The Theory of Islamic Art

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Author :
Publisher : International Institute of Islamic Thought (IIIT)
ISBN 13 : 1565646967
Total Pages : 90 pages
Book Rating : 4.5/5 (656 download)

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Book Synopsis The Theory of Islamic Art by : Idham Mohammed Hanash

Download or read book The Theory of Islamic Art written by Idham Mohammed Hanash and published by International Institute of Islamic Thought (IIIT). This book was released on 2017-01-01 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to a theoretical concept associated with a vision, a principle, a theory and a method. This theo-retical concept provides the intellectual and cultural foundation for a critical philosophical science of Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In the process the study also explores orientalist misconceptions, challenging some of the premises with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the spiritual perspective of Islam.

Art and Architecture in the Islamic Tradition

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Publisher : Bloomsbury Publishing
ISBN 13 : 0857731750
Total Pages : 304 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Art and Architecture in the Islamic Tradition by : Mohammed Hamdouni Alami

Download or read book Art and Architecture in the Islamic Tradition written by Mohammed Hamdouni Alami and published by Bloomsbury Publishing. This book was released on 2013-12-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.

Introduction to Islamic Art

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Publisher :
ISBN 13 : 9780558422127
Total Pages : 0 pages
Book Rating : 4.4/5 (221 download)

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Book Synopsis Introduction to Islamic Art by : Shadieh Mirmobiny

Download or read book Introduction to Islamic Art written by Shadieh Mirmobiny and published by . This book was released on 2009-12-26 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This introduction to Islamic art and architecture reveals the essential history, culture, and religious philosophy from pre-Islamic foundations through modernity. The easily approachable text contextualizes all major art forms in the contemporary events, beliefs, and cultural developments. While providing an understanding of religious doctrine, its interpretations, and its influence on the arts, the book encourages critical thinking by introducing analytic issues, for example, defining the problematic term "Islamic." Scholar and artist Shadieh Mirmobiny engages readers with the scientific achievements, cultural exchanges, and religious doctrines that shaped Islamic art. The result of five years of research and teaching, "Introduction to Islamic Art "presents Islam s rich influences in art worked through all materials, art, and architecture, both sacred and secular. Islam s message brought many cultures together, helped enable patrons to sponsor art, and influenced art around the world. Highlights of the text include a study of mysticism, its pre-Islamic history in the Middle East, and understanding it as an alternative perspective in Islam. The important role of women in Islamic art is also explored. Readers see how Islam's wide-ranging interactions with both Western and Far-Eastern civilizations shaped all arts and crafts, from the literary arts to glazed tiles, calligraphy, and painting. The West's reaction to Islamic art is examined with the theory of Orientalism, and the theory's application is demonstrated in the study of nineteenth-century European painting. Later, modernized influences from North Africa, Russia, and America are revealed in twentieth-century Islamic sacred architecture. And similarly, throughout modern history, European and American art has been enriched by Islamic influence. The survey concludes with the present status of Islamic art, including art in Diaspora. Appropriate for art history, history, and various humanities, "Introduction to Islamic""Art "stimulates interest, furthers scholarly research in Islamic art, and encourages critical thinking. The well organized and highly readable chapters provide a complete survey to a broad audience.

Islamic Art and Beyond

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9780860789260
Total Pages : 400 pages
Book Rating : 4.7/5 (892 download)

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Book Synopsis Islamic Art and Beyond by : Oleg Grabar

Download or read book Islamic Art and Beyond written by Oleg Grabar and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The articles selected for Islamic Art and Beyond, the third in the set of four selections of articles by Oleg Grabar, illustrate how the author's study of Islamic art led him in two directions for a further understanding of the arts. One is how to define Islamic art and what impulses provided it with its own peculiar forms and dynamics of growth. The other issue is that of the meanings to be given to forms like domes, so characteristic of Islamic art, or to terms like symbol, signs, or aesthetic values in the arts, especially when one considers the contemporary world.

The Human Figure in Islamic Art

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Publisher : David Collection/ Strandberg Publishing
ISBN 13 : 9788792949967
Total Pages : 280 pages
Book Rating : 4.9/5 (499 download)

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Book Synopsis The Human Figure in Islamic Art by : Kjeld von Folsach

Download or read book The Human Figure in Islamic Art written by Kjeld von Folsach and published by David Collection/ Strandberg Publishing. This book was released on 2018-06-12 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly illustrated book focuses on an unusually and rarely elucidated subject in the world of Islamic art: human depictions. Through seventy-five important works of Islamic art from the David Collection in Copenhagen, Denmark, The Human Figure in Islamic Art focuses on an unusually and rarely elucidated subject in the world of Islamic art: human depictions. Depictions of man were considered objectionable from an orthodox Muslim point of view since only God can create life, and man should not try to emulate God's work. There was concern that depictions or those who were depicted could be worshipped, something that went against the dogma that only God, Allah, should be the object of worship. The book describes how, despite this reluctance, portraying human figures has nonetheless always played an important role in Islamic art. The human figure is found on many kinds of utility ware, but the motif also has a long and rich tradition especially in miniature painting. The paintings in the book largely feature princes, but also holy men and quite ordinary people in the form of illustrations for works of fiction, depictions of real-life events, and true portraits. This richly illustrated book covers the use of the human figure in many of the forms of Islamic art and describes some of the historical conditions and theological discussions behind it. Light is also shed on the mutual influence of Islamic and European art.

The Theory of Islamic Art (Ukrainian Language)

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Author :
Publisher : International Institute of Islamic Thought (IIIT)
ISBN 13 : 1642054968
Total Pages : 126 pages
Book Rating : 4.6/5 (42 download)

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Book Synopsis The Theory of Islamic Art (Ukrainian Language) by : Idham Mohammed Hanash

Download or read book The Theory of Islamic Art (Ukrainian Language) written by Idham Mohammed Hanash and published by International Institute of Islamic Thought (IIIT). This book was released on 2021-03-03 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to a theoretical concept associated with a vision, a principle, a theory and a method. This theoretical concept provides the intellectual and cultural foundation for a critical philosophical science of Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In the process the study also explores orientalist misconceptions, challenging some of the premises with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the spiritual perspective of Islam.

A Companion to Islamic Art and Architecture

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Author :
Publisher : John Wiley & Sons
ISBN 13 : 1119068576
Total Pages : 1448 pages
Book Rating : 4.1/5 (19 download)

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Book Synopsis A Companion to Islamic Art and Architecture by : Finbarr Barry Flood

Download or read book A Companion to Islamic Art and Architecture written by Finbarr Barry Flood and published by John Wiley & Sons. This book was released on 2017-06-16 with total page 1448 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

Deconstructing the Myths of Islamic Art

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Author :
Publisher : Routledge
ISBN 13 : 100055595X
Total Pages : 320 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis Deconstructing the Myths of Islamic Art by : Onur Öztürk

Download or read book Deconstructing the Myths of Islamic Art written by Onur Öztürk and published by Routledge. This book was released on 2022-03-20 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists’ initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies.

What is “Islamic” Art?

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1108474659
Total Pages : 387 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis What is “Islamic” Art? by : Wendy M. K. Shaw

Download or read book What is “Islamic” Art? written by Wendy M. K. Shaw and published by Cambridge University Press. This book was released on 2019-10-10 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.

Islamic Art and Visual Culture

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Publisher : John Wiley & Sons
ISBN 13 : 1405154020
Total Pages : 210 pages
Book Rating : 4.4/5 (51 download)

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Book Synopsis Islamic Art and Visual Culture by : D. Fairchild Ruggles

Download or read book Islamic Art and Visual Culture written by D. Fairchild Ruggles and published by John Wiley & Sons. This book was released on 2011-04-25 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Islamic Art and Visual Culture is a collection of primary sources in translation accompanied by clear and concise introductory essays that provide unique insights into the aesthetic and cultural history of one of the world's major religions. Collects essential translations from sources as diverse as the Qur'an, court chronicles, technical treatises on calligraphy and painting, imperial memoirs, and foreign travel accounts Includes clear and concise introductory essays Situates each text and explains the circumstances in which it was written--the date, place, author, and political conditions Provides a vivid window into Islamic visual culture and society An indispensable tool for teachers and students of art and visual culture

Enfoldment and Infinity

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Author :
Publisher : MIT Press
ISBN 13 : 0262537362
Total Pages : 423 pages
Book Rating : 4.2/5 (625 download)

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Book Synopsis Enfoldment and Infinity by : Laura U. Marks

Download or read book Enfoldment and Infinity written by Laura U. Marks and published by MIT Press. This book was released on 2010-08-13 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tracing the connections—both visual and philosophical—between new media art and classical Islamic art. In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the “Islamic” quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, “nonorganic life” in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.

Islamic Art

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Author :
Publisher : Prestel Publishing
ISBN 13 : 9783791344553
Total Pages : 0 pages
Book Rating : 4.3/5 (445 download)

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Book Synopsis Islamic Art by : Luca Mozzati

Download or read book Islamic Art written by Luca Mozzati and published by Prestel Publishing. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Stunning book includes more than four hundred reproductions of treasures of Islamic art that span the world. With its large format, exquisite photographs and extensive research, this is a thorough introduction toan exceptional artistic tradition. --

Beauty and Islam

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Publisher : Bloomsbury Publishing
ISBN 13 : 0755699343
Total Pages : 186 pages
Book Rating : 4.7/5 (556 download)

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Book Synopsis Beauty and Islam by : Valerie Gonzalez

Download or read book Beauty and Islam written by Valerie Gonzalez and published by Bloomsbury Publishing. This book was released on 2001-08-24 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Beauty and Islam' explores aspects of aesthetics in classical Islamic thought in the light of contemporary theories, offering new perspectives on Islamic art and architecture with examples ranging from the Qur'an and the Alhambra to the works of present day artists and philosophers. Tracing the roots of Islamic aesthetics back to the works of the great philosophers of the Middle Ages such as Avicenna and Averroes, Valerie Gonzalez finds that aesthetic theory in Islam must be seen within the much wider context of parallel thinking on theology, ethics, physics and metaphysics.

Early Islamic Art, 650–1100

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Publisher : Taylor & Francis
ISBN 13 : 1000939316
Total Pages : 369 pages
Book Rating : 4.0/5 (9 download)

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Book Synopsis Early Islamic Art, 650–1100 by : Oleg Grabar

Download or read book Early Islamic Art, 650–1100 written by Oleg Grabar and published by Taylor & Francis. This book was released on 2023-04-28 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Islamic Art, 650-1100 is the first in a set of four volumes of studies by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century. Each volume takes a particular section of the topic, the three subsequent volumes being entitled: Islamic Visual Culture, 1100-1800; Islamic Art and Beyond; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The present volume concentrates primarily on documents provided by archaeology understood in its widest sense, and including the study of texts with reference to monuments or to the contexts of these monuments. The articles included represent major contributions to the understanding of the formative centuries of Islamic art, focusing on the Umayyad (661-750) and Fatimid (969-1171) dynasties in Greater Syria and in Egypt, and on the Mediterranean or Iranian antecedents of early Islamic art. Historical, cultural, and religious themes, including the role of court ceremonies, the growth of cities, and the importance of the Qur'an, are introduced to help explain how a new art was formed in the central lands of the Near East and how its language can be retrieved from visual or written sources.

The Transformation of Islamic Art during the Sunni Revival

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Author :
Publisher : University of Washington Press
ISBN 13 : 0295803932
Total Pages : 224 pages
Book Rating : 4.2/5 (958 download)

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Book Synopsis The Transformation of Islamic Art during the Sunni Revival by : Yasser Tabbaa

Download or read book The Transformation of Islamic Art during the Sunni Revival written by Yasser Tabbaa and published by University of Washington Press. This book was released on 2011-10-01 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The transformation of Islamic architecture and ornament during the eleventh and twelfth centuries signaled profound cultural changes in the Islamic world. Yasser Tabbaa explores with exemplary lucidity the geometric techniques that facilitated this transformation, and investigates the cultural processes by which meaning was produced within the new forms. Iran, Iraq, and Syria saw the development of proportional calligraphy, vegetal and geometric arabesque, muqarnas (stalactite) vaulting, and other devices that became defining features of medieval Islamic architecture. Ultimately, the forms and themes described in this book shaped the development of Mamluk architecture in Egypt and Syria, and by extension, the entire course of North African and Andalusian architecture as well. These innovations developed and were disseminated in a highly charged atmosphere of confrontation between the Seljuk and post-Seljuk proponents of the traditionalist Sunni revival and their main opponents in Fatimid Egypt. These forms stood as visual signs of allegiance to the orthodox Abbasid caliphate and of difference from the heterodox Fatimids. Tabbaa proposes that their rapid spread throughout the Islamic world operated within a system of reciprocating, ceremonial gestures, which conveyed a new and formal language that helped negotiate the gap between the myth of a unified Sunni Islam and its actual political fragmentation. In subject matter and approach, The Transformation of Islamic Art during the Sunni Revival makes original contributions to the study of art, revealing that this relatively neglected sector of medieval art and architecture is of critical importance for reevaluating the entire field of Islamic studies. It challenges the essentialist and positivist approaches that still permeate the study of Islamic art, and offers a historical and semiotic alternative for exploring meaning within ruptures of change.

Private Collectors of Islamic Art in Late Nineteenth-Century London

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Author :
Publisher : Routledge
ISBN 13 : 1000437000
Total Pages : 232 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Private Collectors of Islamic Art in Late Nineteenth-Century London by : Isabelle Gadoin

Download or read book Private Collectors of Islamic Art in Late Nineteenth-Century London written by Isabelle Gadoin and published by Routledge. This book was released on 2021-09-09 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.

Bosnian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure

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Author :
Publisher : International Institute of Islamic Thought (IIIT)
ISBN 13 : 1642057428
Total Pages : 104 pages
Book Rating : 4.6/5 (42 download)

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Book Synopsis Bosnian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure by : Idham Mohammed Hanash

Download or read book Bosnian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure written by Idham Mohammed Hanash and published by International Institute of Islamic Thought (IIIT). This book was released on 2018-01-01 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and ‎experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, ‎what is the logic underlying it? What message is the Muslim artist attempting to convey, what ‎emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and ‎treats its evolution as part of the historical study of art in the broader sense. At the same time, it ‎paves the way for an epistemological shift from viewing Islamic art as a material concept having to ‎do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to ‎a theoretical concept associated with a vision, a principle, a theory and a method. This theoretical ‎concept provides the intellectual and cultural foundation for a critical philosophical science of ‎Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic ‎aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In ‎the process the study also explores orientalist misconceptions, challenging some of the premises ‎with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the ‎spiritual perspective of Islam.‎