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Womens Poetry And Poetics In Late Imperial China
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Book Synopsis Women's Poetry and Poetics in Late Imperial China by : Haihong Yang
Download or read book Women's Poetry and Poetics in Late Imperial China written by Haihong Yang and published by Lexington Books. This book was released on 2017-05-24 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: This literary study examines women-authored poetry and poetic criticism in late imperial China. It provides close readings of original texts to explore the poetic forms and devices women poets employed, to place their work into the context of the wider literary history of the period, and to analyze how they asserted their own agency to negotiate their literary, social, and political concerns. The author also investigates the interactions between women’s poetic creations and existing male scholars' discourses and probes how these interactions generated innovative self-identities and renovations in poetic forms and aesthetics.
Book Synopsis Women’s Poetry of Late Imperial China by : Xiaorong Li
Download or read book Women’s Poetry of Late Imperial China written by Xiaorong Li and published by University of Washington Press. This book was released on 2013-05-03 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of poetry by women in late imperial China examines the metamorphosis of the trope of the "inner chambers" (gui), to which women were confined in traditional Chinese households, and which in literature were both a real and an imaginary place. Originally popularized in sixth-century "palace style" poetry, the inner chambers were used by male writers as a setting in which to celebrate female beauty, to lament the loneliness of abandoned women, and by extension, to serve as a political allegory for the exile of loyal and upright male ministers spurned by the imperial court. Female writers of lyric poetry (ci) soon adopted the theme, beginning its transition from male fantasy to multidimensional representation of women and their place in society, and eventually its manifestation in other poetic genres as well. Emerging from the role of sexual objects within poetry, late imperial women were agents of literary change in their expansion and complication of the boudoir theme. While some take ownership and de-eroticizing its imagery for their own purposes, adding voices of children and older women, and filling the inner chambers with purposeful activity such as conversation, teaching, religious ritual, music, sewing, childcare, and chess-playing, some simply want to escape from their confinement and protest gender restrictions imposed on women. Women's Poetry of Late Imperial China traces this evolution across centuries, providing and analyzing examples of poetic themes, motifs, and imagery associated with the inner chambers, and demonstrating the complication and nuancing of the gui theme by increasingly aware and sophisticated women writers.
Book Synopsis Herself an Author by : Grace S. Fong
Download or read book Herself an Author written by Grace S. Fong and published by University of Hawaii Press. This book was released on 2008-05-08 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Grace Fong has written a wonderful history of female writers’ participation in the elite conventions of Chinese poetics. Fong’s recovery of many of these poets, her able exegesis and elegant, analytical grasp of what the poets were doing is a great read, and her bilingual presentation of their poetry gives the book additional power. This is a persuasive and elegant study." —Tani Barlow, author of The Question of Women in Chinese Feminism "In this quietly authoritative book, Grace Fong has brought a group of women poets back to life. Previously ignored by scholars because of their marginal status or the inaccessibility of their works, these remarkable writers now speak to us about the sensualities, pains, satisfactions, and sadness of being a woman in a patriarchal society. Professor Fong—a superb translator of Chinese poetry, prose, and criticism—has rendered the works of these women in a way that is true both to our theoretical concerns and theirs." —Dorothy Ko, author of Cinderella’s Sisters: A Revisionist History of Footbinding "Professor Fong approaches the poetry of Ming-Qing upper-class women as a social-cultural activity that allowed these women to manifest their agency and assert their own subjectivity against the background of virtual and actual networks of fellow female poets. As the distillation of more than ten years of research by one of the leading scholars in this field, this work is a timely contribution that eminently deserves our attention. Given the inclusion of translations of some of the texts discussed, the book provides a comprehensive introduction to the reading of women’s poetry of the Ming-Qing period." —Wilt Idema, Harvard University Herself an Author addresses the critical question of how to approach the study of women’s writing. It explores various methods of engaging in a meaningful way with a rich corpus of poetry and prose written by women of the late Ming and Qing periods, much of it rediscovered by the author in rare book collections in China and the United States. The volume treats different genres of writing and includes translations of texts that are made available for the first time in English. Among the works considered are the life-long poetic record of Gan Lirou, the lyrical travel journal kept by Wang Fengxian, and the erotic poetry of the concubine Shen Cai. Taking the view that gentry women’s varied textual production was a form of cultural practice, Grace Fong examines women’s autobiographical poetry collections, travel writings, and critical discourse on the subject of women’s poetry, offering fresh insights on women’s intervention into the dominant male literary tradition. The wealth of texts translated and discussed here include fascinating documents written by concubines—women who occupied a subordinate position in the family and social system. Fong adopts the notion of agency as a theoretical focus to investigate forms of subjectivity and enactments of subject positions in the intersection between textual practice and social inscription. Her reading of the life and work of women writers reveals surprising instances and modes of self-empowerment within the gender constraints of Confucian orthodoxy. Fong argues that literate women in late imperial China used writing and reading to create literary and social communities, transcend temporal-spatial and social limitations, and represent themselves as the authors of their own life histories.
Book Synopsis Herself an Author by : Grace S. Fong
Download or read book Herself an Author written by Grace S. Fong and published by University of Hawaii Press. This book was released on 2008-05-08 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Grace Fong has written a wonderful history of female writers’ participation in the elite conventions of Chinese poetics. Fong’s recovery of many of these poets, her able exegesis and elegant, analytical grasp of what the poets were doing is a great read, and her bilingual presentation of their poetry gives the book additional power. This is a persuasive and elegant study." —Tani Barlow, author of The Question of Women in Chinese Feminism "In this quietly authoritative book, Grace Fong has brought a group of women poets back to life. Previously ignored by scholars because of their marginal status or the inaccessibility of their works, these remarkable writers now speak to us about the sensualities, pains, satisfactions, and sadness of being a woman in a patriarchal society. Professor Fong—a superb translator of Chinese poetry, prose, and criticism—has rendered the works of these women in a way that is true both to our theoretical concerns and theirs." —Dorothy Ko, author of Cinderella’s Sisters: A Revisionist History of Footbinding "Professor Fong approaches the poetry of Ming-Qing upper-class women as a social-cultural activity that allowed these women to manifest their agency and assert their own subjectivity against the background of virtual and actual networks of fellow female poets. As the distillation of more than ten years of research by one of the leading scholars in this field, this work is a timely contribution that eminently deserves our attention. Given the inclusion of translations of some of the texts discussed, the book provides a comprehensive introduction to the reading of women’s poetry of the Ming-Qing period." —Wilt Idema, Harvard University Herself an Author addresses the critical question of how to approach the study of women’s writing. It explores various methods of engaging in a meaningful way with a rich corpus of poetry and prose written by women of the late Ming and Qing periods, much of it rediscovered by the author in rare book collections in China and the United States. The volume treats different genres of writing and includes translations of texts that are made available for the first time in English. Among the works considered are the life-long poetic record of Gan Lirou, the lyrical travel journal kept by Wang Fengxian, and the erotic poetry of the concubine Shen Cai. Taking the view that gentry women’s varied textual production was a form of cultural practice, Grace Fong examines women’s autobiographical poetry collections, travel writings, and critical discourse on the subject of women’s poetry, offering fresh insights on women’s intervention into the dominant male literary tradition. The wealth of texts translated and discussed here include fascinating documents written by concubines—women who occupied a subordinate position in the family and social system. Fong adopts the notion of agency as a theoretical focus to investigate forms of subjectivity and enactments of subject positions in the intersection between textual practice and social inscription. Her reading of the life and work of women writers reveals surprising instances and modes of self-empowerment within the gender constraints of Confucian orthodoxy. Fong argues that literate women in late imperial China used writing and reading to create literary and social communities, transcend temporal-spatial and social limitations, and represent themselves as the authors of their own life histories.
Book Synopsis Reverie and Reality by : Yanning Wang
Download or read book Reverie and Reality written by Yanning Wang and published by Lexington Books. This book was released on 2013-12-18 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a study of Chinese gentry women’s poems on the theme of travel written during the late imperial period (ca.1600–1911), when Chinese women’s literature and culture flourished as never before. It challenges the clichéd image of completely secluded and immobile women anxiously waiting inside their prescribed feminine space, the so-called inner quarters, for the return of traveling husbands or other male kin. The travel poems discussed in this book, while not necessarily representative of all of the women writers of this period, point to the fact that many of them longed to explore the world through travel as did so many of their male counterparts. Sometimes they were able to actualize this desire for travel and sometimes they were forced to resort to imaginary “armchair travel.” In either case, women writers often used poetry as a means of recording their experiences or delineating their dreams of traveling outside the inner quarters, and indeed sometimes far away from the inner quarters. With its promise of adventure and fulfillment and, above all, a broadening of one’s intellectual and emotional horizons, travel was an important, and until now understudied, theme of late imperial women’s poetry.
Book Synopsis Writing Women in Late Imperial China by : Ellen Widmer
Download or read book Writing Women in Late Imperial China written by Ellen Widmer and published by . This book was released on 1997 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars from the fields of literature, history, and art history apply a range of methodologies to newly discovered works by women writers and to other sources concerning women writers in China from 1600 to 1900.
Book Synopsis Writing Women in Late Imperial China by : Kang-i Sun Chang
Download or read book Writing Women in Late Imperial China written by Kang-i Sun Chang and published by . This book was released on 2022 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: Until recently only a handful of women writers were thought to have existed in traditional China, but new scholarship has called attention to several hundred whose works have survived. Coming from the fields of literature, history, art history, and comparative literature, the fourteen contributors to this volume apply a range of methodologies to this new material and to other sources concerning women writers in China from 1600 to 1900. An opening section on courtesans details the lives of individual women and their male admirers--contemporary and subsequent--who imposed an array of meaning on the category of woman writer. The works treated in this section are mainly poetry, although drama also enters in. The second section focuses on the writings of gentrywomen who, confined to the inner quarters of their residences, turned out a body of poetry impressive both for its volume and for the number of authors involved. The third section takes up the issue of contextualization: how male writers situated women's poetry in their essays, stories, and travelogues. The fourth section pursues the same issue, but with reference to China's greatest work of fiction, Dream of the Red Chamber, first published in 1792, most of whose leading characters are talented gentrywomen. The volume concludes with a chapter by a specialist in comparative literature, who relates the concerns of the other chapters to literary and feminist studies outside the China field.
Book Synopsis Politics, Poetics, and Gender in Late Qing China by : Nanxiu Qian
Download or read book Politics, Poetics, and Gender in Late Qing China written by Nanxiu Qian and published by Stanford University Press. This book was released on 2015-05-06 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1898, Qing dynasty emperor Guangxu ordered a series of reforms to correct the political, economic, cultural, and educational weaknesses exposed by China's defeat by Japan in the First Sino-Japanese War. The "Hundred Day's Reform" has received a great deal of attention from historians who have focused on the well-known male historical actors, but until now the Qing women reformers have received almost no consideration. In this book, historian Nanxiu Qian reveals the contributions of the active, optimistic, and self-sufficient women reformers of the late Qing Dynasty. Qian examines the late Qing reforms from the perspective of Xue Shaohui, a leading woman writer who openly argued against male reformers' approach that subordinated women's issues to larger national concerns, instead prioritizing women's self-improvement over national empowerment. Drawing upon intellectual and spiritual resources from the freewheeling, xianyuan (worthy ladies) model of the Wei-Jin period of Chinese history (220–420) and the culture of women writers of late imperial China, and open to Western ideas and knowledge, Xue and the reform-minded members of her social and intellectual networks went beyond the inherited Confucian pattern in their quest for an ideal womanhood and an ideal social order. Demanding equal political and educational rights with men, women reformers challenged leading male reformers' purpose of achieving national "wealth and power," intending instead to unite women of all nations in an effort to create a just and harmonious new world.
Download or read book Photo Poetics written by Shengqing Wu and published by Columbia University Press. This book was released on 2020-12-08 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world? Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Drawing on extensive archival research into illustrated magazines, poetry collections, and vintage photographs, Photo Poetics analyzes a wide range of practices and genres, including self-representation in portrait photography; gifts of inscribed photographs; mass-media circulation of images of beautiful women; and photography of ghosts, immortals, and imagined landscapes. Wu argues that the Chinese lyrical tradition provided rich resources for artistic creativity, self-expression, and embodied experience in the face of an increasingly technological and image-oriented society. An interdisciplinary study spanning literary studies, visual culture, and media history, Photo Poetics is an original account of media culture in early twentieth-century China and the formation of Chinese literary and visual modernities.
Book Synopsis The Poetics and Politics of Sensuality in China by : Xiaorong Li
Download or read book The Poetics and Politics of Sensuality in China written by Xiaorong Li and published by Cambria Sinophone World. This book was released on 2019-02-05 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: An invaluable resource to scholars of literary and intellectual movements in late imperial and modern China, sexuality, gender, literary decadence, modernism, countercultures, and erotic literature, this book offers the first literary history on an important movement spanning the late Ming to the early Republican era.
Book Synopsis A Book of Women Poets from Antiquity to Now by : Aliki Barnstone
Download or read book A Book of Women Poets from Antiquity to Now written by Aliki Barnstone and published by Schocken. This book was released on 1992-04-28 with total page 848 pages. Available in PDF, EPUB and Kindle. Book excerpt: A monument to the literary genius of women throughout the ages, A Book of Women Poets from Antiquity to Now is an invaluable collection. Here in one volume are the works of three hundred poets from six different continents and four millennia. This revised edition includes a newly expanded section of American poets from the colonial era to the present. "[A] splendid collection of verse by women" (TIME) throughout the ages and around the world; now revised and expanded, with 38 American poets.
Book Synopsis Body Description in Women's Poetry of Late Imperial China by : Jing Shen
Download or read book Body Description in Women's Poetry of Late Imperial China written by Jing Shen and published by . This book was released on 1995 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Inner Quarters and Beyond written by and published by BRILL. This book was released on 2010-07-14 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on a library of newly digitized resources, this volume's eleven chapters describe, analyze, and theorize the enormous literary output of women writers of the Ming and Qing periods (1368-1911) that have only recently been rediscovered.
Book Synopsis How to Read Chinese Poetry by : Zong-qi Cai
Download or read book How to Read Chinese Poetry written by Zong-qi Cai and published by Columbia University Press. This book was released on 2008 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)
Book Synopsis Women and National Trauma in Late Imperial Chinese Literature by : Wai-yee Li
Download or read book Women and National Trauma in Late Imperial Chinese Literature written by Wai-yee Li and published by BRILL. This book was released on 2020-10-26 with total page 653 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ming–Qing dynastic transition in seventeenth-century China was an epochal event that reverberated in Qing writings and beyond; political disorder was bound up with vibrant literary and cultural production. Women and National Trauma in Late Imperial Chinese Literature focuses on the discursive and imaginative space commanded by women. Encompassing writings by women and by men writing in a feminine voice or assuming a female identity, as well as writings that turn women into a signifier through which authors convey their lamentation, nostalgia, or moral questions for the fallen Ming, the book delves into the mentality of those who remembered or reflected on the dynastic transition, as well as those who reinvented its significance in later periods. It shows how history and literature intersect, how conceptions of gender mediate the experience and expression of political disorder. Why and how are variations on themes related to gender boundaries, female virtues, vices, agency, and ethical dilemmas used to allegorize national destiny? In pursuing answers to these questions, Wai-yee Li explores how this multivalent presence of women in different genres provides a window into the emotional and psychological turmoil of the Ming–Qing transition and of subsequent moments of national trauma. 2016 Joseph Levenson Book Prize, Pre-1900 Category, China and Inner Asia Council of the Association for Asian Studies
Book Synopsis Different Worlds of Discourse by : Nanxiu Qian
Download or read book Different Worlds of Discourse written by Nanxiu Qian and published by BRILL. This book was released on 2008 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the late Qing reform era (1895-1912), women for the first time in Chinese history emerged in public space in collective groups. They assumed new social and educational roles and engaged in intense debates about the place of women in China's present and future. These debates found expression in new media, including periodicals and pictorials, which not only harnessed the power of existing cultural forms but also encouraged experimentation with a variety of new literary genres and styles - works increasingly produced by and for Chinese women. "Different Worlds of Discourse" explores the reform period from three interrelated and comparatively neglected perspectives: the construction of gender roles, the development of literary genres, and the emergence of new forms of print media.
Book Synopsis New Perspectives on Contemporary Chinese Poetry by : C. Lupke
Download or read book New Perspectives on Contemporary Chinese Poetry written by C. Lupke and published by Springer. This book was released on 2007-12-25 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together fresh research from experts on contemporary Chinese poetry, built upon one of the most glorious poetic traditions of any civilization in the world yet historically neglected by scholars in English. This comprehensive volume offers readable and provocative treatments of many of the most important Chinese poets of our age.
