jonson's Masque of Blackness; works by Emilia Lanyer, Philip Sidney, John Webster, and Lady Mary Wroth; and the visual and decorative arts. Concentrating on the sixteenth and seventeenth centuries, Hall shows how race, sexuality, economics, and nationalism contributed to the formation of a modern ( white, male) identity in English culture. The volume includes a useful appendix of not readily accessible Renaissance poems on blackness.
Book Synopsis Eros and Music in Early Modern Culture and Literature by : Claire Bardelmann
Download or read book Eros and Music in Early Modern Culture and Literature written by Claire Bardelmann and published by Routledge. This book was released on 2020-09-30 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the relationship between Eros and music? How does the intersection of love and music contribute to define the perimeter of Early Modern love? The Early Moderns hold parallel discourses on the metaphysical doctrines of love and music as theories of harmony. Statements of love as music, of music as love, and of both as harmonic ideals, are found across a wide range of cultural contexts, highlighting the understanding of love as a cultural construct. The book assesses the complexity of cultural discourses on this linkage of Eros and music. The ambivalence of music as an erotic agent is enacted in the controversy over dancing and reflected in the ubiquitous symbolism of music instruments. Likewise, the trivialization of musical imagery in madrigal lyrics and love poetry highlights a sense of degradation and places the love-music relationship at the meeting point of two epistemes. The book also shows the symbolic deployment of the intertwined ideas of love and music in the English epyllion, and offers close readings of Shakespeare's poems The Rape of Lucrece and Venus and Adonis. The book is the first to propose an overview of the theoretical, cultural and poetical intersections of Eros and music in Early Modern England. It discusses the connections in a richly interdisciplinary manner, drawing on a wealth of primary material which includes rhetoric, natural philosophy, educational literature, medicine, music theory and musical performance, dance books, performance politics, Protestant pamphlets and sermons, and emblem books.
Book Synopsis Women and Religious Writing in Early Modern England by : Erica Longfellow
Download or read book Women and Religious Writing in Early Modern England written by Erica Longfellow and published by Cambridge University Press. This book was released on 2004-09-23 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study challenges critical assumptions about the role of religion in shaping women's experiences of authorship. Feminist critics have frequently been uncomfortable with the fact that conservative religious beliefs created opportunities for women to write with independent agency. The seventeenth-century Protestant women discussed in this book range across the religio-political and social spectrums and yet all display an affinity with modern feminist theologians. Rather than being victims of a patriarchal gender ideology, Lady Anne Southwell, Anna Trapnel and Lucy Hutchinson, among others, were both active negotiators of gender and active participants in wider theological debates. By placing women's religious writing in a broad theological and socio-political context, Erica Longfellow challenges traditional critical assumptions about the role of gender in shaping religion and politics and the role of women in defining gender and thus influencing religion and politics.
Book Synopsis Unwritten Poetry by : Scott A. Trudell
Download or read book Unwritten Poetry written by Scott A. Trudell and published by Oxford University Press. This book was released on 2019-03-07 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the period's theatrical and poetic movements, yet its importance to literary history has long been ignored or effaced. This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which—and by whom—its songs were made. In a literary field that was never confined to writing, media were not limited to material texts. Scott Trudell argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study of song, Trudell outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history.
Book Synopsis Rape and the Rise of the Author by : Amy Greenstadt
Download or read book Rape and the Rise of the Author written by Amy Greenstadt and published by Routledge. This book was released on 2016-04-08 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contending that early modern fictional portrayals of sexual violence identify the position of the author with that of the chaste woman threatened with rape, Amy Greenstadt challenges the prevalent scholarly view that this period's concept of 'The Author' was inherently masculine. Instead, she argues, the analogy between rape and writing centrally informed ideas of literary intention that emerged during the English Renaissance. Analyzing works by Milton, Sidney, Shakespeare and Cavendish, Greenstadt shows how the figure of 'The Author' - and by extension ideas of the modern individual--derived from a paradigm of female virtue and vulnerability. This volume supplements the growing body of studies that address the relationship between early modern textual representation and notions of gender and sexuality; it also adds a new dimension in considering the wider origins of modern concepts of selfhood and individual rights.
Download or read book 1611 written by Helen Wilcox and published by John Wiley & Sons. This book was released on 2014-02-03 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1611: Authority, Gender, and the Word in Early Modern England explores issues of authority, gender, and language within and across the variety of literary works produced in one of most landmark years in literary and cultural history. Represents an exploration of a year in the textual life of early modern England Juxtaposes the variety and range of texts that were published, performed, read, or heard in the same year, 1611 Offers an account of the textual culture of the year 1611, the environment of language, and the ideas from which the Authorised Version of the English Bible emerged
Book Synopsis The Ashgate Research Companion to The Sidneys, 1500–1700 by : Professor Margaret P Hannay
Download or read book The Ashgate Research Companion to The Sidneys, 1500–1700 written by Professor Margaret P Hannay and published by Ashgate Publishing, Ltd.. This book was released on 2015-07-28 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few families have contributed as much to English history and literature as the Sidney family. This two-volume Ashgate Research Companion assesses the current state of scholarship on family members and their impact in the period 1500-1700. Volume 1, Lives, includes an overview of the Sidneys and politics, providing some links to court events, entertainments, literature, and patronage; biographies of a number of high-profile Sidney women and men; and sections assessing the influence of the family in the areas of the English court, international politics, patronage, religion, public entertainment, the visual arts and music.
