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Violence In Fifteenth Century Text And Image
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Book Synopsis Violence in Fifteenth-century Text and Image by : Edelgard E. DuBruck
Download or read book Violence in Fifteenth-century Text and Image written by Edelgard E. DuBruck and published by Camden House. This book was released on 2002 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Special issue focusing on violence in fifteenth-century life, text, and image: warfare and justice, violence in family and milieu (court, town, village, and forest), hagiography, ethnicity and xenophobia, gender relations and sexual violence, brutality on the stage, and the relation of text and image in the depiction of violence.
Book Synopsis Fifteenth-Century Studies Vol. 27 by : Edelgard E. DuBruck
Download or read book Fifteenth-Century Studies Vol. 27 written by Edelgard E. DuBruck and published by . This book was released on 2002-06 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, Fifteenth-Century Studies has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that has long been the stepchild of research. The fifteenth century defies consensus on fundamental issues: some scholars dispute, in fact, whether it belonged to the middle ages at all, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the very tenor of an age that stood under the influence of Gutenberg, Columbus, the Devotio Moderna,, and Humanism.Volume 27 is a special issue offering a selection of outstanding papers on violence that will interest students of medieval history and the early Renaissance, the humanities, art history, sociology, anthropology, and even the general reader. The articles highlight warfare and justice, violence in family and milieu (court, town, village, and forest), hagiography, ethnicity and xenophobia, gender relations and sexual violence, brutality on the stage, and the relation of text and image in the depiction of violence. Edelgard E. DuBruck is professor in the Modern Languages Department at Marygrove College in Detroit; Yael Even is associate professor of Art and Art History at the University of Missouri, St. Louis.
Download or read book Defaced written by Valentin Groebner and published by Princeton University Press. This book was released on 2009-03-02 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Understanding late medieval pictorial representations of violence. Destroyed faces, dissolved human shapes, invisible enemies: violence and anonymity go hand in hand. The visual representation of extreme physical violence makes real people nameless exemplars of horror--formless, hideous, defaced. In Defaced, Valentin Groebner explores the roots of the visual culture of violence in medieval and Renaissance Europe and shows how contemporary visual culture has been shaped by late medieval images and narratives of violence. For late medieval audiences, as with modern media consumers, horror lies less in the "indescribable" and "alien" than in the familiar and commonplace. From the fourteenth century onward, pictorial representations became increasingly violent, whether in depictions of the Passion, or in vivid and precise images of torture, execution, and war. But not every spectator witnessed the same thing when confronted with terrifying images of a crucified man, misshapen faces, allegedly bloodthirsty conspirators on nocturnal streets, or barbarian fiends on distant battlefields. The profusion of violent imagery provoked a question: how to distinguish the illegitimate violence that threatened and reversed the social order from the proper, "just," and sanctioned use of force? Groebner constructs a persuasive answer to this question by investigating how uncannily familiar medieval dystopias were constructed and deconstructed. Showing how extreme violence threatens to disorient, and how the effect of horror resides in the depiction of minute details, Groebner offers an original model for understanding how descriptions of atrocities and of outrageous cruelty depended, in medieval times, on the variation of familiar narrative motifs.
Book Synopsis Image, Text, and Religious Reform in Fifteenth-Century England by : Shannon Gayk
Download or read book Image, Text, and Religious Reform in Fifteenth-Century England written by Shannon Gayk and published by Cambridge University Press. This book was released on 2010-09-30 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on the period between the Wycliffite critique of images and Reformation iconoclasm, Shannon Gayk investigates the sometimes complementary and sometimes fraught relationship between vernacular devotional writing and the religious image. She examines how a set of fifteenth-century writers, including Lollard authors, John Lydgate, Thomas Hoccleve, John Capgrave, and Reginald Pecock, translated complex clerical debates about the pedagogical and spiritual efficacy of images and texts into vernacular settings and literary forms. These authors found vernacular discourse to be a powerful medium for explaining and reforming contemporary understandings of visual experience. In its survey of the function of literary images and imagination, the epistemology of vision, the semiotics of idols, and the authority of written texts, this study reveals a fifteenth century that was as much an age of religious and literary exploration, experimentation, and reform as it was an age of regulation.
Download or read book Visual Aggression written by Assaf Pinkus and published by Penn State Press. This book was released on 2021-02-04 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood. Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood. Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come.
Book Synopsis 'A Great Effusion of Blood'? by : Mark D. Meyerson
Download or read book 'A Great Effusion of Blood'? written by Mark D. Meyerson and published by University of Toronto Press. This book was released on 2015-03-27 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'A great effusion of blood' was a phrase used frequently throughout medieval Europe as shorthand to describe the effects of immoderate interpersonal violence. Yet the ambiguity of this phrase poses numerous problems for modern readers and scholars in interpreting violence in medieval society and culture and its effect on medieval people. Understanding medieval violence is made even more complex by the multiplicity of views that need to be reconciled: those of modern scholars regarding the psychology and comportment of medieval people, those of the medieval persons themselves as perpetrators or victims of violence, those of medieval writers describing the acts, and those of medieval readers, the audience for these accounts. Using historical records, artistic representation, and theoretical articulation, the contributors to this volume attempt to bring together these views and fashion a comprehensive understanding of medieval conceptions of violence. Exploring the issue from both historical and literary perspectives, the contributors examine violence in a broad variety of genres, places, and times, such as the Late Antique lives of the martyrs, Islamic historiography, Anglo-Saxon poetry and Norse sagas, canon law and chronicles, English and Scottish ballads, the criminal records of fifteenth-century Spain, and more. Taken together, the essays offer fresh ways of analysing medieval violence and its representations, and bring us closer to an understanding of how it was experienced by the people who lived it.
Book Synopsis Fifteenth Century Studies by : Guy R. Mermier
Download or read book Fifteenth Century Studies written by Guy R. Mermier and published by Books on Demand. This book was released on 1978 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Beholding Violence in Medieval and Early Modern Europe by : Allie Terry-Fritsch
Download or read book Beholding Violence in Medieval and Early Modern Europe written by Allie Terry-Fritsch and published by Routledge. This book was released on 2017-07-05 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?
Book Synopsis Representing War and Violence by : Joanna Bellis
Download or read book Representing War and Violence written by Joanna Bellis and published by Boydell & Brewer. This book was released on 2016 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of written and other responses to conflict in a variety of forms and genres, from the thirteenth to the seventeenth century.
Book Synopsis Aspects of Violence in Renaissance Europe by : Dr Jonathan Davies
Download or read book Aspects of Violence in Renaissance Europe written by Dr Jonathan Davies and published by Ashgate Publishing, Ltd.. This book was released on 2013-09-28 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interest in the history of violence has increased dramatically over the last ten years and recent studies have demonstrated the productive potential for further inquiry in this field. The early modern period is particularly ripe for further investigation because of the pervasiveness of violence. Certain countries may have witnessed a drop in the number of recorded homicides during this period, yet homicide is not the only marker of a violent society. This volume presents a range of contributions that look at various aspects of violence from the fourteenth to the seventeenth centuries, from student violence and misbehaviour in fifteenth-century Oxford and Paris to the depiction of war wounds in the English civil wars. The book is divided into three sections, each clustering chapters around the topics of interpersonal and ritual violence, war, and justice and the law. Informed by the disciplines of anthropology, criminology, the history of art, literary studies, and sociology, as well as history, the contributors examine all forms of violence including manslaughter, assault, rape, riots, war and justice. Previous studies have tended to emphasise long-term trends in violent behaviour but one must always be attentive to the specificity of violence and these essays reveal what it meant in particular places and at particular times.
Book Synopsis Images and Identity in Fifteenth-century Florence by : Patricia Lee Rubin
Download or read book Images and Identity in Fifteenth-century Florence written by Patricia Lee Rubin and published by Yale University Press. This book was released on 2007-01-01 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.
Book Synopsis Violence in Medieval Society by : Richard W. Kaeuper
Download or read book Violence in Medieval Society written by Richard W. Kaeuper and published by Boydell & Brewer Ltd. This book was released on 2000 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studies of ways in which the rapidly evolving society of medieval Europe developed social, legal and practical responses to public and private violence. Violence was endemic in the medieval world, to an extent most modern people find shocking. Violence was part and parcel of the public world of institutions [church, state, chivalry] and the private world of households. In an age of dynamic expansion it was present everywhere, and contemporary response to it was contradictory: it was both wrong and at the same time a regulatory feature of society. This book brings together the views of a number of scholarson aspects of violence in medieval society, in England and the larger canvas of western Europe, from the eleventh to the fifteenth century. There is analysis of the tension between the practice of violence and hopes for reform; discussion of violence in literature; examination of assertive political acts and judicial duels and tournaments; and observations on the domestic scene and resistance to seigneurial impositions. Professor RICHARD W. KAEUPER teaches in the Department of History at the University of Rochester. Contributors: SARAH KAY, RICHARD W. KAEUPER, MATTHEW STRICKLAND, SEYMOUR PHILLIPS, M.L. BOHNA, PAUL HYAMS, AMY PHELAN, JULIET VALE, MALCOLM VALE, JAMES A.BRUNDAGE, BARBARA A. HANAWALT, EDMUND FRYDE
Book Synopsis "Death, Torture and the Broken Body in European Art, 1300?650 " by : JohnR. Decker
Download or read book "Death, Torture and the Broken Body in European Art, 1300?650 " written by JohnR. Decker and published by Routledge. This book was released on 2017-07-05 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bodies mangled, limbs broken, skin flayed, blood spilled: from paintings to prints to small sculptures, the art of the late Middle Ages and early modern period gave rise to disturbing scenes of violence. Many of these torture scenes recall Christ?s Passion and its aftermath, but the martyrdoms of saints, stories of justice visited on the wicked, and broadsheet reports of the atrocities of war provided fertile ground for scenes of the body?s desecration. Contributors to this volume interpret pain, suffering, and the desecration of the human form not simply as the passing fancies of a cadre of proto-sadists, but also as serving larger social functions within European society. Taking advantage of the frameworks established by scholars such as Samuel Edgerton, Mitchell Merback, and Elaine Scarry (to name but a few), Death, Torture and the Broken Body in European Art, 1300-1650 provides an intriguing set of lenses through which to view such imagery and locate it within its wider social, political, and devotional contexts. Though the art works discussed are centuries old, the topics of the essays resonate today as twenty-first-century Western society is still absorbed in thorny debates about the ethics and consequences of the use of force, coercion (including torture), and execution, and about whether it is ever fully acceptable to write social norms on the bodies of those who will not conform.
Book Synopsis Imagining the Passion in a Multiconfessional Castile by : Cynthia Robinson
Download or read book Imagining the Passion in a Multiconfessional Castile written by Cynthia Robinson and published by Penn State Press. This book was released on 2013 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An interdisciplinary reassessment of the creation and reception of religious imagery, and of its place in the devotional practices of Castilian Christians, situated against the broader panorama of Spanish culture in the fourteenth and fifteenth centuries"--Provided by publisher.
Book Synopsis Violence Against Women in Medieval Texts by : Anna Roberts
Download or read book Violence Against Women in Medieval Texts written by Anna Roberts and published by University Press of Florida. This book was released on 2018-10-24 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together specialists from different areas of medieval literary study to focus on the role of habits of thought in shaping attitudes toward women during the Middle Ages. The essays range from Old English literature to the Spanish Inquisition and encompass such genres as romance, chronicles, hagiography, and legal documents.
Download or read book The Shroud at Court written by and published by BRILL. This book was released on 2019-03-27 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Shroud at the Court analyses the ties between the Shroud and the Savoy court from the fifteenth to twentieth centuries, when rituals, ceremonies, and images made the relic an essential source of legitimacy and propaganda for the Savoy dynasty.
Book Synopsis Text/image Relations in Late Medieval French and Burgundian Culture (fourteenth-sixteenth Centuries) by : Rosalind Brown-Grant
Download or read book Text/image Relations in Late Medieval French and Burgundian Culture (fourteenth-sixteenth Centuries) written by Rosalind Brown-Grant and published by Brepols Publishers. This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the contents:00Part I: Allegorical Dream-Visions and Debate Poems Jonathan Morton, 'Friars in love: Manuscript illumination as literary commentary in three fourteenth-century manuscripts of the Roman de la rose' (Paris, BnF, MS .25526; Baltimore, Walters, MS W. 143;London, BL, MS Royal 19 B XIII) - Emma Cayley, ‘Entre deux sommes’: Imagining desire in the songe de la Pucelle' - HelenJ. Swi , 'Limits of representation in late fifteenth-century Burgundy: What the eye doesn’t hear and the ear doesn’t see'. 00Part II: 'Burgundian prose narratives' Dominique Lagorgette, 'Staging transgression rough text and image: Violence and nudity in the cent nouvelles nouvelles'(Glasgow, University Library, MS Hunter252, and Vérard 1486 and 1498) – Rebecca Dixon, 'The Roman de Buscalus; or, the artof not being French' – Rosalind Brown-Grant, 'Personal drama or chivalric spectacle? The reception of the Roman d’Olivier de Castille in the illuminations of the Wavrin aster and Loyset Liédet'00Part III: Reworkings of classical and Medieval auctores' J. Chimène Bateman, 'The hybrid art of the compiler: Text/Image relations in the Ovidemoralisé of Colard Mansion' – KathleenWilson-Chevalier, 'Proliferating narratives: Texts, images, and (Mostly Female) dedicatees in a few héroïdes productions' – Elizabeth L’Estrange, 'Re-Presenting Emilia in the context of the Querelle des femmes: Text and image in Anne de Graville’s Beau Roman list of manuscripts and early printed editions'
