Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
The Stream Of Consciousness In The Films Of Alain Resnais
Download The Stream Of Consciousness In The Films Of Alain Resnais full books in PDF, epub, and Kindle. Read online The Stream Of Consciousness In The Films Of Alain Resnais ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis The Stream of Consciousness in the Films of Alain Resnais by : Haim Callev
Download or read book The Stream of Consciousness in the Films of Alain Resnais written by Haim Callev and published by . This book was released on 1997-01-01 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Stream of Consciousness in the Films of Alain Resnais by : Chaim Calev
Download or read book The Stream of Consciousness in the Films of Alain Resnais written by Chaim Calev and published by . This book was released on 1980 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Alain Resnais written by Emma Wilson and published by Manchester University Press. This book was released on 2019-01-04 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alain Resnais, director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961), has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the time-image, of trauma, of the senses, this volume sets Resnais' films in the context of important current debates in film theory, and provides a concise account of critical discussions of his work in France and beyond. Yet it also offers a highly personal and detailed engagement with individual images and scenes in Resnais' films. A passionate and partial defence of Resnais' work, old and new, this volume stands apart in its attention to the more tangible and moving pleasures of his films, their pathos, rigour and visual beauty.
Book Synopsis The French Cinema Book by : Michael Temple
Download or read book The French Cinema Book written by Michael Temple and published by Bloomsbury Publishing. This book was released on 2018-01-18 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
Book Synopsis The Film Narratives of Alain Resnais by : Freddy Sweet
Download or read book The Film Narratives of Alain Resnais written by Freddy Sweet and published by . This book was released on 1981 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Twenty-One Landmark European Films 1939-1999 by : Bert Cardullo
Download or read book Twenty-One Landmark European Films 1939-1999 written by Bert Cardullo and published by Algora Publishing. This book was released on 2015-04-01 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this insightful film-analysis text show cover twenty-one of the best European films made between the coming of World War II and the end of the twentieth century, showing what makes each of them outstanding. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. They will make perfect introductions to their respective films as well as important contributions to the field of film studies in general. Written with university students in mind, these essays cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. A list of questions for discussion is included, to trigger further thinking among film buffs and to help educators prepare for class. The book is aimed at students, teachers, and cinephiles with an interest in European cinema in particular and cinema studies in general, as well as at those educated readers with an interest in the practice of film analysis and criticism. The only competition comes from Stanley Kauffmann’s relatively brief Ten Great Films (136 pp., 2012). The current work offers twenty-one illustrated essays (Kauffmann’s book contains no images) and focuses on Europe. (The countries represented are France, Italy, England, Hungary, Belgium, Sweden, Scotland, Denmark, Russia, Spain, Germany, Scotland, and Finland.) Twenty-One Landmark European Films, 1939-1999 overlaps with Kauffmann’s book only in the case of L’avventura, though the two approach this film from vastly different angles. Moreover, the book provides a complete critical apparatus—notes, bibliographies, credits, and filmographies, whereas Kauffmann’s has none. This book could be one of the primary texts for courses in film analysis, to accompany a work like Timothy Corrigan’s A Short Guide to Writing about Film (8th edition, 2011). It would also be a suitable supplementary or secondary text in such courses as 'Introduction to Film' or 'Film Appreciation'; 'Western European Cinema'; 'History of Film' or 'Global Cinema'; and 'Film Directors' or 'Film Style and Imagination.'
Book Synopsis Where Film Meets Philosophy by : Hunter Vaughan
Download or read book Where Film Meets Philosophy written by Hunter Vaughan and published by Columbia University Press. This book was released on 2013-02-05 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hunter Vaughan interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles Deleuze's image-philosophy, Vaughan applies a rich theoretical framework to a comparative analysis of Jean-Luc Godard's films, which critique the audio-visual illusion of empirical observation (objectivity), and the cinema of Alain Resnais, in which the sound-image generates innovative portrayals of individual experience (subjectivity). Both filmmakers radically upend conventional film practices and challenge philosophical traditions to alter our understanding of the self, the world, and the relationship between the two. Films discussed in detail include Godard's Vivre sa vie (1962), Contempt (1963), and 2 or 3 Things I Know About Her (1967); and Resnais's Hiroshima, mon amour (1959), Last Year at Marienbad (1961), and The War Is Over (1966). Situating the formative works of these filmmakers within a broader philosophical context, Vaughan pioneers a phenomenological film semiotics linking two disparate methodologies to the mirrored achievements of two seemingly irreconcilable artists.
Download or read book ALAIN RESNAIS written by James Monaco and published by Oxford University Press, USA. This book was released on 1979 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studies the remarkable work of Resnais, whose films include La Guerre est Fini, Stavisky, and Last Year at Marienban.
Download or read book Alain Resnais written by Lynn A. Higgins and published by Univ. Press of Mississippi. This book was released on 2021-07-29 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among the most innovative and influential filmmakers of the twentieth century, Alain Resnais (1922–2014) did not originally set out to become a director. He trained as an actor and film editor and, during the sixty-eight years of his working life, delved into virtually every corner of filmmaking, working at one time or another as screenwriter, assistant director, camera operator and cinematographer, special effects coordinator, technical consultant, and even author of source material. From such award-winning documentaries as Van Gogh and Night and Fog to the groundbreaking dramas Hiroshima mon amour, Last Year at Marienbad, and Muriel, Resnais’s films experiment with such themes as consciousness, memory, and the imagination. Distinguishing himself from associations with the French New Wave movement, Resnais considered his films to be “anti-illusionist,” never allowing his spectators to forget they were watching a work of art. In Alain Resnais: Interviews, editor Lynn A. Higgins collects twenty-one interviews with the filmmaker, twelve of which are translated into English for the first time. Spanning his entire career from his early short subjects to his final feature film, the volume highlights Resnais’s creative strategies and principles, illuminates his place in world cinema history, and situates his work relative to the New Wave, American film, and experimental filmmaking more broadly. Like his films, the interviews collected here reveal a creator who is at once an intellectual, a philosopher, an entertainer, a craftsman, and an artist.
Book Synopsis Anatomy of Film by : Bernard F. Dick
Download or read book Anatomy of Film written by Bernard F. Dick and published by . This book was released on 1990 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Andrzej Wajda written by Janina Falkowska and published by Berghahn Books. This book was released on 2007 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements. It is the reworking of these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities.
Download or read book Broken Narratives written by and published by BRILL. This book was released on 2014-08-07 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: The end of the Cold War reshuffled the power relations between former friends and enemies. In Broken Narratives the contributors offer an account of the consequences of the end of the Cold War for the (re-)telling of history in film, literature and academic historiography in Europe and East Asia. Despite the post-modern claim that there is no need for a master-narrative, the contributions to this book show that we are in the middle of an intense and difficult search for a common understanding of the past. However, instead of common narratives polyphony and dissonances are produced which reflect a world in a period of transition. As the contributions to this volume show, the year 1989 has generated broken narratives. Contributors include: Peter Verstraten, Rotem Kowner, Susanne Weigelin-Schwiedrzik, Carsten Schäfer, Martin Gieselmann, Yonson Ahn, Chang Lung-chih, Andrea Riemenschnitter, Shingo Minamizuka, Petra Buchholz, and Tatiana Zhurzhenko.
Download or read book 台灣文學英譯叢刊(No. 40) written by and published by 國立臺灣大學出版中心. This book was released on 2017-07-08 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: 白先勇,可以說是當代華文作家中,不論是在台灣、在中國、在東南亞、在其他各地的華人世界中,最負盛名、最受肯定的作家。他的文學活動、創作成就和作家地位,與台灣文學的關係,是一個值得探討的現象,也是本叢刊這一專輯譯介他的作品的主要原因和探討的主題。 這一專輯,由白先勇提供尚未翻譯成英文的小說,共五篇。其中收錄在《紐約客》中的有四篇:〈謫仙怨〉、〈骨灰〉、〈Danny Boy〉、〈Tea for Two〉。加上1971年作者與夏志清合譯的〈謫仙記〉,以及1980年作者與尹佩霞合譯的〈夜曲〉,《紐約客》一書中的六篇,以此完結。此外另有一篇近作,〈Silent Night〉,該是屬於《紐約客》系列,最初發表於《聯合報》「當代小說特區」(2015年12月24-25日)。 除了五篇小說之外,我們另外選譯了四篇散文,代表四個不同的題材,呈現在評論方面的不同面向:對《現代文學》當初創刊的回顧、五四以來中國小說缺乏藝術經營的問題、小說與電影的關係,以及一篇對新詩的評論—白先勇知道台灣詩壇壁壘分明,向來不涉及新詩的評論,這篇〈望帝春心的哀歌—讀杜國清的《心雲集》〉,也可以看出小說家與詩人對人生愛與哀的情感書寫,自有一份戚戚然的知音共鳴。 It could be said that Pai Hsien-yung is the most renowned and broadly recognized contemporary Chinese writer, whether in Taiwan, China, Southeast Asia, or any other region of the Chinese world. His literary activities, achievements, and status as an eminent writer within the context of Taiwan literature is a phenomenon worthy of study. Therefore, we dedicate an entire issue to exploring it.
Download or read book Archiveology written by Catherine Russell and published by Duke University Press. This book was released on 2018-03-15 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology—the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers—provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Védrès's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Book Synopsis Film and the Anarchist Imagination by : Richard Porton
Download or read book Film and the Anarchist Imagination written by Richard Porton and published by Verso. This book was released on 1999 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bearded bomb-throwers, self-indulgent nihilists, dangerous subversives.these characteristic clichés of anarchists in the popular imagination are often reproduced in the cinema. In Film and the Anarchist Imagination, the first comprehensive survey of anarchism in film, Richard Porton deconstructs such stereotypes while offering an authoritative account of films featuring anarchist characters and motifs. From the early cinema of Griffith and René Clair, to the work of Godard, Lina Wertmüller, Lizzie Borden and Ken Loach, Porton analyzes portrayals of anarchism in film, presenting commentaries and critiques of such classics as Zéro de Conduite, Tout Va Bien, and Love and Anarchy. In addition, he provides an excellent guide to the complex traditions of anarchist thought, from Bakunin and Kropotkin to Emma Goldman and Murray Bookchin, disclosing a rich historical legacy that encompasses the Paris Commune, the Haymarket martyrs, the anarcho-syndicalists of the Spanish Civil War, as well as more familiar contemporary avatars like the Situationists and the enragés of May 1968.
Book Synopsis Cahiers du Cinema by : James R Russo
Download or read book Cahiers du Cinema written by James R Russo and published by Liverpool University Press. This book was released on 2023-04-17 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cahiers du Cinema: Interviews with Film Directors, 19531970 brings together eighteen directorsOtto Preminger, Roberto Rossellini, John Ford, Howard Hawks, Max Ophuls, Nicholas Ray, Orson Welles, Fritz Lang, Alain Resnais, Jean-Luc Godard, Francois Truffaut, Michelangelo Antonioni, Carl-Theodor Dreyer, Federico Fellini, Robert Bresson, Joseph L. Mankiewicz, Jean Renoir, and Eric Rohmer -- who are among the leading auteurs in the history of the cinema. The interviews were all commissioned for the legendary movie journal Cahiers du Cinema (the oldest such French-language magazine in continuous publication), the first critical enterprise to treat films, particularly Hollywood films, as a serious art form. Co-founded in 1951 by Andre Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca, Cahiers was edited, after 1957, by Rohmer himself, including among its writers (and interviewers) Jacques Rivette, Godard, Claude Chabrol, and Truffaut -- all of whom went on to become highly influential filmmakers. Conducted in Cahiers famously in-depth, critical and engaged style, the interviews in this volume catch each director at a crucial juncture in his development as an artist, and stand as a historical record of the dominance of the Euro-American tradition in cinematic art. This is the first such collection of its kind in English, edited with a contextualizing introduction, critical biographies, career filmographies, and a comprehensive index by the American scholar James R. Russo.
Download or read book Realizations written by Martin Meisel and published by Princeton University Press. This book was released on 2014-07-14 with total page 493 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this richly illustrated study of the relationship of art, drama, and fiction in the nineteenth century, Martin Meisel illuminates the collaboration between storytelling and picturemaking that informed narrative painting, pictorial dramaturgy, and serial illustrated fiction. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.