Contemporary Film Music

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Publisher : Springer
ISBN 13 : 1137573759
Total Pages : 280 pages
Book Rating : 4.1/5 (375 download)

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Book Synopsis Contemporary Film Music by : Lindsay Coleman

Download or read book Contemporary Film Music written by Lindsay Coleman and published by Springer. This book was released on 2017-05-30 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: The purpose of this book, through its very creation, is to strengthen the dialogue between practitioner and theorist. To that end, a film academic and musicologist have collaborated as editors on this book, which is in turn comprised of interviews with composers alongside complementary chapters that focus on a particular feature of the composer’s approach or style. These chapters are written by a fellow composer, musicologist, or film academic who specializes in that element of the composer’s output. In the interview portions of this book, six major film composers discuss their work from the early 1980s to the present day: Carter Burwell, Mychael Danna, Dario Marianelli, Rachel Portman, Zbigniew Preisner, and A.R. Rahman. The focus is on the practical considerations of film composition, the relationship each composer has with the moving image, narrative, technical considerations, personal motivations in composing, the relationships composers have with their directors, and their own creative processes. Contemporary Film Music also explores the contemporary influence of electronic music, issues surrounding the mixing of soundtracks, music theory, and the evolution of each composer’s musical voice.

On the Track

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Author :
Publisher : Routledge
ISBN 13 : 1135948038
Total Pages : 536 pages
Book Rating : 4.1/5 (359 download)

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Book Synopsis On the Track by : Fred Karlin

Download or read book On the Track written by Fred Karlin and published by Routledge. This book was released on 2013-07-04 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors cover everything from timing, cuing, and recording through balancing the composer's vision with the needs of the film.

Contemporary Musical Film

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Publisher : Edinburgh University Press
ISBN 13 : 1474413137
Total Pages : 208 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Contemporary Musical Film by : K. J. Donnelly

Download or read book Contemporary Musical Film written by K. J. Donnelly and published by Edinburgh University Press. This book was released on 2017-06-26 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino's Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney's wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the 'post-millennial rock musical', this wide-ranging collection breaks new ground in its study of this multifaceted genre.

Film Music: a Very Short Introduction

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Publisher : Oxford University Press
ISBN 13 : 0197628036
Total Pages : 177 pages
Book Rating : 4.1/5 (976 download)

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Book Synopsis Film Music: a Very Short Introduction by : Kathryn Kalinak

Download or read book Film Music: a Very Short Introduction written by Kathryn Kalinak and published by Oxford University Press. This book was released on 2023 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--

Hearing Film

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Publisher : Routledge
ISBN 13 : 1135957207
Total Pages : 200 pages
Book Rating : 4.1/5 (359 download)

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Book Synopsis Hearing Film by : Anahid Kassabian

Download or read book Hearing Film written by Anahid Kassabian and published by Routledge. This book was released on 2002-06 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hearing Film offers the first critical examination of music in the films of the 1980s and 1990s and looks at the burgeoning role of compiled scores in the shaping of a film. Also includes 11 musical examples.

Understanding the Leitmotif

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Publisher : Cambridge University Press
ISBN 13 : 1107098394
Total Pages : 357 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis Understanding the Leitmotif by : Matthew Bribitzer-Stull

Download or read book Understanding the Leitmotif written by Matthew Bribitzer-Stull and published by Cambridge University Press. This book was released on 2015-05-14 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.

Music in Film

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Publisher : Wallflower Press
ISBN 13 : 9781903364659
Total Pages : 150 pages
Book Rating : 4.3/5 (646 download)

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Book Synopsis Music in Film by : Pauline Reay

Download or read book Music in Film written by Pauline Reay and published by Wallflower Press. This book was released on 2004 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Film: Soundtracks and Synergy discusses a broad range of films - from classical Hollywood through to American independents and European art films - and offers a brief history of the development of music in film from the silent era to the present day. In particular, this book explores how music operates as a narrative device, and also emotionally and culturally. By focusing on the increasing synergy between film and music texts, it includes an extended case study of Magnolia as a film script which developed from a pop song. Emphasis is also placed on the divide between the `high culture' of the orchestral score and the `low culture' of the pop song.

Improvising the Score

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Publisher : Univ. Press of Mississippi
ISBN 13 : 1496840755
Total Pages : 224 pages
Book Rating : 4.4/5 (968 download)

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Book Synopsis Improvising the Score by : Gretchen L. Carlson

Download or read book Improvising the Score written by Gretchen L. Carlson and published by Univ. Press of Mississippi. This book was released on 2022-07-15 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: On December 4, 1957, Miles Davis revolutionized film soundtrack production, improvising the score for Louis Malle’s Ascenseur pour l’échafaud. A cinematic harbinger of the French New Wave, Ascenseur challenged mainstream filmmaking conventions, emphasizing experimentation and creative collaboration. It was in this environment during the late 1950s to 1960s, a brief “golden age” for jazz in film, that many independent filmmakers valued improvisational techniques, featuring soundtracks from such seminal figures as John Lewis, Thelonious Monk, and Duke Ellington. But what of jazz in film today? Improvising the Score: Rethinking Modern Film Music through Jazz provides an original, vivid investigation of innovative collaborations between renowned contemporary jazz artists and prominent independent filmmakers. The book explores how these integrative jazz-film productions challenge us to rethink the possibilities of cinematic music production. In-depth case studies include collaborations between Terence Blanchard and Spike Lee (Malcolm X, When the Levees Broke), Dick Hyman and Woody Allen (Hannah and Her Sisters), Antonio Sánchez and Alejandro González Iñárritu (Birdman), and Mark Isham and Alan Rudolph (Afterglow). The first book of its kind, this study examines jazz artists’ work in film from a sociological perspective, offering rich, behind-the-scenes analyses of their unique collaborative relationships with filmmakers. It investigates how jazz artists negotiate their own “creative labor,” examining the tensions between improvisation and the conventionally highly regulated structures, hierarchies, and expectations of filmmaking. Grounded in personal interviews and detailed film production analysis, Improvising the Score illustrates the dynamic possibilities of integrative artistic collaborations between jazz, film, and other contemporary media, exemplifying its ripeness for shaping and invigorating twenty-first-century arts, media, and culture.

Aaron Copland's Hollywood Film Scores

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Publisher : Eastman Studies in Music
ISBN 13 : 1580469914
Total Pages : 209 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Aaron Copland's Hollywood Film Scores by : Paula Musegades

Download or read book Aaron Copland's Hollywood Film Scores written by Paula Musegades and published by Eastman Studies in Music. This book was released on 2020 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneering study of how American composer Aaron Copland helped shape the sound of the Hollywood film industry and introduced the moviegoing public to modern musical styles.

European Film Music

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Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9780754636595
Total Pages : 232 pages
Book Rating : 4.6/5 (365 download)

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Book Synopsis European Film Music by : Miguel Mera

Download or read book European Film Music written by Miguel Mera and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Miguel Mera and David Burnand present a volume that explores specific European filmic texts, composers and approaches to film scoring that have hitherto been neglected. Films involving British, French, German, Greek, Irish, Italian, Polish and Spanish composers are considered in detail. Important issues that permeate all the essays involve the working relationship of composer and director, the dialectic between the diegetic and non-diegetic uses of music in films, the music-image synergism and the levels of realism that are created by the audio-visual mix.

Film Music: A Very Short Introduction

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Publisher : Oxford University Press
ISBN 13 : 0199707979
Total Pages : 162 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis Film Music: A Very Short Introduction by : Kathryn Kalinak

Download or read book Film Music: A Very Short Introduction written by Kathryn Kalinak and published by Oxford University Press. This book was released on 2010-03-11 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Music Composition for Film and Television

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Author :
Publisher : Hal Leonard Corporation
ISBN 13 : 1476899487
Total Pages : 292 pages
Book Rating : 4.4/5 (768 download)

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Book Synopsis Music Composition for Film and Television by : Lalo Schifrin

Download or read book Music Composition for Film and Television written by Lalo Schifrin and published by Hal Leonard Corporation. This book was released on 2011-12-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Berklee Guide). Learn film-scoring techniques from one of the great film/television composers of our time. Lalo Schifrin shares his insights into the intimate relationship between music and drama. The book is illustrated with extended excerpts from his most iconic scores such as Mission: Impossible , Cool Hand Luke , Bullitt and many others and peppered with anecdotes from inside the Hollywood studios. Schifrin reveals the technical details of his own working approach, which has earned him six Oscar nominations, 21 Grammy nominations (with four awards), and credits on hundreds of major productions. Includes the full score of Schifrin's Fanfare for Screenplay and Orchestra , a treasure-trove of unfettered dramatic sound painting, commissioned by the Chicago Symphony Orchestra, and a great thesis on the emblematic language of film music.

Movie Music, the Film Reader

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Publisher : Psychology Press
ISBN 13 : 9780415281591
Total Pages : 216 pages
Book Rating : 4.2/5 (815 download)

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Book Synopsis Movie Music, the Film Reader by : Kay Dickinson

Download or read book Movie Music, the Film Reader written by Kay Dickinson and published by Psychology Press. This book was released on 2003 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.

Film Music

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Publisher : W. W. Norton & Company
ISBN 13 : 9780393308747
Total Pages : 356 pages
Book Rating : 4.3/5 (87 download)

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Book Synopsis Film Music by : Roy M. Prendergast

Download or read book Film Music written by Roy M. Prendergast and published by W. W. Norton & Company. This book was released on 1992 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: The expanded, updated, and revised edition of Film Music brings together the experience and insights of the professional film music editor with the scholarship and concerns of the film critic and historian. In this pioneering work, film music--from its beginnings to the present day--is analyzed both as composition and as an integral element of cinematic expression. Beginning with an extensive historical overview, the author recreates the process by which film music composers developed their own forms out of typical screen action. The techniques and achievements of filmmakers from the silent and early sound film eras to the 1990s are examined, including the unique demands of music for the rapidly changing images of cartoons and animated films. A new chapter about music for television has been added to the very informative discussion of techniques for synchronizing music to picture. And the latest technological advances are described in an entirely new section dealing with contemporary methods and tools, including video post-production, the advent of digital audio, and the pervasive influence of the music synthesizer. Replete with music examples drawn from actual film scores, this comprehensive study concludes with an extensive and up-to-date bibliography of related reference works.

Popular Film Music and Masculinity in Action

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Author :
Publisher : Routledge
ISBN 13 : 1134109415
Total Pages : 264 pages
Book Rating : 4.1/5 (341 download)

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Book Synopsis Popular Film Music and Masculinity in Action by : Amanda Howell

Download or read book Popular Film Music and Masculinity in Action written by Amanda Howell and published by Routledge. This book was released on 2015-02-11 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen—or heard—before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing investment in violence-as-spectacle with similarly body-focused pleasures of contemporary youth music. Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music’s role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent gender—and gendered fictions of male empowerment—in contemporary screen entertainment.

Popular Music and Film

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Author :
Publisher : Wallflower Press
ISBN 13 : 9781903364710
Total Pages : 224 pages
Book Rating : 4.3/5 (647 download)

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Book Synopsis Popular Music and Film by : Ian Inglis

Download or read book Popular Music and Film written by Ian Inglis and published by Wallflower Press. This book was released on 2003 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The growing presence of popular music in film is one of the most exciting areas of contemporary Film Studies. Written by a range of international specialists, this collection includes case studies on Sliding Doors, Topless Women Talk About Their Lives, The Big Chill and Moulin Rouge, considering the work of populist musicians such as the Beatles, Jimi Hendrix and Sting. Contributors to the volume include Robb Wright, Lesley Vize, Phil Powrie, Anno Mungen, Anaheid Kassabian, Lauren Anderson, Antti-Ville Karja, K. J. Donnelly, Lee Barron, Melissa Carey Michael Hannan and Jaap Kooijman.

Music in Epic Film

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Publisher : Routledge
ISBN 13 : 1317425863
Total Pages : 354 pages
Book Rating : 4.3/5 (174 download)

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Book Synopsis Music in Epic Film by : Stephen C. Meyer

Download or read book Music in Epic Film written by Stephen C. Meyer and published by Routledge. This book was released on 2016-09-01 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.