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Avant Garde Theatre 1892 1992
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Book Synopsis Avant Garde Theatre, 1892-1992 by : Christopher Innes
Download or read book Avant Garde Theatre, 1892-1992 written by Christopher Innes and published by . This book was released on 1993 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: In examining the development of avant garde theatre from its inception in the 1890s to the present day, the author exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealization of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism, he argues, is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends.
Book Synopsis Avant Garde Theatre by : Christopher Innes
Download or read book Avant Garde Theatre written by Christopher Innes and published by Routledge. This book was released on 2003-09-02 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: `Innes has produced a brilliant, sensitive, articulate statement. It deserves serious study by all those whose practice and commitment is toward an understanding and expression of this century's theatre'. - Choice
Download or read book Avant Garde Theatre written by and published by . This book was released on 1993 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Avant Garde Theatre written by and published by . This book was released on 1993 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Sourcebook on Naturalist Theatre by : Christopher Innes
Download or read book A Sourcebook on Naturalist Theatre written by Christopher Innes and published by Routledge. This book was released on 2002-01-04 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Sourcebook on Naturalist Theatre provides essential primary sources which document one of the key movements in modern theatre. Christopher Innes has selected three writers to exemplify the movement, and six plays in particular: * Henrik Ibsen - A Dolls House and Hedda Gabler * Anton Chekhov - The Seagull and The Cherry Orchard * George Bernard Shaw - Mrs Warren's Profession and Heartbreak House. Innes' introduction provides an overview of naturalist theatre. Key themes include: the representation of women, significant contemporary issues and the links between theory, play writing and stage practice. The primary sources explore many aspects of naturalism, giving information on: * the playwrights' intentions when writing plays * contemporary reviews * literary criticism * political and social background * production notes from early performances of the plays.
Download or read book Holy Theatre written by Christopher Innes and published by CUP Archive. This book was released on 1981 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Boy who Bit Picasso by : Antony Penrose
Download or read book The Boy who Bit Picasso written by Antony Penrose and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published: London: Thames & Hudson, 2010.
Book Synopsis Modern British Drama: The Twentieth Century by : Christopher Innes
Download or read book Modern British Drama: The Twentieth Century written by Christopher Innes and published by Cambridge University Press. This book was released on 2002-11-28 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Book Synopsis Avant Garde Theatre by : Christopher Innes
Download or read book Avant Garde Theatre written by Christopher Innes and published by Routledge. This book was released on 2003-09-02 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. The original text, first published in 1981 as Holy Theatre, has been fully revised and up-dated to take account of the most recent theoretical developments in anthropology, critical theory and psychotherapy. New sections on Heiner Muller, Robert Wilson, Eugenio Barba, Ariane Mnouchkine and Sam Shepard have been added. As a result, the book now deals with all the major avant garde theatre practitioners, in Europe and North America. Avant Garde Theatre will be essential reading for anyone attempting to understand contemporary drama.
Book Synopsis Not the Other Avant-Garde by : James M. Harding
Download or read book Not the Other Avant-Garde written by James M. Harding and published by University of Michigan Press. This book was released on 2006-06-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics-including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versényi-suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history. "Joins the growing field of critical and transnational theories on the arts. . . its grounding in live performance and its foregrounding of the performative human body presents a new theoretical paradigm that is pathbreaking." --Haiping Yan, University of California, Los Angeles James M. Harding is Associate Professor of English at Mary Washington University. He is author of Adorno and "A Writing of the Ruins": Essays on Modern Aesthetics and Anglo-American Literature and Culture and editor of Contours of the Theatrical Avant-Garde: Performance and Textuality. John Rouse is Associate Professor of Theater at the University of California, San Diego. He is author of Brecht and the West German Theatre.
Book Synopsis Performance Activism by : Dan Friedman
Download or read book Performance Activism written by Dan Friedman and published by Springer Nature. This book was released on 2021-12-02 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book length study of performance activism. While Performance Studies recognizes the universality of human performance in daily life, what is specifically under investigation here is performance as an activity intentionally entered into as a means of engaging social issues and conflicts, that is, as an ensemble activity by which we re-construct/transform social reality. Performance Activism: Precursors and Contemporary Pioneers provides a global overview of the growing interface of performance with education, therapy, conflict resolution, civic engagement, community development and social justice activism. It combines an historical study of the processes by which, over the course of the 20th Century, performance has been loosened from the institutional constraints of the theatre with a mosaic-like overview of the diverse work/play of contemporary performance activists around the world. Performance Activism will be of interest to theatre and cultural historians, performance practitioners and researchers, psychologists and sociologists, educators and youth workers, community organizers and political activists.
Book Synopsis Theories of the Avant-garde Theatre by : Bert Cardullo
Download or read book Theories of the Avant-garde Theatre written by Bert Cardullo and published by Rowman & Littlefield. This book was released on 2013 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this collection of essays by avant-garde theatre's most creative practitioners--directors, playwrights, performers, and designers--these writings provide direct access to the thinking behind much of the most stimulating playwriting and performance of the late nineteenth and twentieth centuries.
Book Synopsis A Sourcebook on Naturalist Theatre by : Christopher Innes
Download or read book A Sourcebook on Naturalist Theatre written by Christopher Innes and published by Routledge. This book was released on 2002-01-04 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Sourcebook on Naturalist Theatre provides essential primary sources which document one of the key movements in modern theatre. Christopher Innes has selected three writers to exemplify the movement, and six plays in particular: * Henrik Ibsen - A Dolls House and Hedda Gabler * Anton Chekhov - The Seagull and The Cherry Orchard * George Bernard Shaw - Mrs Warren's Profession and Heartbreak House. Innes' introduction provides an overview of naturalist theatre. Key themes include: the representation of women, significant contemporary issues and the links between theory, play writing and stage practice. The primary sources explore many aspects of naturalism, giving information on: * the playwrights' intentions when writing plays * contemporary reviews * literary criticism * political and social background * production notes from early performances of the plays.
Book Synopsis Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre by : Mladen Ovadija
Download or read book Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre written by Mladen Ovadija and published by McGill-Queen's Press - MQUP. This book was released on 2013-07-01 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer’s voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works.
Book Synopsis Modernist and Avant-Garde Performance by : Claire Warden
Download or read book Modernist and Avant-Garde Performance written by Claire Warden and published by Edinburgh University Press. This book was released on 2015-02-08 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first detailed, student-focused introduction to modernist avant-garde performanceThis textbook introduces the reader to modernist avant-garde theatre. It clearly explains the key terms as well as the major movements, including Expressionism, Dadaism, Futurism, Workers theatres, Constructivism and the Living Newspaper, and Mass Performance, using a case study approach. It introduces the important innovations of the modernist avant-garde, reassesses theatrical techniques, and provides examples of plays and performances from across Europe and America. There are also chapters on The Modernist Body and on Interdisciplinary Performance. The book approaches the modernist avant-garde both as an area of academic study and as potential raw material for contemporary performance. Key Features:nbsp;The first introductory guide to the modernist theatrical avant-garde nbsp;Includes case studies, practical exercises at the end of each chapter, an annotated bibliography and a glossary of performance termsnbsp;Includes links to performance-based explorations of theatrical techniquesnbsp;Provides a springboard for further independent study, both theoretical and practicalClaire Warden is Senior Lecturer in Drama at the University of Lincoln. Her research focuses primarily on constructing new, fluid narratives for modernist performance. She is the author of British Avant-Garde Theatre (Palgrave MacMillan 2012), and multiple journal articles and book chapters on modernism, interdisciplinarity, theatre, art and cultural studies.
Book Synopsis Contours of the Theatrical Avant-garde by : James Martin Harding
Download or read book Contours of the Theatrical Avant-garde written by James Martin Harding and published by University of Michigan Press. This book was released on 2000 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: A critical history of avant-garde performance and the problematic relationship of text to performance
Book Synopsis The English Theatrical Avant-Garde 1900-1925 by : Simon Shepherd
Download or read book The English Theatrical Avant-Garde 1900-1925 written by Simon Shepherd and published by Taylor & Francis. This book was released on 2022-12-30 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: The English Theatrical Avant-Garde, 1900–1925 unearths an extensive range of hitherto forgotten or ignored theatre practices. In doing so it reveals some of the well-known figures of the early twentieth-century English theatre in a strikingly new light. It fluently describes an intensity of innovation and experiment that together made the Edwardian theatre rather more radical, and rather more queer, than we’ve ever thought. Where the majority of writing on the early twentieth-century theatrical avant-garde is concerned with European movements and experiments, English activity of the period is often seen as parochial and conservative – mainly realism and issues-based drama. This book presents a new model of how avant-gardes might work; a model based not on masculine individualism but on communal inclusion. In describing this fascinating material, the author introduces us to many new figures and shows familiar ones in different ways: there’s Florence Farr, independent woman; Bob Trevelyan, radical pacifist and music drama pioneer; Granville Barker doing fairy plays while de-dramatising drama; Laurence Housman, socialist, homosexual, scripting St Francis; and the oddly modern J.M. Barrie. Together they made theatre practices rich in their diversity but consistent in their attempt to be new, producing a theatrical avant-garde unlike any other. This is a vital and indispensable new study for scholars and students of early twentieth-century theatre in England and beyond.
