Bosnian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure

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Author :
Publisher : International Institute of Islamic Thought (IIIT)
ISBN 13 : 1642057428
Total Pages : 104 pages
Book Rating : 4.6/5 (42 download)

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Book Synopsis Bosnian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure by : Idham Mohammed Hanash

Download or read book Bosnian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure written by Idham Mohammed Hanash and published by International Institute of Islamic Thought (IIIT). This book was released on 2018-01-01 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and ‎experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, ‎what is the logic underlying it? What message is the Muslim artist attempting to convey, what ‎emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and ‎treats its evolution as part of the historical study of art in the broader sense. At the same time, it ‎paves the way for an epistemological shift from viewing Islamic art as a material concept having to ‎do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to ‎a theoretical concept associated with a vision, a principle, a theory and a method. This theoretical ‎concept provides the intellectual and cultural foundation for a critical philosophical science of ‎Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic ‎aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In ‎the process the study also explores orientalist misconceptions, challenging some of the premises ‎with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the ‎spiritual perspective of Islam.‎

The Theory of Islamic Art (Ukrainian Language)

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Publisher : International Institute of Islamic Thought (IIIT)
ISBN 13 : 1642054968
Total Pages : 126 pages
Book Rating : 4.6/5 (42 download)

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Book Synopsis The Theory of Islamic Art (Ukrainian Language) by : Idham Mohammed Hanash

Download or read book The Theory of Islamic Art (Ukrainian Language) written by Idham Mohammed Hanash and published by International Institute of Islamic Thought (IIIT). This book was released on 2021-03-03 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to a theoretical concept associated with a vision, a principle, a theory and a method. This theoretical concept provides the intellectual and cultural foundation for a critical philosophical science of Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In the process the study also explores orientalist misconceptions, challenging some of the premises with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the spiritual perspective of Islam.

Beauty and Islam

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 0755699343
Total Pages : 186 pages
Book Rating : 4.7/5 (556 download)

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Book Synopsis Beauty and Islam by : Valerie Gonzalez

Download or read book Beauty and Islam written by Valerie Gonzalez and published by Bloomsbury Publishing. This book was released on 2001-08-24 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Beauty and Islam' explores aspects of aesthetics in classical Islamic thought in the light of contemporary theories, offering new perspectives on Islamic art and architecture with examples ranging from the Qur'an and the Alhambra to the works of present day artists and philosophers. Tracing the roots of Islamic aesthetics back to the works of the great philosophers of the Middle Ages such as Avicenna and Averroes, Valerie Gonzalez finds that aesthetic theory in Islam must be seen within the much wider context of parallel thinking on theology, ethics, physics and metaphysics.

Russian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure

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Publisher : International Institute of Islamic Thought (IIIT)
ISBN 13 : 1642052418
Total Pages : 162 pages
Book Rating : 4.6/5 (42 download)

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Book Synopsis Russian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure by : Idham Mohammed Hanash

Download or read book Russian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure written by Idham Mohammed Hanash and published by International Institute of Islamic Thought (IIIT). This book was released on 2019-01-01 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to a theoretical concept associated with a vision, a principle, a theory and a method. This theoretical concept provides the intellectual and cultural foundation for a critical philosophical science of Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In the process the study also explores orientalist misconceptions, challenging some of the premises with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the spiritual perspective of Islam.

Art and Architecture in the Islamic Tradition

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Publisher : Bloomsbury Publishing
ISBN 13 : 0857731750
Total Pages : 304 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Art and Architecture in the Islamic Tradition by : Mohammed Hamdouni Alami

Download or read book Art and Architecture in the Islamic Tradition written by Mohammed Hamdouni Alami and published by Bloomsbury Publishing. This book was released on 2013-12-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.

Beauty and Islam

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Author :
Publisher :
ISBN 13 : 9786000006167
Total Pages : 134 pages
Book Rating : 4.0/5 (61 download)

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Book Synopsis Beauty and Islam by : Valérie Gonzalez

Download or read book Beauty and Islam written by Valérie Gonzalez and published by . This book was released on 2001 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beauty and Islam' explores aspects of aesthetics in classical Islamic thought in the light of contemporary theories, offering new perspectives on Islamic art and architecture with examples ranging from the Qur'an and the Alhambra to the works of present day artists and philosophers. Tracing the roots of Islamic aesthetics back to the works of the great philosophers of the Middle Ages such as Avicenna and Averroes, Valerie Gonzalez finds that aesthetic theory in Islam must be seen within the much wider context of parallel thinking on theology, ethics, physics and metaphysics.

The Origins of Visual Culture in the Islamic World

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 0857726501
Total Pages : 200 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis The Origins of Visual Culture in the Islamic World by : Mohammed Hamdouni Alami

Download or read book The Origins of Visual Culture in the Islamic World written by Mohammed Hamdouni Alami and published by Bloomsbury Publishing. This book was released on 2015-04-17 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'.Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance.

Islamic Architecture in Bosnia and Hercegovina

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Author :
Publisher : Organisation of Islamic Conference Research Ce
ISBN 13 :
Total Pages : 280 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Islamic Architecture in Bosnia and Hercegovina by : Amir Pašić

Download or read book Islamic Architecture in Bosnia and Hercegovina written by Amir Pašić and published by Organisation of Islamic Conference Research Ce. This book was released on 1994 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Islamic Aesthetics

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Publisher : New Edinburgh Islamic Surveys
ISBN 13 :
Total Pages : 232 pages
Book Rating : 4.X/5 (4 download)

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Book Synopsis Islamic Aesthetics by : Oliver Leaman

Download or read book Islamic Aesthetics written by Oliver Leaman and published by New Edinburgh Islamic Surveys. This book was released on 2004 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is there something unique about Islamic art? This book argues that there is not - that Islam does not play an leading role in the aesthetic judgements that we should make about objects created in the Islamic world.It is often argued that a very special sort of consciousness went into creating Islamic art, that it is very different from other forms of art, that Muslims are not allowed to portray human beings in their art, and that calligraphy is the supreme Islamic art form. Oliver Leaman challenges all these ideas, showing them to be misguided. Instead he suggests that the sort of criteria we should apply to Islamic art are identical to the criteria applicable to art in general, and that the attempt to put Islamic art into a special category is a result of orientalismKey Features:*Criticises the influence of Sufism on Islamic aesthetics*Deals with issues arising in painting, calligraphy, architecture, gardens, literature, films, and music*Pays close attention to the Qur'an*Argument includes examples from history, art, philosophy, theology and the artefacts of the Islamic worldThe reader is invited to view Islamic art as no more and no less than ordinary art, neither better nor worse than anything else that counts as art. It follows that there are no special techniques required in Islamic aesthetics as compared with any other form of aesthetics.

The Formation of Islamic Art

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Publisher :
ISBN 13 :
Total Pages : 233 pages
Book Rating : 4.:/5 (484 download)

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Book Synopsis The Formation of Islamic Art by : Oleg Grabar

Download or read book The Formation of Islamic Art written by Oleg Grabar and published by . This book was released on 1977 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Handbook on Islamic Art

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Publisher :
ISBN 13 : 9781642242317
Total Pages : 357 pages
Book Rating : 4.2/5 (423 download)

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Book Synopsis Handbook on Islamic Art by :

Download or read book Handbook on Islamic Art written by and published by . This book was released on 2019-04 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Muslim art can also have a special significance for the Muslim world of today. The enormous field of Islamic architecture is the subject of, leaving fields as varied as calligraphy, painting, glass, pottery, and textile arts such as carpets and embroidery. Since this is its one cultural achievement widely accepted and admired by the West, a rededication to it can compensate the East to a certain degree for its scientific and technological retardation, something which neither the oil fields nor strategic location can achieve. If these considerations are more widely understood, Muslim art and its study will have an important role to play in the future. An important trait of Islamic art which may influence its understanding and relate it closely to concerns highlighted by Daftari, is the context within which the contemporary artist works. These contexts have included the artists' place of birth, nationality, and ethnicity and of course their religion. The nature of the Muslim community has experienced much change since the end of the Islamic Empire. Are we able to find different style of ornament that refers to Islamic Art? Islamic ideology in its original meaning is a faculty of timeless realities. Islamic art derives its beauty from wisdom. "Handbook on Islamic Art" surveys the art and architecture of the Islamic world from the 7th through the 20th centuries. By looking at major themes and regional variations of Islamic art and architecture, the course examines how meanings in various socio-political and historical contexts have been encoded through forms, functions, as well as the aesthetic features of arts, crafts, and the built environment. The aim of this work is to contextualize the concept and analyze the Islamic traditional ornamentation, focusing on the principles of Islamic ideology, which was behind the formation of a distinct identity and uniform architecture in Islamic cities and across time. This book allows readers to identify the elements and themes of Islamic art forms, and to examine them in works of painting and metalwork, in calligraphy and manuscripts, ceramics, glass, wood, and ivory.

What is “Islamic” Art?

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1108474659
Total Pages : 387 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis What is “Islamic” Art? by : Wendy M. K. Shaw

Download or read book What is “Islamic” Art? written by Wendy M. K. Shaw and published by Cambridge University Press. This book was released on 2019-10-10 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.

The Quran and the Secular Mind

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Publisher : Routledge
ISBN 13 : 1134072562
Total Pages : 411 pages
Book Rating : 4.1/5 (34 download)

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Book Synopsis The Quran and the Secular Mind by : Shabbir Akhtar

Download or read book The Quran and the Secular Mind written by Shabbir Akhtar and published by Routledge. This book was released on 2007-10-31 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is concerned with the rationality and plausibility of the Muslim faith and the Qur'an, and in particular how they can be interrogated and understood through Western analytical philosophy. It also explores how Islam can successfully engage with the challenges posed by secular thinking. The Quran and the Secular Mind will be of interest to students and scholars of Islamic philosophy, philosophy of religion, Middle East studies, and political Islam.

Artistic Research

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Publisher : Rodopi
ISBN 13 : 9789042010970
Total Pages : 194 pages
Book Rating : 4.0/5 (19 download)

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Book Synopsis Artistic Research by : Annette W. Balkema

Download or read book Artistic Research written by Annette W. Balkema and published by Rodopi. This book was released on 2004 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Advanced art education is in the process of developing research programs throughout Europe. What does the term research actually means in the practice of art? What is the relation to the scientific methods of alpha, beta or gamma sciences, directed toward knowledge production and the development of a certain scientific domaine? What will be the influence of scientific research on the art forms?

The Construction of Belief

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Publisher : Saqi
ISBN 13 : 0863567665
Total Pages : 207 pages
Book Rating : 4.8/5 (635 download)

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Book Synopsis The Construction of Belief by : Aziz Esmail

Download or read book The Construction of Belief written by Aziz Esmail and published by Saqi. This book was released on 2013-02-01 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mohammed Arkoun was one of the most prominent and influential Arab intellectuals of his day. During a career spanning more than thirty years, he was revered as an outstanding research scholar, a bold critic of the theoretical tensions embedded within Islamic Studies and an outspoken public figure, upholding political, social and cultural modernism. This Festschrift honours Arkoun's scholarship, bringing together the contributions of eleven distinguished scholars of history, religious studies and philosophy. It offers a comprehensive selection of critical engagements with Arkoun's work, reflecting on his considerable influence on contemporary thinking about Islam and its ideological, philosophical and theological dimensions. The authoritative reference study on the work of Mohammed Arkoun, The Construction of Belief is essential reading for students and scholars of Islam, Muslim societies and cultures, modernity, religious studies, philosophy and semanti.

The Cambridge History of the Kurds

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Publisher : Cambridge University Press
ISBN 13 : 1108583016
Total Pages : 1027 pages
Book Rating : 4.1/5 (85 download)

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Book Synopsis The Cambridge History of the Kurds by : Hamit Bozarslan

Download or read book The Cambridge History of the Kurds written by Hamit Bozarslan and published by Cambridge University Press. This book was released on 2021-04-22 with total page 1027 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of the Kurds is an authoritative and comprehensive volume exploring the social, political and economic features, forces and evolution amongst the Kurds, and in the region known as Kurdistan, from the fifteenth to the twenty-first century. Written in a clear and accessible style by leading scholars in the field, the chapters survey key issues and themes vital to any understanding of the Kurds and Kurdistan including Kurdish language; Kurdish art, culture and literature; Kurdistan in the age of empires; political, social and religious movements in Kurdistan; and domestic political developments in the twentieth and twenty-first centuries. Other chapters on gender, diaspora, political economy, tribes, cinema and folklore offer fresh perspectives on the Kurds and Kurdistan as well as neatly meeting an exigent need in Middle Eastern studies. Situating contemporary developments taking place in Kurdish-majority regions within broader histories of the region, it forms a definitive survey of the history of the Kurds and Kurdistan.

The Frame in Classical Art

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Publisher : Cambridge University Press
ISBN 13 : 1316943275
Total Pages : 737 pages
Book Rating : 4.3/5 (169 download)

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Book Synopsis The Frame in Classical Art by : Verity Platt

Download or read book The Frame in Classical Art written by Verity Platt and published by Cambridge University Press. This book was released on 2017-04-20 with total page 737 pages. Available in PDF, EPUB and Kindle. Book excerpt: The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.