Music and Culture in the Middle Ages and Beyond

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Publisher : Cambridge University Press
ISBN 13 : 131679895X
Total Pages : 379 pages
Book Rating : 4.3/5 (167 download)

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Book Synopsis Music and Culture in the Middle Ages and Beyond by : Benjamin Brand

Download or read book Music and Culture in the Middle Ages and Beyond written by Benjamin Brand and published by Cambridge University Press. This book was released on 2016-10-27 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.

The Cambridge History of Medieval Music

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1108577075
Total Pages : pages
Book Rating : 4.1/5 (85 download)

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Book Synopsis The Cambridge History of Medieval Music by : Mark Everist

Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Encyclopaedism from Antiquity to the Renaissance

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Publisher : Cambridge University Press
ISBN 13 : 1107038235
Total Pages : 619 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis Encyclopaedism from Antiquity to the Renaissance by : Jason König

Download or read book Encyclopaedism from Antiquity to the Renaissance written by Jason König and published by Cambridge University Press. This book was released on 2013-10-17 with total page 619 pages. Available in PDF, EPUB and Kindle. Book excerpt: Machine generated contents note: 1. Introduction: Jason Konig and Greg Woolf; Part I. Classical Encyclopaedism: 2. Encyclopaedism in the Roman Empire Jason Konig and Greg Woolf; 3. Encyclopaedism in the Alexandrian Library Myrto Hatzimichali; 4. Labores pro bono publico: the burdensome mission of Pliny's Natural History Mary Beagon; 5. Encyclopaedias of virtue? Collections of sayings and stories about wise men in Greek Teresa Morgan; 6. Plutarch's corpus of Quaestiones in the tradition of imperial Greek encyclopaedism Katerina Oikonomopoulou; 7. Artemidorus' Oneirocritica as fragmentary encyclopaedia Daniel Harris-McCoy; 8. Encyclopaedias and autocracy: Justinian's Encyclopaedia of Roman law Jill Harries; 9. Late Latin encyclopaedism: towards a new paradigm of practical knowledge Marco Formisano; Part II. Medieval Encyclopaedism: 10. Byzantine encyclopaedism of the ninth and tenth centuries Paul Magdalino; 11. The imperial systematisation of the past in Constantinople: Constantine VII and his Historical Excerpts Andres Nemeth; 12. Ad maiorem Dei gloriam: Joseph Rhakendys' synopsis of Byzantine learning Erika Gielen; 13. Shifting horizons: the medieval compilation of knowledge as mirror of a changing world Elizabeth Keen; 14. Isidore's Etymologies: on words and things Andrew Merrills; 15. Loose Giblets: encyclopaedic sensibilities of ordinatio and compilatio in later medieval English literary culture and the sad case of Reginald Pecock Ian Johnson; 16. Why was the fourteenth century a century of Arabic encyclopaedism? Elias Muhanna; 17. Opening up a world of knowledge: Mamluk encyclopaedias and their readers Maaike van Berkel; Part III. Renaissance Encyclopaedism: 18. Revisiting Renaissance encyclopaedism Ann Blair; 19. Philosophy and the Renaissance encyclpaedia: some observations D.C. Andersson; 20. Reading 'Pliny's Ape' in the Renaissance: the Polyhistor of Cai++.

Arts & Humanities Citation Index

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Author :
Publisher :
ISBN 13 :
Total Pages : 1568 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Arts & Humanities Citation Index by :

Download or read book Arts & Humanities Citation Index written by and published by . This book was released on 2002 with total page 1568 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Regule

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Publisher : U of Nebraska Press
ISBN 13 : 9780803279346
Total Pages : 424 pages
Book Rating : 4.2/5 (793 download)

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Book Synopsis Regule by : Robertus de Handlo

Download or read book Regule written by Robertus de Handlo and published by U of Nebraska Press. This book was released on 1991-01-01 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Regule of Robertus de Handlo and the Summa of Johannes Hanboys are among the few major texts of medieval English music theory. The first directly influenced the latter, and both deal with unique notational practices found in English music of the fourteenth century. These two texts were edited by Edmon de Coussemaker in the nineteenth century in editions that have come to be recognized as seriously deficient. Now Peter M. Lefferts has paired them in a new critical edition that is far superior in its accuracy and scholarly underpinnings. The Regule of 1326 provides one of the two most comprehensive views of late ars antiqua notational developments. Handlo takes as his point of departure the first part, on notation, of one of those widely circulated, abbreviated versions of the teachings of Franco of Cologne that begin in most sources with the motto, "Gaudent brevitate moderni." The Summa of Hanboys, written around 1375, takes Handlo as a point of departure and incorporates an abbreviated redaction of the Regule, along with citations of other later English authorities, into an exhaustively systematic survey of ars nova forms and rests. Building on a line of development in English theory, Hanboys expanded the mensural system to a total of eight figures. For this edition, Lefferts has thoroughly reexamined, edited, and appraised the single extant source of each treatise. Full descriptions of these sources are provided and the documents are illustrated with a plate from each. Each treatise is presented in its original Latin, with a fully annotated translation on facing pages. Leffert's introduction discusses the authors, places the treatise in the context of the theoretical traditions of fourteenth-century France and England, and reviews their contents in detail. Indexes of terms, names, and subjects are included. Appendixes provide a concordance to the music examples from the Regule that recur in the Summa and transcriptions of two English motet fragments that exhibit insular notational practices discussed in the treatises. Leffert's work will be seen as a major contribution to our understanding of medieval English music.

Music as Concept and Practice in the Late Middle Ages

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Author :
Publisher :
ISBN 13 : 9780198162056
Total Pages : 522 pages
Book Rating : 4.1/5 (62 download)

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Book Synopsis Music as Concept and Practice in the Late Middle Ages by : Reinhard Strohm

Download or read book Music as Concept and Practice in the Late Middle Ages written by Reinhard Strohm and published by . This book was released on 2001 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.

The Cambridge History of Fifteenth-Century Music

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Publisher : Cambridge University Press
ISBN 13 : 1316298299
Total Pages : 1058 pages
Book Rating : 4.3/5 (162 download)

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Book Synopsis The Cambridge History of Fifteenth-Century Music by : Anna Maria Busse Berger

Download or read book The Cambridge History of Fifteenth-Century Music written by Anna Maria Busse Berger and published by Cambridge University Press. This book was released on 2015-07-16 with total page 1058 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.

Women and the Circulation of Texts in Renaissance Italy

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Publisher : Cambridge University Press
ISBN 13 : 1108477690
Total Pages : 299 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Women and the Circulation of Texts in Renaissance Italy by : Brian Richardson

Download or read book Women and the Circulation of Texts in Renaissance Italy written by Brian Richardson and published by Cambridge University Press. This book was released on 2020-03-26 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive guide to women's promotion and use of textual culture, in manuscript and print, in Renaissance Italy.

The Idea of the Book in the Middle Ages

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Publisher : Cornell University Press
ISBN 13 : 1501740725
Total Pages : 407 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis The Idea of the Book in the Middle Ages by : Jesse Gellrich

Download or read book The Idea of the Book in the Middle Ages written by Jesse Gellrich and published by Cornell University Press. This book was released on 2019-03-15 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book assess the relationship of literature to various other cultural forms in the Middle Ages. Jesse M. Gellrich uses the insights of such thinkers as Levi-Strauss, Foucault, Barthes, and Derrida to explore the continuity of medieval ideas about speaking, writing, and texts.

Writing Sounds in Carolingian Europe

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Publisher : Cambridge University Press
ISBN 13 : 1108381782
Total Pages : 429 pages
Book Rating : 4.1/5 (83 download)

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Book Synopsis Writing Sounds in Carolingian Europe by : Susan Rankin

Download or read book Writing Sounds in Carolingian Europe written by Susan Rankin and published by Cambridge University Press. This book was released on 2018-11-08 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.

Noting Music, Marking Culture

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Publisher : American Institute of Musicology Hanssler Verlag
ISBN 13 :
Total Pages : 320 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Noting Music, Marking Culture by : Dorit Esther Tanay

Download or read book Noting Music, Marking Culture written by Dorit Esther Tanay and published by American Institute of Musicology Hanssler Verlag. This book was released on 1999 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Cambridge Companion to Hildegard of Bingen

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Publisher : Cambridge University Press
ISBN 13 : 1108471358
Total Pages : 351 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis The Cambridge Companion to Hildegard of Bingen by : Jennifer Bain

Download or read book The Cambridge Companion to Hildegard of Bingen written by Jennifer Bain and published by Cambridge University Press. This book was released on 2021-11-04 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the extraordinary life and works of Hildegard of Bingen, medieval writer, composer, visionary, and monastic founder.

Calendars in the Making: The Origins of Calendars from the Roman Empire to the Later Middle Ages

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Publisher : BRILL
ISBN 13 : 9004459693
Total Pages : 312 pages
Book Rating : 4.0/5 (44 download)

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Book Synopsis Calendars in the Making: The Origins of Calendars from the Roman Empire to the Later Middle Ages by : Sacha Stern

Download or read book Calendars in the Making: The Origins of Calendars from the Roman Empire to the Later Middle Ages written by Sacha Stern and published by BRILL. This book was released on 2021-04-26 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Calendars in the Making investigates the Roman and medieval origins of several calendars we are most familiar with today, including the Christian liturgical calendar, the Islamic calendar, and the week as a standard method of dating and time reckoning.

Manuscripts and Medieval Song

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Publisher : Cambridge University Press
ISBN 13 : 1107062632
Total Pages : 347 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis Manuscripts and Medieval Song by : Helen Deeming

Download or read book Manuscripts and Medieval Song written by Helen Deeming and published by Cambridge University Press. This book was released on 2015-05-28 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.

The Etymologies of Isidore of Seville

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Publisher : Cambridge University Press
ISBN 13 : 1139456164
Total Pages : 488 pages
Book Rating : 4.1/5 (394 download)

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Book Synopsis The Etymologies of Isidore of Seville by :

Download or read book The Etymologies of Isidore of Seville written by and published by Cambridge University Press. This book was released on 2006-06-08 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work is a complete English translation of the Latin Etymologies of Isidore, Bishop of Seville (c.560–636). Isidore compiled the work between c.615 and the early 630s and it takes the form of an encyclopedia, arranged by subject matter. It contains much lore of the late classical world beginning with the Seven Liberal Arts, including Rhetoric, and touches on thousands of topics ranging from the names of God, the terminology of the Law, the technologies of fabrics, ships and agriculture to the names of cities and rivers, the theatrical arts, and cooking utensils. Isidore provides etymologies for most of the terms he explains, finding in the causes of words the underlying key to their meaning. This book offers a highly readable translation of the twenty books of the Etymologies, one of the most widely known texts for a thousand years from Isidore's time.

Composing Community in Late Medieval Music

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Publisher : Cambridge University Press
ISBN 13 : 1108628834
Total Pages : pages
Book Rating : 4.1/5 (86 download)

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Book Synopsis Composing Community in Late Medieval Music by : Jane D. Hatter

Download or read book Composing Community in Late Medieval Music written by Jane D. Hatter and published by Cambridge University Press. This book was released on 2019-05-02 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.

The Medieval Latin Hymn

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Publisher : Library of Alexandria
ISBN 13 : 1465614605
Total Pages : 226 pages
Book Rating : 4.4/5 (656 download)

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Book Synopsis The Medieval Latin Hymn by : Ruth Ellis Messenger

Download or read book The Medieval Latin Hymn written by Ruth Ellis Messenger and published by Library of Alexandria. This book was released on 2020-09-28 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first mention of Christian Latin hymns by a known author occurs in the writings of St. Jerome who states that Hilary, Bishop of Poitiers (c. 310-366), a noted author of commentaries and theological works, wrote a Liber Hymnorum. This collection has never been recovered in its entirety. Hilary’s priority as a hymn writer is attested by Isidore of Seville (d. 636) who says: Hilary, however, Bishop of Poitiers in Gaul, a man of unusual eloquence, was the first prominent hymn writer. More important than his prior claim is the motive which actuated him, the defense of the Trinitarian doctrine, to which he was aroused by his controversy with the Arians. A period of four years as an exile in Phrygia for which his theological opponents were responsible, made him familiar with the use of hymns in the oriental church to promote the Arian heresy. Hilary wrested a sword, so to speak, from his adversaries and carried to the west the hymn, now a weapon of the orthodox. His authentic extant hymns, three in number, must have been a part of the Liber Hymnorum. Ante saecula qui manens, “O Thou who dost exist before time,” is a hymn of seventy verses in honor of the Trinity; Fefellit saevam verbum factum te, caro, “The Incarnate Word hath deceived thee (Death)” is an Easter hymn; and Adae carnis gloriosae, “In the person of the Heavenly Adam” is a hymn on the theme of the temptation of Jesus. They are ponderous in style and expression and perhaps too lengthy for congregational use since they were destined to be superseded. In addition to these the hymn Hymnum dicat turba fratrum, “Let your hymn be sung, ye faithful,” has been most persistently associated with Hilary’s name. The earliest text occurs in a seventh century manuscript. It is a metrical version of the life of Jesus in seventy-four lines, written in the same meter as that of Adae carnis gloriosae.