Companion to Contemporary Musical Thought

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Publisher : Psychology Press
ISBN 13 : 9780415086950
Total Pages : 616 pages
Book Rating : 4.0/5 (869 download)

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Book Synopsis Companion to Contemporary Musical Thought by : John Paynter

Download or read book Companion to Contemporary Musical Thought written by John Paynter and published by Psychology Press. This book was released on 1992 with total page 616 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Companion to Contemporary Musical Thought

Download Companion to Contemporary Musical Thought PDF Online Free

Author :
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (633 download)

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Book Synopsis Companion to Contemporary Musical Thought by : John Paynter

Download or read book Companion to Contemporary Musical Thought written by John Paynter and published by . This book was released on 1992 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Companion to Contemporary Musical Thought

Download Companion to Contemporary Musical Thought PDF Online Free

Author :
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (633 download)

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Book Synopsis Companion to Contemporary Musical Thought by : John Paynter

Download or read book Companion to Contemporary Musical Thought written by John Paynter and published by . This book was released on 1992 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Time in Contemporary Musical Thought

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Author :
Publisher : Routledge
ISBN 13 : 1134350937
Total Pages : 316 pages
Book Rating : 4.1/5 (343 download)

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Book Synopsis Time in Contemporary Musical Thought by : Jonathan D. Kramer

Download or read book Time in Contemporary Musical Thought written by Jonathan D. Kramer and published by Routledge. This book was released on 2015-12-22 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: The articles in this collection create an interdisciplinary perspective. While attempting no unified vision, it approaches the subject from a variety of perspectives: aesthetics, psychology, sociology, ethnomusicology, compositional practice, and semiotics. While all composers are necessarily concerned with time, and while all theorists deal at least indirectly with music as a temporal phenomenon, the study of musical time has been fragmented. It is appropriate that no clear paradigm, model or direction has yet emerged in the study of muscial time, since time itself is both pervasive and elusive.

Poetry of Reality

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Publisher : Routledge
ISBN 13 : 1135304319
Total Pages : 191 pages
Book Rating : 4.1/5 (353 download)

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Book Synopsis Poetry of Reality by : Katherine Norman

Download or read book Poetry of Reality written by Katherine Norman and published by Routledge. This book was released on 2005-08-15 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Renaissance Music

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Publisher : Routledge
ISBN 13 : 1351551477
Total Pages : 469 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Renaissance Music by : Kenneth Kreitner

Download or read book Renaissance Music written by Kenneth Kreitner and published by Routledge. This book was released on 2017-07-05 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: We know what, say, a Josquin mass looks like but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.

Classical and Romantic Music

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Publisher : Routledge
ISBN 13 : 1351571745
Total Pages : 650 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Classical and Romantic Music by : David Milsom

Download or read book Classical and Romantic Music written by David Milsom and published by Routledge. This book was released on 2017-07-05 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.

Understanding the Art of Sound Organization

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Publisher : MIT Press
ISBN 13 : 0262260905
Total Pages : 319 pages
Book Rating : 4.2/5 (622 download)

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Book Synopsis Understanding the Art of Sound Organization by : Leigh Landy

Download or read book Understanding the Art of Sound Organization written by Leigh Landy and published by MIT Press. This book was released on 2007-08-17 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations. The art of sound organization, also known as electroacoustic music, uses sounds not available to traditional music making, including prerecorded, synthesized, and processed sounds. The body of work of such sound-based music (which includes electroacoustic art music, turntable composition, computer games, and acoustic and digital sound installations) has developed more rapidly than its musicology. Understanding the Art of Sound Organization proposes the first general foundational framework for the study of the art of sound organization, defining terms, discussing relevant forms of music, categorizing works, and setting sound-based music in interdisciplinary contexts. Leigh Landy's goal in this book is not only to create a theoretical framework but also to make the work more accessible—to suggest a way to understand sound-based music, to give a listener what he terms “something to hold on to,” for example, by connecting elements in a work to everyday experience. Landy considers the difficulties of categorizing works and discusses such types of works as sonic art and electroacoustic music, pointing out where they overlap and how they are distinctive. He proposes a “sound-based music paradigm” that transcends such traditional categories as art and pop music. Landy defines patterns that suggest a general framework and places the studies of sound-based music into interdisciplinary contexts, from acoustics to semiotics, proposing a holistic research approach that considers the interconnectedness of a given work's history, theory, technological aspects, and social impact. The author's ElectroAcoustic Resource Site (EARS, www.ears.dmu.ac.uk), the architecture of which parallels this book's structure, offers updated bibliographic resource abstracts and related information.

Baroque Music

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Publisher : Routledge
ISBN 13 : 135157471X
Total Pages : 729 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Baroque Music by : Peter Walls

Download or read book Baroque Music written by Peter Walls and published by Routledge. This book was released on 2017-07-05 with total page 729 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.

Istvan Anhalt

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Publisher : McGill-Queen's Press - MQUP
ISBN 13 : 0773568751
Total Pages : 496 pages
Book Rating : 4.7/5 (735 download)

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Book Synopsis Istvan Anhalt by : Robin Elliott

Download or read book Istvan Anhalt written by Robin Elliott and published by McGill-Queen's Press - MQUP. This book was released on 2001-11-08 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: Istvan Anhalt, born into a Jewish family in Budapest in 1919, studied with Zoltán Kodály before being conscripted into a forced labour camp during World War II. In the late 1940s he studied under Nadia Boulanger and Soulima Stravinsky before emigrating to Canada in 1949, where he has been an important figure in the Canadian music scene for the last fifty years.

Liveness in Modern Music

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Publisher : Routledge
ISBN 13 : 1136155287
Total Pages : 222 pages
Book Rating : 4.1/5 (361 download)

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Book Synopsis Liveness in Modern Music by : Paul Sanden

Download or read book Liveness in Modern Music written by Paul Sanden and published by Routledge. This book was released on 2013-01-17 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent performance and to stand in opposition to recording, amplification, and other methods of electronically mediating music. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts—tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines. Sanden analyzes liveness in mediatized music (music for which electronic mediation plays an intrinsically defining role), exploring the role this concept plays in defining musical meaning. In discussions of music from both popular and classical traditions, Sanden demonstrates how liveness is performed by acts of human expression in productive tension with the electronic machines involved in making this music, whether on stage or on recording. Liveness is not a fixed ontological state that exists in the absence of electronic mediation, but rather a dynamically performed assertion of human presence within a technological network of communication. This book provides new insights into how the ideas of performance and liveness continue to permeate the perception and reception of even highly mediatized music within a society so deeply invested, on every level, with the use of electronic technologies.

Analytical Methods of Electroacoustic Music

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Publisher : Routledge
ISBN 13 : 1135503354
Total Pages : 312 pages
Book Rating : 4.1/5 (355 download)

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Book Synopsis Analytical Methods of Electroacoustic Music by : Mary Simoni

Download or read book Analytical Methods of Electroacoustic Music written by Mary Simoni and published by Routledge. This book was released on 2005-12-09 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Containing extensive artwork serving as demonstration, as well as a DVD with sound and video clips, this collection of essays on electroacoustic music explores the creative possibilities to be found in various forms of musical analysis. Taking pitch, duration, intensity, and timbre as the four basic elements of music, the authors discuss electroacoustic works and examine: * the applications of neumes * contemporary staff notation * sound orchestra and score files * time-domain representations * spectrograms. Taking into consideration both the positive aspects (preservation of the abstract) and negative aspects (creative limitation) of these analytical methods, the authors have created a useful resource for students of electroacoustic music.

The End of Early Music

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Publisher : Oxford University Press
ISBN 13 : 9780198040941
Total Pages : 304 pages
Book Rating : 4.0/5 (49 download)

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Book Synopsis The End of Early Music by : Bruce Haynes

Download or read book The End of Early Music written by Bruce Haynes and published by Oxford University Press. This book was released on 2007-07-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition.

Sourcebook for Research in Music, Third Edition

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Publisher : Indiana University Press
ISBN 13 : 0253014565
Total Pages : 518 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Sourcebook for Research in Music, Third Edition by : Allen Scott

Download or read book Sourcebook for Research in Music, Third Edition written by Allen Scott and published by Indiana University Press. This book was released on 2015-06-01 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.

The Pathetick Musician

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Publisher : Oxford University Press
ISBN 13 : 0199373736
Total Pages : 361 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis The Pathetick Musician by : Bruce Haynes

Download or read book The Pathetick Musician written by Bruce Haynes and published by Oxford University Press. This book was released on 2016 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: Baroque oboists Bruce Haynes and Geoffrey Burgess established reputations as authorities on the history of their instrument with their co-authored book The Oboe, voted an outstanding achievement by the American Music Instrument Society. Haynes' writings, notably The End of Early Music, are known for pioneering new approaches in historical performance practice and inspiring healthy debate among scholars and performers of early music. Burgess, an instructor at the Eastman School of Music, recently published Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World, which combines the biography of a leading manufacturer of historic instruments with a history of the emerging early music scene in America. Bruce Haynes passed away in May, 2011.

Metaphor and Musical Thought

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Publisher : University of Chicago Press
ISBN 13 : 022627943X
Total Pages : 393 pages
Book Rating : 4.2/5 (262 download)

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Book Synopsis Metaphor and Musical Thought by : Michael Spitzer

Download or read book Metaphor and Musical Thought written by Michael Spitzer and published by University of Chicago Press. This book was released on 2015-12-21 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University The experience of music is an abstract and elusive one, enough so that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a physical form; that it contains the imagery of paintings or the grammar of language. In these and countless other ways, our discussions of music take the form of metaphor, attempting to describe music's abstractions by referencing more concrete and familiar experiences. Michael Spitzer's Metaphor and Musical Thought uses this process to create a unique and insightful history of our relationship with music—the first ever book-length study of musical metaphor in any language. Treating issues of language, aesthetics, semiotics, and cognition, Spitzer offers an evaluation, a comprehensive history, and an original theory of the ways our cultural values have informed the metaphors we use to address music. And as he brings these discussions to bear on specific works of music and follows them through current debates on how music's meaning might be considered, what emerges is a clear and engaging guide to both the philosophy of musical thought and the history of musical analysis, from the seventeenth century to the present day. Spitzer writes engagingly for students of philosophy and aesthetics, as well as for music theorists and historians.

The Routledge Companion to the Contemporary Musical

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Publisher : Routledge
ISBN 13 : 1134851855
Total Pages : 763 pages
Book Rating : 4.1/5 (348 download)

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Book Synopsis The Routledge Companion to the Contemporary Musical by : Jessica Sternfeld

Download or read book The Routledge Companion to the Contemporary Musical written by Jessica Sternfeld and published by Routledge. This book was released on 2019-08-16 with total page 763 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to the Contemporary Musical is dedicated to the musical’s evolving relationship to American culture in the late twentieth and early twenty-first centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and specializations have been actively contributing to the interdisciplinary field of musical theater studies. Musicals have served not only to mirror the sociopolitical, economic, and cultural tenor of the times, but have helped shape and influence it, in America and across the globe: a genre that may seem, at first glance, light-hearted and escapist serves also as a bold commentary on society. Forty-four essays examine the contemporary musical as an ever-shifting product of an ever-changing culture. This volume sheds new light on the American musical as a thriving, contemporary performing arts genre, one that could have died out in the post-Tin Pan Alley era but instead has managed to remain culturally viable and influential, in part by newly embracing a series of complex contradictions. At present, the American musical is a live, localized, old-fashioned genre that has simultaneously developed into an increasingly globalized, tech-savvy, intensely mediated mass entertainment form. Similarly, as it has become increasingly international in its scope and appeal, the stage musical has also become more firmly rooted to Broadway—the idea, if not the place—and thus branded as a quintessentially American entertainment.