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The Routledge Drama Anthology And Sourcebook
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Book Synopsis The Routledge Drama Anthology and Sourcebook by : Maggie B. Gale
Download or read book The Routledge Drama Anthology and Sourcebook written by Maggie B. Gale and published by Routledge. This book was released on 2012-08-06 with total page 882 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking compilation of the key movements in the history of modern theatre. Each of the book’s parts comprises full reproductions of the plays that defined the period and key critical writings that inform and contextualise their reading. "Here is an anthology of plays and criticism that all teachers of drama should take seriously. The fresh angles and approaches the volume offers on topics such as naturalism, the historical avant-garde, and breakthrough works by innovative performance artists (e.g., Laurie Anderson, SuAndi) all argue in favor of this collection as required reading in courses on modern stagecraft." CHOICE, Feb 2011
Book Synopsis The Routledge Drama Anthology by : Maggie Barbara Gale
Download or read book The Routledge Drama Anthology written by Maggie Barbara Gale and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a compilation of the key movements in the history of modern theatre. Each of the book's parts comprises full reproductions of the plays that defined the period and key critical writings that inform and contextualise their reading.
Book Synopsis The Routledge Anthology of Early Modern Drama by : Jeremy Lopez
Download or read book The Routledge Anthology of Early Modern Drama written by Jeremy Lopez and published by . This book was released on 2020 with total page 1000 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Anthology of Early Modern Drama is the first new collection of the drama of Shakespeare's contemporaries in over a century. This volume comprises seventeen accessible, thoroughly glossed, modernized play-texts, intermingling a wide range of unfamiliar works--including the anonymous Look About You, Massinger's The Picture, Heminge's The Fatal Contract, Heywood's The Four Prentices of London, and Greene's James IV--with more familiar works such as Marlowe's Doctor Faustus, Webster's The Duchess of Malfi, and Middleton's Women Beware Women. Each play is edited by a different leading scholar in the field of early modern studies, bringing specific expertise and context to the chosen play-text. With an unprecedented variety of plays, and critical introductions that focus on the diversity and strangeness of different early modern approaches to the artistic and commercial enterprise of play-making, The Routledge Anthology of Early Modern Drama will offer vital new perspectives on early modern drama for scholars, students, and performers alike.
Book Synopsis Fifty Modern and Contemporary Dramatists by : Maggie B. Gale
Download or read book Fifty Modern and Contemporary Dramatists written by Maggie B. Gale and published by Routledge. This book was released on 2014-11-27 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty Modern and Contemporary and Dramatists is a critical introduction to the work of some of the most important and influential playwrights from the 1950s to the present day. The figures chosen are among the most widely studied by students of drama, theatre and literature and include such celebrated writers as: • Samuel Beckett • Caryl Churchill • Anna Deavere Smith • Jean Genet • Sarah Kane • Heiner Müller • Arthur Miller • Harold Pinter • Sam Shephard Each short essay is written by one of an international team of academic experts and offers a detailed analysis of the playwright’s key works and career. The introduction provides an historical and theatrical context to the volume, which provides an invaluable overview of modern and contemporary drama.
Book Synopsis Greek Drama and Dramatists by : Alan H. Sommerstein
Download or read book Greek Drama and Dramatists written by Alan H. Sommerstein and published by Routledge. This book was released on 2003-09-02 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of European drama began at the festivals of Dionysus in ancient Athens, where tragedy, satyr-drama and comedy were performed. Understanding this background is vital for students of classical, literary and theatrical subjects, and Alan H. Sommerstein's accessible study is the ideal introduction. The book begins by looking at the social and theatrical contexts and different characteristics of the three genres of ancient Greek drama. It then examines the five main dramatists whose works survive - Aeschylus, Sophocles, Euripides, Aristophanes and Menander - discussing their styles, techniques and ideas, and giving short synopses of all their extant plays. Additional helpful features include succinct coverage of almost sixty other authors, a chronology of significant people and events, and an anthology of translated texts, all of which have been previously inaccessible to students. An up-to-date study bibliography of further reading concludes the volume. Clear, concise and comprehensive, and written by an acknowledged expert in the field, Greek Drama and Dramatists will be a valuable orientation text at both sixth form and undergraduate level.
Book Synopsis A Sourcebook on Naturalist Theatre by : Christopher Innes
Download or read book A Sourcebook on Naturalist Theatre written by Christopher Innes and published by Routledge. This book was released on 2002-01-04 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Sourcebook on Naturalist Theatre provides essential primary sources which document one of the key movements in modern theatre. Christopher Innes has selected three writers to exemplify the movement, and six plays in particular: * Henrik Ibsen - A Dolls House and Hedda Gabler * Anton Chekhov - The Seagull and The Cherry Orchard * George Bernard Shaw - Mrs Warren's Profession and Heartbreak House. Innes' introduction provides an overview of naturalist theatre. Key themes include: the representation of women, significant contemporary issues and the links between theory, play writing and stage practice. The primary sources explore many aspects of naturalism, giving information on: * the playwrights' intentions when writing plays * contemporary reviews * literary criticism * political and social background * production notes from early performances of the plays.
Book Synopsis Theatre Studies: The Basics by : Robert Leach
Download or read book Theatre Studies: The Basics written by Robert Leach and published by Routledge. This book was released on 2013-07-18 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now in a second edition, Theatre Studies: The Basics is a fully updated guide to the wonderful world of theatre. The practical and theoretical dimensions of theatre – from acting to audience – are woven together throughout to provide an integrated introduction to the study of drama, theatre and performance. Topics covered include: dramatic genres, from tragedy to political documentary theories of performance the history of the theatre in the West acting, directing and scenography With a glossary, chapter summaries and suggestions for further reading throughout, Theatre Studies: the Basics remains the ideal starting point for anyone new to the subject.
Book Synopsis The Nervous Stage by : Matthew Wilson Smith
Download or read book The Nervous Stage written by Matthew Wilson Smith and published by Oxford University Press. This book was released on 2018 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Nervous Stage examines the relations between theatrical practices and the scientific study of the nervous system.
Download or read book Ethnodrama written by Johnny Saldaña and published by Rowman Altamira. This book was released on 2005 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seven ethnodramas illustrate this emerging genre of arts-based research, a burgeoning but evident trend in the field of theatre production itself. With their focus on the personal, immediate and contextual, these plays about marginalized identities, abortion, street life and oppression manage a unique balance between theoretical research and everyday realism.
Book Synopsis Fifty Modern and Contemporary Dramatists by : Maggie B. Gale
Download or read book Fifty Modern and Contemporary Dramatists written by Maggie B. Gale and published by Routledge. This book was released on 2014-11-27 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty Modern and Contemporary and Dramatists is a critical introduction to the work of some of the most important and influential playwrights from the 1950s to the present day. The figures chosen are among the most widely studied by students of drama, theatre and literature and include such celebrated writers as: • Samuel Beckett • Caryl Churchill • Anna Deavere Smith • Jean Genet • Sarah Kane • Heiner Müller • Arthur Miller • Harold Pinter • Sam Shephard Each short essay is written by one of an international team of academic experts and offers a detailed analysis of the playwright’s key works and career. The introduction provides an historical and theatrical context to the volume, which provides an invaluable overview of modern and contemporary drama.
Book Synopsis Art, Vision, and Nineteenth-Century Realist Drama by : Amy Holzapfel
Download or read book Art, Vision, and Nineteenth-Century Realist Drama written by Amy Holzapfel and published by Routledge. This book was released on 2014-01-03 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Realism in theatre is traditionally defined as a mere seed of modernism, a crude attempt to reproduce an exact copy of reality on stage. Art, Vision & Nineteenth-Century Realist Drama redefines realism as a complex and under-examined form of visual modernism, one that positioned theatre at the crux of the encounter between consciousness and the visible world. Tracing a historical continuum of "acts of seeing" on the realist stage, Holzapfel demonstrates how theatre participated in modernity’s aggressive interrogation of vision’s residence in the human body. New findings by scientists and philosophers—such as Diderot, Goethe, Müller, Helmholtz, and Galton—exposed how the visible world is experienced and framed by the unstable relativism of the physiological body rather than the fixed idealism of the mind. Realist artists across media paradoxically embraced this paradigm shift by focusing on the embodied observer. Drawing from extensive archival research, Holzapfel conducts close readings of iconic dramas and their productions—including Scribe’s The Glass of Water, Zola’s Thérèse Raquin, Ibsen’s A Doll House, Strindberg’s The Father, and Hauptmann’s Before Sunrise—alongside analyses of artwork by major painters and photographers—such as Chardin, Nadar, Millais, Rejlander, and Liebermann. In a radical challenge to existing criticism, Holzapfel argues that realism in theatre was never the attempt to reproduce an exact copy of the seen world but rather the struggle to make visible the act of seeing.
Book Synopsis The Routledge Anthology of Restoration and Eighteenth-Century Drama by : Kristina Straub
Download or read book The Routledge Anthology of Restoration and Eighteenth-Century Drama written by Kristina Straub and published by Routledge. This book was released on 2017-04-07 with total page 1547 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Anthology of Restoration and Eighteenth-Century Drama brings together the work of key playwrights from 1660 to 1800, divided into three main sections: Restoring the Theatre: 1660–1700 Managing Entertainment: 1700–1760 Entertainment in an Age of Revolutions: 1760–1800 Each of the 20 plays featured is accompanied by an extraordinary wealth of print and online supplementary materials, including primary critical sources, commentaries, illustrations, and reviews of productions. Taking in the spectrum of this period’s dramatic landscape—from Restoration tragedy and comedies of manners to ballad opera and gothic spectacle—The Routledge Anthology of Restoration and Eighteenth-Century Drama is an essential resource for students and teachers alike.
Book Synopsis Rethinking Character in Contemporary British Theatre by : Cristina Delgado-García
Download or read book Rethinking Character in Contemporary British Theatre written by Cristina Delgado-García and published by Walter de Gruyter GmbH & Co KG. This book was released on 2015-11-13 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts and performances. However, claims on the dissolution of character narrowly demarcate what a subject is and how it may appear. This volume unmoors theatre scholarship from the regulatory ideals of liberal humanism, stretching the notion of character to encompass and illuminate otherwise unaccounted-for subjects, aesthetic strategies and political gestures in recent theatre works. To this aim, contemporary philosophical theories of subjectivation, European theatre studies, and experimental, script-led work produced in Britain since the late 1990s are mobilised as discussants on the question of subjectivity. Four contemporary playtexts and their performances are examined in depth: Sarah Kane’s Crave and 4.48 Psychosis, Ed Thomas’s Stone City Blue and Tim Crouch’s ENGLAND. Through these case studies, Delgado-García demonstrates alternative ways of engaging theoretically with character, and elucidating a range of subjective figures beyond identity and individuality. Alongside these analyses, the book traces a large body of work that has experimented with speech attribution since the early twentieth-century. This is a timely contribution to contemporary theatre scholarship, which demonstrates that character remains a malleable and politically-salient notion in which understandings of subjectivity are still being negotiated.
Book Synopsis Research Methods in Theatre and Performance by : Baz Kershaw
Download or read book Research Methods in Theatre and Performance written by Baz Kershaw and published by Edinburgh University Press. This book was released on 2011-04-18 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide hands-on answers to such questions. Challenging and debating received research wisdom and exploring innovative procedures for rigorous enquiry via archives, technology, practice-as-research, scenography, performer training, applied theatre/performance, body in performance and more, they create a focussed compendium of future research options.
Book Synopsis Mapping Irish Theatre by : Chris Morash
Download or read book Mapping Irish Theatre written by Chris Morash and published by Cambridge University Press. This book was released on 2013-12-12 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Morash and Richards present an original approach to understanding how theatre has produced distinctively Irish senses of space and place.
Book Synopsis A Narratology of Drama by : Christine Schwanecke
Download or read book A Narratology of Drama written by Christine Schwanecke and published by Walter de Gruyter GmbH & Co KG. This book was released on 2022-01-19 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume argues against Gérard Genette’s theory that there is an “insurmountable opposition” between drama and narrative and shows that the two forms of storytelling have been productively intertwined throughout literary history. Building on the idea that plays often incorporate elements from other genres, especially narrative ones, the present study theorises drama as a fundamentally narrative genre. Guided by the question of how drama tells stories, the first part of the study delineates the general characteristics of dramatic narration and zooms in on the use of narrative forms in drama. The second part proposes a history of dramatic storytelling from the Renaissance to the twenty-first century that transcends conventional genre boundaries. Close readings of exemplary British plays provide an overview of the dominant narrative modes in each period and point to their impact in the broader cultural and historical context of the plays. Finally, the volume argues that throughout history, highly narrative plays have had a performative power that reached well beyond the stage: dramatic storytelling not only reflects socio-political realities, but also largely shapes them.
Book Synopsis Musicality in Theatre by : David Roesner
Download or read book Musicality in Theatre written by David Roesner and published by Routledge. This book was released on 2016-04-29 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - and on the other, he traces a notion of ‘musicality’ in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres. Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. His study reveals both the continuous changes in the understanding of music as model, method and metaphor for the theatre and how different notions of music had a vital impact on theatrical innovation in the past 150 years. Musicality thus becomes a complementary concept to theatricality, helping to highlight what is germane to an art form as well as to explain its traction in other art forms and areas of life. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
