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The Soul Of Film Theory
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Book Synopsis The Soul of Film Theory by : S. Cooper
Download or read book The Soul of Film Theory written by S. Cooper and published by Springer. This book was released on 2013-05-30 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this innovative book, Sarah Cooper revisits the history of film theory in order to bring to the fore the neglected concept of the soul and to trace its changing fortunes. The Soul of Film Theory charts the legacy of this multi-faceted, contested term, from the classical to the contemporary era.
Book Synopsis The Soul of Film Theory by : S. Cooper
Download or read book The Soul of Film Theory written by S. Cooper and published by Springer. This book was released on 2013-05-30 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this innovative book, Sarah Cooper revisits the history of film theory in order to bring to the fore the neglected concept of the soul and to trace its changing fortunes. The Soul of Film Theory charts the legacy of this multi-faceted, contested term, from the classical to the contemporary era.
Download or read book Béla Balázs written by Béla Balázs and published by Berghahn Books. This book was released on 2010 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin."--Pub. desc.
Book Synopsis André Bazin's Film Theory by : Angela Dalle Vacche
Download or read book André Bazin's Film Theory written by Angela Dalle Vacche and published by Oxford University Press. This book was released on 2019-11-28 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through metaphors and allusions to art, science, and religion, André Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is a mind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously-- the audience sees the same film, but each individual relates to the narrative in a different way. In principle, cinema can unsettle our routines in productive ways and expand our sense of belonging to a much larger picture. By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that André Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness. Through the projection of recorded traces of the world onto a brain-like screen, the cinema can open viewers up to self-interrogation and empathy towards Otherness. Bazin was neither a spiritualist nor an animist or a pantheist, yet his film theory leads also to ideas of a more cosmological persuasion: through editing and camera movement, cinema explores our belonging to a vast universe that extends from the microbes of the microscope to the stars of the telescope. Such ideas of connectedness, coupled with Bazin's well-known emphasis of realism, form the foundation for his film theory's embrace of Italian neorealism. Choosing to avoid a quantitative naturalism based on accumulation of details, Bazin's theory instead promotes the kind of cinema that celebrates perceptual displacement, the objectification of human behavior, and one's own critical self-awareness.
Book Synopsis Mysteries of Cinema by : Adrian Martin
Download or read book Mysteries of Cinema written by Adrian Martin and published by UWA Publishing. This book was released on 2020-04-01 with total page 521 pages. Available in PDF, EPUB and Kindle. Book excerpt: The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.
Book Synopsis The Art and Soul of Dune by : Tanya Lapointe
Download or read book The Art and Soul of Dune written by Tanya Lapointe and published by Simon and Schuster. This book was released on 2022-03-22 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Immerse yourself in the world of Denis Villeneuve’s Dune and discover the incredible creative journey that brought Frank Herbert’s iconic novel to the big screen. Frank Herbert’s science fiction classic Dune has been brought to life like never before in the breathtaking film adaptation from acclaimed director Denis Villeneuve (Blade Runner 2049, Arrival). Now fans can be part of this creative journey with The Art and Soul of Dune, the official companion to the hugely anticipated movie event. Written by Dune executive producer Tanya Lapointe, this visually dazzling exploration of the filmmaking process gives unparalleled insight into the project’s genesis—from its striking environmental and creature designs to its intricate costume concepts and landmark digital effects. The Art and Soul of Dune also features exclusive interviews with key members of the cast and crew, including Denis Villeneuve, Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, and many more, delivering a uniquely candid account of the hugely ambitious international shoot. Showcasing Villeneuve’s visionary approach to realizing Herbert’s science fiction classic, The Art and Soul of Dune is an essential companion to the director’s latest masterpiece.
Download or read book Film Theory written by Philip Simpson and published by Taylor & Francis. This book was released on 2004 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
Book Synopsis Transcendental Style in Film by : Paul Schrader
Download or read book Transcendental Style in Film written by Paul Schrader and published by Univ of California Press. This book was released on 2018-05-18 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
Book Synopsis Film and the Imagined Image by : Sarah Cooper
Download or read book Film and the Imagined Image written by Sarah Cooper and published by Edinburgh University Press. This book was released on 2019-07-03 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is perceptible on screen. This book explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. Bringing together an international range of films with debates in philosophy, film theory, literary scholarship and cognitive psychology, author Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind. Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship.
Download or read book Chinese Film Theory written by Xia Hong and published by Bloomsbury Publishing USA. This book was released on 1990-05-23 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself. The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies.
Download or read book Film Theory written by Thomas Elsaesser and published by Routledge. This book was released on 2009-12-16 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories – from the classical period to today – in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories.
Book Synopsis Concepts In Film Theory by : D.Andrew
Download or read book Concepts In Film Theory written by D.Andrew and published by . This book was released on 2008-10-22 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Lukácsian film theory and cinema by : Ian Aitken
Download or read book Lukácsian film theory and cinema written by Ian Aitken and published by Manchester University Press. This book was released on 2018-02-28 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lukácsian film theory and cinema explores Georg Lukács’ writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English – until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács’ literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács’ writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author’s earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).
Book Synopsis Béla Balázs: Early Film Theory by : Béla Balázs
Download or read book Béla Balázs: Early Film Theory written by Béla Balázs and published by Berghahn Books. This book was released on 2010-05-30 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Béla Balázs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs's detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution – alongside such contemporaries as Arnheim, Kracauer and Benjamin – to critical debate on film in the 'golden age' of the Weimar silents.
Book Synopsis Realist film theory and cinema by : Ian Aitken
Download or read book Realist film theory and cinema written by Ian Aitken and published by Manchester University Press. This book was released on 2019-01-04 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: ‘Realist film theory and cinema’ embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken’s work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.
Book Synopsis André Bazin's Film Theory by : Angela Dalle Vacche
Download or read book André Bazin's Film Theory written by Angela Dalle Vacche and published by . This book was released on 2020 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through metaphors and allusions to art, science, and religion, Andre Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is amind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously - the audience sees the same film, but eachindividual relates to the narrative in a different way. In principle, cinema can unsettle our routines in productive ways and expand our sense of belonging to a much larger picture.By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that Andre Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness. Through the projection of recorded traces of the worldonto a brain-like screen, the cinema can open viewers up to self-interrogation and empathy towards Otherness. Bazin was neither a spiritualist nor an animist or a pantheist, yet his film theory leads also to ideas of a more cosmological persuasion: through editing and camera movement, cinemaexplores our belonging to a vast universe that extends from the microbes of the microscope to the stars of the telescope. Such ideas of connectedness, coupled with Bazin's well-known emphasis of realism, form the foundation for his film theory's embrace of Italian neorealism. Choosing to avoid aquantitative naturalism based on accumulation of details, Bazin's theory instead promotes the kind of cinema that celebrates perceptual displacement, the objectification of human behavior, and one's own critical self-awareness.
Book Synopsis André Bazin's Film Theory by : Angela Dalle Vacche
Download or read book André Bazin's Film Theory written by Angela Dalle Vacche and published by Oxford University Press. This book was released on 2019-11-28 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through metaphors and allusions to art, science, and religion, André Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is a mind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously-- the audience sees the same film, but each individual relates to the narrative in a different way. In principle, cinema can unsettle our routines in productive ways and expand our sense of belonging to a much larger picture. By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that André Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness. Through the projection of recorded traces of the world onto a brain-like screen, the cinema can open viewers up to self-interrogation and empathy towards Otherness. Bazin was neither a spiritualist nor an animist or a pantheist, yet his film theory leads also to ideas of a more cosmological persuasion: through editing and camera movement, cinema explores our belonging to a vast universe that extends from the microbes of the microscope to the stars of the telescope. Such ideas of connectedness, coupled with Bazin's well-known emphasis of realism, form the foundation for his film theory's embrace of Italian neorealism. Choosing to avoid a quantitative naturalism based on accumulation of details, Bazin's theory instead promotes the kind of cinema that celebrates perceptual displacement, the objectification of human behavior, and one's own critical self-awareness.
