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Theater Sans Frontieres
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Book Synopsis Theater Sans Frontières by : Joseph I. Donohoe
Download or read book Theater Sans Frontières written by Joseph I. Donohoe and published by East Lansing : Michigan State University Press. This book was released on 2000 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lepage's work has opened up and expanded the definitions of theater and dramatic language and made them accessible to the world at large, creating in the process a theater sans frontieres.
Book Synopsis Performance, Subjectivity, Cosmopolitanism by : Yana Meerzon
Download or read book Performance, Subjectivity, Cosmopolitanism written by Yana Meerzon and published by Springer Nature. This book was released on 2020-08-07 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at the connection between contemporary theatre practices and cosmopolitanism, a philosophical condition of social behaviour based on our responsibility, respect, and healthy curiosity to the other. Advocating for cosmopolitanism has become a necessity in a world defined by global wars, mass migration, and rise of nationalism. Using empathy, affect, and telling personal stories of displacement through embodied encounter between the actor and their audience, performance arts can serve as a training ground for this social behavior. In the centre of this encounter is a new cosmopolitan: a person of divided origins and cultural heritage, someone who speaks many languages and claims different countries as their place of belonging. The book examines how European and North American theatres stage this divided subjectivity: both from within, the way we tell stories about ourselves to others, and from without, through the stories the others tell about us.
Book Synopsis The Cinema of Robert Lepage by : Aleksandar Dundjerovich
Download or read book The Cinema of Robert Lepage written by Aleksandar Dundjerovich and published by Wallflower Press. This book was released on 2003 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cinema of Robert Lepage is the first critical study of one of the most striking artists of Quebecois and Canadian independent filmmaking. The book examines Lepage's creative methods of filmmaking in their cultural and social context and argues that his work cannot be seen separately from his oeuvre as a multidisciplinary artist and challenges the notions that Lepage should be considered only in the terms of Quebecois film tradition. The author explores such themes with Lepage in a new exclusive and detailed interview.
Book Synopsis Eastern European Theater After the Iron Curtain by : Kalina Stefanova
Download or read book Eastern European Theater After the Iron Curtain written by Kalina Stefanova and published by Psychology Press. This book was released on 2000 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique text uses material never previously published on theatre life during the Communist years. Chapters begin with introductions by well-known theatre professionals or lively interviews with a major directors or playwrights.
Book Synopsis Eastern European Theatre After the Iron Curtain by : Kalina Stefanova
Download or read book Eastern European Theatre After the Iron Curtain written by Kalina Stefanova and published by Routledge. This book was released on 2014-07-16 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: An important new survey of Eastern European theater after the collapse of the Soviet Union. Explores all aspects of theater, from playwriting, directing and acting, to repertoire creation and theatre management. Uses material never previously published on theatre life during the Communist years. Compares theater before and after the political changes in Albania, Bulgaria, Czech Republic, Hungary, Latvia, Lithuania, Moldova, Poland,Romania, Russia, Slovakia, Ukraine. Chapters begin with introductions by well-known theatre professionals or lively interviews with a major directors or playwrights - including Yury Lyubimov, Václav Havel, Andrei Sherban and Ismail Kadare.
Book Synopsis Theory for Theatre Studies: Emotion by : Peta Tait
Download or read book Theory for Theatre Studies: Emotion written by Peta Tait and published by Bloomsbury Publishing. This book was released on 2021-01-14 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theory for Theatre Studies: Emotion explores how emotion is communicated in drama, theatre, and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, Brecht and Caryl Churchill, theatre reveals and, informs but also warns about the emotions. The term 'emotion' encompasses the emotions, emotional feelings, affect and mood, and the book explores how these concepts are embodied and experienced within theatrical practice and explained in theory. Since emotion is artistically staged, its composition and impact can be described and analysed in relation to interdisciplinary approaches. Readers are encouraged to consider how emotion is dramatically, aurally, and visually developed to create innovative performance. Case studies include: Medea, Twelfth Night, The Caucasian Chalk Circle, Ibsen's A Doll's House, and performances by Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic, and The Wooster Group. By way of these detailed case studies, readers will appreciate new methodologies and approaches for their own exploration of 'emotion' as a performance component. Online resources to accompany this book are available at https://www.bloomsbury.com/theory-for-theatre-studies-emotion-9781350030848/.
Book Synopsis The Routledge Companion to Theatre and Performance by : Paul Allain
Download or read book The Routledge Companion to Theatre and Performance written by Paul Allain and published by Routledge. This book was released on 2014-08-01 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is theatre? What is performance? What connects them and how are they different? What events, people, practices and ideas have shaped theatre and performance in the twentieth and twenty-first century? The Routledge Companion to Theatre and Performance offers some answers to these big questions. It provides an analytical, informative and engaging introduction to important people, companies, events, concepts and practices that have defined the complementary fields of theatre and performance studies. This fully updated second edition contains three easy to use alphabetized sections including over 120 revised entries on topics and people ranging from performance artist Ron Athey, to directors Vsevold Meyerhold and Robert Wilson, megamusicals , postdramatic theatre and documentation. Each entry includes crucial historical and contextual information, extensive cross-referencing, detailed analysis and an annotated bibliography. The Routledge Companion to Theatre and Performance is a perfect reference guide for the keen student.
Book Synopsis Robert Lepage on the Toronto Stage by : Jane Koustas
Download or read book Robert Lepage on the Toronto Stage written by Jane Koustas and published by McGill-Queen's Press - MQUP. This book was released on 2016-05-01 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: A leader in theatre production for a global community, Robert Lepage - actor, cineaste, and director - revolutionized the Toronto theatre scene from the 1980s onwards by challenging conventional notions of language, identity, and national belonging. Exploring Lepage’s twenty-five-year history on the Toronto stage, Jane Koustas analyzes his importance in the Canadian and international theatre scenes. Outlining the reasons behind Lepage’s success in Toronto, Koustas skilfully engages with a wide range of journalistic and scholarly texts, moving between French and English critical reception of his work. For Lepage, Toronto offered the best of both worlds: he could remain an ardent Quebecer while being welcomed as a fellow Canadian. Lepage, raised in a bilingual family, brought to his Toronto productions an understanding of English and Canadian culture that resisted presenting French against English and the rest of Canada versus Quebec. Instead, he took Toronto audiences on a global theatre voyage that transformed traditional geopolitical, cultural, and linguistic boundaries and questioned identity. Investigating the relationship between Quebec’s master dramaturge and Toronto, a burgeoning cosmopolitan city determined to be a global cultural capital, Robert Lepage on the Toronto Stage analyzes the success of one of the few Québécois artists to have achieved fame in English Canada.
Book Synopsis Robert Lepage / Ex Machina by : James Reynolds
Download or read book Robert Lepage / Ex Machina written by James Reynolds and published by Bloomsbury Publishing. This book was released on 2019-02-07 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Lepage/Ex Machina: Revolutions in Theatrical Space provides an ideal introduction to one of our most innovative companies – and a much-needed and timely reappraisal of Lepage's oeuvre. International, interdisciplinary and intercultural to the core, Ex Machina have negotiated some of the most complex creative and cultural challenges of our time. This book maps the story of that journey by analysing the full spectrum of their richly varied work. Through a comprehensive historiography of productions since 1994, Robert Lepage/Ex Machina offers a detailed picture of the relationship between director and company, while connecting Ex Machina to culturally specific features of Québec, and its theatre. This book reveals for the first time how overlooked aspects of creativity and culture shaped the company's early work, while installing a dynamic interplay between director and company that would spark a unique and ongoing evolution of praxis. Central to this re-evaluation of practice is the book's identification of an architectural aesthetic at the heart of Ex Machina's work, an aesthetic which provides its artistic and political centres of gravity. Moreover, this architectural aesthetic powers the emergence of concrete narrative as a new and distinctive mode of theatrical storytelling – uniting story and space, body and technology, content and form – and demanding that we discover the politics of these performances in the energetic gestures of theatre design, and space itself. Drawing on extensive interviews with Lepage, Ex Machina personnel and collaborative partners, Robert Lepage/Ex Machina calls upon us to revise both our creative and critical perceptions of this vital and distinctive practice.
Book Synopsis Theatricality of Robert Lepage by : Aleksandar Saša Dundjerovi?
Download or read book Theatricality of Robert Lepage written by Aleksandar Saša Dundjerovi? and published by McGill-Queen's Press - MQUP. This book was released on 2007-08-24 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Theatricality of Robert Lepage studies several productions, including The Dragons' Trilogy, Vinci and Tectonic Plates, The Seven Streams of River Ota, Zulu Time, and The Far Side of the Moon. Dundjerovic provides major new insights into Lepage's creative process through an examination of his workshops, open rehearsals, and performances, as well as interviews with Lepage and his collaborators. Outlining the key production elements of Lepage's theatricality, Dundjerovic provides a practitioner's view of how Lepage creates as a director, actor, and writer and explores Lepage's practice within both the local Québécois and the international theatre context.
Book Synopsis Intermediality and Spectatorship in the Theatre Work of Robert Lepage by : Aristita I. Albacan
Download or read book Intermediality and Spectatorship in the Theatre Work of Robert Lepage written by Aristita I. Albacan and published by Cambridge Scholars Publishing. This book was released on 2016-09-23 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Lepage has imposed himself in the past three decades as a Wunderkind of contemporary theatre, with eagerly awaited and widely acclaimed productions at the most prestigious theatre festivals and venues around the world. Soon after his international breakthrough with The Dragon’s Trilogy (1984), Lepage’s work became an object of particular scrutiny for critics and scholars, and continues to be subject to media exposure, inspiring cultural critique, academic study and the admiration of audiences across the world. A recurrent fascination with the formal novelty of his theatrical approach imbues most, if not all, critical considerations. However, in spite of the wide interest provoked, little space has been devoted to the quintessential impact of his work on spectatorship, and, most importantly, to connecting the dots between his creative practice and its substantial impact on audiences. Intermediality and Spectatorship in the Theatre Work of Robert Lepage bridges this gap by exploring the notion that intermediality – observed both as a mise-en-scene strategy and a perceptual effect in performance – is situated at the core of the director’s approach. This approach is situated in direct relation to the evolving expectations and medial competencies of spectators, demonstrating an in-depth understanding of the ways in which different media can be engaged in the creative process in a holistic way in order to alter the regime of spectatorship, to enhance its creative and cognitive potential. Lepage’s work and theatre making process are analysed here from an interdisciplinary perspective that combines theatre, media and cultural studies, and which is applied to his solo shows, namely Vinci (1986), Needles and Opium (1991), Elsinore (1995), Far Side of the Moon (2000) and Project Andersen (2005). In bringing to the forefront interconnecting notions of intermediality and contemporary spectatorship, the book highlights the director’s preoccupation with an ongoing dialogue with audiences across the world, and their particular involvement in the development of one of the most innovative practices of the Western theatre landscape.
Book Synopsis The Routledge Drama Anthology and Sourcebook by : Maggie B. Gale
Download or read book The Routledge Drama Anthology and Sourcebook written by Maggie B. Gale and published by Routledge. This book was released on 2012-08-06 with total page 882 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking compilation of the key movements in the history of modern theatre. Each of the book’s parts comprises full reproductions of the plays that defined the period and key critical writings that inform and contextualise their reading. "Here is an anthology of plays and criticism that all teachers of drama should take seriously. The fresh angles and approaches the volume offers on topics such as naturalism, the historical avant-garde, and breakthrough works by innovative performance artists (e.g., Laurie Anderson, SuAndi) all argue in favor of this collection as required reading in courses on modern stagecraft." CHOICE, Feb 2011
Download or read book Stage-Bound written by André Loiselle and published by McGill-Queen's Press - MQUP. This book was released on 2003 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annotation "Although feature film adaptations of Canadian plays have become increasingly common in the past decade, the practice of turning drama into film began in Canada in 1942 when Hilda Hooke Smith's Here Will I Nest was brought to the screen. Over the years some adaptations have enjoyed a fair measure of success while others have fallen into oblivion, but virtually all of them have engaged with their theatrical origins, often leading to criticism that they remain too rigidly anchored to the stage. Stage-Bound, the first extensive study of Canadian and Quebecois drama, challenges this reductive interpretation. Andre Loiselle demonstrates that theatricality is central to the meaning of these films, and in the process reclaims them."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
Book Synopsis Robert Lepage by : Aleksandar Saša Dundjerović
Download or read book Robert Lepage written by Aleksandar Saša Dundjerović and published by Routledge. This book was released on 2019-05-16 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Lepage is one of Canada’s foremost theatre authors and directors. His company, Ex Machina, has toured to international acclaim and he has lent his talents to areas as diverse as opera, film, solo performance and installation art. His most celebrated work blends acute personal narratives with bold global themes through collaborative and multimedia theatricality. This book is the first to combine: • An overview of the key phases in Lepage’s life and career • An examination of the issues and questions pertinent to his work • A discussion of The Dragons’ Trilogy as a paradigm of his working methods • A variety of practical exercises designed to give an insight into Lepage’s creative process. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are of unbeatable value for today’s student.
Book Synopsis British Theatre Companies: 1995-2014 by : Liz Tomlin
Download or read book British Theatre Companies: 1995-2014 written by Liz Tomlin and published by Bloomsbury Publishing. This book was released on 2015-02-26 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to 2014. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the most important companies. Volume Three, 1995-2014, charts the expansion of the sector in the era of Lottery funding and traces the resistant influences of earlier movements in the emergence of new companies and an independent theatre ecology that seeks to reconfigure the mainstream. Leading academics provide case studies of six of the most important companies, including: * Mind the Gap, by Dave Calvert (University of Huddersfield, UK) * Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK) * Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic) * Punchdrunk, by Josephine Machon (Middlesex University, UK) * Kneehigh, by Duška Radosavljevic (University of Kent, UK) * Stans Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)
Book Synopsis The Theatre of Suzuki Tadashi by : Ian Carruthers
Download or read book The Theatre of Suzuki Tadashi written by Ian Carruthers and published by Cambridge University Press. This book was released on 2004-07-29 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Suzuki is Japan's best-known director. He has been internationally acclaimed for his postmodern adaptations of classics by Nanboku, Euripides, Shakespeare and Chekhov since the 1970s, including The Trojan Women, King Lear and Three Sisters and, equally, for his powerful actor training system, which combines elements of Noh and Kabuki with Western realism. Inviting artists from around the world to perform at his Toga and Shizuoka International Festivals, Suzuki has fostered productive exchanges with Jean-Louis Barrault, Robert Wilson, Kanze Hisao, Ashikawa Yoko and numerous others. This 2004 book traces Suzuki's rise from Little Theatre director to international festival celebrity, links his unique Surrealist dramaturgy with his intercultural training system, and gives in-depth descriptions of his most acclaimed productions.
Book Synopsis Mime into Physical Theatre: A UK Cultural History 1970–2000 by : Mark Evans
Download or read book Mime into Physical Theatre: A UK Cultural History 1970–2000 written by Mark Evans and published by Taylor & Francis. This book was released on 2023-04-03 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000. Unpicking the various routes through which mime and physical theatre emerged into wider prominence, this book outlines key thematic strands within this history of practice. The book blends historical description and refl ective analysis. It aims to juxtapose the various histories at play within this field, giving critical attention to the voices of the artists, funders and venue managers who were there at the time, particularly recognising the diversity of practitioners and the network of relationships that supported their work. Drawing upon over 40 original interviews, including, amongst others: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick, the book offers unique testimonies and memories from key figures active during these three decades. This wide-ranging account of the history, social context, key moments and practical methods gives an unparalleled chronicle of one of the UK’s most vital and pioneering forms of theatre. From undergraduate students to established scholars, this is a comprehensive account for anyone studying contemporary theatre, theatre history, mime, physical theatre and the structures that support the performing arts in the United Kingdom.
