The Originality Of The Avant Garde And Other Modernist Myths

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The Originality of the Avant-Garde and Other Modernist Myths

Author : Rosalind E. Krauss
Publisher : MIT Press
ISBN 13 : 0262610469
Total Pages : 315 pages
Book Rating : 4.2/5 (626 download)

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Book Synopsis The Originality of the Avant-Garde and Other Modernist Myths by : Rosalind E. Krauss

Download or read book The Originality of the Avant-Garde and Other Modernist Myths written by Rosalind E. Krauss and published by MIT Press. This book was released on 1986-07-09 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.

Retracing the Expanded Field

Author : Spyros Papapetros
Publisher : MIT Press
ISBN 13 : 0262027593
Total Pages : 288 pages
Book Rating : 4.2/5 (62 download)

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Book Synopsis Retracing the Expanded Field by : Spyros Papapetros

Download or read book Retracing the Expanded Field written by Spyros Papapetros and published by MIT Press. This book was released on 2014-10-24 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars and artists revisit a hugely influential essay by Rosalind Krauss and map the interactions between art and architecture over the last thirty-five years. Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art's transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. Krauss tried to clarify what these art practices were, what they were not, and what they could become if logically combined. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss's hugely influential text and maps the ensuing interactions between art and architecture. Responding to Krauss and revisiting the milieu from which her text emerged, artists, architects, and art historians of different generations offer their perspectives on the legacy of “Sculpture in the Expanded Field.” Krauss herself takes part in a roundtable discussion (moderated by Hal Foster). A selection of historical documents, including Krauss's essay, presented as it appeared in October, accompany the main text. Neither eulogy nor hagiography, Retracing the Expanded Field documents the groundbreaking nature of Krauss's authoritative text and reveals the complex interchanges between art and architecture that increasingly shape both fields. Contributors Stan Allen, George Baker, Yve-Alain Bois, Benjamin Buchloh, Beatriz Colomina, Penelope Curtis, Sam Durant, Edward Eigen, Kurt W. Forster, Hal Foster, Kenneth Frampton, Branden W. Joseph, Rosalind Krauss, Miwon Kwon, Sylvia Lavin, Sandro Marpillero, Josiah McElheny, Eve Meltzer, Michael Meredith, Mary Miss, Sarah Oppenheimer, Matthew Ritchie, Julia Robinson, Joe Scanlan, Emily Eliza Scott, Irene Small, Philip Ursprung, Anthony Vidler

Passages in Modern Sculpture

Author : Rosalind E. Krauss
Publisher : MIT Press
ISBN 13 : 9780262610339
Total Pages : 326 pages
Book Rating : 4.6/5 (13 download)

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Book Synopsis Passages in Modern Sculpture by : Rosalind E. Krauss

Download or read book Passages in Modern Sculpture written by Rosalind E. Krauss and published by MIT Press. This book was released on 1981-02-26 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.

Rosalind Krauss and American Philosophical Art Criticism

Author : David Carrier
Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313076421
Total Pages : 140 pages
Book Rating : 4.3/5 (13 download)

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Book Synopsis Rosalind Krauss and American Philosophical Art Criticism by : David Carrier

Download or read book Rosalind Krauss and American Philosophical Art Criticism written by David Carrier and published by Bloomsbury Publishing USA. This book was released on 2002-10-30 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rosalind Krauss is, without visible rival, the most influential American art writer since Clement Greenberg. Together with her colleagues at ^IOctober^R, the journal she co-founded, she has played a key role in the introduction of French theory into the American art world. In the 1960s, though first a follower of Greenberg, she was inspired by her readings of French structuralist and post-structuralist materials, revolted against her mentor's formalism, and developed a succession of radically original styles of art history writing. Offering a complete survey of her career and work, ^IRosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism^R comprises the first book-length study of its subject. Written in the lucid style of analytic philosophy, this accessible commentary offers a consideration of her arguments as well as discussions of alternative positions. Tracing Krauss's development in this way provides the best method of understanding the changing styles of American art criticism from the 1960s through the present, and thus provides an invaluable source of historical and aesthetic knowledge for artists and art scholars alike.

The Optical Unconscious

Author : Rosalind E. Krauss
Publisher : MIT Press
ISBN 13 : 9780262611053
Total Pages : 374 pages
Book Rating : 4.6/5 (11 download)

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Book Synopsis The Optical Unconscious by : Rosalind E. Krauss

Download or read book The Optical Unconscious written by Rosalind E. Krauss and published by MIT Press. This book was released on 1994-07-25 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.

Bachelors

Author : Rosalind E. Krauss
Publisher : MIT Press
ISBN 13 : 9780262611657
Total Pages : 250 pages
Book Rating : 4.6/5 (116 download)

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Book Synopsis Bachelors by : Rosalind E. Krauss

Download or read book Bachelors written by Rosalind E. Krauss and published by MIT Press. This book was released on 2000-08-25 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media. These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Krauss resists that claim, for these "bachelors" are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the "part object" (Louise Bourgeois) or the "formless" (Cindy Sherman) could be said to find its power in strategies associated with such concepts as écriture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand.

The Originality of the Avant-Garde and Other Modernist Myths

Author : Rosalind E. Krauss
Publisher : MIT Press
ISBN 13 : 9780262610469
Total Pages : 324 pages
Book Rating : 4.6/5 (14 download)

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Book Synopsis The Originality of the Avant-Garde and Other Modernist Myths by : Rosalind E. Krauss

Download or read book The Originality of the Avant-Garde and Other Modernist Myths written by Rosalind E. Krauss and published by MIT Press. This book was released on 1986-07-09 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.

The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss

Author : Richard Shone
Publisher : Thames & Hudson
ISBN 13 : 0500771499
Total Pages : 208 pages
Book Rating : 4.5/5 (7 download)

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Book Synopsis The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss by : Richard Shone

Download or read book The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss written by Richard Shone and published by Thames & Hudson. This book was released on 2013-04-05 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.

The Age of the Avant-Garde

Author : Hilton Kramer
Publisher : Transaction Publishers
ISBN 13 : 1412813859
Total Pages : 645 pages
Book Rating : 4.4/5 (128 download)

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Book Synopsis The Age of the Avant-Garde by : Hilton Kramer

Download or read book The Age of the Avant-Garde written by Hilton Kramer and published by Transaction Publishers. This book was released on 2011-12-31 with total page 645 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hilton Kramer, well known as perhaps the most perceptive, courageous, and influential art critic in America, is also the founder and co-editor (with Roger Kimball) of The New Criterion. This comprehensive book collects a sizable selection of his early essays and reviews published in Artforum, Commentary, Arts Magazine, The New York Review of Books, and The Times, and thus constituted his first complete statement about art and the art world. The principal focus is on the artists and movements of the last hundred years: the Age of the Avant-Garde that begins in the nineteenth century with Realism and Impressionism. Most of the major artists of this rich period, from Monet and Degas to Jackson Pollock and Claes Oldenburg, are discussed and often drastically revaluated. A brilliant introductory essay traces the rise and fall of the avant-garde as a historical phenomenon, and examines some of the cultural problems which the collapse of the avant-garde poses for the future of art. In addition, there are chapters on art critics, museums, the relation of avant-garde art to radical politics, and on the growth of photography as a fine art. This collection is not intended to be the last word on one of the greatest as well as one of the most complex periods in the history of the artistic imagination. The essays and reviews gathered here were written in response to particular occasions and for specific deadlines--in the conviction that a start in the arduous task of critical revaluation needed to be made, not because a critical theory prescribed it but because our experience compelled it!

Under Blue Cup

Author : Rosalind E. Krauss
Publisher : MIT Press
ISBN 13 : 0262551233
Total Pages : 153 pages
Book Rating : 4.2/5 (625 download)

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Book Synopsis Under Blue Cup by : Rosalind E. Krauss

Download or read book Under Blue Cup written by Rosalind E. Krauss and published by MIT Press. This book was released on 2024-02-06 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: A personal journey leads a celebrated critic to discover “knights of the medium,” contemporary artists who battle the aesthetic meaninglessness of the post-medium condition. In Under Blue Cup, Rosalind Krauss explores the relation of aesthetic mediums to memory—her own memory having been severely tested by a ruptured aneurysm that temporarily washed away much of her short-term memory. (The title, Under Blue Cup, comes from the legend on a flash card she used as a mnemonic tool during cognitive therapy.) Krauss emphasizes the medium as a form of remembering; contemporary artists in what she terms the “post-medium” condition reject that scaffolding. Krauss explains the historical emergence of the post-medium condition and describes alternatives to its aesthetic meaninglessness, examining works by “knights of the medium”—contemporary artists who extend the life of the specific medium. These artists—including Ed Ruscha, William Kentridge, Sophie Calle, Harun Farocki, Christian Marclay, and James Coleman—reinstate the recursive rules of a modernist medium by inventing what Krauss terms new technical supports, battling the aesthetic meaninglessness of the post-medium condition. The “technical support” is an underlying ground for aesthetic practice that supports the work of art as canvas supported oil paint. The technical support for Ruscha's fascination with gas stations and parking lots is the automobile; for Kentridge, the animated film; for Calle, photojournalism; for Coleman, a modification of PowerPoint; for Marclay, synchronous sound. Their work, Krauss argues, recuperates more than a century of modernist practice. The work of the post-medium condition—conceptual art, installation, and relational aesthetics—advances the idea that the “white cube” of the museum or gallery wall is over. Krauss argues that the technical support extends the life of the white cube, restoring autonomy and specificity to the work of art.

Techniques of the Observer

Author : Jonathan Crary
Publisher : MIT Press
ISBN 13 : 9780262531078
Total Pages : 190 pages
Book Rating : 4.5/5 (31 download)

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Book Synopsis Techniques of the Observer by : Jonathan Crary

Download or read book Techniques of the Observer written by Jonathan Crary and published by MIT Press. This book was released on 1992-02-25 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision. Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.

The Total Art of Stalinism

Author : Boris Groys
Publisher : Verso Books
ISBN 13 : 1844678091
Total Pages : 144 pages
Book Rating : 4.8/5 (446 download)

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Book Synopsis The Total Art of Stalinism by : Boris Groys

Download or read book The Total Art of Stalinism written by Boris Groys and published by Verso Books. This book was released on 2014-05-27 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists’ goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.

Art and Culture

Author : Clement Greenberg
Publisher : Beacon Press
ISBN 13 : 9780807066812
Total Pages : 292 pages
Book Rating : 4.0/5 (668 download)

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Book Synopsis Art and Culture by : Clement Greenberg

Download or read book Art and Culture written by Clement Greenberg and published by Beacon Press. This book was released on 1971-06-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Clement Greenberg is, internationally, the best-known American art critic popularly considered to be the man who put American vanguard painting and sculpture on the world map. . . . An important book for everyone interested in modern painting and sculpture."—The New York Times

Painting as Model

Author : Yve-Alain Bois
Publisher : MIT Press
ISBN 13 : 9780262521802
Total Pages : 356 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis Painting as Model by : Yve-Alain Bois

Download or read book Painting as Model written by Yve-Alain Bois and published by MIT Press. This book was released on 1993-05-04 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.

Inside the White Cube

Author : Brian O'Doherty
Publisher : Univ of California Press
ISBN 13 : 9780520220409
Total Pages : 128 pages
Book Rating : 4.2/5 (24 download)

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Book Synopsis Inside the White Cube by : Brian O'Doherty

Download or read book Inside the White Cube written by Brian O'Doherty and published by Univ of California Press. This book was released on 1999 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: These essays explicitly confront a particular crisis in postwar art, seeking to examine the assumptions on which the modern commercial and museum gallery was based.

The Theory of the Avant-garde

Author : Renato Poggioli
Publisher : Harvard University Press
ISBN 13 : 9780674882164
Total Pages : 262 pages
Book Rating : 4.8/5 (821 download)

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Book Synopsis The Theory of the Avant-garde by : Renato Poggioli

Download or read book The Theory of the Avant-garde written by Renato Poggioli and published by Harvard University Press. This book was released on 1968 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Convinced that all aspects of modern culture have been affected by avant-garde art, Renato Poggioli explores the relationship between the avant-garde and civilization. Historical parallels and modern examples from all the arts are used to show how the avant-garde is both symptom and cause of many major extra-aesthetic trends of our time, and that the contemporary avant-garde is the sole and authentic one.

A Boatload of Madmen

Author : Dickran Tashjian
Publisher :
ISBN 13 : 9780500282854
Total Pages : 424 pages
Book Rating : 4.2/5 (828 download)

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Book Synopsis A Boatload of Madmen by : Dickran Tashjian

Download or read book A Boatload of Madmen written by Dickran Tashjian and published by . This book was released on 2001 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1932, against the troubled background of the Depression, the American art community had its first glimpse of the revolutionary art of the Surrealists. Combining a fascination for Freud's new symbolic language of dreams with a radical utopianism, the Parisian movement galvanized an emerging American avant-garde. New galleries opened to exhibit the terrifying, insane works of Surrealist artists, and new magazines sprang up to publish a startling crop of Surrealist poetry, criticism, and vociferous attacks on mainstream culture and politics.Four years later, a major Surrealist exhibition at the Museum of Modern Art in New York catapulted Surrealism into the cultural limelight. Soon the art of Man Ray was selling cologne and swimwear and Salvador Dali was designing shop windows and a pavilion at the 1939 New York World's Fair. Andre Breton and his circle, exiled in Manhattan during World War II, were unable to assert control over this new kind of Surrealism. If anything, their cultural dislocation in these years gave Americans the edge in developing new Surrealist concepts and movements such as Abstract Expressionism.This innovative and vividly written cultural history tells the story of Surrealism's remarkable sea change during its years in America, from a fiercely leftist, strongly literary avant-garde movement into an apolitical, almost exclusively visual style. Exploring both high and low cultural perspectives, Dickran Tashjian shows how the American avant-garde selectively filtered and reshaped European Surrealism to meet its own agendas, and how it in turn was reinterpreted, depoliticized, and commercially exploited by mainstream American culture and thefashion/advertising industry.